Commentary

Disciples

With Walt Whitman in Camden vol. 4 (1953)


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WITH WALT WHITMAN IN CAMDEN
 
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WITH WALT WHITMAN IN CAMDEN

January 21 to April 7, 1889

BY HORACE TRAUBEL
Edited by Sculley Bradley
Philadelphia
University of Pennsylvania Press
London:
Geoffrey Cumberlege Oxford University Press
1953
 
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Copyright 1953

Anne M. Traubel

Manufactured in the United States of America
 
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CONTENTS

page
Introduction...................................... ix
Sculley Bradley
To Readers........................................ xv
Horace Traubel's introduction to Volume I, 1906
Editorial Note.................................... xvii
Sculley Bradley
Conversations: January 21 to April 7, 1889........ 1
Index............................................. 515
 
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ILLUSTRATIONS

     

Walt Whitman Frontispiece
Hitherto unpublished photograph, undated and unsigned From the collection of Anne Montgomerie Traubel
Facing page
"Poetes Modernes de L'Amerique: Walt Whitman"--Sarrazin's Autograph 2
Gabriel Sarrazin's review-article in La Nouvelle Revue, May 1, 1888, pp. 164-84 From the collection of Charles E. Feinberg, Detroit
Last Page of "The Suppression of Leaves of Grass" 20
W.D. O'Connor's letter of May 25, 1882, published in the New York Tribune, attacking Oliver Stevens, District Attorney of Boston, who forced the withdrawal of the 1881 edition by Osgood and Company From the collection of Charles E. Feinberg, Detroit
Emerson to Whitman, July 21, 1885 152
The famous letter in which Emerson wrote, "I greet you at the beginning of a great career," here for the first time published in complete facsimile. In actual size, with envelopes From the collection of Anne Montgomerie Traubel
Whitman's Royalty Income, 1889 440
Autograph receipt to David McKay for royalty, March 28, 1889 From the collection of Charles E. Feinberg, Detroit Matching entry, dated March 26, 1889, in David McKay's account book From the collection of the University of Pennsylvania Library
 
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INTRODUCTION

     The conversations recorded in this volume took place sixty-five years ago, yet they have an immediate interest and value, both for the general reader and the literary scholar. In 1906, when Horace Traubel published the first volume of these discourses, With Walt Whitman in Camden, only a few enthusiasts and far-sighted librarians recognized its value, and preserved it for readers of future generations. It now seems impossible that a book reporting Whitman warmly and truly should have experienced neglect even later, in 1914, when the third volume was published. When Horace Traubel died in 1919, he had been unable to secure a publisher for his fourth volume, and it appears here for the first time.

     With the passing years, there has been a mounting recognition of Whitman. Today he towers among the unquestioned great interpreters of America. A new generation of poets found that he had been their pioneer, enlarging their horizons, and giving a new freedom to their craft. Readers in many lands, during these troubled decades, have taken comfort from Whitman's faith in democracy, his serene individualism, his vision of "inseparable cities with their arms about each other's necks" in a universe whose "kelson" is love. The postponed approval of Whitman caused scholars and critics, somewhat belatedly, to discover the values in Traubel's volumes, so that today they are widely sought by literary specialists and libraries. Except for the writings of the poet himself, there has been no source so clearly indispensable as the three volumes of With Walt Whitman in Camden. Every good biographer and critic of Whitman has used this work as a source, and many serious readers have enjoyed it.

     Each of Traubel's volumes may stand alone, the present no less than the three that preceded it. You may open it anywhere and begin reading, for this work needs no such logical or chronological sequence as is customary in a work of formal interpretation or biographical narrative. Its logic is the delightful and limber illogic

 
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of conversation, in which one thing by chance recalls another in the daily meeting of two friends with a storehouse of memories. It is Whitman, the man himself, there in the cluttered Camden house, fully aware, at seventy, of the adventure of each new day; but talking, endlessly talking, of remembered yesterdays. He is an old man now, turning the kaleidoscope of recollection, and reviewing his colorful life; but he is also still very much alive, reading the news and the books, concerned for all his friends, firm in his opinions.

     All this Traubel transferred quickly to his notes, almost with the fidelity of a modern wire recorder. Like a good reporter he made no effort to "improve" Whitman; he impartially recorded both the old invalid, peevish with constipation, and the lofty thinker; both the angry partisan and the magnanimous forgiver of trespasses; he reproduced the trite, the common, even the vulgar remark as cheerfully as the sublime idea. Without the reporter's formal training, Traubel apparently had the reporter's instinct, and the eyes and ears of a television camera. The present writer is indebted to Mrs. Traubel for the following account of her husband's method of work: "The notes of the visits to Whitman were written on small bits of paper to fit into the pocket of his jacket, and were written in what he called 'condensed longhand,' in the dim light of Whitman's room. Within the hour of the words spoken, the material was put into the complete form with which you are familiar in the three published volumes. There was no vacuum of time or emotion, thus preserving the vitality of the original conversation." The idea, one gathers, was to transcribe not only the words, but the very inflection of the poet's voice. The young scribe often read it back to his future bride to check the sound of it.

     Does Whitman know that young Traubel, making notes as they talk, will soon be back in his room, transcribing his "story", as it were, before the midnight deadline? In any case, the old poet knows, by journalistic experience, that eventually it will serve a good purpose. John Burroughs and Dr. Bucke have already published their accounts, authorized and supervised, in part, by the poet himself, but Whitman seems here to be making an effort not to define the book that Traubel might write, not indeed to imply that he is obligated to write any book at all. Yet the two continue endlessly to recall the moments of life, homely or lofty, dark or luminous, that

 
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the old man might want to winnow from the chaff, while retrieving from the piled debris, the litter of papers that always surrounded him, the precious documents and letters that substantiated his memory. These he gave to Traubel, with only one command concerning their possible use: "Whatever you do do not prettify me." Traubel's understanding of his commission, and his method of fulfilling it, were precisely stated in his address to the readers of his first volume, in 1906. In order to avoid the presumption of restating it here, we have reprinted it, under its original title, "To Readers," immediately following this introduction.

     Horace Logo Traubel (1858-1919) was well suited for the mission which came to him unsought. Mrs. Traubel believes that her husband had no particular plan to write a book on Whitman when he began to record his conversations. He had known Whitman from his boyhood; he found the poet an exhaustless source of interest and life, and responded naturally to the impulse to set down his conversation. The rest followed as a matter of course. Actually, Traubel had known Whitman for fifteen years or more before the first recorded conversations. In 1873, when Traubel was a boy of fifteen, and Whitman fifty-four, the poet, stricken with paralysis, secured a deputy for his small clerkship in Washington and took lodging with his brother, George, in Camden, New Jersey. The Traubels lived nearby, and were already acquainted with the Whitmans. A couple of years earlier, they had heard that Whitman's mother, on a visit with his brother George, had been stricken with illness, and like good neighbors of an earlier time, they had gone to see her. From that time young Traubel was a familiar at the Whitmans'. The father, Maurice Henry Traubel, a German by birth, came at twenty-one to Philadelphia from Frankfurt-am-Main, where he had received a liberal education in the arts. A lithographer by occupation, he provided for his son the environment of books, music, and ideas. In time, Whitman's young admirer became the mature friend.

     During the earlier years of their association the poet wrote his last great poems, although he recovered somewhat from the paralysis that at first threatened his life. He prepared the Centennial Edition of his works for the celebration of 1876. Still later, he brought Leaves of Grass into its final organization for the edition of 1881, suppressed in Boston and transferred to a publisher in Philadelphia,

 
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Rees Welsh, soon to be succeeded by David McKay. He published a prose volume, the Specimen Days of 1882. In 1884, he was able to move into the first house that he ever called his own, and the last, the simple wooden dwelling at 330 Mickle Street, Camden, where these conversations took place, and where the poet died. In all these enterprises after 1876, Traubel became increasingly the companion and the bearer of burdens for the physically handicapped poet. In 1888 appeared November Boughs (containing the fundamental essay, "A Backward Glance O'er Travel'd Roads"); in the same year came what they called "the big book"— Complete Poems and Prose. This was followed within a year, in 1889, by the charming pocket edition, with its limp, black leather cover, published to commemorate the poet's seventieth birthday.

     In these later publications, Traubel became truly the poet's literary adviser and critic, as well as his agent with the publisher, the printers, and the bookbinders; for Whitman, to the end, arranged for the printing and binding of his books, for which McKay was sales agent. These events, as contemporary with the present conversations, are vividly portrayed in their daily occurrence, in this scrupulous account of Traubel's regular visits to Whitman in 1888 and 1889. References to present visitors jostle with the memories of old friends. In this house, during the years to come, Horace Traubel was to assist the poet with his very last books, Good-Bye My Fancy (1891), and the last Leaves of Grass (1892), dubbed the "deathbed edition" because Traubel brought one of the first copies, in its brown paper cover, to the dying poet's bedside.

     To the little house in Camden came many literary admirers—American and foreign visitors, great and small—while correspondence poured in from every quarter. Through the years, Traubel became one of the band of somewhat older men—the "Whitman circle"—who came and went continuously in thought and often in person: such as Burroughs, from his farm in New York; or Dr. Bucke from Canada, where he was Superintendent of a mental hospital; or William Douglas O'Connor (superintendent, in Washington, of the United States Life Saving Service), the author, in 1866, of The Good Gray Poet; and William Sloane Kennedy, man of letters, who, like all these others, wrote authoritative books about Whitman. In addition, there were the Philadelphia friends—Harned, the Smiths, Harrison

 
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Morris, Herbert Gilchrist the painter, temporarily transplanted from England, and numerous others. Traubel knew them all personally; and he had also picked up a full knowledge of Whitman's associations with the great figures of the past—Emerson, Thoreau, Carlyle, Rossetti, Lincoln, Ingersoll, and many more. When the time came for Whitman to make a final recapitulation of his story, Traubel knew what questions to ask, and by instinct he knew what questions posterity would want to have answered. From 1890 until 1919, when he died, Traubel issued his monthly Conservator, supporting a mild form of socialism, and publishing many articles on Whitman. With Bucke and Harned he edited the authorized Complete Writings in ten volumes in 1902.

     Not the least contribution of the present volume is the portrayal of the living man, Whitman, in the mellow fruition of his seventieth year. Anyone interested will read the record for himself, but a few illustrations at random may not be out of place here. One notes the remarkable clarity of the poet's mind and memory, and his touching sense of peace with a world which, as might have been thought, had rewarded him but little. No doubt he meant from the heart what he had declared in "A Backward Glance" the year before—that he had fared on the whole better than he had any right to expect, in that, after all, he "had fully arrived" within his own lifetime. There was still the poverty and privation: the payment from his publisher was "fifty-five dollars for six months' royalties—God save us from starvation!" But Gabriel Sarrazin had just written a notable critique for a French review, even if Whitman had to get Dr. Bucke and Kennedy to translate it for him; German translations by Rolleston and Knortz were bearing fruit in the increasing European reputation of Leaves of Grass. The old poet is fully alive to the stirring life of the present; he delights in the daily pageant. The Haymarket riots in Chicago are still in litigation; this reminds him of the high social purposes of his new friend, Hamlin Garland, just then emerging as a leading figure; and Garland's name recalls the hard blows for social justice struck by his early friend, William Cullen Bryant, and by Stedman, and even by Howells, who had not always been a friend to him. Whitman is interested in the painting of Millet, and among his own contemporaries prophetically picks Thomas Eakins for highest praise. He knows what Laforgue has been writing, while recalling

 
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the earlier Whittier with discerning fairness. He thinks of Emerson—the historic episodes of 1855-56, and the later meetings in 1860 and 1881. The attempted expurgation of his own work is of a piece with the recent activities of Comstock, and with other censorship injurious to moral health. The new furor about "birth control" does not escape his observation or his wit. One of the rewards of this book for the general reader, certainly, is the mirroring of the events of the late 1880's on the quick intelligence of the old prophet, who daily gave thanks for the survival of a clear mind in his infirm body.

     The body with its ills will intrude, of course, from time to time. Whitman is immensely human, an old man beset by infirmities, sometimes goaded by Traubel's sharp questions into momentary vehemence, even anger; but quickly subsiding into a sense of humor much richer than that revealed in his writings. The afflictions of his body, like the foibles of friends, are inevitable conditions of life, both alike to be accepted with a grim amusement that makes the best of all things. He can laugh at the impending frustration that Bucke is predictably destined to experience with his money-making invention, while loving the man dearly; he can recall the tempestuous earlier associations with the Irish O'Connor while being daily concerned by ominous reports of his present illness; he can reflect upon the growing eccentricities of John Burroughs, yet cherish undiminished the tenderness of an undying comradeship. It may after all prove that Traubel, in setting down the facts so faithfully for scholarship, has also accomplished the more difficult literary creation by which the living reality of a man is preserved for posterity.


Sculley Bradley

University of Pennsylvania
November 12, 1952

 
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TO READERS

     My story is left as it was originally written. I have made no attempt to improve it. I have taken nothing off and put nothing on. I know that it has defects. I am not ashamed of defects. I know that it has virtues. I am not proud of virtues. Here is the record as it virginally came from my hands in the quick of the struggle it describes. It might have been made more literary. It might have been made more precise. Its loose joints might have been tightened. Some commas might have been put where colons are. Phrases might have been swung about. The formal grace of the recital might have been improved. I have preferred to respect its integrity. To let it remain untouched by a censorship. To let it continue, for good or bad, in its then native atmosphere. I do not want to reshape those years. I want them left as they were. I keep them forever contemporary. I trust in the spontaneity of their first inspirations.

     Did Whitman know I was keeping such a record? No. Yet he knew I would write of our experiences together. Every now and then he charged me with immortal commissions. He would say: "I want you to speak for me when I am dead." On several occasions I read him my reports. They were very satisfactory. "You do the thing just as I should wish it to be done." He always imposed it upon me to tell the truth about him. The worst truth no less than the best truth. He did not ask to have his failings paraded but he did ask that they should not be hid. He knew that imperfection is a part of perfection. He knew that our blood runs black as well as red. He did not like evil talked about as if it was fatal. But he knew that a place must be provided for it in any portrait of a person or in any portrayal of an event. So I have let Whitman alone. I have let him remain the chief figure in his own story. This book is more his book than my book. It talks his words. It reflects his manner. It is the utterance of his faith. That is why I have not fooled with its text. Why I have chosen to leave it in its unpremeditated arrangement of light and shade. Why I have not attempted to make it conform to any arbitrary

 
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humors of the bookmaker. It was not my purpose to produce a work to dazzle the scholar but to tell a simple story. Or, rather, in the main, to let a certain story tell itself. I have done nothing negatively to disguise any poverty in the portrait and nothing affirmatively to falsely enrich it. I have had only one anxiety. To set down the record. Then to get out of the way myself. To give the observer every privilege of vision. I do not come to conclusions. I provide that which may lead to conclusions. I provoke conclusions.

     A number of the collateral documents quoted are from Whitman himself. These are printed without repair. They are kept to his own text without elision and without change. The same thing may be said of the letters from others to Whitman. Nothing has been done to sophisticate the text. It occurs here in the rude dress natural to the incidents that produced it. I had no time then to polish. I have had no disposition since to do what I had no time to do then. The record begs no questions. Never makes worse of better or better of worse. Tries to explain away no sin. Tries to lug in no virtue. Whitman was not afraid of the man who would make too little of him. He was afraid of the man who would make too much of him. He knew that it was easier to survive some kinds of enemies than to survive some kinds of friends. Whitman did not insist upon his faults. But he wanted them all counted in. The last fault with the first fault. He would rather have been thought too little of than too much of. I have never lost sight of his command of commands: "Whatever you do do not prettify me."


HORACE TRAUBEL

Camden, February, 1906

 
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EDITORIAL NOTE

     Three previous volumes of these conversations were published by Horace Traubel:
With Walt Whitman in Camden
Vol. I: Conversations, March 28 to July 14, 1888 (Boston: Small, Maynard and Company, 1906)
Vol. II: Conversations, July 16 to October 31, 1888 (New York: D. Appleton and Company, 1908)
Vol. III: Conversations, November 1, 1888, to January 20, 1889 (New York: Mitchell Kennerley, 1914)

     At the time of his death in 1919, Horace Traubel had transcribed and arranged the material for a fourth volume, represented in the present text. This was a typescript, which Traubel corrected in ink. Although the manuscript was then considered by a publisher who declined the venture, there is no final indication as to whether Traubel regarded it as fully ready for the printer.

     Therefore, certain editorial decisions had to be made in the present edition. We have here reproduced Horace Traubel's typescript unaltered, except for the silent correction of obvious errors or inconsistencies. Wherever error is suspected but not obvious the text has been allowed to stand, followed by [ sic]. The copied of documents and letters quoted in the text bear Traubel's corrections, attesting to his scrupulous attention to accuracy. The present editor has not altered any document or letter for any reason. Letters of foreign correspondents, sometimes in crabbed idiom, have of course been left as Traubel reproduced them. "I'll not doctor," he wrote, "Schmidt's English."

     In the previous volumes Traubel established certain practices and conventions which he also followed in the present typescript. These we have retained, except for the placing of quotation marks, where for clarity we have followed modern practice in placing commas and periods inside quotes. In the taste of the day, Traubel

 
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made considerable use of the hyphen, which we have not altered. He also made an individualistic use of the colon to punctuate the informal phrases of a running conversation, where logical punctuation was not always possible in any case, and we allowed it to stand wherever it occurred. We followed Traubel's style, also, in printing all titles in Roman, and without quotation marks. Actual errors in spelling, including proper names, were silently corrected, but older spellings, then accepted, were not modernized unless Traubel himself was inconsistent in the spelling of a given word. Mrs. Ellen O'Connor used both "Nelly" and "Nellie," and so, accordingly, we followed the text. Traubel was inconsistent in the italicizing of foreign words; we have used italics wherever modern practice calls for them. Traubel did not attempt to regularize the valedictory lines at the conclusions of letters, and we followed his text exactly in this respect.

     The editor expresses his deep gratitude to Mrs. Anne Montgomerie Traubel for her constant faith that her husband's record would finally be published in its entirety; for her agency in preserving the manuscript and valuable illustrative materials; and for conversations, through the years, which furnished a first-hand insight into Whitman's Camden period, beyond the scope of the printed records. Gertrude Traubel has also proved a patient and most valuable friend and adviser. I am grateful also to my friend, Charles E. Feinberg of Detroit, whose faith in the value of this publication, and whose practical generosity, provided the conditions necessary to bring this book to press. Mr. Feinberg also enthusiastically put at the editor's disposal a number of illustrative items from his own Whitman collection, and made his time and his special knowledge available for the consideration of a number of problems presented by the text. To the staff of the Rare Book Room of the University of Pennsylvania Library, and its Whitman Collection, I am very much indebted for the use of supporting documents, manuscripts, and rare volumes; and to Neda M. Westlake, of the Rare Book Room Staff, for assistance with difficult identifications, and in making a comprehensive topical index. Finally, the editorial staff of the University of Pennsylvania Press, especially Mary M. Wildermuth, furnished unusual and painstaking editorial assistance, which I acknowledge with appreciation.

     S.B.

 
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WITH WALT WHITMAN IN CAMDEN

 
Monday, January 21, 1889

     8.15 P.M. Harned stopped in to see me at home, so when I got in at W.'s it was a little late. W. sitting in chair—light turned down, evidently dozing. I stirred him up when I entered. He exclaimed heartily: "Ah Horace! I had almost given you up!" at the same time extending his hand. Spoke of his health at once, I having asked how he was. "Another day of the late usual kind but no grip: no pain, either—no prospect of getting off this low plane!" Very often refers to his "low plane" of present living—to the "weight that bears" him "down." And though not discouraged—as he never will be to the last—he is disposed to acknowledge that he "can never be better than" he is "today." Visitors are few. The few who come see him but for a minute. "I seem to need yet cannot receive visitors." He said tonight, "I'm crazy for that which I have no right to." And he added: "See how isolated I am, shut off irrevocably as I am from freedom—from the world." He picked up my hand and pressed it. "You are my one vital means of connection with the world—the one live wire left. I sit here some days and wonder what would become of me if you were removed—if something happened to you or if you got disgusted with me." I said: "You know, of course, that something might happen to me, but you should also know that nothing could disgust me." He asked: "Why not disgust you? Couldn't I do something that would disgust you?" I shook my head. "No?""No. Can't you believe that a man's love when it's whole gets beyond being either pleased or disgusted." He was quiet for a few seconds. He looked towards the window. Then he looked down at his hands, feeling one

 
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hand with the other. Then he looked me in the face and smiled. "Yes: I see what you mean: you are right: you make me feel secure." I laughed and said: "Why, Walt, even if you told me the great secret it'd make no difference to me!" He grew serious at once. "Oh yes: the great secret: it might test you: but I believe what you say." But he added nothing. Did not seem disposed to talk more on that line. I was hoping he'd talk out at last on that long postponed mystery.

     W. picked up a newspaper piece on November Boughs. "Some one sent this to me: it has the usual echoey character." Then he added: "These newspaper things while not weighty still say as much as could be expected from such casual sources. The newspaper is so fleeting: is so like a thing gone as quick as come: has no life, so to speak: its birth and death are almost coterminous." He thought "on the whole" he was being "far more generously treated as a penman by newspapers and magazines than formerly.""Why," he added: "if it keeps on like this, some day they may even forgive me for having written Leaves of Grass." He went on: "The gentle Emerson said to me in Boston that time when we had the long walk together: 'We must always remember, Mr. Whitman, that the world will make amends for all this some day.' I asked him: 'For all what?' He looked at me placidly and said: 'I know why you ask, For all what? and I will answer by saying: For everything.'"

     Morse had sent me a copy of the Chicago Mail containing a full text of the decision in the Anarchist case. W. looked it over. "Sidney felt that I didn't quite realize the exceptionalness of that incident. Maybe he was right. I seem to be weak on the protagonist side." And he added: "Leave the paper: it may be more important to me than to you: it may remove my prejudices." I asked: "What prejudices have you?""Prejudices against bombs, for one thing.""It seems to me you have some prejudices against courts and jails and policemen and soldiers too." He took this up sharply: "So I have: prejudices: not against persons: no: against the institutions that require them—that are built on, are perpetuated by, are shamed by, them."

     W. called my attention to a copy of a French review containing a Whitman essay by Gabriel Sarrazin. "I suppose it will eventually go to Bucke: I thought I might send it to him by way of Kennedy: perhaps I shall: they can tell me what it comes to. I can't read a word of it. I see Dr. Bucke and John Burroughs referred to but just how,

 
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God knows: French or Greek, they are one to me. If I only had my old French friend here—if he was living now—the job could easily be done: he would sit down right here, casually—give it to us viva voce." I said: "Perhaps my father can do it: I'll ask him.""Evidently it went through without being proof-read by Sarrazin," W. remarked quietly: "it is full of emendations—changes: besides, he says in his letter—did I tell you he sent a letter along with it?—that this is not the whole matter—that he will use it in full in some volume he is to bring out." W. handed me the letter. It was written in English. S. speaks of former W.W. translations into the French: alludes to Griffin's work. W. said: "I have seen Laforgue's work: I am told it is brilliant—sparkles. These odds and ends of attention so to speak all get to me sometime or other from somebody: some of them, most of them, are about the house somewhere—or should be: it's my intention to turn them over to you when they show up." Sarrazin has addressed the letter to "Middle" Street. W. enjoyed this. "I suppose he had never been told where he was taught that 'many a mickle makes a muckle' as we were: so he would never have guessed either a mickle or a muckle street. But letters come to me all ways: even the letters addressed by some people more daring than others to 'Walt Whitman, America.'" I put in: "Some day they'll know where to find you if a letter is just addressed to 'Walt Whitman, World'!" He didn't take this up but pointed towards my coat. "What's that you've got in your pocket? Something to show me?" It was a copy of the Bazar. I handed it to him. "Yes! something for you to see: look at this picture: it's by Julien Dupré: it's your sort of a picture: what you call a Leaves of Grass picture." He put on his glasses and held the paper away from him as he looked. The picture was called The Haymaker. "You are sure I'll like it? I do like it: more and more: the more I see of it: Oh! it sinks into me deep. It is Millet: he has studied Millet: subject, treatment, atmosphere: but Millet would not have done that"—pointing to the face—"he would not have made her beautiful, a Maud Muller: no: he would rather have made her heavy, commonplace, almost sullen." But this was "only a minor drawback.""The picture as a whole is certainly vital—stirring, generic." He reached forward picking up the French review again. "See this"—opening it after some search at a sketch of a man at a table eating: "Don't you think it's superb?—quick, natural, good,
 
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conclusive?"
Then he got back to the Dupré. "But this is more spacious—is rather more amply conceived." And he added: "I care nothing at all for some of the brazen art: the mere exhibitions of skilful painting: they rather horrify than attract me—are something like treason. I think of art as something to serve the people—the mass: when it fails to do that it's false to its promises: just as if a man would issue a note which from the first he has no intention of paying."

     James West, who edits The New Ideal in Boston, wrote me this in a letter I received today:

     "I am glad you know Whitman. When next you call on him say, perhaps, if he cares to hear, that for years I have desired to make a pilgrimage to his building. In his writings I have found as much strength, hope, inspiration for my work of teaching, as in any others I know. In the West I quoted him so often in my sermons that some shallow ones began to look on me too as 'bad.' O saving badness! O glorious weakness!"

     I read this to W. who was moved. "That men, women, we never meet, have not even heard of, except in the accidental way, should respond to our work—that is a thing to be pondered. It's a waft of something, a scent, a flavor, some indefinable entity, that must not be carelessly regarded or passed by." And he said further: "This is the precious return: personal love: the precious return." Also: "John Hay in one of our talks said: 'Whitman, no man who has been so successful with the prophetic few should lament his failure with the respectable many.' And I must bear that in mind. I don't think I ever felt sore on my enemies: I rather included them as of the first importance. I was surprised to find in Emerson an occasional asperity from which I think I have been exempt: in fact the dear Emerson said to me himself there in the Astor House: 'I find you agreeably gentle with those who have been cruel to you.' And he called it—thought it—my 'policy': which I disavowed with the statement that if it was true it was rather for temperamental than conscious reasons."

     Oldach takes his own time with the cover. W. ordinarily says: "I don't care: I'm in no hurry." But tonight he expressed some impatience: "I get to want to see it: Oldach is very elephantine." I said:

 
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"That's just the way he's described you: he said the other day that you were as slow as a Dutch frigate turning a corner." This made W. laugh. "God knows I'm no doubt deliberate enough: I'm so slow I get tired of my own pace: yes, he's right: but what has that to do with his own procrastination? A fellow always gets worst mad seeing his sins in other people." And he went on: "There's this excuse for me: I'm walking daily in the shadow of death: I need to hurry if I'm to get certain things done: I don't like to take any chances with time: tell the old man, yes, I'm so: but tell him I should be humored, like a convict who's to be hung tomorrow." He got a good laugh out of this for himself.

     W. produced a letter from England which he spoke of to me. "Read it to me," he said: "it is from a woman: a Mary Ashley: the name has a Quakerish sound: I don't know that she's famous for anything: but that's all the better: I shrink from the celebrated and the famous: read it." So I read:


16 New King Street,

Bath, England, January 7, 1889.


Dear Sir:

     I have very often felt that I should like to write to you and tell you how much pleasure and instruction your books have given me, and now I have determined that I will do so, because I have just read November Boughs and am so much pleased with it.

     I have been watching for it to be published for some time, ever since I saw in The Pall Mall Gazette that you were engaged on it. Some of the poetical pieces in it please me greatly.

     I have long cared for Leaves of Grass and Specimen Days. I love nature so much myself that there is much in Specimen Days that appeals to me. I have often experienced the feeling of absorbing into myself, physically and spiritually, the very life and spirit of nature. It is a thing that must be felt to be understood. The other papers in that book are interesting to me too. The broad and deep views you take of the future of democracy in America—everything connected with America—is a most interesting study to me. Your poems touch me very deeply as all true poetry that comes from the heart must do.

     Please accept my best wishes that the year we have entered upon may bring to you much calm peacefulness, and that you may experience

 
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much comfort and sympathy in return for that which you have so generously given to others during your life.

     I hope you will not think that I shall expect any reply to this, for I know how weak you are, and that you are not able to reply to all the letters that you receive.


I am, my dear sir, yours very truly and gratefully,


Mary Ashley.

     W. said: "I wonder who she is? I haven't the least idea. Take it along. I get many curious things: some adulation—a little (a little's enough): some cussing: now and then somebody goes for me—gives me hell. If I had made a collection of such documents I'd have had some queer stuff for you to preserve. Look at this for instance." He handed me the annual message of the Mayor of Brooklyn. Laughed. "Now ain't that real literature for you? I want to be generous: I'll share my possessions with you." Also gave me Bucke's letter of the 18th: "Take that too: but I don't think you'll find anything in it to excite you. Bucke's almost ready to come: that's the best news." Then: "You'll never thoroughly know, comprehend, Bucke, till you have spent a summer with him at the Asylum—on the farm: till you meet the doctors, the patients, the nurses, there: till you see Bucke at his work." Referred to Mary Ashley again. "What is there in her note to move me so? I confess it moved me. Was it something in the letter or something in me? I find myself emotionally much more readily stirred some times than others. These days I seem to need something: seem to be looking for something—feeling towards it: something my illness makes me crave: God knows what it is: something there seemed to be a hint of in the gentle Mary's letter."

     I wrote Burroughs today. W. has heard from Rolleston. "He's my Irish friend," W. explained: "the real thing, I may say: well favored intellectually: fervent with native faith. There's black round the paper and envelope: I wonder who's dead? What a funny custom that is—to publish such a fact: a death in the family: insist on it: but it's going out: gone out, in fact, except with the old families—except, too, with the new families who want to cut a dash. Over there in England they take their forms seriously—observe them: all of them: from king down, from the slums up: observe them all: forms we on this side for the most part never knew or have dismissed."

 
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     What had Rolleston written? "It's not a long letter: it's about his German edition: Rolleston is anxious to have me pushed in Germany: he says I'm a German requisite—that they'll 'adopt' me. I don't flatter myself: I don't believe in requisites—in chosen people, in chosen peoples, all that—it seems quite like nonsense to me. But I acquiesce in Rolleston as a beautiful friend: yes, I do that: wonderful he is, surely: but as to the 'requisite'—well, I have no opinion on that: though as for Rolleston in the end, it's not me but the idea we stand for that he's really after: the idea: the immortal idea."

     As I was leaving W. said: "I had one of the curios here for you: a letter: but it seems to have got hid away again." He rammed his fingers into several piles of stuff on the table and then dropped tiredly back in his chair. "No: I don't see it: it'll maybe show up tomorrow again: I'll not let it get away if it does: they sort of take to cover when you come"—laughing—"knowing your ruthless appetite." And he admonished me: "Keep both your eyes on the book: I'm absolutely in your keeping."

 
Tuesday, January 22, 1889

     7.45 P.M. W. reading paper. Appeared exhausted. Yet was willing to talk. Had had trouble with his eyes the past week or so, too. Has to shade his eyes as he reads. Stops often. He said: "I sent the New Revue—Revue Nouvelle—off today. I am altogether in the dark: don't know what the fellow says." Was Kennedy a French scholar? "I don't know: that's what I want to find out: he'll translate it for me if he is: if he can't do it Bucke can—Doctor: either Kennedy or Doctor will do it: at any rate give me the purport of it so I may at least understand what it's all about." I noticed the rocker of his chair had caught up the strings of a couple of bundles of his manuscript: advised him of it. First he said: "Well—never mind: I'm tired"—but when I suggested that if he'd move his chair forward I'd straighten the stuff out he acquiesced, saying: "They are all disturbed: I got them in that shape looking up some scraps today." These "scraps," he informed me, were "Whitmanesque bits of which" he "made up a little package and sent off to the French fellow." He wanted to know if I remembered the man's name: asked: What is it? and when I said, "Sarrazin," repeated it, adding: "That's it: and by and by we'll know what it's all about."

 
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     Says he's feeling "fairly." No signs, outwardly, of any change. Suffers some from indigestion for which he is taking Friedrichsthal Waters again. "There are always devils lurking in the darkness to destroy us: we have to fight for our lives." Talked of a Rhys letter. I quoted a passage. W. exclaimed: "That's it! and splendid it is, too! It ought to be printed broadcast: we should have it printed." And he added: "Did you notice in these phlegmatic people—Rhys is one of them—that when stirred they are the fieriest of all? that when they let go all hell's in it: hell and damnation: the horriblest flames of perdition? Haven't you noticed it? Take me for example. You don't often see me mad: I don't dare get mad: I get so damned mad when I get mad that it shakes me up too much—leaves ugly results: so I hold myself in sternly: have to: yes, must."

     I sent today for copy of San Francisco Chronicle of 13th for Bucke. Received Boston Traveller. Criticism adverse. W. read it while I looked over his shoulder. "Well—that's all right: I'm entitled to it: only, I wish they would print me correctly—use the right marks—not misrepresent: I hate commas in wrong places: I want my i's dotted, my t's crossed." He had a couple of deaf and dumb visitors today. He was "considerably interested and amused to have them come.""We got along pretty well together—though silently!"

     W. talked about Garland. "He's greatly interested in the George movement: is strongly impulsive: is maybe a little one-idea'd—though as to that I don't feel quite sure: is wonderfully human: gets at the simple truths—the everyday truths: is not professional." I said: "You speak of one-idea'd men as though you rather discredited them.""Do I? I don't mean to: they certainly have a place—a vast big vital place: they can't be skipped—escaped." I said again: "You may think you're not, but you're a little one-idea'd yourself—and every man is." He nodded. "No doubt: I have never heard it put quite in that way: Jesus was one-idea'd, I admit, for instance."

     I asked him: "Well—have you some objections to Jesus?""Yes: why not? Emerson had too: the dear Emerson: he felt that Jesus lacked humor, for one thing: a man who lacks humor is likely to concentrate on one idea." I parried him again. "Why, that's a familiar charge against you, Walt: didn't even Ruskin say that? and I hear it every now and then from somebody or other." He retorted a little hotly: "Well—you've rather got me: I'm not that much good in an

 
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argument. But on that Jesus matter: take that: I've heard it discussed often: some of the bright fellows have been saying it for a long time: not Emerson alone: others: radical fellows—the strong men: thinkers. Yet I confess I'm not altogether clear in the matter." He used the phrase at one point: "Whether genius needs to be funny"—but caught himself short over it: "I should not say that: that is unjust to Emerson: to all of them: when they say humor they don't mean fun in the narrow sense of that word—they don't mean what we call joking, badinage—anything like that." Spoke of Emerson himself as "not what you would call a funny man: he was something better than that: he would not cut up—make a great noise: but for cheer, quiet sweet cheer—good humor, a habit of pouring oil on waters—I have never known his equal. Emerson was in no sense priggified—solemnfied: he was not even stately, if that means to be stiff." The word "humor," he said, always "mystified" him. "I think Shakespeare had it—had it to the full: but there have been others—great men, too—who had little or none of it. The question is, was Shakespeare's humor good natured? Good nature is the important equation in humor. Look at Heine, for example: I'm not sure of his place: but look at him—consider him: ask yourself whether he was not a mocker as well as a humorist. They do charge me, as you say, with lacking humor: it never seemed to me it could be true: but I don't dispute it: I only see myself from the inside—with the ordinary prejudice a fellow has in favor of himself: but O'Connor—oh! how he used to boil when he heard me accused of that defect: he'd boil, he'd boil—he'd boil over! The idea that anybody imagines I can't appreciate a joke or even make jokes seems preposterous. Do you find me as infernally impossible as that, Horace? Bryant said to me in one of our chats: 'The most humorous men I have met have been the lightest laughers.' You can't always tell by a man's guffaws whether he is a real humorist or not."

     W. gave me Bucke's letter of day before yesterday. Also a postcard from Garland. "Here's a slip too: Democracy in Literature: my own: it's yours if you want it: file it away: I have a few copies left." He had me read an old Conway letter to him. "It has to do with the publishing end of things: it should go among your documents: but let me hear it again."

 
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14 Milborne Grove,

Brompton, London, May 9, 1868.


My dear Walt,

     I regret to say I was unable to do anything with the proof of Personalism. I tried several magazines, but they were already made up for their May numbers. It is the habit of literary folk to leave London during Easter, and in order that they might do so this year the editors had their magazines for May fixed early in April. But in any case I could hardly hope to get an article in here unless I had it three months beforehand—for it takes so much time to get it from one editor to another before it gets to the man who wants it. I shall be very glad to serve you always, and regret that I have failed in this case.

     The Reviews have not got hold of you fairly yet; but the good discussion will surely come.

     A member of Parliament who once read some quoted passage from Leaves of Grass is now reading Rosetti's volume with great interest and fast changing his opinion.

     But in the last mentioned matters I hope to write you more at length hereafter.


Cordially your friend,


M.D. Conway.

     W. speaks of Conway affectionately. But he said today: "Moncure was not always discreet: was apt to say things to put himself in a hole: and me, too—once or twice: did it: talked rather wildly over there about my poverty: they got an idea that I was starving to death." W. quoted that line from Conway's letter: "The Reviews have not got hold of you fairly yet.""That was in sixty-eight—twenty years ago: it may still be said that they have not got hold of me." I put in irreverently: "Maybe there's nothing to get hold of." He took this pleasantly. "That's so: no one could have more doubts of me than I have of myself: I'm not sure of anything except my intentions." W. picked up an envelope from the table. "It's from England," he said: "it's for an autograph: some days they come in thick: I practically never answer them." I said: "Except—." And he smiling said it after me: "Yes: except—." W. added: "Emerson asked me: 'What do you do with the autograph hunter?' I said: 'Nothing: I don't hurt him: neither do I spoil him with favors.' Emerson spoke

 
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of this as 'very excellent' and left the subject. I was going to ask him what he did with them but didn't: something came between."

     W. asked me to get him from McKay a copy of Bucke's book "simply stitched—not bound." Oldach again disappointed us. W. impatient. "But he's German," W. said: "and so we must wait upon his pleasure: he's the immovable rock." He said: "Give my love to your mother." And he picked up a big apple from the table. "Ain't it a beauty? Give her this." And he spoke of Sam Loag, my friend and his: a printer: "Drop this in on him tomorrow as you go by"—handing me a paper with a string round it: "Sam was here: asked me for it."

 
Wednesday, January 23, 1889

     8 P.M. Mrs. Davis admitted me: said: "Mr. Whitman is feeling pretty good now"—by which I understood that he had not been as well as usual today. I passed upstairs. W. sitting over by the window under the lamp reading. When I first asked W. how he was he said: "Well—I can say I'm here"—and added: "And you?""I also can say I am here!" I exclaimed. "And the book?""That's here, too!" He laughed. I picked the book off the bed and gave it to him. Oldach had done the job at last. W. greatly pleased. Fondled it. Inspected it from cover to cover. Turned it over and over. "I can only express myself in my old phrase: I thank God it's no worse! And then I can go on and say it's better—far, far better—than the best I looked for." Pointing to the stamping. "That part of it does not overwhelm me—I am not overwhelmed by it." I asked: "Are you ever overwhelmed?""Yes, I think I am: that simple back put on the other book was extremely fine—was a stroke of genius." After a pause and further examination: "Still—I like this, too—in spite of all I like it: the other was very well in its place but maybe I'd get tired if I had a house full of 'em!" He suggested to me that if I found myself anywhere near Oldach's I should "go in and tell him" for W. that "the cover was a great joy to us: we like it: we think we will accept it." Had I found out the name of the fellow who did the work? "Even the letterpress comes out as never before: it seems like a new venture: it's fresh—verdant." Eyeing the book from all angles. "I ought to be proud of it: I am proud of it: I think you should be too: it's yours as well as mine: it's our joint product: the complete work of Walt

 
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Whitman and Horace Traubel: how'd that sound? I feel I have very much to be grateful for: no one can know—perhaps no one but you and me can know—through what doubts, difficulties, chagrins, this came safely at last. It's like a ship, at last got into port after many storms, trials, losses—after a long painful voyage."

     I said: "We had to go slow—proceed with deliberation." W. nodded to me. "That's just it: deliberation. Some of my best friends—my own people—accuse me (have always accused me) of procrastination—the most provoking in all private annals!" He threw up his hands: "I couldn't reply to that: I am slow: I could only say with Sidney Morse's nigger, who would go off on fearful sprees, have a high old time of it: 'I am so because I was meant to be so!' But after a pause, while indulging a half-audible laugh, W. said further: "But while that is a good story they would probably meet it with another, perhaps a better, story: the story told by one of the Greek writers: the story of a master beating a slave: the slave protesting: 'I was ordained to do this thing: therefore, why whip me?' the reply being 'And I was ordained to give you a hell of a thrashing!' That might apply wonderfully well to my case."

     He was silent. I waited till he began to talk again, saying nothing myself: "Despite everything the book is here: we have finished the journey: that is our answer: procrastination or no procrastination, the perfect result is in our hands: the book: our book: your book, my book: beautifully done except with one except." He pointed to the lettering: "That's not Leaves of Grass: that's a bit feeble: but I have no doubt it's about as good as the case will allow. If we could control everything—do everything we please: get a first class man here from New York, Paris, London, anywhere: pay five dollars for that: pay men for winking and bowing and scraping: we might have our way absolutely. But—well, we have had no such choice: we should be glad we've done decently well: you, indefatigable as you are: I, loafing round: Oldach, with his man or two. Oh! I'm satisfied: say so for me."

     I said to W.: "Mary intimated that you've not had such a good day." He exclaimed: "How dared she! But as a fact I have spent a dull leaden time of it since I got up this morning: up to four or half-past four it was very bad: then Mary brought me in a big mug of hot coffee: it was very nice: I drank it all. Whether from

 
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that or because the time for it had come I don't know, but somehow I have ever since been comfortable. It was simply more of my infernal indigestion: I seem to be passing through such a stage: it is almost periodical: constipation to start with: then the violent reaction." Then he hauled himself in. "But what's the sense talking about my belly? Let's get away to something else." And yet he added: "My physical disabilities don't affect my power to think: no: not at all: but they increase my inertia: they paralyze my fingers, for instance, so I don't want to write: but my brain keeps on buzzing all the time just the same: and talk—well, talk comes easily enough mostly (don't they say talk's cheap?). Oh! I feel that I'll go on this way to the end, keeping my headpiece together whatever happens to the rest of me. But I said we should discuss something else: yes, let us do it."

     I reminded W. of Bucke's allusion to Wilson, over there in Scotland, who is to bring out Kennedy's W. W. "You haven't spoken of it to me," I said. He replied: "I certainly thought I had shown you Wilson's letter. I don't know whether I sent it to Bucke or whether it's here yet." What had Kennedy said about it? "Nothing: he enclosed it in an envelope without a word of his own. Wilson's note was short but very definite: almost vehement, one may say: a business man's note. It looks as if Wilson, after unaccountable delays, is about to proceed at last. You see, we appear to have quite a clientage in Scotland. You remember Alexander Gardner's purchase of an edition of November Boughs? Wilson is evidently scared: he has heard of that: he knows what it means: he sees us slipping through his fingers: so he writes to Kennedy: 'If you are ready with the copy I am ready to go on with it: I have had it in hand eight months: it's about time we should do something conclusive—emphatic.' Of course that is my surmise about clientage, the scare: but it's a surmise from a man not given to surmising: I rarely risk myself in guesses." He stopped before he added: "As to the book itself: well, I mean no disrespect to Sloane when I say I attach much less significance to the book than you fellows do: Kennedy himself, Bucke, Tom, you. I get humors—they come over me—when I resent being discussed at all, whether for good or bad—almost resent the good more than the bad: such emotional revolts: against you all, against myself: against words—God damn them, words:

 
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even the words I myself utter: wondering if anything was ever done worth while except in the final silences." He laughed after this outbreak. "Then you say something to please me: Bucke writes something: I think something to please myself: then I'm back where I was again."

     McKay wants to know what W. will sell him the complete W. W. for. He says he'll be sure to be applied to for copies—especially abroad. I asked W. He said: "I'll think it over: I'll tell you tomorrow." I put in: "Always tomorrow—always tomorrow: you're a tomorrow sort of a man!""I suppose I am: I want to be: even if at the cost of some procrastination." McKay didn't have sheets of Bucke's W. W. handy today. He'll get me a set for W. Oldach will charge us a dollar and twenty-four per copy for big book bound in leather. W. for an instant seemed staggered by the price. Then he recovered himself. "I guess it's worth that much," he quietly said. No letter from Bucke. "In fact no letter from anybody." How about O'Connor? "Oh! did I tell you I had a postcard from Nellie a day or two ago? She said she was fagged out—was too tired to enter into particulars: William a week or ten days ago took to his bed: he has not been about since. The outlook is dismal if not dangerous: it's hard on Nellie: she's frail though resolute: O'Connor himself has great courage—besides, is very optimistic: Nellie being rather the contrary of all that: is a bit pessimistic—sees the bad side." But determined? "Yes! I did not mean to question her force: I only wanted to say she was inclined to take the gloomy view." And yet wasn't she full of faith about things in general? "Yes: this strain is temperamental in her: she can't escape it."

     We talked of Bradley's conviction in the Philadelphia courts yesterday. "Yes, I have read the story: Bradley was monstrous—monstrous: but would you not think him abnormal: I see no other way to account for it: certainly he can't be explained by the ordinary process of reasoning. In the present condition of our criminal laws—of crime—as in affairs like this—these extra sex developments—abnormality is the only word that will cover the case. Then we must remember that such individual abnormality comes from the abnormality of society at large. I think any judge would admit that—perhaps express it almost in my words: it seems to me to arise—so much of it, who knows but all of it?—in an absence of simplicity—

 
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in a lack of what I may call natural morality. Perhaps that's not the exact word for it, but as I said, any judge would correctly diagnose the case I have no doubt.""Speaking of judges," said W. the minute after, "would you not like to take the paper along?—Sidney's paper?" Handed me the mail from the table. Had he read it? "O yes: every word of it: with great care: with as much interest as care: I say amen to it all, too: amen, amen: if I found it possible I should tell him about this feeling in me. If you write to Sidney—to any of the fellows out there—say this—say it for me: in my name if you choose. I feel like thanking the man from myself, for America, for Americans." It had appeared to him "rare among rare decisions."

     "I know that in regard to these Anarchists there are contending impulses drawing us two ways, but for liberty, abstract, concrete—the broad question of liberty—there is no doubt at all. I look ahead seeing for America a bad day—a dark if not stormy day—in which this policy, this restriction, this attempt to draw a line against free speech, free printing, free assembly, will become a weapon of menace to our future." He thought this decision not only "good as legal decisions go" but "good practically, as a workable hypothesis.""I like that the judge—Sully, or whatever (Tuley)—faces the question objectively: that he's not theoretic merely but makes his statement to meet other possible cases: like a surgeon—one of the genuine surgeons—who takes a fever for what it is, not what it might be, as developed in everyday John or somebody." I asked him: "You speak of liberty: do you mean every and any liberty? or do you too set limits?" He said: "I can't set limits even if there should be limits: of course we can't do as we please—every man can't do as he pleases: but short of that why shouldn't liberty prevail?" Read W. portions of a letter I have from Bucke.


London, Ontario, January 21, 1889.


My dear Horace:

     Yours of 18th just to hand. I agree with all you say and with all you have done about the will. I have no doubt W. understands perfectly well what has become of it and is satisfied that it should be taken care of. All quiet here and all sound with meter and everything else. Thanks for the German paper though it is a stupid little piece. What he means is that W. "though a living writer belongs to

 
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an elder race (Hebrew prophets, authors of Eddas, &c.) of humanitarianism, poetical, inspired eccentrics. The contents of his work is poetic (an art rhapsody) but (as regards execution) he is innocent of rhyme, rhythm or form. Freiligrath's translations of him (W. W.) are better than the original." Evidently a critic of heavy caliber (Herr Siller)—heavy in the sense of dumm!


R.M. Bucke.

     W. laughed over the reference to Freiligrath. "I'll bet that made the Doctor mad: he'd fire up at such a comparison: but then—who knows? A translation is often enough worse but it may well be better than the original." I quoted another of Bucke's notes in which Doctor speaks of probably being here early in February. W. said of the meter: "Doctor sets such store by it: he's hot for it: somehow I have my doubts: wouldn't wonder if the whole scheme went to smash. I don't know but it would be better for Doctor if it did: yes, better: I shudder when I think of him, of anyone, you, anyone I love, making money—getting on what they call easy street: easy street has killed many a man who was worth keeping alive." W. said as I left: "You are doing everything for me now: I know it: you are more to me than my right hand: but you'll do more for me after I'm dead—way into the future. I'll haunt you after you've buried me: you'll feel me taking part with you in many a great undertaking. Take my word for it—and wait: you'll find that I'm not mistaken."

 
Thursday, January 24, 1889

     8 P.M. W. considerably better tonight than he had himself expected to be, he said. "Yet I do not feel very well or very ill—neither the one nor the other.""Ever since Mary's cup of coffee yesterday I have felt like myself again." Did coffee agree with him? "I can't say yes or no: Mary's cup yesterday was the first cup for two weeks: it tasted delicious: coffee carries with it decided esthetic satisfactions. Bucke has decided objections to my coffee: he includes coffee and tea with the alcoholic drinks: advises abstention altogether: believes these drinks impede or accelerate digestion—both being bad—instead of leaving it to its natural course. Bucke did not come to this conclusion bigotedly—oh no—but as a doctor, a thinking man of science, a dispassionate observer. The cause of all

 
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my woes is indigestion: Bucke realizes that—advises me accordingly: I have no doubt he is right—wholly right: he rarely talks in the air: he has no professional doctoriness: is too profound for that: which makes it natural for me to observe the precautions he suggests."

     W. was reading Laurence Hutton's Literary Notes in Harper's when I entered. "Some one sent me the magazine: who could it have been?" Then he handed me the envelope. "Was it Howells?" he asked: adding: "Probably Howells' suggestion." It had come addressed to "Mr. Walter Whitman." In the Editor's Study this issue H. starts off with a section about November Boughs. W. called it "so-so" and "friendly" but didn't in the least warm up over it. "Take it along," he said: "see what you can make of it yourself." He had read some other things in the magazine. "You will find the first article very interesting in spite of its title—The Hôtel Drouot: Theodore Child." Had also read and "found very good" Verestchagin's A Russian Village: but The Work of John Ruskin by Charles Waldstein "I tried to read but found so dull I had to drop it." Frontispiece portrait of Ruskin "very vital": indeed, W. felt that "all the illustrations" were "fine, convincing, conclusive." Still, he was not "a wholesale Ruskin man": rather "take my Ruskin with some qualifications": though insisting still that Ruskin "is not to be made little of: is of unquestionable genius and nobility." He wanted to know about Waldstein, he listening to what I said as if he really wished to know. "My first feeling about Howells' piece," he said, "is wholly indifference." Then he asked: "Don't you find Howells tame? I think tame is the word: yes, tame." And he added: "He's not exactly colorless: only, he rather seems to be afraid of color."

     "You know Thorndike Rice?" W. asked. "I had a note from him here today saying that he proposes having another symposium in the Review: the influence of novels on life—of English novels on American life: then he goes on to invite me to take a hand in it.""Will you do it?""That depends: I am not at all settled in my own notions on the subject as yet." But "take the letter," he said, handing it over: "take it home: I shall not want it at once—can wait till you bring it back."

 
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New York, January 18th, 1889.


Dear Mr. Whitman:

     One frequently hears it said in connection with the agitation for international copyright that the enactment of the proposed law is desirable not only as a matter of justice to the foreign author, and of protection to the native, but also because the flood of English literature, especially of English fiction, which piracy lets loose sets ideals before our young readers which are contrary to the spirit of American life. I do not quite understand how the English ideal of life differs from the American, but a discussion of the subject which I propose to have in The North American Review will, no doubt, be a source of enlightenment. Will you be one of the symposium and send me your views in an article of two thousand words, or less, for which, of course, I will pay you? The American Ideal in Fiction—that will be the title; and each contributor will be expected to point out everything which he considers objectionable in the habit of reading foreign stories.


I am, dear Mr. Whitman,


Allen Thorndike Rice.

     "He is very explicit," W. said: "the letter is quite long for such a thing: he is friendly to me: I should acknowledge it in some way: but as to writing about the novelists, novels, English, American, any other—God help me: I can't see my way to it.""Have you answered the note?""No: I want to—mean to: Rice is serious: I take him so: but what he proposes is rather out of my line." I said: "Nonsense." This stirred W. up. "Why do you say that? Nonsense? Why nonsense?" I said: "I didn't know you had a line: you speak of your line: what is your line? Ain't novels as much your line as history or anything else that's human as well as literary?" W. replied a bit testily: "You always come at me like a lawyer, shaking your fist in my face. If I say it's not in my line then it's not in my line: that's the end of it: that settles it: do you hear? that settles it." Once in a while he gets a little that way. I fired back at him: "Walt, you're guilty: you wouldn't get mad if you wasn't guilty." He still held his own. "Perhaps I would: perhaps I wouldn't: not my line: that's my say: let's stop right there." This made me stubborn too: "Walt: what in hell's the matter with you? I never knew you to fly off on so little provocation." This got at him. He quieted down at

 
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once. "It is a damned trifle, to be sure," he said: and he added: "Let's call it off." A minute later he said calmly: "Sure enough why shouldn't I write about novels too if I am of the mind to? though I hardly imagine that I shall do so in this instance."

     Bucke (22d) wrote me as to The Critic review: "The piece is (as you say) 'astonishingly enthusiastic,' but its enthusiasm somehow offends me, as if it were not genuine. How is it? What is the matter with it?" I referred this to W., who said: "Yes: he wrote to the same effect to me: made the same remark about The Critic: said he liked Sanborn's column better." Gave me letter in which Bucke says: "It has a smack of unrealness, want of sincerity (but perhaps I do the writer injustice)." Had he felt such a thing himself? "Not at all: not anything that could be called even a tinge, suspicion, of it." Then he didn't agree with Bucke? "Oh no! no! I consider the objection gratuitous: have not experienced the slightest reason for such a criticism of the piece: I am even inclined to rate it above all the other things so far said of the book." W. again said: "Doctor is inclined to make impossible claims for me: he is too much disposed to wipe out the other fellows in my interest: which, of course, is an injustice to me as well as to them."

     Harrison Morris writes me about W.'s "fierce" piece in The Critic. "Fierce" is Bucke's word, too. W. repeated the word "fierce—fierce," then said: "Well, what of it? If Morris was to ask me I should have to ask: Sure enough, what does it mean?" I said: "That's one way to get rid of a question, Walt: but sometimes there's another way—a better way.""Sometimes: that's so: but not this time." Then he went on half jesting, half mad: "God Almighty how I hate to be catechized!" He does, you bet. Again, upon a reference to Rice: "Not Rice—Jim Redpath was my very good friend in the Review. Redpath has been sick: is now better: has gone to Ireland: visiting, I think, somebody or other. He is a vehement Home Ruler: fiery, flaming: is an Irish sympathizer of the intensest sort." I asked W. how he stood on Home Rule. "Home Rule? I want home rule for everybody—every section: home rule: for races, persons: liberty, freedom: as little politics as possible: as little: as much goodwill, as much fraternity, as possible: that's how it presents itself to me."

     W. discussed the big book. "I have turned it into all sorts of disadvantageous positions today: it always turned up well: I'll have

 
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fifty copies bound at once." Then he asked: "Isn't it dear?" and when I said "no" he added: "I guess you are right: you and Dave ought to know if anyone knows." After a slight pause: "There is an emendation—'edition 1889' must be more conspicuous: conspicuous, plain, are the two words. We want a letter that can be readily grasped as you pass the shelves." I said: "Walt: do you like the William Morris books?" He replied: "I may say yes: I may also say no: they are wonderful books, I'm told: but they are not books for the people: they are books for collectors. I want a beautiful book, too, but I want that beautiful book cheap: that is, I want it to be within the reach of the average buyer. I don't find that I'm interested in any other kind of book." I alluded to the medieval illuminated books. Didn't they appeal to him? He said: "Yes and no again: they are pathetic to me: they stand for some one's life—the labor of a whole life, all in one little book which you can hold in your hand: like the exquisite coverings I have seen brought from the East: yes, I can sense them: but they are exclusive: they are made by slaves for masters: I find myself always looking for something different: for simple things made by simple people for simple people."

     I told W. that Frothingham (Octavius Brooks) would speak at the Ethical Convention tomorrow evening. "He has been very cordially my friend first and last," W. said: "I suppose he is so still: though as for that he may have shifted his point of view: they do it sometimes. I met Frothingham several years ago: talked with him: we got along together famously: he was expansive, sympathetic: he was of latitudinal longitudinal dimensions." It was curious after this that W. should have given me an old O'Connor letter in which Frothingham was alluded to. He had me read it to him.


Washington, Sept. 20, 1882.


Dear Walt:

     I have your postals of the 3d and the 17th.

     Comstock takes the dare! He cowers, like a kicked spaniel, and does not venture to carry out his threat. I thought my letter would have the effect of making him cautious.

     Now for Tobey. Look out for the Tribune—I have sent (last Saturday) an elaborate vivisection of the Boston postmaster and Oliver

 
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Stevens together, which, if the Tribune publishes, will certainly make a big row. I think you will like it as well as my first letter. It is gay and stinging until near the close, when it rises and darkens into righteous anger. The Boston Journal will surely respond to it, and Tobey will rue the day. Old orthodox rascal!

     Glad to hear your other book is near the launch. I got the programme—very attractive and picturesque. I only regretted that you had included your paper on Poe, which I think all mistaken. Everyone flings a stone at poor Edgar—Stedman's the worst of all. No such man as you fancy ever got and held the love of such a woman as Helen Whitman. I know so much about him through her, and through much reading of what he wrote, that I cannot help deploring all adverse criticisms upon him.

     Frothingham's article is fair, but unworthy of him. The arrière pensée is evident. He thinks better of your book than he dares to write. But such cowardice is simply shameful. A scholar ought to be a soldier, and face the batteries proudly.

     I will send the Modern Thought to Bucke soon. Hurrah for Molloy! I read his article with gratification. Apropos, I wish you would tell me just what Ruskin said about L. of G., for I discover that it was to you, or some near friend of yours, that he wrote. I want to know very much.

     Is there any chance of Rees Welsh printing Bucke's book? I wish it might be done. It would help, and now is the time, while public interest is alive.

     I will try to get the American Queen ("spell it with an A," as I once heard Horace Mann say sarcastically) and peruse the fury.

     I am glad you liked the way I cooked Comstock.

     The weather here is very oppressive, and "the weight of the superincumbent hour is hard to bear, together with the load of office work and the lassitude and illness that afflict the subscriber. But October will soon be here, with healing in its wings.

     My Jeannie has been very ill this summer, but is getting better, and will go to Providence on Friday. She can scarcely walk with weakness, but is on the mend. It has made life heavy for me.

     Good bye. Faithfully,


William D. O'Connor.

 
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     W. quoted the line: "A scholar ought to be a soldier, and face the batteries proudly.""That sounds like a call to battle: no one could do that more wonderfully than William." And he added: "In spite of what may in that incident have looked like timidity in Frothingham he has steadfastly been my friend." I said: "You and William evidently run afoul of each other over Poe." He smiled: "Yes—some: William takes a polemic interest in Poe: won't have any heresy at all with regard to him: has always made the whole demand, which I am by no means convinced of. William is a vehement expounder, propounder: won't let a fellow off with compromises, half measures." W. spoke of Comstock as "the anomaly of the age." I said: "The age supports him—allows him: how is he an anomaly?" W. assented to this. "That may be said, too: I rather suspect that we have Anthony in spite of, not because of, the age." Left at 9:30.

 
Friday, January 25, 1889

     7.40 P.M. W. reading the papers. Sat under the light. Not looking any too well. Voice, however, clear and strong. Ed said he was "all right" but W. himself said: "I am only so-so: not very good, not very bad." Gave W. the Harper's. "Well, how do you like Waldstein?" he asked. I shook my head. "Not at all." He laughed gently. "Dry as hell, wasn't it? He evidently tried to see how dull, dead, he could make it." Talking of Howells' piece on W. he said: "I don't know just how to take it: I have been questioning myself: what do I think it signifies? I do not know: to me it's neither here nor there." I put in: "And how about the future expurgator and his pencil?" He flashed out: "Yes: how about him? That's a devil of a note, ain't it?" continuing: "As I said, I don't know how to take it: whether as Howells himself, whether as a sincere avowal, or whether as the Howells with his traditionary cap on—with his deference for Mrs. Grundy, for magazine orthodoxies, for this or that particular reader." I had said Howells had not got on very far. W. quoted this with assent. "He hasn't: he's fine, cute, subtle, but not revolutionary: he goes a certain distance—then hauls himself in with a shock: that's enough—quite enough, he is saying to himself." But I said: "Howells has certainly had humors at least in which he was outright. When he wrote the letter about the Anarchists he certainly showed some grit: didn't you thinks so?" W. didn't deny it. But he thought that "on

 
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the whole" Howells having "so little virility" was "unable to follow up radically the lead of his rather remarkable intellect."

     Then W. said: "Look at Dick Stoddard: he's not only weak but malignant." I said: "Not only afraid to love but given to hate." W. smiled. "Exactly: look at that Poe thing: it's a fair sample: it was a cowardly attack: it was dirty, indeed: but that's the man—the certain size, style, shape of the man: a false note in it all—though true for Stoddard I suppose: more a picture of Dick himself than of poor Poe: an awful self-exposure, too: worthy of Billy Winter in his palmiest days: which is about as low as you can get." After continued general talk of Poe, W. said: "I have seen Poe—met him: he impressed me very favorably: was dark, quiet, handsome—Southern from top to toe: languid, tired out, it is true, but altogether ingratiating." Was that in New York? "Oh yes: there: we had only a brief visit: he was frankly conciliatory: I left him with no doubts left, if I ever had any." Poe was "curiously a victim of history—like Paine.""The disposition to parade, to magnify, his defects has grown into a habit: every literary, every moralistic, jackanapes who comes along has to give him an additional kick. His weaknesses were obvious enough to anybody: but what do they amount to after all? Paine is defamed in the same way: poor Paine: rich Paine: they spare him nothing."

     I said: "You should write about Paine." He nodded. "So I should: I don't think there's anybody living—anybody at all—(I don't think there ever was anybody, living or dead)—more able than I am to depict, to picture, Paine, in the right way. I have told you of my old friend Colonel Fellows: he was an uncommon man both in what he looked like and in what he was: nobly formed, with thick white hair—white as milk: beard: striking characteristics everyhow."

     W. asked: "Does this interest you?" I said: "You bet: don't stop." He proceeded: "We had many talks together in the back room of the City Hall. The instant he saw I was interested in Paine he became communicative—frankly unbosomed himself. His Paine story amounted to a resurrection of Paine out of the horrible calumnies, infamies, under which orthodox hatred had buried him. Paine was old, alone, poor: it's that, it's what accrues from that, that his slanderers have made the most of: anything lower, meaner, more contemptible, I cannot imagine: to take an aged man—a man tired to

 
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death after a complicated life of toil, struggle, anxiety—weak, dragged down, at death's door: poor: with perhaps habits that may come with such distress: then to pull him into the mud, distort everything he does and says: oh! it's infamous. There seems to be this hyena disposition, some exceptional (thank God, rare) venom, in some men which is never satisfied except it is engaged in some work of vandalism. I can forgive anything but that. I feel the same way about the Secession fellows: the Southerners—Rebels: I forgive, condone, overlook, everything except that last, that greatest, that almost incredible fact, that they starved our soldiers—starved them in insufferable prison-pens: the average helpless prisoners: that, I never, never, never can forget. The orthodox use it as the sign, the certificate, the credential, of their orthodoxy, to exercise a becoming horror of Paine—sneer at, to denounce, him: yet the skepticism of Paine—and it was for his theological skepticism that he was primarily hated—was mild, was nothing, compared to the skepticism of men who have lived since, who live now, who are almost universally honored." I called it "historic bugaboo." W. said: "That puts it very well: you start a prejudice against a man: it lasts, lasts: it seems impossible to break it down."

     I gave W. Rice's letter. He said: "I have been thinking over it today: I am seriously minded to attempt something." I chuckled a trifle over this. He caught my idea. "After all it's in your line," I said. He showed no fight today. Only said: "Yes: after." I said: "I'm curious to see what you will say about the bad influence of English ideals on American life." W. said: "I am curious myself to see what I will say: I don't know myself: haven't the least idea." The "two thousand words, however," he said, "don't either inspire me or scare me"—laughing—"I will say my say irrespective of limits big or little: but I am not all agreed upon it yet: we shall see."

     I picked up a pen card from the floor. There were still four mammoth falcons in it. W. said: "That's a present from Jim Redpath: I have made good use of it." And he added: "I find I get to like the vast pens: they give me something to take real hold of: they encourage me to write spacious things." He laughed. "There's a spiritual side of the simplest physical phenomena: not only a spiritual side: more than that: a spiritual outcome."

     Walsh, in Notes of a Philistine, classes W. W. with "famous past

 
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men not accepted by their contemporary generation." Said W.: "It's not a new thought: Carlyle makes much of it in many places: puts it powerfully: that they are scorned, hated, rejected: that they are in fact not understood: but Walsh takes many chances when he includes me in that category."

     Met Adler in Philadelphia after yesterday's session in the Ethical Convention. He sent W. a bunch of flowers. W. undid the box, held the flowers up in his fist, shoved his nose into them, and said delightedly: "They're beautiful: they bring me a whole garden right into this room: beautiful." Handing them to Ed: "Take them down to Mary: tell her to put them in a pitcher: I will let her have them the rest of the evening: they'll be mine tomorrow: I'll have them here tomorrow." After Ed had gone: "Tell the Professor they are a joy to me: give him my love: tell him I will have them here with me for days—tomorrow, next day, next, next"—then in a lower key: "Tell him, too, that I am still in my room: still cribbed here: still as I have been now for months, months: not absolutely laid up: yet almost: never in any way free any more: only tantalized with memories of liberty." Then asked me: "You Ethicals are having a convention? What is it about?" I cited something Adler said yesterday in a speech about the soundness of the body. W. said: "That sounds good: how far do you suppose he means that? Is he with us? or does he only go part way? I find that there are very few who are out and out: very few: they talk what looks like sense but don't back it up." W.'s talk very clear. Deliberate. He never seems mixed. Steadies himself in his own effective style. No matter how sick he gets, he holds on to himself. Bucke wrote me this a few days ago:


London, Ontario, January 16, 1889.


My dear Horace:

     I have yours of the 14th this morning. All quiet. Meter jogging along towards a state of readiness. We shall certainly be ready to go east 4 Feb. unless our N. Y. lawyer delays us, and we don't think he will. It is wonderful how W. keeps on week after week and month after month. But, my dear fellow, the end has got to come—we must keep that steadily before us else we shall be knocked useless when it does come. I look for a sudden breakdown some day when least expected. Of course you will repeat this to no one. We

 
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must make up our minds to lose W. What I pray for is that his mind may remain clear as at present to the end. If this be granted us we may bear what comes as we can. But it seems as if I could not bear it if his mind failed. It is too terrible to think about. It is wonderful how clear and serene his mental vision is at present. All well here.


Affectionately,


R. M. Bucke.

     W. said coincidently tonight: "I am always confident that whatever happens to me nothing will happen to my head: that my head will stand by me to the last." It seemed almost uncanny. I had Bucke's letter in my pocket. "How do you come to that conclusion?" I asked. He answered: "I don't know how: I'm there: that's all I know: but the conviction is firm within me: gives me a certain measure of comfort: I'll die head up: I say that to myself many times every day: I never question the idea: it's fixed: it fortifies me."

     W. said: "See what I've found for you." He reached out a roll of paper. "It's a Rossetti letter: my letter to Rossetti: very old: 1867: you have all those other Rossetti documents: I want you to have this: stick it in your pocket; take it along." And he added: "Read it at your leisure: if there's anything to ask about bring it up tomorrow: I'm a bit tired now." After a pause: "You can never make too much of Rossetti: of the fellows over there in England: when the time comes for it don't be afraid to put the paint on."

     In Philadelphia. Met a Johns Hopkins student. I didn't get his name. He said: "I hear that you know Walt Whitman. I should like to talk with you about him. Some of the fellows over there have long wanted to see him—wanted him to come down and lecture, or something of that sort"—adding as he left me: "We'll see each other again: then we can talk about it; you might tentatively submit it to Whitman."

     W. said to me tonight: "Always tell me the bad things people say of me." I asked: "Why?" He laughed. "If you do not someone will. It's astonishing how much more anxious most people are that I should hear the bad than that I should hear the good things.""What induced you to say that, Walt?""I got two anonymous letters in my mail today.""Where are they now?" He smiled. Pointed to the stove. "Gone up in smoke."

 
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Saturday, January 26, 1889

     7.30 P.M. W. reading Harper's! "Rather—looking at the pictures," he said. Said he had spent one of his "usual days." Very cheerful. Talked freely. "I've been speechifying nearly all day to anybody who would listen to me." Adler's flowers on the table. "And more than Adler's too: somebody else sent me in an addition." Then: "My room is like out-of-doors today: these flowers civilize it: almost make me content to stay here." Asked his usual questions: "How is the weather? tell me. Is it foggy? can you see the stars? what does it look like on the river? They say the fog of the other day was for two or three hours the thickest ever known: they had it in New York harbor, too: I know what fogs are there: mariners dread fogs: nothing else so gets their nerve, as we say: they have superstitions about fogs, too." W. suddenly asked: "What about that letter of mine to Rossetti? Did you read it?""Rather.""Have you got it with you?""Yes.""Read it to me before you take it away for good." Funny notion he has of having me do this with letters. He does everything equably, cautiously, as well as with decision. I read. W. had marginaled the letter: "Went in steamer Dec. 4—ought to arrive Dec. 16 or 17.""to Mr. Rossetti—sent Dec. 3 1867 (Dec. 7 from N.Y.)"


December 3, 1867.


My dear Mr. Rossetti.

     I have just received and have considered your letter of Nov. 17.

     In order that there be the frankest understanding with respect to my position, I hasten to write you that the authorization, in my letter of Nov. 1st to Mr. Conway for you to make verbal alterations, substitute words, &c. was meant to be construed as an answer to the case presented in Mr. Conway's letter of Oct. 12. Mr. Conway stated the case of a volume of selections, in which it had been decided that the poems reprinted in London should appear verbatim, and asking my authority to change certain words in the Preface to first edition of poems, &c.

     I will be candid with you, and say I had not the slightest idea of applying my authorization to a reprint of the full volume of my poems. As such a volume was not proposed, and as your courteous

 
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and honorable course and attitude called and call for no niggardly or hesitating response from me, I penned that authorization and did not feel to set limits to it. But abstractly, and standing alone, and not read in connection with Mr. C.'s letter of Oct. 12 I see now it is far too loose and needs distinct guarding. I cannot and will not consent of my own volition to countenance an expurgated edition of my pieces. I have steadily refused to do so here in my own country, even under seductive offers; and must not do so in another country.

     I feel it due to myself to write you explicitly thus, my dear Mr. Rossetti, though it may seem harsh and perhaps ungenerous. Yet I rely upon you to absolve me sooner or later. Could you see Mr. Conway's letter Oct. 12 you would I think more fully comprehend the integrity of my explanation.

     I have to add that the points made in that letter in relation to the proposed reprint, as originally designed, exactly correspond with those on the same subject in your own late letter—that the kind and appreciative tone of both letters is in the highest degree gratifying and is most cordially and affectionately responded to by me; and that the fault of sending the loose authorization has surely been to a large degree my own.

     And now, my friend, having set myself right on that matter I proceed to say on the other hand, for you and Mr. Hotten, that if, before the arrival of this letter, you have practically invested in, and accomplished or partially accomplished, any plan, even contrary to this letter, I do not expect you to abandon it at loss of outlay, but shall bona fide consider you blameless if [you] let it go on and be carried out as you may have arranged. It is the question of the authorization of an expurgated edition proceeding from me that deepest engages me. The facts of the different ways, one way or another way, in which the Book may appear in England out of influences not under the shelter of my umbrage are of much less importance to me.

     After making the foregoing explanation I shall, I think, accept kindly whatever happens. For I feel, indeed know, I am in the hands of a friend, that my pieces will receive that truest brightest of light and perception coming from love. In that, all other and lesser requisites become pale.

 
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     It would be better, in any introduction, to make no allusion to me as authorizing, or not prohibiting, &c.

     The whole affair is somewhat mixed, and I write offhand, to catch tomorrow's New York steamer,—but I guess you will pick out my meaning. Probably, indeed, Mr. Hotten has preferred to go on after the original plan, which, if so, saves all trouble.

     I have to add that I only wish you could know how deeply the beautiful tones and passages of your letter of Nov. 17, have penetrated and touched me. It is such things that go to our hearts and reward us and make up for all else for years. Permit me to offer you my friendship.

     I sent you hence Nov. 23d a letter, through Mr. Conway. Also a copy of Mr. Burroughs' Notes, Mr. O'Connor's pamphlet and some papers containing criticisms of Leaves of Grass. Also, later, a prose article of mine named Democracy, in a magazine.

     Let me know how the work goes on, what shape it takes, &c. Finally, I charge you to construe all I have written through my declared and fervid realization of your goodness toward me, nobleness of intention, and, I am prone to hope, personal, as, surely, literary and moral sympathy and attachment. And so, for the present,


Farewell


Walt Whitman.

     W. listened to this with attention. "It's as interesting to me as if I didn't write it myself and never heard of it before," he said. I asked: "Walt, is that the last thing you feel like saying on the subject of expurgation?" He replied: "It's a nasty word: I do not like it: I don't think I ever thought expurgation in my life: Rossetti wished to cut out or change a few words: only a few words: I said, yes, do it: that was long ago: if the question came up today I would say, no, do not do it: I think as time has passed I have got an increased horror of expurgation: would not think of such a thing as the exclusion or the alteration of a single word now: it seems so false: to do it at all seems like beginning to do it altogether. Horace, take my advice—though I have always advised you not to take advice: if such a problem should in any way at any time in your own career present itself to you, be obdurate, yield nothing, insist upon your unmitigated self." I said: "Walt, I never heard you talk so vehemently before on expurgation." He said: "Maybe I never

 
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felt so vehemently: maybe I never before so realized its dangers: censorship: I don't like it: even the censorship of a man who is his own victim: it's all bad, all wrong, all corrupt: it reduces a fellow to a cipher: seems just like an apology, a confession: it's a sort of suicide. Much as I love Rossetti I would not today if the affair was opened up ever again consent to have anything whatever done with the text of the poems: I'd say even to dear Rossetti, all or nothing: not wishing to be ugly: only determined to be firm. Even the gentle Emerson so far forgot who I was and who he was as to suggest that I should expurgate, cut out, eliminate: which is as if I was to hide some of myself away: was to win a success by false pretences: which God forbid: I'd rather go to eternal ruin than climb to glory by such humbug." I asked: "Emerson didn't call it humbug when he gave you that counsel, did he?""Oh no: it wasn't humbug to him: he was anxious to have people read me: he thought it was better to have the people read some of me, even the worst of me, than not to read me at all: that's the way he put it himself."

     W. spoke of a Bucke letter. "Doctor devotes most of his time to the Howells piece, which was, after all, inconsequential. Doctor asks: 'You don't like it, do you? I rather guess not': Doctor probably takes it for about what it is worth. Howells always seems to stop short of what is possible for him: he never goes his own full gait." W. then got talking of Canada. Said I should take a Canadian trip. "You should see the Doctor there: it is not a long trip: not expensive: you should see the Doctor in his own environment. It is much easier to manage a trip now than when I went: there are less of what I call the infernalities, interferences: less tariff obstructions. You could take an easy trip: off today at nine, arrive tomorrow at one: the Doctor would meet you with his carriage at London: the rest is easy. Or you could stop off at Niagara—take a day there: then pass on. We can never truly know a man till we have seen him in his habitat. Bucke and you will understand each other better under such intimate conditions." Back then to the Howells piece. "When I heard that he was to do it I anticipated a better result: though the literary formalists, even the gifted ones, go to pieces somewhere almost inevitably before they finish a job. Howells seems equipped: seems competent, adequate, every way: but who can say he fulfils himself?" Referred to something about W. W. in the San Francisco Chronicle.

 
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"You said it was not favorable? What does that matter? I like to see, to hear, all that is said provided it is serious—presents a point of view: I don't care what side it looks at me from so it looks honestly."

     I met the Johns Hopkins man again today. We had a talk. He spoke of some W. W. dispute that had occurred in the University a few years ago: "a quarrel between some students and a professor." I asked W. if he knew of that incident? "Yes—in a dim way: yes: someone wrote me at the time saying I had become a bone of contention for some reason or other." They seemed to be still suggesting that W. should go to Baltimore and lecture. "I received an intimation: someone wanted me to come: I had to decline: it was a long trip: I was not in condition. But it did—it does—me good to hear the kind words: they are from the young men: the young: they are the future America." I quoted Adler. "We must not count: we must weigh." W. said: "That's so: when we do that, we have some reason to feel that we have moved on a bit: by that test Leaves of Grass gains a little in plausibility."

     W. said again: "You circulate among the boys and girls, the radicals, the adventurers, the all-alive people: you are next to, in, the deepest currents, the strong-flowing tides: you can sense the world: you know its surfaces, its underpinnings: you are abreast the newest life." He said youth was "prone to fly off the handle" but "just as likely to take, justify, the most preposterous, magnificent, chances." I asked W.: "You always seem to be equable. Don't you ever get mad?" This warmed him up. "Mad? I boil: burn up: but often I keep my mouth shut: I am a slow mover: I don't hurry even in my tantrums: my passions are all ready for action but—well, there are many buts." He referred to Lincoln's "Noble control" which was "induced greatly by the times—by his recognition of their gravity."

     Going to Lincoln got him also to Hay and Nicolay. "I never really knew Nicolay: I saw him: he was secretary there contemporaneously with Hay, but was more sedentary—an indoors man: less frank: more reticent. Hay I knew well: we met often: Hay at that time was younger I think than Nicolay: he was a very handsome fellow: good body, open face, easy manners. Hay was made a colonel at a time Lincoln wished him to make advance negotiations South—needed to invest him with a show of authority, with credentials. Hay married a millionairess: a girl whose father was worth several

 
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millions: I don't know just who, where: he has, however, remained simple, himself, unaffected—and is still my friend. I cannot swear to all these details: what I give you is the residuum." As to the rich girl—he laughed. "I don't mean to say John did not marry for love, did not marry as the other men marry: only, as we read of it in Tennyson's Northern Farmer, the rest given, stocks, bonds, bank accounts, are no bar.""Hell of a lot you care for the surpluses, Walt!""Well—have it so: but I must be fair to John: hell of a lot he cares for surpluses for themselves: but a surplus, while an incident, may have its pleasant sides, too." Amused. Laughed. "John went up to New York: by and by the father died: they came into several hundred thousand." I asked: "And now you don't think John wrote that piece in the Tribune?""Oh no! no! John is not treacherous: not a drop in his blood: on the contrary he is punctiliously loyal: I have every right to call him my friend: not deep, not enthusiastic, but, in his average light, cordial, cheery, hospitable, unequivocal: he does not see all, but what he takes in he holds on to. Besides, Hay is a hearty good fellow: sound all through: has ingratiating personal qualities: is manly: was much liked by all grades of people in Washington."

     W. has a peculiar way of sitting with his glasses stuck on the thumb of his left hand while he uses his right hand for playing with his paper knife, resting both elbows on the arms of his big chair as he does so and talking straight on in the best of humors. This he did all this evening. In other moods, when not feeling well, when depressed, he never drops into this playful physical demonstration but is curiously impassive.

     Had he written the N. A. Review piece yet? "Not a word: I don't know what to write—how to start." Did he read much current or any fiction anyhow? I knew he did not. Scarcely any of it outside of Scott and Cooper and George Sand (and then only her Consuelo): none at all, in fact. "No—not much: but I get a look in on it now and then, here, there: a taste of it in the magazines: sometimes even a whole book. I can say this: that I am not worried by tendencies: I accept the situation: let all the forces have their way: all of them: in art, science, writing: the eyes that look back as well as the eyes that look ahead: Presbyterians, Mormons, Anarchists: the point with us in this country is the removal of impedimenta, the throwing

 
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off of restrictions: what we most need, must always demand, is a clear road to freedom. I'll probably write in this strain if I write at all: applying my principle to fiction, American, English, French, any fiction, as I would on any other field."

     I said to W.: "I've got a long letter from Bucke about the meter. Shall I read it to you?" W. said at once: "For God's sake, spare me! That infernal damned meter's getting on my nerves. It'll never mean a damned thing to Doctor but trouble: it'll never come to anything." [1913. It never did.] I asked: "How can you know?" He laughed. Tapped his nose and his instep with his paper knife. "My head and my heels tell me so." In an envelope which he had endorsed "printer's proofs short poems Walt Whitman 1888 (autographic)" he had laid aside for me a printed sheet containing Old Age's Lambent Peaks, A Carol Closing Sixty-nine, To Get the Final Lilt of Songs—the Curtz slips. Gave me a letter he endorsed with red ink: "from Miss A. T. Smith Washington intr. by John Swinton Sept: 77." Said: "You can throw the stuff away if it's a nuisance." Laughed. Knew I wouldn't. Had cut a picture of Madame Récamier from a paper: called my attention to it with some remark about her beauty. "I have also sent some scraps and portraits to Sarrazin.""Very few visitors for a week," he said. I was to hear Thomas Davidson recite Scotch poems tonight at the Ethical Society. W. asked me to tell him about Davidson. "I seem to know of him vaguely: we have never met." Then: "I like the idea of his Scotch ancestry: it is good stock: none better anywhere." Also: "Well—listen for me as well as yourself." After a pause: "See how you are getting to be my representative as well as your own: how you go about these days with doubled responsibilities. Don't be discouraged: don't resent it: you'll come to your reward some day: in the future, far in the future, after I am gone, will come to your doubled reward."

 
Sunday, January 27, 1889

     7.15 P.M. W. reading Bucke's W. W. Spoke more cheerfully than usual of his condition. No visitors. "I ate two good meals: breakfast, dinner, enjoyed them both: realize no bad results." I said: "Your life is all spent in that chair." He smiled. Was grave too. "Yes: that seems to be my life: from the bed to the chair: back to the bed again. I have got so I'm reasonably patient with it all: other days I

 
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want to go somewhere, anywhere, just to live down this routine of invalidism." I asked him: "You say invalidism: are you ever really conscious of being an invalid?" to which he said at once: "I'm never in fact conscious of it: I've never been so bad but my sickness seemed only incidental to something else: I don't think sickness any more than I have to: you know that as well as I do." Raining. Chilly. "Tom was in for awhile: brought me the Tribune: I have read it: also the Press. Can you tell me why I ever read the Press?" Spoke of the Boulanger election in Paris today. "What will come of it?" Adding: "I suppose no one knows yet: it's too early: though perhaps they are beginning to get news to New York—are probably putting it in type this minute." W. had read the story that Ingersoll, proposed for membership in the Players' Club, was rejected. W. said: "Ingersoll is not hurt by such asinine conduct as that: he would gain nothing by joining the Club: the Club would gain everything by having him join: Bob is rather of another ilk: does not belong to the traditionists—to the academists: is to be classified altogether with the go-your-own-way kind of men. Bob would enrich any environment he fell into but I can't see what some environments can do for him: I congratulate him: he's more at home outside than inside institutions anyway: that's where we are, too: that's our common ground. I am surprised to have this occur in the Players' Club, however: I should have expected them to be more capacious."

     I took sheets for fifty copies of the complete W. W. to Oldach today. W. said his "good opinion of the cover persists": "I am fully satisfied with it: it serves the purpose: has, too, its own, my own, characteristics: enjoys a recognizable identity. The bookish people agree that the book won't do. Of course it don't do for their purposes but it'll do for ours." W. talked of the meter. "It looks to me like a mistake, not like a meter." I asked him if he ever said that to Bucke. "No: I shut up when the Doctor's here: I know his heart's in it: but it's a fool's paradise." Talked of Bucke in general. "He's not a man with a few commissions, responsibilities, but with twenty, forty. I have come to learn the Doctor's true inwardness: I was there with him—on the ground. He has an immense institution on his shoulders: he answers all its challenges: has indeed made discoveries which have been vastly important in the study of the insane. He is eternally vigilant: for instance, will get up at four or five in the morning,

 
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at the delivery of the meat: will go over to the commissary building—himself inspect: taste, smell, examine: himself make sure that all is au fait—that the great sides, halves, quarters, are what they should be: do it on the principle that to have a thing rightly done there is no way but to do it yourself or have it done right under your own eyes." But Bucke is "no bigot.""He allows great latitude: he has doctors there with him: a staff, corps: four or five or more of them: doctors who are at liberty to pursue their own best judgment in the treatment of patients." He illustrated this. "For instance, Doctor opposes the use of alcohol: yet if any one of his assistants felt he should use it in some peculiar cases he would not interfere." I objected: "That was once so but in Doctor's pamphlet he tells of his change of view." W. said at once: "That is true: it was years ago when I was there: that was the method then."

     This talk led on to talk of drink in general. W. said: "I have no doubt Bucke is right in his theory against drink: it justifies itself, in fact: but in certain cases of fevers—in some critical cases—a resort to stimulants, to almost anything, is not only advisable but necessary: I have seen many, many such cases in the hospitals in Washington: my punches alone sustained many who otherwise seemed doomed: nothing else was possible: they would go a week without food, perhaps: the patient could not, would not, eat: what else could be done?" Was abstinence advisable? "Never start, I say," said W. "It's nonsense to say it's necessary: it's not vital: it's a habit: like using tobacco, which is filthy enough. I am living now without any spur in food or drink: not venturing off my very conservative plane." W. said finally: "We're a sober tribe: not one of us was ever seen drunk: that seems like a fearful reputation which we'll find it hard to live down." Laughing over his little joke. W. gave me a Burroughs letter, which he asked me to read aloud to him, and then said I might take away with me.


Sunday, Nov. 18, 1883.


Dear Walt:

     Dr. Bucke says you talk of going home with him: if you do be sure you stop and see me on the way. We have a girl now and are well fixed for the winter. Why not come on and stay here till Dr. Bucke is ready to go back?

 
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     I was in New York a couple of weeks ago and saw Arnold at Gilder's house—liked him better than I expected, looks coarse and strong and healthy, has a sort of husky voice like a sea captain, looked as if he came from a bigger stronger race than the other persons in the room, no pride, or "manners," or "culture" visible in him. I found he knew of me and was very cordial in meeting me. Liked him much better than the other Englishmen I have seen. Wish you could see him and have a good setdown talk with him. I think he is honest and sincere and not too sure about things in this country. The idea of his lecture on numbers, namely, that the majority is unsound, is to be taken with many qualifications and I wish some one would answer it in a mild friendly way. From some points of view the majority may appear in the wrong, but from other very important ones they are in the right, especially modern majorities. The mass of men are no longer capable of being gulled and duped and victimized as they were once. A shrewd common sense that extends to big things as well as to little is characteristic of the people in this age. If the masses were essentially unsound the prophet and the wise man would have only a barren soil to work on. I wish you would feel moved to write a short essay in The Critic on the subject. I enjoyed much your paper in this week's number. I think that both Arnold and Carlyle detach and see out of its due relations this idea of the unsoundness of the masses. I have written a short sketch as the result of my sea-shore sojourn for the Boston Wheelman—a new magazine of outdoor literature. I will send you the proof for suggestion and revision, especially the part that relates to you.

     Eldridge writes me that O'Connor is ill and at the Sulphur Springs of Va. What do you know about him? Eldridge thinks that my publishers are dealing honestly with me. I have asked to see their accounts, and they are willing, but probably I shall not go over these. When one of my books was published they sold the first six months 733 copies. When the next book came out they sold in the same time 733 copies. Of another volume they sold 131 copies in six months: the next six months they sold 131 copies of the vol. published next. These coincidences seem almost incredible. I called their attention to them, and they reply that they are merely coincidences. Osgood would gladly undertake my books; so would Dodd, Mead & Co., of N.Y.

 
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     Fine day here today, but have had a cold windy week. Out home in Roxbury I tramped over the mountains in blinding snow and cold. I hope you keep well. Send me the Scottish Review article if you have it and I will return it. With much love


John Burroughs.

     W. listened with great attention as I read. He was particularly interested in the passage concerning Arnold. "John will have it that I don't do Arnold justice; he thinks there's a place for Arnold—that I don't acknowledge it: that if we could in some way be brought together or if I could somehow read Arnold right, the impossible might be achieved. I'm afraid I'm hopelessly heretical: there seems to be a temperamental reason why I can't know Matthew, why he can't know me: I'm not disposed to exaggerate it: I don't force myself to or not to: it's simply there: I have to recognize it. Arnold is as inveterately one thing as I am another: we can't be remade: no doubt we both belong in the world: there's no use trying to make oil and water mix." And W. also said: "Arnold was weak on the democratic side: he had some intellectual perception of democracy but he didn't have the feel of the thing: all his antecedents, training, the schools he went to, were against it: he was first of all the superior, the leader, the teacher: he has a theory about the saving remnant: he is that salvation, that remnant. John describes Arnold in a way to make you wonder whether his life as he lived it was not inconsistent with his life as he wrote of it. The long and short of it is that Arnold happens to be one sort of a man while I am another sort of a man: that we are opposites (though John may deny it): that a reconciliation would be out of the question."

     Adler talks today on the teaching of morals to children. W. said: "It's a profound problem: teaching morals: they should be taught—yet also not taught: sometimes I say one shouldn't teach morals to anybody: when I see the harm that morals do I almost hate seeing people good: then there's another side to it: then I see how necessary it is that we should have a code, live with it, die for it."

     The floor stuff about W. was extra upset. "What have you been up to, Walt?" I asked. He said: "I've been looking for something—God knows what." I asked again: "Why do you say, God knows what? I guess you know what." He shook his head: "I mean that I was not looking for anything in particular: was looking for half a

 
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dozen things at once.""Did you find what you wanted?""No: I didn't.""But you found this, I suppose," I said, picking up a portrait of himself from the chair. "Yes: that turned up: but it can't be said to be worth while: it's empty: lacks any positive characteristics." Was I to take it? He didn't invite me to. "It has no value: I think we'd best dismiss it." But near it was a bundle of manuscript which he did give me. It contained the first notes, several drafts and Curtz proof slips of With Husky-Haughty Lips, O Sea. W. exclaimed: "Oh! that is a curio: take it along if you wish: I wrote it six years ago: I was up the Jersey coast, in the Ocean Grove district: John, Burroughs, was along: it was a rare event: I made the most of it every way, in body, in all the rest of me. It is something of a study: gives a little item indicating whys, wherefores, contingencies, what not: shows how hard I work, however easy the result may look. I have had people say to me: 'Walt, you write as if it was no effort whatever for you to do so.' That may be how it looks but that's not how it is."

     W. said: "I want to send a little keepsake to Adler: what shall it be?" I stood before him hat in hand. He commenced to poke about among the papers at his feet. Fished up Song of the Universal: newspaper clipping: yellow, old: 1874. "I was hoping I'd put my hand on something more significant. This—oh, this is only a small affair, I was invited by some of 'em up there to write a poem: was sick at the time—could not go: thought I would say something: now you see what the agitation came to. I sent it up: guess it amounted to nothing: guess they wondered what it was. At any rate it was read and paid for." W. addressed an envelope to Adler and enclosed the slip. "I don't want to send this: it's not what I was looking for: but it'll serve to show our feeling." Took the Curtz copy of To the Year 1889. "Take that too," he said. I asked: "The fierce poem?" he, laughing roundly: "Yes, that: the fierce poem: the haughty humble poem."

     Adler told me today that a sister of Emma Lazarus had offered to assist with the W. fund. I told W. of her offer without specifying the fund. He was touched. "Tell Adler that my love, affection, responds to his own: that I need no help, but, needing to be helped, would find it a joy to be helped by him." And again: "Tell him I meet him in the same spirit."

 
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Monday, January 28, 1889

     7.50 P.M. W. reading. Cheerful. "I am still just as I was." Further: "That report may sound monotonous but I have about given up all notion of improving: it seems settled that I am to be as I am or worse." Spoke of Boulanger. "He went through: astonishing, wasn't it? It seems to have been a surprise to everybody. How do you account for it? I am puzzled: I notice all the aristocrats pulled together for him: but I suppose it is as you say: we must wait if we want to learn what it signifies: there is no other resource: we must give it time to settle down into a definition. What can be the elements in such a phenomenon heaven only knows: why such a cheap jack can be elevated into eminence, given political power, by the vote of the people—why the people do not see through him—beats hell. I may know some things but I do not know that: I give it up." W. said further: "I wonder when the people will get past the tomfoolery of having masters, rulers, bosses, guides, superiors? It's more than time: it makes me sick when I think of it: how they are outraged, robbed, tyrannized over, without suspecting it themselves, or, even if suspecting it, without knowing how to get rid of the slimy load."

     W. had a letter from Bucke. "It looks as if he might be here by the middle of the month: then anyhow, if not before: Doctor seems to be in an anxious frame of mind: why do you suppose that is? Is the Doctor beginning to be fussy? He seems lately to be lacking in patience: seems to be getting in the mood of the folks who feel that the world will go to smash if they are not on hand to take care of it. I had a friend in New York years ago, a member of a firm, a big firm, one of four, who got sick, had to take a furlough. He was one of the sort who think nothing can be done unless they are on the spot: that things would fall to pieces, go to pot, if they let go a single second. He stuck to his job as long as he could: at last he had to go anyhow: was away three or four weeks: came back: yes, came back, and found everything taken care of, the world jogging serenely on at the usual pace. He said to me: 'Walt, that taught me a lesson: I saw that I might miss the world if I lost it but that the world wouldn't miss me if it lost me.'" I said: "But Bucke: you don't set him down at that sort of a fellow, do you?""Not exactly: not

 
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usually: he seems, however, of late, to have been drifting off in that direction. Primarily it's a want of faith." And he said again suspiciously: "There's something on Bucke's mind that has thrown him off his balance: something: what is it?"

     W. had a letter from Carpenter today. Gave me proof sheets of C.'s review of N. Boughs for Scottish Art Review to read. I asked: "Is it good?" He replied: "Oh, well—read it: take it home, read it—then you tell me." I picked up a John Russell Young letter. W. described Young as "lymphatic—of course not thin: rather stout, brisk, compact—it might be said, a strong man." W. said further of Young: "I knew him pretty well: did you never meet him? He came often to see me in Washington: not during the War: after: I can fix the date: he was not a youth then: must now be a man pretty well along.""Was he friendly to Leaves of Grass?""Yes, I think heartily: he seemed to find a good deal in it—seemed to gather something from it, but in his own way, probably not enthusiastically. Young was of the Gosse type—is still, I suppose: combed, cleaned, polished, brushed, exact." Did W. mean that Young lacked in finish, finesse? "Hardly: I had reference to the outer man—the social man. Gosse is eminently scholar—all scholar: the university man: all refined, bookish, made up. Young was not so developed: not in that direction: had more native grit."

     Saw Oldach. Took him some sheets. Promises books next week. Also saw McKay. Oldach said: "I'm getting quite a liking for your old man." W. laughed: "Tell Oldach I'm getting quite a liking for him, too." Last night Mann again spoke to me of the Johns Hopkins students who are interested in W. One of them "clean gone" on W. Talk of literary criticism, student life, &c. W. asked: "Did I ever tell you?—oh yes! I must have told you—the story of the Georgetown student? No? It was always curious, always illustrative: O'Connor always greatly enjoyed it: told it with great unction—great éclat.""What is your story, Walt?""I'll tell you. There was a young boy, seventeen or eighteen, who went over to the Georgetown University—studied there: the University is Catholic—is run by priests, men of learning, of great learning, oh! very great: by men who esteem themselves great punkins. The boy attended a class in English literature—a class of a hundred and fifty, perhaps two hundred—with a very wise professor. The professor was one day lecturing on the

 
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English poets: towards the close he incidentally, not extensively, mentioned Walt Whitman: briefly but very contemptuously. Walt Whitman: what was he? What could he do? A man to whom trope, rhythm, rhyme, figure, whatever, was impossible?"

     W. repeated this with great vehemence. "There was a rule in the class, a recognized procedure, that students might ask questions, even express doubts: a sort of talking back process. The boy heard what was said of Walt Whitman: sort of lifted his head in protest as it was uttered: whereat the professor went at him without gloves. 'Well, my young smithkin, you don't believe that? you dissent from that?''Yes, I do.''Ah! and why and how and what do you know about it anyhow.' The young man stoutly persisted: the professor was up in arms: the scholar all on qui vive. 'If you doubt why do you doubt? Give us examples: show us line for line what you mean.' The boy was not abashed: said he did not know that he could give the lines: but he had pretty clear and emphatic impressions that they existed: but the professor could not yield: he must have, say, at least a few examples, one example. Driven that way the boy gave an instance"—here W. stopped, trying to think of the words—"ah! this: 'the crunching cow, with head depressed'"—then seemed in doubt—"something of that sort, anyhow: at any rate the line answered the requisites: then there came others: another, another: the boy ready every time: the professor confused." W. concluded: "In the end it was the complete knock-down of the Englishman—the professor: the triumph of the boy. I am told the class greatly enjoyed it: I had the story from a woman who got it from a student who was present but did not share in the discussion."

     W. said: "The great function of the critic is to say bright things—sparkle, effervesce: probably three-quarters, perhaps even more, of them do not take the trouble to examine what they start out to criticize—to judge a man from his own standpoint, to even find out what that standpoint is. I sometimes ask myself: 'Am I not too one of the worst of those offenders? have not I too said this, that, where silence would have been better, honester?' I have asked myself in the face of criticism of my own work: 'Should I reply—should I expose, denounce, explain?' But my final conviction has always been that there is no better reply than silence. Besides, I am conscious that I have peculiarly laid myself open to ridicule—to the shafts of critics,

 
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readers, glittering paragraphers: yet I am profoundly sure of one thing: that never, never, has even calumny deflected me from the course I had determined to pursue." He stopped here a bit. Then: "Perhaps it is the function of critics, even the dull critics, to bring the gods, the high ones, down from their great conceit: drag them down, down into the mud, into the gutter: the difficulty is, the whole world seems now bitten with the idea that to criticize, to pick to pieces, to expose, is the all in all of life—the whole story: but is it? Take that Repplier woman, for instance: she's one of them: she, with her shining emptiness—with her smart vacuums."

     W. handed me a stained letter which he wished me to read back to him. Up in the corner of the note he had written in red ink: "No hurry about sending them to Dr. Bucke—your postal of Oct. 5 rec'd." I asked: "Who was that memorandum for?" He said: "Probably William: I have passed many of my letters around, as you know—from one to the other: sometimes starting with Bucke, sometimes with William: now and then with Kennedy." I read.


Oakenholt Hall

near Flint, North Wales, Eng.

Nov. 19, 1880.


Dear Walt Whitman:

     I had a nice letter the other day from Mr. Ruskin and among other things he says he is very much absorbed in your volumes just now, and is receiving good inspiring thoughts from them. You will I am sure be glad to hear this—that the "smut-charged muzzle" is doing such good work with such a good and pure man, the most Christlike in his daily life—not to speak of his thought (printed)—of his age. In minor matters he says good things of the binding, pronouncing it "most satisfactory."

     A very pleasing thing happened to me the other week. A workingman—a jointer—to whom I had lent your books, called upon me and thanked me, as I have never been thanked before, for the loan. "I never read such wonderful live words. I am regularly possessed with them. While I am working in my shop the very wood seems written all over with them. How he knows the life of us working men! And what a love for us!" These were as nearly as I remember his words: and on my promising to tell you of them, he was very

 
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pleased, and added that he only hoped you would not think it presuming. I told him no, that these were the things that best repaid you—if such a thought ever indeed occurs to you.

     Your friends here are all talking about Stedman's generous words about you in Scribner's. Will you let me tell you that I think he hits you well and directly in that passage about the Underside of Nature? It is the first time in literature that such a view has been made a concrete thought, and at present the general verdict is that it is just. Will it be out of order if I ask what you think of it?—for myself alone and not with any ulterior designs of printing what you say.

     I have been wondering how your health is progressing. I heartily hope your stay with Doctor Bucke in London has been a thoroughly good time for you. He seems to be very genuine.

     I send you my last essay—on Ouida. Have you read her Tricotrin? It is a grand book.

     With love to yourself and hoping for a line or two ere long I remain


Yours affectionately


Herbert J. Bathgate.

     W.'s running comments as I read were shrewd. "I get many asides from Ruskin but nothing direct.""No doubt he's a good and pure man, but why make so much of it? I'm afraid of too much goodness, too much purity: ain't you?""Yes: I hope they're live words: if anybody knows it the workingman should: live words: the workingman is the average man: if Leaves of Grass is not for the average man it is for nobody: not the average bad man or average good man: no: the average bad good man: if I have failed to make that clear then I've missed my mission for certain.""So he thought he might be 'presuming.' How English that is! As if his idea passed to me by another might be resented by me! Don't you suppose that may illustrate one of the distinctions between the English and American psychology?""Stedman is fine: I say so too: but why say 'generous'? If what he said is true then it is not generous: if it is only generous and not true, then what do we want with it?""Bathgate writes genuinely, considerately: he has no affectations: I answer him in his own spirit."

     As I left, W. said: "I'm doing all I can from day to day to put you

 
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in possession of papers, data, which will fortify you for any biographical undertakings, if any, you may be drawn into concerning me, us, in the future."
 
Tuesday, January 29, 1889

     7.30 P.M. W. reading the paper. Was cheerful. Ready to talk. "The good spell," he said, "still persists." A little indigestion. Some coughing from a slight cold. As usual first asked me about myself. Then: I had a letter today from Bucke—Doctor: we may look for him to be here about the close of next week, though he does not fix a definite date. He writes that they had a fire in one of the cottages the day before yesterday—perhaps the day before that: no one was hurt: they have a number of cottages there: you know, that is Doctor's favorite method of treating some of the lunatics: sort of domesticating them: trying out his peculiar theories of freedom: Doctor believes in liberty even for the insane."

     Laid his hand on a pile of letters on the table. "I have had more letters: one from Nellie O'Connor: she does not write very hopeful news: William is still mainly as he was: she says towards the close of her letter that he is up—is reading—but that he is silent, very silent, saying little: says nothing of any account: which she regards as a bad sign—very bad. Nellie says also that for the first time William is himself despondent—thinks the outlook a poor, a hopeless, one indeed." W. was quite silent for a few minutes. Then he started again without any prompting from me. "I have no reason myself for feeling hopeful: he is no doubt near the jumping-off place: the prospect is gloomy for him, for us—more for us than for him." He thought the O'Connor of old "had a wonderfully evolved body.""He was not as tall as I am: was short, perhaps even chunky: there seemed to be nothing the matter with him—not the least: too little, in fact. I am a little sorry for Nellie: she is physically of the delicate intellectual type: William is heavy—now helpless: she must have a hard time of it: but she is true blue—has a heroic temperament, grit: will not yield, is full of fight." After all it looks as if Walt and O'C. were nipping and tucking it towards the grave. I asked about O'C.'s eyes. Were they still bothering him? "Oh! I had forgotten all about that: till just this minute it had not struck me that Nellie said nothing in her letter with regard to it: that may be a good sign. He

 
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still seems to read—read some: not voraciously, as he used to: she says, however, that he does not write at all. At the best it is sad: at the worst—well, I don't like to think of it at the worst."

     W. wrote to O'Connor today. "Just a short message." Also: "I have written quite a long message to Maurice, besides sending him some papers." Just here Ed came in. W. handed him a letter, a postal and a bundle of papers. After he had gone W. said: "Ed does everything nicely: he is very faithful—is always about: in fact, too much about: stays too much at home. I often tell him he should go off and take long walks: in the streets: see the people: off into the country: long, long walks, hours at a time." After a pause: "He is a splendid lad—that Ed boy: I'm afraid he feels isolated here: I wonder sometimes if he's not a bit unhappy: we all love him: I'm glad knowing too that you and Ed get on so famously together."

     W. talked of his Washington life. "William was truly a temperance man: in the real sense so: he used to enjoy wine—an occasional glass, as I do, but no more." Did O'C. smoke? "No: nor do I—nor did I ever: and John the same: we were a no-smoking crowd." I said: "You don't object when the smokers who come here commiserate with you over what you have lost by not smoking. You keep still. You don't have any regrets in the matter, do you?""Not one regret: only satisfaction: sometime there will be a change: now most men smoke—then most men will not smoke: the tobacco habit may have its joys but it also has other integers that are neither glad nor beautiful: it's one of the avenues through which people today get rid of some of their nerve surplus: it goes with things as they are: but it is so filthy a practice taken for all in all that I can't see but people must inevitably grow away from it."

     W. went on talking about Burroughs. "In those early Washington days John had such a poor squeamish stomach, he had to be physically on his guard all the time. He is hearty now compared with what he was twenty or thirty years ago: he was then a poor stick: no belly—sort of gutless: why, my God, Horace, he seemed to have no grit at all." W. first met B. in the early years of the War in Washington. Was B. then already a Whitmanite? "I think he had read Leaves of Grass: it had been out some years then: yes, I guess he must have been friendly at the start." Stopped talking. Closed his eyes. Seemed to be trying to recall something. "I cannot fix the details all

 
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accurately in my mind: I get a little rusty sometimes." Then asked: "You have John's book? his book on me? Yes: I remember you have one." Pause. "John published that against my persuasions—O'Connor's too: our strong objections: but now I know, we both know, we were mistaken: John was right: I can now see what I could not see then: why it should have been done: also why it should have been done in the way John did it."

     I said to W.: "Bucke says he doubts if Kennedy wrote that Critic piece. He says Kennedy 'would have done better.'" W. said: "I am not prepared to say Maurice is wrong, but if he thinks the piece was badly written I do not agree with him." Then he added: "Doctor is not a stylist: he is more noteworthy for his vigor, his insight, his pure and simple intellect, than for any special esthetic sensitiveness: indeed, I feel that he is quite decisively lacking in that direction." W. reached forward and picked up what proved to be two Rhys letters without envelopes pinned together. "Take them," he said, shoving them to me: "They may have some biographical value: do what you think best with them.""Which means—what?" I asked. "Which means that if you consider them at all significant, file them away: that if they seem to you to be useless put them in the fire." I started to read them to myself. W. broke in. "Let me hear them, too: you might just as well."


St. Botolph Club,

Boston, Mar. 7, 1888.


Dear Walt Whitman:

     I believe you told me sometime ago that you had a friend at Los Angeles, Cal. If you have, I wish you would give me a line of introduction to him for my brother Bertie (Albert) who has just left hospital after a month's illness with typhoid fever, and who at such a distance from home and friends feels (I'm afraid) homesick and possibly despondent. If I had known earlier I would have gone on to Los Angeles myself, to nurse the lad; but this seems unnecessary now that he is able to get about again. You will easily understand, however, that I feel pretty anxious, and if you can let me have a line as I suggest, it will be a great help.

     Down here I've been talking again about the New Poetry—on Monday in Boston, and last night before the Harvard students who

 
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gave me a very hearty reception—the best I've had so far. I find there is quite an earnest feeling for Leaves of Grass among a great many of them. You have no doubt got their invitation to lecture by this time—which I told you sometime ago they were preparing to send.

     Next week (as you will see by my enclosed circular) I am to speak in Chickering Hall on Literary London—rather a rash adventure, I'm afraid.

     Has Dr. Bucke returned yet? I must write and ask him whether he can arrange a talk at London, Ontario, or not.

     With remembrances to Mrs. Davis. Yours affectionately


Ernest Rhys.


Orange, New Jersey,

Jan. 26, 1888.

     I am here again with Thomas Davidson. He came to Boston on Monday, to lecture there, but caught cold en route and lost his voice, and so I came back with him to New York the same night, by Providence route—my first experience of sleeping cars. We reached New York about 7 A.M.

     Twelve hours later I lectured for him, and said something about Leaves of Grass, among other things, to an audience chiefly made up of cultured women, of whom I felt rather afraid. However, they seemed to be pleased, and two of them who were not too cultured to look charming came up afterwards and thanked me so gracefully that I fell in love with them on the spot. (As I always do fall in love for the time being with every pretty girl I see, this is not a very fatal case!)

     Next morning I made a round of calls upon various editors, Alden of Harper's and others, and felt again the mighty stream of life in Broadway as a high stimulus. In the evening I went to Wagner's Götterdämmerung (Dusk of the Gods!) at the Metropolitan Opera House—a sublime experience. The last act would delight you. The entrance of a great band of brawny hunters, who feast out of doors in a forest, and sing a strident and virile chorus in snatches while Siegfried relates to them one of the old myths in an irregular ballad of singular beauty; all this is most impressive. Then follows Siegfried's death, and the stupendously conceived funeral march—more

 
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heroic, more profound, I think, than any funeral march I have heard. Today I feel full of incitements to all that is heroic and ideal, as phrases of this music haunt my ears.

     I sadly want all the stimulus I can get in this and other ways, for the fortnight at Boston was too full of small social distractions to let me get any writing done, and I am all in arrears with work. If it had not been for the need of getting through some of this work I should like to have come back to Camden this week. But I must wait till my lecture to the Nineteenth Century Club, on Feb. 7, is past.

     Dr. Bucke wrote a few days ago to say he would be in New York this week end, and I hope to see him tomorrow or Saturday. It does not seem likely that I shall be able to reach Ontario this visit.

     I am sorry you have been feeling so dull of late. I look forward to coming again and doing what little I can to make things brighter. With love.


Ernest Rhys.

     "No," said W., "Harvard never wanted me: that was one of Rhys' little illusions: I am not quite the sort: I need toning down or up or something to get me in presentable form for the ceremonials of seats of learning. You must understand that I never blame anybody or any organization or any university for discovering my cloven hoof. I am like the diplomatists who are non grata: I can't be tolerated by the kings, lords, lackeys, of culture: in the verbal courts of the mighty. I am mostly outlawed—and no wonder." W. thought Rhys "a precisionist.""He writes a forceful more or less inductile letter: is up to his ears in things—literary things (most of it, I'm afraid, ephemera of the usual character)—but underneath all of that to which I object in Rhys is a man whose qualities I respect." He added: "You will of course take these documents: use them if you think to: exclude them if they are worthless." He also said: "When a man goes on that way about Wagner I am again consumed with regret for knowing I have never had a chance to hear the wonderful operas. I say 'wonderful' because I feel that they are constructed on my lines—attach themselves to the same theories of art that have been responsible for Leaves of Grass."

     Asked me if I had a copy of the Ethical Record containing the Adler article in which he is quoted. Looked it over (I pointing it out)

 
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and then put a wrapper round it and addressed it to Bucke. "Doctor has a belly for everything," said W.: "he never seems to be overfed." Spoke of Boulanger. "He's a shrewd rascal: will he do up France or will France do him up? I don't want anything to happen to the republic: Boulanger is a sword—a threat: I would like to see France spew him out." Wanted to know how Oldach was getting on with the book. I laughed: "We must be humble: Oldach can't be hurried." W. laughed too. "I know: don't you see me on my knees? I admire his I'll do as I damned please ways."
 
Wednesday, January 30, 1889

     7.45 P.M. Harned there. He and W. animately talking. W. said to me instantly as we shook hands: "Ah! you came in to verify the saying about a man whose name we dare not mention: we have just been talking about you and you step in on us." Harned said: "Walt, you're not exactly a jolly joker but you're not as solemn as your critics say you are." W.: "Do you say that, Tom? Why, I pride myself on being a real humorist underneath everything else. There are some people who look upon Leaves of Grass as a funny book: my brother George has often asked me with a wink in his eye: 'I say, Walt, what's the game you're up to, anyway?' So I may go down into history, if I go at all, as a merrymaker wearing the cap and bells rather than as a prophet or what the Germans call a philosoph." He seemed to get a lot of comfort out of this sally. Harned said: "I didn't know you could do that trick so well, Walt: after all you may end up as a comedian.""I might easily end up worse," said W. Then he added: "I have heard from Bucke again: he says that he has a Whitman lecture for anyone here who wants it: that he considers it very good—thought he ought to be the last man to say so." W. then turned to Harned and asked: "I wonder who'll want it? Perhaps nobody"—ending in a laugh. W. gave me two Bucke letters of 25th and 26th, saying: "Take them both: then you'll be sure you have it." Bucke's sentence was: "If those friends of yours down there want a lecture on W.W. from me I trust to be prepared to give them a good one 'though I say it as shouldn't.'" In the letter of the 26th Bucke said:

     "I am glad that the binding is settled, and I think from your description that it will do very well, though nothing to become especially

 
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enthusiastic about. I shall be glad to see it. Will not the price of binding cut into the price of the book a good deal? One dollar twenty-four is a big slice off six dollars. The price of the book should have been more than six dollars. I would not have put it a cent below ten dollars if I had had my way. I predict that a copy of that book will be worth fifty dollars in ten years and one hundred dollars in twenty-five years. But I suppose you will say 'we are living in '89 not '99 or '14.'

     "So Rice wants you to write for his review. I wouldn't mind if he would print some pieces written by your friends and leave out such miserable trash as that written by Kennedy a few years ago. Do remember when Pearsall Smith brought it home and read extracts from it at the tea table?"

     I read this passage aloud as I sat there. W. and Harned both broke in on my reading vigorously. W. said: "No doubt everything would have been different, Maurice, if you had had your way: but thank God you didn't have your way. We're not making this book for faddists, collectors, curio hunters: no: we're making it for people, readers: nor are we making it for nineteen hundred and twenty-five: nineteen hundred and twenty-five will take care of itself: we're making it for eighteen eighty-nine: that's as far as we've got—maybe as far as we'll ever get." W. said again: "Yes: I remember that day at Pearsall's: they were the days when Pearsall had other notions about me: Pearsall has been gradually receding ever since then." Harned said: "Walt: ain't Bucke a trifle extreme?" W. said at once: "No doubt: so was everybody I ever liked: why, you're extreme yourself, Tom—and sometimes more than a trifle." W. shook his hand over towards me. "And as for Horace: well, he's the extreme of extremes: he's the craziest of the whole lot of us." Harned said: "If I'm extreme, Walt, I never saw it." W. replied: "No doubt: no man ever does discover it in himself." W. asked me: "Have you got the Scottish Art Review along?" We both got copies last night. "I should have sent it to Doctor." He asked me how it hit me. I said: "Not at all." He nodded approval. "So say I: it is not profound: has not depth: never mind, it'll do." Dr. Furness (William Henry) spoke at Unity Church Sunday. W. said: "The brave good old man: he still holds out to burn."

 
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     W. showed Harned the model of the big book. T. had asked for a set of sheets to bind in his own way. Turning this book over in his hands he said: "I don't think I could do better than that." W. broke in: "I doubt if you'd do as well: that is a handsome book: it was a discovery"—adding: "I mean to give you one to take home with you when they are finished." Was suspicious of a couple things in the cover that looked like "finesse," but still he said: "Let it go: on the whole it's about right." Asked Harned about the baby. "I am quite curious about it: you should have it photographed: it's a good-luck baby: with you and its mother and then with Herbert Spencer to boot: if he does not come to a good end it'll not be because he didn't have a good start.""When I get out again my first visit will be to that baby."

     Inscribed for me the copy of Specimen Days which he gave me in the summer and was too sick to write in. Showed him Scribner's containing Professor Woodruff's article on Walter Scott at Work. Commented on frontispiece W. S. "It's very good but I have a better." Then after a pause: "Probably I say that because I have become accustomed to mine." Looking further and minutely: "This is fine, though, I admit: beautifully conceived: engraved: printed. The truth is, it takes many whacks at a fellow to get him all: each portrait contributes to the result." As to the article he said: "I am sure it will interest me: I know it: and tomorrow—no, next day—I shall have something here for you that will interest you." I don't know what he means.

     W. needs a mammoth pen holder. He showed me the big pen squeezed into a little holder. "Get me a holder: I've lost mine in the mess here: I like the mammoth pens: they are easy to write with." He acknowledged that "it makes a great difference what sort of a pen" he has. "I am sensitive—I especially hate the little bits of pens—the dwarf ladylike pens: I don't seem to be able to do anything fullsized with them: they interfere with my ideas—break my spirit." Harned said he wrote with a stub. W. said no. "I don't seem to take to the stub: I like my vast pen with its sharp point better: you see I'm like everybody a creature of prejudice."

     I picked up his yellowed copy of Richard II from under my feet. Handed it to him. He looked at it. "That's the copy I used to take to the play with me—in my pocket: carried along in my walks: kept

 
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with me down on the Jersey shore: such pieces of books made up in that way by me out of whole books for my own convenience." He spoke of the Richard as "a favorite play" of his. "It is typical: the most likely, conclusive of the Shakespeare plays." Harned referred to his facsimile copy of the First Folio. Who wrote the Plays? W. very vehement. Harned said this book kept him a Shakespearean. W. dissented. "That by no means closes the case, Tom: contemporary evidence is not necessarily the best evidence: look at Mirabeau, in France: undoubtedly in many ways a noble man: always esteemed as a friend of the people: in fact, one of the people: yet undoubtedly, as it is now conclusively proven, the paid stipendiary of the court. To have said this at the time or even fifty years ago—even twenty or thirty years ago—would have been taken as the rankest blasphemy: yet there is now no more doubt of it than of the fact that you are this moment spread out there on the lounge listening to me talk."

     Then was Mirabeau wholly false? Was history altogether mistaken in him? "I should not like to say that: do not say it: only that he was paid by the court: got pockets of money in that way. He was a wonderful man: in many respects was the most wonderful man of his time: a democrat, probably"—here W. paused: "Perhaps not that, not a democrat in any sense that would be acceptable to us, but still inclined to hear, even argue, the cause of the people." He specified one of the Greek "masters" similarly reputed in his time, "yet now acknowledged to have been corrupt.""We talk of the necessary accuracy of contemporary evidence: that's poppycock: I do believe, for instance, that for truth, for what is positive concerning the great masters, this book here, this book written by Addington Symonds, written in our own day, is better, more to be relied upon, than any record kept at the time, than anything written since, in all the ages between." He "would not be at all surprised" if "some day there should appear absolute authentic data establishing the origin of the Shakespeare plays," and in that time "I am confident that it will be shown that many men, not one man merely, had a hand in the work." In that age "it was not considered becoming for noble lads to have anything to do with writing plays: with playhouses: with receiving twenty-five or fifty or a hundred dollars, as we moderns do, taking it as a matter of course.""But the group of bright fellows

 
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there in London—Sir Walter Raleigh, the Earl of Pembroke, the Earl of Southampton, Lord Bacon—are known to have accepted Shakespeare—to have been cheek by jowl with him, in fact." Out of this the authorship must have grown. "Shakespeare was under contract with one of the London theatres to produce two new plays a year: a contract much like mine with the Herald: so many pieces, large or small, a month: if less, then the full sum to be made up the next month, beyond default."

     Then Shakespeare was to palm the plays off as his own? Was that the idea? "In the rough—yes: and I know how that would be described by the orthodox: how it was that Shakespeare was a plagiarist, a thief—all that: but I should hesitate to pronounce judgment so cavalierly. Shakespeare took it all as grist to his mill: accepted all: kept his counsel—and his contract." He did not think Shakespeare was the chucklehead O'Connor had called him? "Oh no, no: I never believed that: besides that's not O'Connor's to start with: he repeated it jocularly: it didn't originate with him. It was Delia Bacon who was most severe on that point: handed out the most contemptuous terms: rarely referred to Shakespeare except lightly: called him 'the butcher of Stratford': always applied phrases of that character to him."

     W.'s own skepticism had "preceded Donnelly's book"—even preceded his O'Connor experiences—"though William is easily the greatest, while the most vehement, of living men, of any who have lived I may say—certainly of any Baconian we know of." But as to Shakespeare: "Instead of being a chucklehead I should say he was one of the sweetest, wisest men who ever lived. Hume says of Queen Elizabeth that she is charged with being a trivial creature, though surrounded with wisest counsellors, but he insists that it must have been greatness of a sort which summoned such counsellors—which recognized, made use of, accepted such personalities as the aids and abettors of her policies." So with Shakespeare. "He was no fool, no butcher: his, too, was no contemptible greatness: he chose well: he was circumspect: he knew what he was about." W. said he had no idea that the Plays all came from the same source: "There are evidences that various influences were at work there: a group, a cluster of the Plays seem to show signs of the same craftsmanship." But "it's not necessary to infer that all the Plays came from the same hand."

 
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He thought the Plays indicated "a great taste for glitter: a desire to surpass, overawe: a resolve to overdo: to create the fiercest emphases: to succeed by the very force of the flood—a literal inundation of power."

     Harned said: "The Plays are so great won't they stand alone for all time?" W. objected: "I know that is the orthodox view but I don't accept it. Wilson Barrett here—here in this house—has said the same thing: has said an actor dares not question it: but I question it: question it fundamentally. It has come to be with Shakespeare as with the Bible: we are born to it: we have sucked it in with our mother's milk: the schools, colleges, writers, drive it at you: one can't get away from it: the man who denies the claim is queered." W. threw himself forward in his chair, pointed upward as if to the heavens, and said with intense earnestness: "It is wrong! wrong! wrong! It is as if we should fix our eyes on one of the stars there: should say: Let that be the only star: let that stand alone in glory, purpose, sacredness: let all the rest be wiped out: let that alone be declared legitimate: let that alone be our guide. Yet there are millions of other stars in the heavens: millions: some as great, some greater: perhaps some we do not see surpassing the best we see: so there are writers—countless writers: some swept away, lost forever: some neglected: some yet to be recognized for what they are."

     Harned said: "Walt, you're hitting a lot of nails on the head today: you almost weaken my faith in Shakespeare." W. said: "Shakespeare stood for the glory of feudalism: Shakespeare, whoever he was, whoever they were: he had his place: I have never doubted his vastness, space: in fact, Homer and Shakespeare are good enough for me—if I can by saying that be understood as not closing out any others. Look at Emerson: he was not only possibly the greatest of our land, our time, but great with the greatness of any land, any time, all worlds: so I could name galaxy after galaxy." Harned asked: "You have decided feelings about the defects of Shakespeare?""Yes: it is not well for us to forget what Shakespeare stands for: we are overawed, overfed: it may seem extreme, ungracious, to say so, but Shakespeare appears to me to do much towards effeminacy: towards taking the fiber, the blood, out of our civilization: his gospel was of the medieval—the gospel of the grand, the luxurious: great lords, ladies: plate, hangings, glitter, ostentation, hypocritical chivalry,

 
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dress, trimmings"—going on with the strange long catalogue "of social and caste humbuggery" pronounced with the highest contempt. "I can say I am one of the few—unfortunately, of the few—who care nothing for all that, who spit all that out, who reject all that miserable paraphernalia of arrogance, unrighteousness, oppression: who care nothing for your carpet, curtains, uniformed lackeys. I am an animal: I require to eat, to drink, to live: but to put any emphasis whatever on the trapperies, luxuries, that were the stock in trade of the thought of our great-grandfathers—oh! that I could never, never do!" Then suddenly he fired out with more heat than ever: "And now that I think of it I can say this fact more than any other fact lends weight to the Baconian authorship: I have never written, never said, indeed I have never thought of it as forcibly as at just this moment sitting here with you two fellows: but the emphasis that the author of the Plays places upon the fripperies points an unmistakable finger towards Bacon. Bacon himself loved all this show, this fustian: dressed handsomely: tunic: fine high boots: brooches: liked a purse well filled with gold money: the feel of it in his pocket: would tinsel his clothes: oh! was fond of rich, gay apparel: affected the company of ladies, gents, lords, courts: favored noble hallways, laces, cuffs, gorgeous service—even the hauteur of feudalism." W. then added: "Feudalism has had its day: it has no message for us: it's an empty vessel: all its contents have been spilled: it's foolish for us to look back to some anterior period for leadership: feudalism is gone—well gone: peace to its dung: may my nostrils never know its stink again. One mustn't forget, Tom, and you, Horace, that thankful as we have a right to be and should be to the past our business is ahead with what is to come: the dead must be left in their graves."

     Were the Shakespeare plays the best acting plays? W. said: "That's a superstition—an exaggeration." Harned said something which induced W. to add: "If O'Connor was here and heard you say that he'd quarrel with you." As to Shakespeare as actor W. said: "Even if he never got beyond the ghost, as has been said, we must acknowledge that to do the ghost right is a man's not a ghost's job: few actors ever realized the possibilities of the ghost." W. said: "William speaks of Winter as Littlebillwinter—all one word: I often think of Ben Jonson as Littlebenjonson—all one word: I remember

 
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what Emerson said of Jonson: 'He thought himself a good deal greater man than Shakespeare.'" The "Shakespeare personality" was "very mystifying, baffling.""Yet there are some things we can say of it.""Whoever Shakespeare was not he was equal in refinement to the wits of his age: he was a gentleman: he was not a man of the streets—rather of the courts, of the study: he was not vulgar. As for the Plays, they do not seem to me spontaneous: they seem laboredly built up: I have always felt their feudal bias: they are rich to satiety: overdone with words." I never saw W. more vigorous. He finally said: "I am so sure the orthodox notion of Shakespeare is not correct that I enter fully into the discussion of those who are trying to get at the truth." Harned said as we left together: "You can't stand up against his splendid power when he talks in that way."

 
Thursday, January 31, 1889

     7.20 P.M. W. reading the Press. Greeted me heartily. Laid paper down. No visitors today. "I've discouraged the visitors so they don't come now: except the far-off ones: they don't know." Feeling "serenely composed," he said. "I can call this one of my most peaceful days—one of the very best: I have indeed been in luck so far this year—especially the last three or four weeks: yet there seems to have been no access of strength. Sometimes the long confinement involves me in a restlessness that is absolutely painful: still I must laugh that down: I ought to thank God it's no worse, as well it might be." He again said: "You must be sick having me talk sickness every day: yet you must also know I hate myself for doing so." I said: "Carlyle said in substance that though Schiller was always a sick man he was never a sick writer." W. nodded: "That's beautiful, whether Carlyle's or yours—though I suspect it's yours.""Didn't someone in the Chinese say the man's belly was the man?" W. laughed: "I don't know who said it: anyway, it's mostly true: there's some sort of intimate association between a man's belly and his soul that no amount of spirituality can get rid of."

     W. very wide awake. Talked with real swing: with great comfort of manner. "I wrote a postal to O'Connor today: just sent it off with Ed: there was nothing on it: there was nothing to say, in fact: I only felt it well to write if for nothing else than to break the dreadful sameness of his days—the harrowing routine of his sickroom. Think

 
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of him sitting there: the long, long sit: never a thing to do: confined: perhaps himself hopeless. It would be hard to know what to write him: yet I never have him out of my mind." W. was sure that O'C. had been at least until recently wholly unaware of the nature of his trouble. Had he yet been told of its ramifications? "I don't know: I hear nothing as I have said, I never allude to it in writing to him: I know he is in wretched shape: he's not likely to last much beyond the next month or two or three: his condition is hopeless. It looks now as if it would be for him a steady downhill trot: I see no better, I see only worse, things ahead. It often happens that locomotor ataxia is very lingering: yet I have the feeling that in this case there'll be no prolongation of the story. Why do I get that impression? God knows: I can't say: only I have it very strong." He asked me: "You have not so far met William? You must: I wish you might arrange to do so soon: do not put it off: the delay might be fatal: you two should meet." He was grave. "I suppose we'll never see each other again. When he was here a year and a half ago, when he came, I was out, or something—I don't know just where, for what: but Mary Davis talked with him: she knows much about that peculiar disease, having nursed Captain Fritzinger through a long siege: she told me afterwards she gathered from what she saw then, heard from him, what was the matter: she felt the seriousness of his condition: but she said that William himself betrayed no such consciousness: could see nothing threatening: was perfectly cheerful, witty: talked without stint, effort: gaily: went off in his carriage defiantly, almost: impudently, impertinently: ready to joke his anxieties away if he had any: determined, if he knew the truth, to die game, with no whimpering or complaints." I asked: "Wouldn't he rather lie than weep in that sort of a crisis?""A thousand times rather: I should say so: his wit, his courage, are constitutional: he is what he is because he has what he has: there are profound reasons for him: he baffles me, he's so large, he's so various: I try to explain him: I can't do it." But W. added: "The future can have little in store for him: I have fought my distress but it comes back: I sit here, read, think, doze, dream, simmer, but he is with me always."

     Found that W. had another letter from Bucke. "There is nothing special in it: this, maybe: that the fire put so much extra work of one kind and another on him he is compelled to postpone his coming

 
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for another week—from the 4th to the 11th. It does seem as if the fates were sworn against him: first one thing occurs, then another: fires, floods, draughts. I wrote him today." Then he asked suddenly: "Have you anything to return today?" answering himself: "Oh no! I remember: I sent Doctor the Scottish Art Review"—and then, as he regarded my dubious face: "Oh I know that it's not deep, not great, but it'll do—it'll do!" Further said: "The Ethical Record is still here: I shall include that in the first bundle I send to London." He asked:"Do you read the Ethical fol-de-rol? I make an effort occasionally to grapple with it: it can't be said to work: I find it tiresome, dry, sawdusty."

     W. gave me his draft of a letter to Rossetti. "Went on a steamer N. Y. 31st Jan. '72," was his pencilled memorandum. W. said: "You put away the letter I gave you the other day: here's a note for it: keep them together: but before you go, read it to me: I may have something to say to you about it."


Washington, January 30, 1872.

     I send you my piece in a magazine, lately started away off in Kansas, fifteen or eighteen hundred miles inland—and also improve the occasion to write you a too long delayed letter. Your letters of July 9 last, and Oct. 8 were welcomed. Since which last nothing from you has reached me.

     John Burroughs returned with glowing accounts of England, and heartiest satisfaction from his visit to you and talks &c. I saw him day before yesterday. He is well and flourishing. [W. broke in as I read: "God knows, John's first visit threatened to be a mess but something better happened next time!"]

     I still remain living here as clerk in a Government Department—find it not unpleasant—find it allows a free margin—working hours from 9 to 3—work at present easy—my pay $1600 a year (paper). Washington is a broad, magnificent place naturally—avenues, spaces, vistas, environing hills, rivers, &c. all so ample, stretching out with plenty of room, plenty of distance,—and then as you get towards the lines, fine, hard, wide roads (made by military engineers in the war), leading far away, through dale and over hill, many and many a mile. Often of full moonlight nights, I go on long walks with some companion, six, eight miles away, into Virginia or Maryland, over these

 
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roads. It is wonderfully inspiring, novel, with such new.... We have spells here, night or day, of surely the finest weather and atmosphere in the world. The nights especially are sometimes miracles of clearness and purity—the air dry and exhilarating. In fact, night or day, the whole District affords an inexhaustible mine for explorations—soothing sane hours. It is indeed to these mostly my habits are adjusted. I have good health. Am fortunate enough to almost always get out of bed in the morning with a light heart and good appetite—read and study very little—spend two or three hours every day on the streets or in the frequented public places—come in passing contact with all sorts of persons, sufficiently—go little, almost not at all, into "society"—have, however, the blessing of some first-rate women friends—life upon the whole dim, flowing calm, democratic, sufficiently cheerful, on a cheap scale, suitable and occupied, enjoying a good deal, flecked of course with some clouds and shadows. I still keep in good flesh and weight.

     The photos I sent you last fall are faithful physiological likenesses. I still have yours, carte, among a little special cluster before me on my desk door.

     My poetry remains yet in substance quite unrecognized here in the land for which it was written—the best established magazines, and literary personages, quite ignore me and it. It has to this day failed to find an American publisher (as you perhaps know, I have myself printed the successive editions). And though there is a small minority of approval, the result to the great majority continues to bring me sneers, contempt, and official coolness. My dismissal from employment in 1865, by the Secretary of the Interior, Mr. Harlan, for the sole reason of my being the author of Leaves of Grass, only affords too true a specimen of the high conventional feeling about it still. The journals are many of them inveterately spiteful. For example, in a letter in the correspondence of one of the principal New York papers lately (the N.Y. Tribune) from a lady tourist, an authoress of repute, an allusion in the letter to mountain scenery was illustrated by an innocent quotation from and passing complimentary allusion to me. The letter was all and conspicuously published, except that the editor carefully cut out the lines quoting from and alluding to me, mutilating the text, and stultifying the authoress to her great vexation. This to give you a clearer notion of the state of

 
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the case here. I desire my friends in England writing about me to not be afraid of publishing this state of the case.

     Of general matters here, I can only say that the country seems to have entirely recuperated from the war. Everything is teeming and busy—more so than ever. Productiveness, wealth, population, material activity and results, here, far beyond all measure, all precedent—and then over such an area, three to four millions of square miles!—Great debits and offsets, of course—but such oceanic floods and masses of common domestic plenty and comfort, universal supplies of eating and drinking, houses to live in, farms, clothes, plenty of money, copious travelling, intense activity, &c. &c. There is something meteoric about it, I know very well—but altogether it is Kosmic—and real enough.

     It is not without glow and enjoyment to me, living and moving in the midst of the national whirl, din—intensity of material success—(as I am myself naturally sufficiently sluggish and ballasted to stand it) I find myself enjoying it all thoroughly, but in the best with reference to its foundations for and bearing on the future (as you doubtless see in my book).

     But I will turn to more special personal topics.

     Prof. Dowden's Westminster Review article last fall made us all pleased and proud. He and I have since had some correspondence and I have come to consider him, like yourself, fully as near to me in personal as literary relations. I have just written to him.

     I have received word direct from Mrs. Gilchrist. Nothing in my life, or my literary fortunes, has brought me more comfort and support every way—nothing has more spiritually soothed me—than the warm appreciation and friendship of that true full woman (I still use the broad, grand, grown Saxon word, our highest need).

     I have twice received letters from Tennyson—and very cordial and hearty letters. He sends me an invitation to visit him.

     I deeply appreciate Swinburne's kindness and approbation. I ought to have written him to acknowledge the very great compliment of his poem addressed to me in Songs before Sunrise, but am just the most wretched and procrastinating letter writer alive. If I should indeed come to England, I will call upon him among the first, and personally thank him.

     I received some three months since a generous, impulsive, affectionate

 
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letter from Joaquin Miller. I hear he is now in faroff Oregon, amid the grand scenery there, studying and writing. I saw in the papers that he was writing a play.

     Wm. O'Connor, wife and daughter, have just gone on a pleasure trip of a month to Cuba.

     I received some time since a most frank and kind letter and brief printed poem from John Addington Symonds, of Bristol, England. The Love and Death I read and reread with admiration. I have just written to Mr. Symonds.

     I received Roden Noel's Study, in Dark Blue for October, and November last, and appreciate it—and also a letter from himself. I have sent him a copy of my last edition, and intend to write him.

     I proposed by letter not long since to Ellis and Green, of London, to publish my poems complete and verbatim. Mr. Ellis wrote me a good friendly letter, but declined the proposition.

     I shall be thankful to receive a copy of your Vol. of selections from American poets when ready—and always, always, glad my friend, to hear from you—hope, indeed, you will not punish me for my own delay, but write me fully and freely, soon as convenient.


Walt Whitman.

     W. stopped me every now and then as I read to say something. I asked W.: "Walt, don't you sometimes put that American neglect business a bit too strong?" He said: "No: I don't think so: do you?" I said: "You were face to face with your enemies here: in England you were only face to face with your friends: Wouldn't that make a difference? confuse the situation somewhat?" W. said: "That's a new point of view: maybe: there was hell to pay." I said: "Suppose you had made your fight in England or Germany: wouldn't there have been hell to pay?" He was very quiet. "You're driving me hard along an unusual track: I never put it to myself that way." I said again: "After all you only had a few friends in England: a few in Scotland, Ireland, Germany, Denmark, France; so far as you know only a hundred or two: didn't you have a hundred or two here?" He was very calm over my questions but said: "You've certainly aroused in me surprising reflections. I have no doubt the immediacy of the apparition here may have dictated an extreme contrast. The general fact still remains: I was not welcomed: I was tabooed: the

 
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main thing I met with was opposition." I acknowledged that was true. But I said: "Wasn't the main thing you met with on the other side also opposition? Symonds, Dowden, Rossetti, those others, were exceptional and few." He was not inclined to quarrel over my protest. "You've given me quite a meal to chew over." I asked W. too about his prosperity talk. "Don't you think you were too optimistic?" He wanted to know "how." I said: "Was the prosperity you spoke of general or special? Wasn't it rather a class than a universal prosperity?" W. said at once: "If I had known then what I know now I should have modified my emphases: I should have made a few distinctions that I didn't apprehend then but fully realize now." I dissented from W.'s peculiar comment on what he called Swinburne's "approbation." "It looks, Walt, as if you was rather hungry for it." He said: "I admit I would not have used the word now: maybe I was then more sensitively appreciative of personal assent than I am now: certainly Swinburne has reneged on it all since then: John could never brook Swinburne's approval: resented it: said to me, you've no right to rejoice in it: I thought John extravagant then: now I know he knew then what I didn't." W. was "very willing to be convinced," he said: and he also said: "The tussle has been a severe one: perhaps that's the reason some of the elements may have been misjudged." Added: "I've been so misjudged myself, God knows I don't want to misjudge others."

     Read Scribner's today. "Also a bit of Cooper: Fenimore: about Natty Bumppo." Somehow he thought "Natty peculiarly a Leaves of Grass man." Cooper didn't live to know W., but W. said: "There were reasons why he and I should have fraternized: I look upon Cooper as new rather than old—as belonging to our era, as cultivating our graces."

     Reference to something W. wrote about freedom in his Collect. W. said it was "a fruitful subject," asking me: "Is it clear to you? perfectly clear?""Freedom under law: there's no fact deeper, more engrossing, than that." I called it freedom "except to jump out of your skin"—he laughing gently: "Yes." He spoke of "metaphysical debates": also of the "free will and necessity asininities": "how little" they "contained, amounted to." Then referred to "preachers and their capacity for stirring up a fight about nothing." He also

 
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said: "It does seem as if they spent their lives dawdling with trifles." To him there was "nothing more diabolically sickly than the staple of ministerial debates."

     I happened to refer to W.'s Specimen Days piece called A New York Soldier. W. said: "As I read over even my own story, it all vividly comes back to me: I see all that over again: I often read the Bible: read anything: my point was to please the boys: to do for them just what they most wished done: if I had any rule at all that I observed it was just this: satisfy the boys themselves, at whatever sacrifice: always: except in rare cases humoring them. There were cases in which good reasons obliged me to run counter to them: I hated to do it: I did it with some pain. The doctors would most times leave the boys absolutely in my hands: sometimes, however, their mandates especially concerning diet were imperative." He took all sorts of "useless and useful tidbits" into the hospitals. "Many Bibles: oh! many of them: fruit, tobacco: heaven only knows what not. I read to them: from the Bible if they wished it: from anything else if they preferred: always seriously, always happily." Had he given them his own books? "No: I don't think so: I can't recall a single case in which I gave away Leaves of Grass. Now and then some individuals would ask for something from my pen—something wholly mine; then I would hunt up a magazine or newspaper article somewhere; some slip: give them that." Was he the only one of his bunch who went into the hospitals? He made a leisurely reply. "Yes: I think there was no other: they were all busy: all at work: had their occupations: did not feel called." I said: "Higginson's got your measure, Walt: he says if you hadn't been a coward you'd gone to the front instead of sneaking back into the hospitals." W. exclaimed: "Good for the Colonel! And he has a companion in that: my dear enemy Dick: Richard Henry Stoddard. I know the work I did was commonly considered more fit for preachers, cadets, women: that was the average notion of it: but the boys themselves didn't look at it that way: they saw it in other aspects: related it to other emotionalistic backgrounds.

 
Friday, February 1, 1889

     7.45 P.M. W. cleaning his pen. Working about the table when I entered. Was cordial as usual: more than ordinarily vivacious. Had

 
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spent "a very good day""exceedingly good." Then said: "I'm having some good luck: may it last!" No visitors. "I'm not sorry they don't come: I can't entertain them: yet this jail sentence I'm serving is no joke." Said Ed had been "chief cook and bottle-washer" all day: "we've sort of lived in princely style today." Mrs. Davis had been absent. "We have been alone: you know the lawsuit, don't you? You knew she was after Bill Duckett for his board, didn't you?" W. looked at me. I knew nothing of it. He shook his head. "Yes: and what a scamp he is, too—the young scoundrel, indeed!" Upon which W. entered upon a vehement recapitulation of the story. "Mary has been much exercised by it all: was in the city yesterday: the case was not called: she was for giving it up; was tired, disgusted, frightened: she had a lawyer, a young lawyer, here in Camden: what a rascal he was, too: a two-faced villain. She found that he was a distant relative of Bill's—a friend: was playing her face right along: using her for Bill's advantage. Then Mary hunted up another lawyer—Waln was his name: Philadelphia: a German I guess: he seems to have been perfectly upright, fair, frank, with her. When she spoke to him in her disgust yesterday he said: "You won't do anything of the kind: won't retreat an inch: I will get the money: the case is too good a one to be abandoned." W. expressed his gratification. "So they persisted: the case was up today: she got a verdict."

     W. paused. Then, laughing, said: "I suppose the delicate point now will be to get the money!" I asked W. what defense Bill put up. He replied indignantly: "You never would believe it: never: he went on the stand, took the oath, and deliberately swore then—think of it!—that I invited him here, that he was my guest!—the young scamp that he is! Why, that is downright perjury, outrageous lying: why, he lays himself open there to criminal action." Then he had never given such an invitation? "I should say not: on the contrary I resented his presence here from the start. Mary has lived with me now for some years: three or four years: we have never even had any misunderstanding: no words: yet the nearest we ever came to quarrel was just about Bill: this young rascal who's now trying to evade his obligations. You know, my friends tell me I am very slow to get mad: very slow: I rarely get mad but when I do I'm the devil." He laughed heartily. "I have never seen you mad, Walt." He said: "You needn't want to." After closing his eyes as if in thought: "It is

 
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astounding: and on Mary, too, who is so good to 'em all—all the boys! Mary stood it long after I warned her that it would not do. Bill lived at the corner with an aunt: he wanted to leave: asked to come here. We talked together about it: agreed that it would not do—that we did not want him. By and by the boy's grandmother died: on her deathbed she pleaded with Mary to receive, trust, care for, the boy. That brought the question up again: I left the matter with Mary entirely for her to do with as she thought best."

     Bill then came, with W. voting against it. "But Mary respected the death-wish: the situation grew worse and worse: I had my carriage then: Bill rode about with me: drove sometimes." Did he formally engage Bill? "Never: neither formally nor informally: he went as much because he wanted to go as because I wanted him: he was often with me: we went to Gloucester together: one trip was to New York: went up on a Thursday, came back Saturday: then to Sea Isle City once: I stayed there at the hotel two or three days—so on: we were quite thick then: thick: when I had money it was as freely Bill's as my own: I paid him well for all he did for me." Here W. paused a moment. Then continued warmly: "And now let me tell you, Horace, that makes it all the worse: this young jackanapes has an income: one of the big trusts in the city—the Fidelity—has an estate which his father left him: he draws a sort of quarterly dividend: think of it: and then to victimize Mary so damnably: make her wait, then only pay her half! Horace, it's sad, sad: I say it: I ought to know: poor boy! poor boy! I pity him: I would receive him today if he needed me: would help him: I am sure I would be the first to help him. I liked Bill: he had good points: is bright—very bright." Time wore on. "Bill showed no signs of improving: on the contrary took every advantage of us: of Mary, of me: he paid probably fifty dollars in all: then stopped: not another cent."

     It got so before long that W. "did not like to have Bill around": W. in fact "told Mary so.""A number of things happened here: not directly traced to Bill but attached to him without a doubt: serious offences: very serious. I argued with Mary: more than that, argued with Bill: told him he must not stay. Bill would swear by all that was holy that he would by and by make all this right: would almost literally get down on his knees: then I would weaken." W. asked: "Does it interest you? I want you to know about it." Proceeded: "It

 
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is the disposition of old people to overlook, to weaken, to yield, to spare themselves severity: so I gave in. Nevertheless, Bill was finally got to go: he became unendurable. I showed him all the confidence I could: I was favorably inclined towards him. Do you know, Horace, it has come to me as a conviction out of long experience that there seem to be some men, some natures, that must develop, must display, the bad, just as the snake gives its poison, just as the tiger exercises its ferocity."

     W. was always breaking in upon his own narrative with "poor boy! poor boy!" The picture of Bill standing in court and perjuring himself was what "most nettled" W. "I asked Mary how it happened that my name was brought into the case: she said, 'only as Bill brought it in': the counsel were very respectful: very little was said." W. said Bucke had always declared that Duckett was "a moral imbecile." W. was not willing to "repeat the Doctor's classification." But: "It is wonderful how keen the Doctor is on all that: no one would suspect, seeing him—quiet, lowtoned, modest, seemingly crude, almost rustic—that he had one of the sharpest, most penetrating, minds in the world for touching the keynote of character. I have in fact found Doctor to be of all the men I know the most marked in that respect."

     W. got on a new track. "Do you know much about the transportation men?—the railroad men, the boatmen? It seems to me that of all modern men the transportation men most nearly parallel the ancients in ease, poise, simplicity, average nature, robust instinct, firsthandedness: are next the very a b c of real life." Pointed out the letter carriers. "Those we find in the cities: New York, Washington, Philadelphia, here: simple, honest, bright, satisfying." They had "so many of the positive virtues.""I am," he continued, " au fait always with wharfmen, deckhands, train workers." I said it wasn't one section of it but the whole working class which could come under this head: W. acquiesced. "I suppose that's true: no one has more respect for them than I do: I wish them all the luck: freedom: all that: but somehow I've come closer to the transportation men."

     W. spoke of Freiligrath. "A noble man indeed: you know, I suppose, that he wrote about me, criticized me, translated me?" Was Leaves of Grass likely to take any hold on Germany? W. doubtful. "It is like predicting the weather fifty years hence: one knows there

 
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will be weather, but what that weather will be it's safest not to worry over—safest not to attempt to forecast." Laughed over "the real good fellows in Philadelphia. They are like the real good fellows everywhere: they seem in a crust: a thick impenetrable crust: a crust of tradition, custom, all that: and when you get through said crust there is something, something—but!""But as for whether Leaves of Grass will ever penetrate the Continental countries, and to what effect, whether deeply, I should not dare think about, much less foretell."

     No letter from Bucke today. Century for February received. W. read Walter Scott piece in Scribner's. "It will please you," he said: "I read it with zest: everything about Scott attracts me: he was one man among many men: Scott, Cooper: I go back to them, some things in Homer, Aeschylus: then the Bible: Byron: Epictetus: they are my daily food: a few others, maybe, added."

     W. said: "I have found you another of William's rare letters." He asked me to read it. I looked it over. "It's pretty long," I said. He repeated the phrase after me: "It's pretty long: so it is." Then asked me: "It's not too long for me to listen to: is it too long for you to read?" I said no. Then I went at it.


Washington, D.C.,

July 25, 1885.


Dear Walt:

     I hope your stroke of exhaustion from the heat was not as serious as the newspaper made it seem. I always make allowance for the reporter. The weather here for ten days past has been as bad as the Soudan. Torrid. At this moment (Sunday afternoon) the clouds have gathered heavily and the thunder is rumbling—so I suppose relief is coming.

     I have had a strange illness lately, but hope I am getting better. It took the form of utter weakness, and for a fortnight I barely had the use of my legs, and tumbled down on the slightest provocation.["Poor William, poor all of us: this was the beginning of your end!" W. exclaimed.] I began to wonder whether I was going to match you. The doctor, however, says it will pass if I take great care of myself, requiring me to keep as quiet as possible. I suppose it comes from my being much run down.

     I am glad you liked the photo. It is a good likeness, and quite

 
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powerful as a picture. That Bacon is a great success. If I could only get a steel engraving! This is only a wood cut, and probably does small justice to Vandyke's portrait. The resemblance to the ideal portraits of Shakespeare is remarkable—I think prophetic. Donnelly writes me that the cipher is coming out gloriously. It is a complete narrative of Bacon's life and times, regularly underlying the text of the plays, and settles the Bacon-Shakespeare question conclusively. ["I wish it did, William," interrupted W., "but I'm afraid it does not."] William will have to step down and out for good. ["Good-bye, William!" W. cried with a laugh: "Now don't let me see you again!"] I laugh when I think of the chagrin of the Shakespeareans, who have been so insolent and intolerant, and suppressed evidence with a high hand. ["A very low hand, William, if we tell the truth: a damned low hand!"] Donnelly, when he was here, got quite intimate with me, explained the law of the cipher, and read me a good deal of the translation. The cipher is by regular rule, which will stop the mouth of any caviller. ["The cavillers we have with us always: they're not so readily gagged."] It is as simple and indisputable as twice two are four, but terribly laborious to decipher, the process being one continual counting of words. I am amazed at the revolutionary daring of the device on the part of Bacon. ["Here's where I get dizzy and leave you, William: figgers is no doubt figgers: but so is Walt Walt: I'm no good trying to make sense out of ciphers"] You will be surprised to see how the corruption of the text is accounted for. In every case, so far, where the sense is in doubt, it is explained by the sacrifice of some word to the exigencies of the cipher. Doubtless the cipher will end by telling us where the original true manuscripts are hidden, which I will bet are in the Shakespeare monument (not grave) at Stratford. The scene in the cipher where Bacon to save the life of his servant, Henry Percy, acknowledges to Queen Elizabeth his own authorship of Richard Second and the other plays up to that date, is tremendously striking. She calls him, "Thou damned beast," clutches him by the beard and beats him with her crutch. No wonder that Essex meant to stab the old termagant (as Bacon calls her in the cipher) with his own hand—habitually inflicting such indignities on the great men around her. Essex himself got a blow in the face from her. All the account of Shakespeare's raid on Sir Thomas
 
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Lucy's park; his flight to London; his appearance, ragged and bare-footed, in front of the Red Bull theatre, bawling for horses to hold, where Bacon first saw him is quite rich. "A good-tempered ragged wretch," is Bacon's description of him. ["It all sounds good enough to be true: can it be true? William handles that better than anyone else. Yet I confess these multiplied evidences confuse me: I don't seem to need so many proofs: in a multitude of testimonies there may be chaos."]

     The bit from the Journal of Commerce which young Johann sent you, shows that we still live. There was quite a blast for me lately in the Berlin Advertiser—very friendly, but full of the oddest errors, as, for example, where he makes me very finicky about spelling my name with only one n (!!) and has me as librarian of the Department, &c. C. W. E. sent the Journal of Commerce a list of the poems written about you, requested by its correspondent.

     I got the papers you sent, including the Tribune with Smalley's letter about Victor Hugo, written with his usual admirable talent and deformed, as usual, by his meanness. He is the meanest man living. I always used to say he could be parsed—positive Small, comparative Smaller, superlative Smalley! ["I enjoy William's epithets without always agreeing with him. Still, I think he's put Smalley about where he belongs."]

     Victor Hugo's death much weakened my appetite for life. ["Queer, that sort of reaction: I always reach towards rather than away from life, no matter what happens."] I read with interest what he said about Shakespeare, but the criticism about his indifference to the lower classes does not touch me as true. [W. broke in: "I'm sorry, William, but it's true: Hugo's surer than you are at that point."] It never appears to be remarked that of all the wise, compassionate, sympathetic men of that age, not one spoke up for the poor and downtrodden. Why? Because they could not! Victor Hugo in that age would have had to be silent. One single line in a scene expressing even latent sympathy with the Jack Cades or Wat Tylers, would have sent its author at once to the block, and the play itself would have been suppressed even before it had appeared, so watchful and relentless was the censorship. To realize the bloody, brassy, wanton vigor of the military despotism then in power, one has only to note the treatment Raleigh got. The government was simply infernal—

 
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almost inconceivable. The only thing the illuminati of that day could do was to set about the slow sap of the monarchy. This was the only way they could rehabilitate the commons. To alter your sense a little—"the indirect is as great and real as the direct"—and the indirect was their only weapon or implement. ["Very fine, William: every word of it: but I still believe Shakespeare was essentially an aristocrat: they all were: the scholars, then: the lords dallying with the court: they were all distrusters of the people."]

     I too heard lately from Dr. Bucke, urging me to visit him. I wish you could go up there but have no doubt you are prudent to stay near home.

     Mrs. Gilchrist sent me a copy of the To-day. I have really not had the strength of mind to read what she has written—I have been so ill and feeble—but intend to soon. I have no doubt her article is good, and when I have read it, I mean to write her my thanks. I have an awful pile of unanswered letters.

     Decapitation, of which you ask, seems impending, and I am anxiously thinking what field will be open to me when I am shoved out of here. There have been several people after my position already.

     I wish you could get stronger in your legs. It would be such a comfort to be able to move about freely.

     I wrote an article defending Mrs. Pott's book from Richard Grant White, and bringing out several vital points in the Bacon-Shakespeare controversy. It was rejected by several magazines, but finally accepted by the Manhattan, the editor, Forman, being immensely taken with it. He held it a long time, hoping the magazine would resume, and surrendered it with evident reluctance and regret. Now I propose to bring it out in a book or brochure, and have written to McKay offering it to him. If you are in the way of seeing him, give me a boost. I think, considering the general interest just now in the question, it might really have some sale.

     Since I began the change has come. Last night we had a tremendous rain, and today it continues, though moderately. It is a blessed relief. (Today means Monday the 27th.) Goodbye. With best wishes and hopes,


Yours always faithfully,


W. D. O'Connor.

     W. said: "William would talk alive with a dagger in his heart: it's

 
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impossible to minimize him: he's always all of him to the fore: I can't conceive of anything that would dethrone his buoyant cheer." And he added: "Other men are more famous than William but no man is greater than he is: it often occurs that the noisy reputations go far ahead: but they lose out in the end: the genuine article finally wins." I asked: "Don't you think history may sometimes permanently obscure its superior people?" He added: "I have asked myself the same question: there is more than a probability on your side." As I was about leaving, while he held my hand, I said: "That secret that you were to divulge: you haven't told it to me: is it still too soon?" He became serious. "No—it's never too soon: but I'm still not in the mood to talk."

 
Saturday, February 2, 1889

     8 P.M W. sitting ruminatively in his chair by the window. Cordial. Disposed to talk. Asked me about the weather. Had it changed? "I thought that either the weather had grown mild or I had." Then he said: "I have been resenting the fact that I am denied seeing the new moon: have been reading an account of it: and of Mars and Jupiter and Venus: I never used to miss them: often spend my evenings on the river here: the beautiful evenings: the great stars: the little stars: the calmness, the silence. I would sometimes try my eyes on the most distant visible stars—the familiar stars." He shook his head: "Nothing is more indicative of the closet existence I lead than my isolation from outdoors: that's the worst aspect of my confinement." And he added: "I don't seem to be a hospital person: I rebel against the idea of being nursed, cared for: but it's of no avail: here I am, tied up to the wharf, rotting in the sun." I said: "Walt, you should be ashamed to talk such stuff: you say, By God you shall not go down, to other people: why don't you say it to yourself?" He laughed gently. "Licked again," he said.

     Referred to Bucke. "I had two letters from him today." First he said, "there was nothing in them"—then, after a pause: "yes there was, too"—reaching for them among some papers on the table. "He writes about the French magazine: he has it: he has read the article: thinks it grand: listen"—reading from one of the letters. "He will send me some sort of abstract: I shall be glad to have it." W. said again: "Doctor at last speaks almost positively of the meter

 
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—of his trip: sets a date at last: the 11th, thereabouts: Parliament is in session: he has had his fire: he rambles about writing of all sorts and conditions of experience: the good Doctor. Well—we'll be glad to see him any time, early or late."

     As we talked Ed entered with a large flat package from the p.o. Proved to be a picture from Bucke. W. asked: "Another picture?" Ed retired. Harned entered. W. greeted H. with his "howdy, howdy"—then turned his attention to the package. W. held the picture up to survey it. "Here he is again, better than ever." The picture was cracked. W. said laughingly: "Which same can't be said of Maurice save by his enemies." And he said further: "What can't, what don't a man's enemies say about a man?" Regarded the picture affectionately. "I'd like to have pictures of William, John, you fellows, as good as this: it would make quite a gallery: I'd like to hang you all up here before my eyes so I could enjoy you."

     W. asked:"Well, Horace, what have you heard in town today?" Saw Oldach. Was sure he could give us books next week. He is having trouble getting leather of the right shade and quality. W. said: "He's a great slow-coach, isn't he?" I said: "Slow-coaches are often the best coaches: you're something of a slow-coach yourself." He seemed to be a trifle irritated. "You don't mind saying impertinent things, do you, if they occur to you?" He made me smile, I said: "No: I don't." This restored his good nature. "I suppose I am a snaily creature, take me for all in all." I said: "And maybe that's why you hate the snail in Oldach.""Yes: yes." Told him I saw Dave. He gave me three W.W. lines for W. to transcribe with signature for a facsimile page in Elizabeth P.G.'s book. These: "Of life immense in passion, pulse, and power, cheerful, for freest action form'd under the laws divine, the Modern Man I sing." I said: "Dave once said he wished you had sat down on the Gems at the start." W. aroused at once. "God knows I wished to! Consent? How did I consent? I let it be known to all of them that I was not favorable to it. I was only not vehemently against it. The only thing I really promised was that I would not raise a hell of an objection to it. When a man gets old he is more pliant on that side: is more ready to be affirmative, lenient: is not so likely to be a damned hog. That is about all my assent amounted to: I didn't want to continue to be the hog I had been: If I would not applaud, neither would I sneer.

 
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He seemed considerably amused with his own reflections. "Well: we ought to thank God we are out of danger: that the worst they can put upon us in our old age can do us no harm." As to the Gems: "I think Dave wholly right: in fact, I know Leaves of Grass cannot be plausibly presented in so detached a manner: still we must, we can, stand it: we have had other afflictions: this is only one more added to the rest."

     McKay told me he had sold five hundred copies of November Boughs: that he was shortly to take a trip to New York and Boston and would carry a sample big book along. W. said: "I don't expect the book to be a go in the bookstores." Further: "I don't regard Dave as just the man to do anything with special editions et cetera: he's more at home with the everyday thing: he's built for the usual not the unusual." W. added anent Dave: "He's the type that gets rich if it has the slightest chance: Dave would leave no stone unturned if he thought there was a per cent anywhere under it." I asked him: "Do you think Dave circuitous? He shook his head. "Not at all: only canny: only Scotch—very Scotch. I have no reason for saying anything sharp about Dave." I quoted something Emerson or Longfellow is reported as having said to Clough: "That was built of the blood of authors"—pointing out the Ticknor and Fields house in Boston. W. said: "That's striking: moreover, it's about the truth: still, a fellow hardly feels like pushing the accusation too far: there may be, must be, exceptions: I always am tenderly disposed towards the exceptions." Would he say of the McKay house what was said of T. and F.? "No: Dave is not worse or better: he's one like the rest; fair to middling of his kind: I like him. Of course his house is built of the blood of authors: how could it be otherwise?" I said: "Walt, you must see that all properties are built upon the blood of somebody: there would be no sense in particularizing with publishers." W. nodded. "Exactly: that's what I meant in what I said of Dave: I say you are right: all the vast fortunes, all fortunes, all accumulation, is built upon an injustice somewhere: I don't see just where it is: you have looked into it more profoundly than I have: but I acquiesce in your general supposition." I said: "Do you call it a supposition, Walt?""I do: what do you call it?""I call it an axiom." W. hesitated an instant before responding. "Have it an axiom, then, if you will: I say axiom, too."

 
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     Had he heard anything from Kennedy lately? "Oh yes! but not newsily: about nothing of great consequence. I have in fact had a letter this very week." K. spoke of the French piece. "He puts it very high: up, up: thinks it the best ever." But W. was "not so sure of it." W. said: "We should have a full translation by somebody." W. said: "William's the one I want most to hear from but he is as still as the grave." Then he asked: "Have you seen the afternoon papers? In the afternoon papers there's an item about Dick Stoddard: he has undergone an operation for cataract: it was successful." I asked W. if S. wasn't suffering from some sort of cataract when he wrote about Poe. W. laughed heartily: "Probably: I think Dick must have had a dozen cataracts to interrupt the equitable exercise of his emotional, his intellectual, nature." And he added, after some little colloquy with Harned: "Stoddard is not all bad: he has done some good work: has qualities that are almost lofty: but he is soured: he has grown gray: his sight is nearly gone: he stands in his high place, waves his hand superciliously across the multitude of literary fellows: 'God damn you all: what right have you, with your fripperies, poems, proses, to catch the public eye, to play for applause: while I, Dick Stoddard, am disdained, forgotten!'" How did he account for Stoddard's vitriolic nature? "I don't account for it: I only see it: he has toiled, moiled, these forty years on a great variety of things: the result has been small: he has made no impression on his time: maybe he's conscious of it: this may serve to explain him."

     Harned spoke of Lowell's visit to Philadelphia: dinners are to be given him: Weir Mitchell is to give one, Doctor Pepper another. W. said: "Lowell is one kind: I'm another: he'll not come here: Lowell is one of my real enemies: he has never relaxed in his opposition: Lowell never even tolerated me as a man: he not only objected to my book: he objected to me." This seemed to remind him of something: "I have a friend here—Mrs. Garrison"—the preacher's wife? "yes": then: "She comes in sometimes: was in the other day: took four copies of November Boughs: said she wanted a dozen more: I didn't see her: Ed attended to her." I asked: "but what's that got to do with Lowell." He answered: "Nothing: but I thought it was about time to drop Lowell." This made me laugh. "Now what's the matter?" he inquired. I said: "You always think it's about time to

 
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drop Lowell." I asked him if he had enough books to supply Mrs. Garrison. He asked me to look the books up. I found twenty-five on the floor. He was relieved. "Mrs. Garrison started out years ago as a most violent antagonizer, criticiser, despiser, of your uncle: by and by she melted some: then melted more: till two years ago she came completely over: I don't say to Leaves of Grass, but certainly to me."

     W. then said: "It looks to me as if November Boughs would be the best read, accepted, of all my books: it seems to offend least." Harned dissented vigorously. W. asked mockingly: "What have I done to deserve this applause?" Then: "I begin to doubt myself when others flatter me." He said people who come here often buy L. of G. "There's quite a sale of it from this house." He said he was not entirely satisfied with November Boughs. "If I had it to do over again I should change its form somewhat: I should cut off the margin at least half. It should be more in the form of Rolleston's book." I asked him why he always resented margins in books. The question puzzled him. "Do I?" And he asked me: "Don't you?" I said no. I liked open-spaced leaded liberal margined books. "Why?" he inquired. "For the same reason maybe that I like lots of windows in a house: they let the air in and the light. So they let the air and light into a book." W. said: "It's a picturesque argument even if it fails to convince me." I told him I didn't present it as an argument but as an impression. I couldn't prove it. I could only feel it. To this he said: "I admit that feeling goes way beyond proving most of the time."

     Harned wants to bring his wife in. "Are you open to the ladies nowadays?" he asked W. "Oh yes! and glad to have 'em!—especially Mrs. Harned." H. said they "might be down tomorrow." W. asked him to "give my love" to Mrs. H "and give it to the baby, too—Herbert Spencer—though it'll do him no good." H. said: "It'll do him good twenty years from now when he is told that Walt Whitman remembered him in that way." W. shook his forefinger at H. "Tom, you're a flatterer: I would not have believed it of you."

     Returned me the Holmes Emerson. "I read it all: the whole thing: it's more like a picture of Oliver Wendell than of Ralph Waldo." I said: "Walt: that's exactly what Sidney Morse said when he read the book." W.: "Is it so? then I've a good man on my side, haven't

 
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I?" Picked up the Bucke portrait again. "Thank God the crack didn't hit the face: it stopped at the border: it was a considerate crack."

     W. handed me an old Carpenter letter. "Carpenter was never a voluminous correspondent: he has never written me merely letters: he writes when he has something to say: for the rest he holds off. I don't know but that's the best system: I would get along quite as well if some of my other correspondents held off occasionally." Harned had gone. W. said: "It's a short note: read it before you leave."


Millthorpe near Chesterfield,

March 2, 1884.


Dear Walt:

     Just a line to give you my changed address. I have been here since October last—very busy all last summer getting a little homestead built, and this winter digging and planting—have about seven acres altogether—we are gardening about two acres; fruit, flowers and vegetables; have about two and a half acres grass and about the same quantity part wheat for ourselves and part oats for the horse. My friends the Fearnehoughs have come with me, and we are employing one or two extra hands beside, just now. It is a beautiful valley right up against the Derbyshire moors, but warm; we are about eight miles from Sheffield and five and a half from Chesterfield—three and a half from the nearest station.

     I got your bit about the American aborigines. Thanks.

     There is a quite old flour mill here, from which the place no doubt takes its name; very quaint old wooden wheels and cogs—the stream which feeds it runs at the bottom of my three fields—lots of wood and water all about the valley. Millthorpe itself is a small hamlet of a dozen houses or so.

     Have not seen the Gilchrists for some time, but I heard from Grace the other day.

     I was reading Rolleston's translation into German of your Answerer this morning. It is as far as I can judge very exact and natural.

 
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     I hope you are well and enjoying yourself. I often think about you. Best remembrances to the Staffords when you see them.


Your affectionate


Edward Carpenter.

     W. said: "I don't spend much of my time with regrets for anything: yet sometimes I regret that I never went to Europe: other times I regret that I never learned to read German and French. No doubt it's all just as well as it is: it all came about according to what they used to describe as 'the ordinances of God': there's no chance in it: maybe I'd have been modified if I had ever broken loose from my accustomed ways—become a traveller, become a linguist: that might have meant harm to the Leaves: my destiny seems to have been to live my whole life here in America without any untoward interruption." That word "exact" describing the translation of The Answerer stuck in W.'s craw. "It's like saying he was loyal to the one two three of the poem: yet a poem in ones twos threes is no poem at all."

     W. gave me what he called "a publisherial memorandum" to add to my records.


Office of The Atlantic Monthly

Boston, March 6, 1860.


Mr. Walt Whitman,

     Sir.

     We enclose our check for thirty dollars finding your note to be quite correct.


Yours truly,


Ticknor & Fields

     I asked W.: "What poem does that refer to?" He said: "I can't just say now." He paused. "I thought I could say: it does not come to me." The letter was addressed to W. in Brooklyn. I said: "Walt: you made your point every now and then with the editors. Why do you say they all rejected you?" He asked: "Did I say 'all'?" I said: "You certainly do in some moods: you remember that question I raised the other night." He acknowledged it. "I do: it has given me considerable concern, too: I don't want to give out any distorted conclusions: I am giving you the data: you will have to balance them up for yourself."

 
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Sunday, February 3, 1889

     1.40 P.M. W. reading. Looked well. First time in several weeks that I've seen him by daylight. "Tom was in—came an hour or so ago—and your sister, too: Mrs. Harned. I was so glad she came up. It has been nine months since I have seen her: a long spell for her as well as for me." Then he paused a minute. "Yes: there were other visitors, too: Billings, or somebody: he came with a couple of young fellows." I asked: "You mean Bilstein?" he responding: "Yes, yes: Bilstein—the printer: that's the man. He did not stay long: paid simply one of the in and out visits: we talked a little bit about printing: he appeared to be an adept—know his business. I liked him: like 'em all: he was very quiet: I get on so well with plain people."

     W. said: "I'm feeling mostly well these days: but I chafe with being kept indoors." I said: "Why don't you let us take you out?" He shook his head. "I don't have any ambitions that way: I want the air, the stars: yet I don't want to go to get them. If I could bring the Delaware River into this room I'd be wholly satisfied. I'm in a strange perplexity of impulse: I am drawn God knows where: both outdoors and indoors: a certain element of irresponsibility is mixed with my routine these days." W. handed me a letter in a blue envelope. "It's from Garland: read it: then take it along.""Do you mean, read it to you?""Yes."


Boston, January 10, 1889.


Dear Mr. Whitman:

     I have word occasionally from you and it gives me great pleasure to know you are so comfortable. I get a card from Kennedy semi-occasionally. He seems to be very busy. I passed a pleasant evening with Mrs. Louise Chandler Moulton the present week, and we had some considerable talk of you. She is an appreciative admirer of your work and prizes the chat she had with you last year. She writes a literary letter to the Herald each Sunday and gets in a telling touch once in a while on your work. She is a very charming and able woman. Your stalwart supporter. Judge Chamberlain, of the Public Library, I see frequently: a very thoughtful and fearlessly

 
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outspoken man. He does some valuable historical lecturing and often says some inspiringly good things about our artificiality in poetry and the drama. I wonder if it ever occurred to you that our novel and drama is now slowly changing base, coming round to the "realization of the real." The whole outlook to me is full of hope. I think I see in what our aristocratic friends are pleased to call "vulgarity in fiction and the drama" the sure sign of the native indigenous literature we have waited for. If I should ever get to see you I should take pleasure in enlarging upon this. It forms the staple for a number of my lectures on the literature of Democracy.

     Our friend Baxter had an extended notice of the Complete Works in the Herald. You saw it, of course. Fillially yours,


Hamlin Garland

     W. said: "Mrs. Moulton is no doubt all he says she is: she seems to me, however, of the gushing sort: I shrink from that thing: it may be honest: I do not like it: often it's a woman: the gusher, effuser, may be of either sex. Horace, you know how I am: no man has a better right, call, for saying what I am than you: yet you know, must know, see that I am not inclined to overdo or to be overdone: I can stand for a certain normal expression of the fraternal—even for more than the fraternal, if that is possible: yet anything like sickly emotionality, whether personal or general, drives me away, makes me sick. Every now and then someone goes away after a visit here telling the most monstrous stories of my being overcome or of having overcome them: I need not say to you that such stories are false—either invented by liars or imagined by the foolish. When Wilde was here, after our talk, he expressed some surprise: he said: 'You are not exactly as I pictured you.' I asked him: 'Worse or better?' He said: 'Better-and different.' He told Donaldson afterwards what he referred to. Tom asked him. He said: 'His poise: that was what surprised me.'" W. laughed gently: "So when you talk about it you may call it poise, Horace, though I don't stickle for that word: call it anything you please: only make it plain that I have no tearbaggy manners." Then he added: "We should leave slobbering to idiots: they are the only ones who don't know any better." He also said: "I must not be mistaken: I don't like hauteur any better than I do gush: what they call dignity, pride

 
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of past, gentlemen John or gentlemen Jim: I'm not for that, either—for the superior person: such nonsense."

     W. said further: "I'd like to have Hamlin come here: I'd like to hear what he has to say about the drama—about the novel: he's probably about right: the old theories hardly comport with the new spirit: we're coming nearer the divine facts all the time: the Arabella Sir John stuff is gone forever from our art: even our symbolisms have to be based more or less on palpable foundations." W. said to me: "You write a lot, don't you? That's right: keep it up: I don't say publish: that's not so essential: you will be our historian some day." He had read "that some nincompoop preacher has challenged the Colonel to a public debate." Had the Colonel accepted? W. laughed. "Why should he? Bob's worth at least a cardinal, a pope: he's entitled to the biggest champion, not the littlest: a victory over a nobody wouldn't help our or hurt their cause." I said: "You still seem to tie fast to the Colonel." He added: "As long as the Colonel's the Colonel I'll continue to be what I am: we look to him to do certain things: we are never fooled in him: he's always at least what we expect him to be—then something over: the Lord gave us good measure when he made Bob."

     W. had been reading the Tribune. "Tom brought it." The Press was on the floor under his feet. I asked him: "Have you read the Why Are You a Bachelor symposium?""No, not a word of it—have not seen it. I suppose the time has come for some of 'em to go on record on that, so here it is and they talk like a congregation of sillyheads. It's like the Blue Glass craze that whirled about us seven or eight years ago—took everybody in. I myself went under blue glass at that time." I laughed and W. joined me. "It was at Esopus, John Burroughs' place: there they tried it on me." Did B. assent to the theory? "I don't know: I could not say: but he had some of the glass there—some panes. I sat there—the sun shone through." Was the result good or bad? He smiled again: "I am sure I couldn't say: I forget: the theory was that it must be good. The thing started with the idea that the sun's rays were in themselves beneficial: all that: that much I could assent to myself. Haven't I always gone into the sun myself: didn't I do it through that long dreary period after seventy-three? One of the worst features of my confinement here is that fact that I am in the north room, obliged to stay here, away from

 
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the sun altogether: I miss the sun as I miss nothing else." Why shouldn't he swap with Mary for her room at the back of the house? "That would hardly mend matters: the sun's only there for an hour or two a day." He had often discussed the problem with himself. "At one time, I thought of putting another story on the house: I have not abandoned it yet: there I could have windows all around me: I suppose it's too late to push such a plan through: I should have carried it out five years ago." I said: "A man needs light, not only in but on his head: and pure air—not only about him but in him.""That's so," said W.: "I amen every word of that: it's more to a man than anything else. I lack the vim, energy, to see such a project through." He was quite still for awhile. Then he added: "I sit here, simmer, hug the windows in summer, hug the fire in winter, letting everything else take its chances." Suddenly W. asked: "Did you know John was in Poughkeepsie? Well—he is: he didn't write me saying so, but Kennedy has referred to it."

     W. wrote Bucke today. Sent a bundle of papers to O'Connor. Had he written anything on the N.A. Review fiction piece? "Not a word: I seem to be almost afraid to start it: I have some things to say, yet fear to try to say them. That's characteristic of me these days in anything that involves the expenditure of physical energy: my thinking apparatus seems to be O.K.: it's the rest of me that gets tired. If I could talk into a machine—if I didn't have to use a pen—my troubles would be over.""No doubt we will speak into machines some day and out of them too." W. asked: "Do you mean the telephone? We have that already." I said: "No: I mean a machine with a voice." W. looked at me quizically: "Well—who knows: having gone as far as we have with these wonders why shouldn't other wonders follow?"

     McKay is about to go on the road. He asks W. two questions. 1st: will the six-dollar books be numbered? 2d: will the six-hundred edition be the limit—no more being issued under any circumstances? I said to W.: "You must answer the questions: I'll have to say something to Dave one way or the other." W. said: "I shall do whatever you fellows think best on that point: I want to please you—to please Dave, too—to act fairly, so that you may both be satisfied. You lay more stress on the importance of that numbering business than I do: whether the buyer buying a book bearing my signature would think

 
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the book had more value if there was a figure somewhere up in the corner I don't know: perhaps he would: you fellows are more likely to know about that than I am. It would be quite a little job: you or Dave could do it as well as or better than I could." But he was shy about promising to limit the edition. "There's no danger that a further edition will ever be called for. You can tell Dave the edition is really only four hundred and fifty: that I have kept a hundred and fifty here for my own use." And he added: "I should not care to make any pledges: to engage as to what should be done in the future: to say, this I shall do, this not. If I should live—I do not think I shall, it is scarcely possible—but if I should live, and this edition was exhausted, I should not like to say more would not be issued: but under all ordinary circumstances, probabilities, it may be said that this printing will be the last—that nothing beyond this will ever be attempted by me. Dave must be very optimistic to suppose he can sell the books anyway: I have no similar confidence in the book myself: the market is more likely to shrink from than embrace it. Dave can go out to his trade—he can say: here is so and so: say, an edition of such and such a size: but so many: they are all authenticated—cover, portraits, all that: all is absolutely as represented: now, what can be done for that? I said: "Walt, you could drum for your own books, sure." He laughed. "I have drummed: I have had to: I have had nobody to do it for me." Then deliberately: "Anyhow, you will see Dave: say these things to him just as I have said them to you: consult with him: put your heads together: then let me know the conclusions you come to. I want to acquiesce wherever I can: I am never a wilful disturber of the peace."

     W. wanted to know whether the river was frozen across. He said: "I once hobbled about half way over with my cane: the ice got unreliable then: I had to turn back." Said of Burroughs: "John is not so wonderful about people as about bugs: he sees some things with wonderful clarity of comprehension: there are other things which he sees rather dimly. My feeling about people, about the universe, becomes more and more superphysical—is more and more emphatic in its mystical intimations. In reading John of late I have felt that his studies were drawing him the other way. Perhaps I'm

 
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getting mixed: I may not interpret him fairly: so I do not offer my impression as final. It always amazes me when a man of science drifts off into materialism: I look to every man of science to maintain the assertion of omnipresent unmitigated never terminable life: when he does anything else I suspect him of being false to standards of truth. This may sound like inexcusable dogmatism, though I offer it in any but a dogmatic spirit."

 
Monday, February 4, 1889

     7.45 P.M. W. reading Century. "It's a strong weak diet," he said. "How do you make that out?""I mean that it is strong of its kind but a damn weak kind." He laughed. "It belongs in the category of the non-virile beautiful." Said he had "spent one of" his "common uninteresting days." Then he said half amusedly, half grave: "I spend all my life now trying to dawdle life away—to kill time, to have the days pass: and they do pass, somehow, one after another." Just then Ed came in with a big armload of wood. W. said: "Thank God we won't freeze to death tonight: Ed there will save my body whatever becomes of my soul." Then he jokingly added: "Ed, they tell me it's always summer in that Canada country you came from." Ed turned a laughing face to W. "Always summer? they ought to try it: this weather you have here ain't a circumstance to it." W. said: "You mean to say it's colder there?" Ed in a fiery way: "Mean to say? I know: our zero days would scare the life out of the tender-feet down here." W. enjoyed this hugely. "Ed says they have better winters, better summers, better all seasons, up there than we do in New Jersey, for instance: poor New Jersey." Ed banged the door of the stove shut and stood up. "I didn't quite say that," he protested, "though I do say the weather up home has its points." W. exclaimed: "That's delicious, Ed: so it has: I say as one having a right to: I've been there."

     No visitors today. Letter from Bucke? "No—not a word, not a word." But he thought B. was "about ready to start south.""I expect him certainly within ten days.""Had no idea" how long Bucke intended to stay. "But while down here he may take a run to Washington: I want him to do it: indeed, Nellie herself desires it. He should see William: see what he makes of it all: report to us. We may come to know many things then that it's impossible for us to

 
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know now. William's in a bad way: Bucke could examine him candidly: in medicine Doctor is a wonderful diagnoser: not a drug giver—rather doubts, denies, the efficacy of drugs: and he is more than that: he is frank, wholesale, unostentatious, without the slightest tinge, taint, of professionalism, as doctors rarely are. Most doctors—though it may seem harsh to adopt the word, it stands to me as a fact—most doctors appear to reason that it belongs with the necessary ethics of their business to be more or less jesuitical—to obscure facts, the why of medicines, the wherefores of applications. Bucke has nothing of that in his composition: not an atom of it: he'll tell anybody anything: he has no reserves, mysteries.

     I said: "The priest in medicine is just as objectionable as the priest in religion." W. said. "Exactly: that's the case in a nutshell: there's nothing of the priest in Maurice." Then W. after a pause said: "But we must be cautious in our criticisms: we should not be too general—too all-inclusive. There are doctors and doctors." I said: "There are doctors who are only doctors and doctors who are not only doctors: is that what you mean?" At once: "Yes: doctors after all seem of all professional men to be the most in accord with the givings-out of science: more in line with the new truths, new spirit: less given to professional dead-headery, foppery: more interested in fundamentals. In all the other professions men lag behind. The doctor is certainly better than the lawyer—oh! far better: the lawyer is buried deep in red-taperies, dead phraseologies, antique precedents: not in what is right now but in what has been done before: a species of stagnation overcomes him. The doctors are way ahead—far beyond all that." I said: "Walt, shouldn't you rather say some lawyers and some doctors?""What do you mean?""Don't you think it true that doctors too—probably most doctors—live in the past, in their antecedents, in what has been rather than in what is to be done?""You think I mistake the exception for the rule?""I don't exactly say that: only you yourself are constantly drawing lines between doctors and doctors: you have said a case like Bucke's is rare." W. laughed. "As an arguer I can't keep up with you: you are almost getting the habit of making me appear foolish to myself. I go on thinking my assumptions indisputably true till you ask me a few of your questions: then I'm at the end of my tether." I protested: "I think what

 
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you say is in the main correct: I have only wondered if you didn't make your statement too rigidly."

     I then asked: "You've said nothing about the parsons: where do you put them?" He put on a mock air of gravity. "I wish it was different: I have to say it: I think they come in at the tail of the procession: they bring up the rear." And he didn't stop there. "And the ministers are practically done for," he said: "the stars in their courses are against them: however they struggle, whatever front they maintain, the universe is against their impossible explications: their methods have passed out for good." Here he laughed gaily. "I have a couple of friends, old men, who don't think so, don't think them harmless—who argue that we are all in danger of being gobbled up by Catholicism—that the Catholic church is the great menace against our civilization." W. couldn't "stomach this bosh." "I remember one of them: it was a year ago and more, while I was still down stairs: he asked me if I was not afraid, if I didn't see the danger—shrink from it. I replied: 'No, not in the least: I am not in the least afraid of it.' But he still believes it: he says I'm criminally optimistic—that the time is near at hand when our neglect to appreciate this crisis may destroy us. Don't think he's a fool: he's not: he's gone on this subject but sane enough on the whole. W. added: "For the church as an institution, I have the profoundest contempt: I know what the church as an institution, Catholic or Protestant, would do with us if it possessed the power: my point is that it hasn't, will never again have, the power."

     Moulton's Magazine of Poetry has turned up at last. While W. was looking for it I found it. "Oh!" he said: "you have it." Two Whitman cuts. The first, Frank Fowler's—the second, the November Boughs frontispiece. I dissented from the Fowler picture. W. said: "Never mind: if it isn't a likeness it is a good picture: it was that he was after: the magazines always go for that." How was Bucke's biographical summary? "Oh! very good indeed: very good—even fine: I liked it very much." The magazine contained a number of portraits. W. said: "They are not celebrities: it's a great mixture, to be sure: he gives me a whole string of selections." I pointed out a portrait of Boyle O'Reilly. Said W.: "That is very poor of Boyle: it gives no sort of suggestion as to what he looked like." I remarked the "bullet bead." W. assented: "Yes—that part of it is accurate

 
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enough: but the rest of it is way below par." He said he knew O'Reilly. "He is a handsome man: have you ever seen, pictured to yourself, one of the great Spanish noblemen—duke, gentleman, fine figure, dignified, lofty in port, autocratic, dark, closecropped hair? That would be Boyle O'Reilly. It is a style, a character, that often fits to the high type of the Irishman. The Irish blood is of course mixed with the Spanish: there was a sort of Spanish invasion at one time: the two strains seem to commingle amiably: but I do not attach final importance to this phenomenon: it seems to me a good deal like the case of the Bible in the hands of the preachers: nearly anything can be proved from it: there's no assumption so preposterous but that it can be bolstered by some text, some chapter, from somewhere in the book. When the verbalism does not seem to fit they force it without scruple this way or that till it looks to be right in shape and size. I would rather account for Boyle by some more natural appeal."

     He asked me if I had gone much into Irish history? "Years ago I fell in with early Irish poetry: Ferguson collected, brought it out: did you ever read him? Dead now, I think." Pausing. "No—I won't be sure about the death: I can't say surely that he's dead." I said: "Well." He started again. "The poetry was deeply fascinating: there was something even wild, even barbaric, in it: it attracted me, fascinated me, like the border minstrelsy—Scott's—seeming to contain the same elements of virile emotionalism. You will find traces of this influence everywhere in the Irish character—especially in the strong fellows like Boyle." Why do we revert and get such joy out of the archaic poetry of a race? Was it because that poetry was closest to nature? "I do not explain it in that way. Take this border minstrelsy we have been talking about—or any other." Had I read in any life of Jefferson about his collection of aboriginal poetry? "It may have been neglected in the emphasis put on other things but to me it is rarely significant. Jefferson was capacious: he had many inlets, outlets: this was one of them. Get a Jefferson: maybe you can hit one at Dave's: it'll cost you fifteen or twenty cents: look that up. In that poetry, as in the Irish poetry, you'll find the snack of something—the flavor, odor, tone, vision of something—not perhaps to be stated, elusive, yet undeniably magnetizing you."

     Here W. suddenly got back to an earlier track. "Oh! I talked

 
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awhile ago of my old man who was afraid of Catholicism. I remembered I told him again: 'I am not afraid of conservatism, not afraid of going too slow, of being held back: rather, I often wonder if we are not going ahead too swiftly—whether it's not good to have the radicalities, progresses, reforms, restrained.'" I broke in: "What nonsense, Walt: you don't believe anything of the kind except when you have the bellyache!" He put a question to me: "Don't you think it possible for us to go too fast?" I answered: "Yes, possible but not likely." And I added: "Don't you see, Walt, that there are a hundred dragging back for every one pulling forward?""That may be said, too: yet the fact remains that we've got to hold our horses—that we must not rush aimlessly ahead." Which was true enough. But I had not said aimlessly. I said: "When I said going ahead I of course meant going ahead by design not by accident." W. only said: "I can't discuss the matter: I seem to be right, you seem to be right: do you regard that as being impossible?"

     I saw McKay today. Said I should say to W. for him that he was strongly in favor of having the edition strictly limited. But W. is inexorable. "I want to please Dave, but I say to hell with all strictly limited editions: my final decision must be against making any such pledge. I do not regard anything in the universe as more morally certain than that I shall not add to the edition we now have out: but to make the kind of promise Dave wants to exact—that is impossible." He did "wish to sell the books." Said: "I would close out the edition today if I could find a purchaser." But still, "while desiring to make" himself "whole" he was "willing not to sell a book" if "conditions hampering" his "freedom" were "laid down to" him. Then he asked me: "You tired of this everlasting subject?""No: go on.""Very well: I was only going to say the book is there, has its shape, is autographed, is illustrated with four engravings, is for sale: that is the whole story." He spoke of the price of the book. "I am wondering if it's not too dear: Bucke says it should be dearer." Said yes as to numbering book.

     W. said: "What about Weir Mitchell? He seems to be home again: he gives a swell dinner tonight to Lowell: I did not know he was back: his son came here a number of times in the summer." I asked: "Were you invited to that dinner?" He laughed outright. "What! to a dinner to James Russell? I guess not. My presence would spoil

 
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the soup." W. also said: "Weir puts on some of the lingo of authorship: does more or less in a small way: stands for refinements, proprieties, the code, all that: he seems to be more ambitious for fame as a writer than as a doctor, but I have my doubts whether he'll acquire an immortality in either direction." I asked: "He is your friend?""Yes, I think so: I like him: he is cordial, easy-going, demonstrative: I realize emotions for him as a man that I do not realize for him as an author." I said: "I suspect Mitchell might repeat the sentence back to you. I doubt if he ranks you high as an artist." W. said without any hesitation: "I doubt it myself: indeed, I know it: know it, not because of what he has but because of what he has not said."

     W. was saying something to me about "the days when you may have to write about me." He said: "Whatever you do don't make a saint out of me." I replied: "No danger, Walt: I don't like saints well enough." This made him laugh. "You know," he said, "that I always want you to remember what people say against me even if you must forget the things they say for me. If you write about me observe that rule." I said: "I swear!" He smiled: "Yes, swear! swear!" I said my good night and left.

 
Tuesday, February 5, 1889

     7.15 P.M. W. reading the papers. Sat in his usual place. "I am like a sentinel on the watch," he said: "nailed to a spot, tethered to an obligation." Says he "naps it" every morning before I come. "I want to be ready for you: you are the oasis in my desert." I asked him: "Do you really feel that way about my coming? I never flattered myself that I am vital to you. I have felt that maybe I was rather the desert in your oasis." He laughed. "That's witty but there's not a damn bit of truth in it." Then he added: "Let us not talk of that: we must not quibble over such a thing: we must take each other for granted." Later he also said: "I was in dead earnest when I said I prepared for your coming: I do: I would not like to miss our talks: they are the one thing I look forward to all day."

     W.'s ways are regular. He says: "I keep myself down: I don't worry the strength out of my body: my one word is conservation." After I go in the evening, after our talk, he reads some: "often an hour": then he is helped to bed. Through the day he simply, as he

 
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says himself, "dawdles" the time away: "but I am mostly up, except when I am under the weather." He adds: "I have to subject all my rebellious moods to the necessities of my corporeal self." When I asked him a question concerning his cold he said: "I am as I was: I have not so far suffered as I had apprehended by the cold in the head I caught a day or two ago. Still, I can't tell. These things, all things, go so slow with me: as I told you long ago, everything in me proceeds by degrees—a sort of calm steady undeviating procrastination: things which come to a head in some people at once require time in me. So I am not certain about the cold." I said: "You're not courting it, are you?""God knows, I don't want it: I keep cheerful—was born with it: I am sure I've got stock enough of it to last to the finish." He spoke calmly of "kicking the bucket"—a most frequent phrase. He discusses his death without despair. "Death is like being invited out to a good dinner," he said.

     "I had a letter from Bucke today," W. said, swinging his arm towards the table: "he says there are so many things to do he has had to set his date further off again—now to the 18th: he seems to be confident about the 18th." W. said he was "disappointed." Yet he laughed. "The good Doctor has been coming every week since September," he said. W. held Bucke's letter in his hand. "Doctor speaks of sleighing: sleighing is one of his fads—one of his few fads (he only has a few): he likes to get off in a sleigh, daily, if possible. His gauge of the weather is like this: is it cold? has it snowed? does the snow lay? are the roads hard? is the sleighing first class? If all that is so, then the weather's good: if it's not so, then the weather's bad. Doctor takes to sleighing like some men take to rum: he gets drunk with it—he goes on sleighing orgies."

     W. picked up a dust-stained letter from the table in front of him. "See this," he said. I took it from him. "It's O'Connor almost at his best," he added. "Do you mean it for me?" I asked. He said "yes" at once. But he also said: "Read it before you take it away: I'd like to hear it once again." I spoke up: "Stedman said to me in a letter that William was the most brilliant letterwriter in the English language today." W. was pleased. "I do not see how he could know that but I am willing to believe it to be true." I asked him: "And ain't you more than willing?" He wasn't slow in saying: "I suppose I am:

 
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William is certainly the brilliantest man who ever came within my horizon: he staggers me with his vehement magnificence." Then W. said "Read."

Washington, D.C.,

April 17, 1883.


Dear Walt:

     I got your letter of the 14th yesterday.

     I had the misfortune to catch a heavy cold on the chilly Sound boat in returning from Providence, which increased seriously after my return, and developed into a bad attack of erysipelas, with which my head and face were well covered. Being very ill, and a sorry object to behold with the eruption, I have been forced to absent myself from the office for several days, and keep in bed as much as possible. I am better now, and hope to get out tomorrow, when I will at once attend to the copyright business.

     I need not say how grieved I am at Dr. Bucke's withdrawal of the lines of Lucretius from the title page. He was so pleased with the epigraph and so particularly pleased, as it seemed, with my enthusiastic enjoyment of it, that his change of mind is unaccountable to me. The withdrawal is an error, which I believe he will yet be sorry for. There are words, Luther says, which are half battles, and these of Lucretius are among them. They appealed directly to educated men, and gave the title page dignity, winning the reader thus from the start, and reinforced by all the following contents of the book, they gave it a powerful hold upon the respect of thinking and enquiring people. Their omission loses us an advantage—one more considerable than may at first sight appear.

     Ill as I was when I got your letter, and with but a sort of dying interest in anything, this bit of news startled me, and I felt dashed, I assure you.

     However, it can't be helped now, and I will at once proceed to get copyright for the despoiled title page.

     I am obliged to Mr. McKay for his offer, and will let him know in due time how many copies I desire. There are several persons with whom I wish to place copies, with a view to doing the book good.

     The news of Comstock's disaster came to me in a letter from Dr.

 
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Channing at a time when I was illest, and I wanted to write to you at once, but was not able. It gave me the greatest relief and exultation, and did me positive good. When I get out, I will search the papers for details. It is manifestly a crushing defeat for Comstock, and shows that he is on the descending plane, down which I hope, and indeed heard, that my Tribune letter materially contributed to send him. He took my dare beautifully meek, I must say. The only newspaper item I have seen on the Heywood matter, was a little editorial in last Friday's Star, from which it appears that the Judge's ruling—I mean, charge—to the jury was terribly against Comstock on the ground of his treacherous methods in working up his cases. His "decoy" business is what damns him, and this has thoroughly got into the public mind. He never again can make head against it. When you bear in mind that Heywood had really in the syringe matter, flatly broken a statute, his acquittal by the jury in the very face of the evidence against him, shows the prejudice against Comstock, and makes the victory remarkable.

     Something ought to be written now to fix the triumph, and as a keynote for press comment. If I were well, I would certainly attempt it, but so far as I am concerned, the opportunity must be lost, for I am hors de combat for the present. Nothing is more dangerous than the operations of an official wretch like Comstock, backed as he is by eminent clergymen like Chancellor Crosby, Dr. Hall, Newman, &c., of whose displeasure great journals even, like the Tribune, are afraid, and whose tool they either support or will not censure. The instance is, the peril—the terrible peril—in which he placed your book, when he got Oliver Stevens to move against it, for I have found that he, through his man Friday, Brittain, was at the bottom of that matter. He ought to be crushed, signally, publicly, in the interest of free letters and the rights of thought; he ought to be nailed up, like a skunk to a barn-door, as an example to deter. Above all things, he ought to be snaked out of his position as a special agent of the United States Post Office Department, which would be irretrievable disgrace for him, and irremediable overthrow. This the press ought to demand. It is nothing less than a public-national-infamy, that an infamous dog like this, convicted of such practices—a decoy duck, a dirty stool pigeon—should be in the employ of the United States,

 
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and derive his power for mischief from the status his official rank gives him.

     I hear that the North American is getting up an article about you. Do you know anything about it?

     I am glad you are off for the spring woods.

     Wish I could go too!

     "For only those who in sad cities dwell,

     Are of the green fields fully sensible."


Goodbye for this time. Faithfully


W.D. O'Connor.

     W. said: "I'm glad I don't deserve the lambasting William gives Saint Anthony. The psychology of that man would baffle devils: he haunts the purlieus of heaven with his crude philosophy: he makes the worse the better reason: he never yet has discovered the difference between virtues and vice: he's not so much knave as ass: he goes stumbling about like a bull in a china shop. They say sometimes that he's incompetent for his job: I go farther than that: I say there should be no such job: no one is competent to fill such a job: we want no censors, monitors, inquisitors.""A man has to be pretty mean to take such a job," I said, "and the longer he keeps it the meaner he gets.""That's the state of the case," said W., in a rollicking spirit: "with that, if you please." I said, "William calls him skunk, but I don't see why the skunk's one amiable fault should subject him to such a classification." W. laughed till the tears rolled down his cheeks. "That's the best yet: we must repeat that to William."

     I read a Cornhill paper today on slang. A writer calls it the great American language." I took it to W. "I am glad you brought it: it will interest me, I know. Every now and then the doctor alludes in his letters to my piece on Slang: he thinks it great guns." Did W. himself care so much for it? "I can hardly say I do. I did it: I stand by it: that's all. Doctor, however, regards it as having extreme importance. Brinton's the man who should best appreciate it—best realize its ramifications: it's right in his line." Brinton is abroad again. W. asked: "How can he afford to go?" I said: "By having the

 
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money: I think Brinton is well fixed." W. said: "Probably if he wasn't he could never go on with that archaeological work, which brings in practically no returns." Gave me the Magazine of Poetry. "You should look it through: then I will send it up to Kennedy—not give it to him, only have him look at it and send it back. Then it can be passed on to Bucke."

     W. asked me: "What's the speech about tonight?" I was to speak in Philadelphia. "Idealism," I said. "That's almost too much of a mouthful for one speech," he said: "I tackle big themes myself but I'm always afraid of them." I quoted one of my sentences: "There are linear and atmospheric philosophers." W. said: "There are indeed: that's a fair way to express it. A splendid somebody—who was it? I don't remember—went to see Carlyle, or Carlyle went to see him. Carlyle asked: 'What is your system?' The man replied sharply at once: 'System? I have no systems: I just live.' That always seemed to me very deep—unplummeted. Carlyle was delighted with it. But I think Mrs. Gilchrist would have disagreed with it: she would have said: 'You can have it best by knowing it: in fact you can truly apprehend it in no other way?'" Huxley said he hoped his children would have such good bodies that they would never know they had bodies. I spoke of this. W. said: "That is very good: that is about what the Carlyle man said." I thought so too. But I also felt that H. would have essentially approved of Mrs. G's contention. "Yes, that's the other side of the shield: probably that is even implied. Still, Mrs. Gilchrist's statement would seem too severe, too literal, for me." W. went on talking of Mrs. G. "She was always abreast of the times: as to science she would be classified with the extreme radicals if anywhere: indeed, I imagine she'd take the logic of science and follow it out to the full, even beyond the adventurous limits of the savant himself." We talked of women we had known. W. had some things to say about my mother. He spoke of his own mother. "I cleave to the mothers of children—particularly the older mothers." Back to Mrs. G. "She was the mother of a number of children: she had done justice to her children: she had lived a real life with her husband: that was the substratum—a noble substratum, base: then on top of this she built the greatest scientific, intellectual, esthetic superstructure as the sort of crown to all. She was harmonic, orbic: she was a woman—then more than a woman."

 
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     I told W. I had been asked to read a W. W. paper. He said in a merrily playful tone: "I don't know: that is a subject not to be tackled lightly: it has to be done in the right mood to be done right: you've got to tap yourself when you're ready to give—when you're in a fecund mood." But when I got up to go he added: "Well—if you must: I wish you success of your speech." W. read the article on Gérôme in the Century. "It did not hit me: Gérôme has not much for me: he's not our man."

 
Wednesday, February 6, 1889

     7.45 P.M. W. talking with Mrs. Davis, who sat on the sofa. He was very vivacious. In good voice. He asked me how I was. I said: "Very well." I asked him how he was. He said: "Very well," too. Then Mary and he went on with their talk, which was about Herbert's picture, now in the Academy exhibition. Mary asked W. if the picture was the one H. painted here. W. said: "No: but he worked from that: this is the London picture." Then, after a brief pause: "Old Mr. Ingram has been here: he told me that his daughter, or somebody, had been in the Academy Sunday: that there was a great crowd of people there—many, many: that she, in going about, was attracted to one spot by a thick group of visitors: found they were looking at Herbert's picture." W. also said: "Herbert himself says the picture is well-hung—is in a first rate position just on the line." Mrs. Davis here got up to go. W protested. "Why, Mary, what are you going for?" She said: "Oh, I haven't paid my visit: now I'll say goodnight: I'll not see you again tonight." W. responded: "Well, then good night! good night!" Mrs. Davis gave me H.G.'s Contemporary Club money left here by him for me last night. "Then Herbert was here? I passed him down the street." W.: "Yes, he came in: as he got up to go, was arranging his cloak, he said something about calling on you: I told him he wouldn't find you at home—that you had gone over the river again. I suppose it was that money matter that he wanted most to see you about." Had he brought any news? "Oh no: hardly that: but we had quite a talk: he stayed quite a while. He is very cheery—well, busy, satisfied with the outlook. Put all that with youth: what more could a man want?"

     Intensely cold today. The first severe day of the winter. W. asked me about it. "I envy you who can sally forth and breathe it in." Had

 
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he felt it? "No—not in the slightest degree: first, I have some fat left: then Ed has kept a ruddy fire going." Sat with the big robe on the back of his chair, the lap robe over his legs. Mostly sits about not putting on his breeches at all. W. said: "I call this extreme négligé—but it's comfortable." And he also said: "According to all prescriptions I should be freezing when it gets nearly down to zero—but here I am feeling as springtimey as the lark."

     I had a letter from Morse, dated the 4th. W. said: "Read it." I sent Morse the Whitman busts he left here. He had this to say about them: "They fail to impress people so far. Blake failed to enthuse. The lady in the house said if she should see one in the night she would faint away. That was the impression she got." W. took the humoristic report rather seriously. "Was it only the Whitman busts you sent, and the Cleveland? Is it those he refers to?" and when I answered him "yes" he remarked dubiously: "Well, well: but what more does he say?" Morse went on: "But I shall take them to the Art Institute when I go—my lecture is postponed on account of the exhibit of paintings by the Russian artist that fill all the available space." I half stopped. W. said instantly: "Oh go on, go on: let me hear it all!" And so: "These paintings I have not yet seen. People who have seen them seem dazed, and don't know whether or not to say they're great." W. interrupted: "But they are great: they are among the greatest: they are very deep, subtle, powerful, pathetic." I proceeded: "The critics write them up and write them down." W.: "How's that?" I repeated. He said: "Of course they do: that's what they think they're here for." I again went on: "Verestchagin is the name. The critics handle him as though they knew. Hoothoo! what definite ideas these unfledged mortals have!" W. laughed heartily: "Oh Sidney, Sidney! as though they knew! How significant, how profound, how cute, that is: as though they knew!" He again said: "But go on." Sidney wrote: "The papers here din din at the Anarchists all the while. The effect is, that people begin to wonder if there isn't something genuine underneath what they have misjudged after all. The police captains kicked vigorously against that judge's decision, but have finally quieted down." W. then: "They did well to do so—to quiet down: that's what police captains, policemen, soldiers, secret service men, everywhere, should always do: quiet down—quiet down: yet, disappear."

 
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     Took W. Andrew Lang's Bobs and Pinches—Murray paper on American-English courtesies, &c. W. pleased. "Yes, I like to see all such things—to look through them, if for nothing else than to find there's nothing in 'em!—and I often enough—oftener than enough—find there is nothing in them." Then: "I shall lay it aside for tomorrow with the other thing you brought"—San Francisco Chronicle with adverse review of November Boughs. W. asked: "Does the review amount to much?—to anything?" Spoke of the paper on slang I left with him yesterday. Had he read it? "I could hardly say yes to that: I have looked it through. I can tell very soon after dipping into a book or what not whether there's anything in it for me: a few sentences in this piece convinced me that the writer knew nothing at all about his subject. It sounds like the case of the editor who goes to one of his staff—says: 'Here, you: I want five pages, or six, on such and such a theme—on American slang, for instance': or perhaps he would put it in this way: 'I have such and such space to fill up: you must exercise your ingenuity in filling it': the chosen man straightway sitting down, going to work, grinding it out. This article seems to illustrate such a supposition."

     W. said: "Slang is too stubborn a subject to answer the beck and call of every incidental scribbler." I spoke of it as "the beginnings of language." W. said: "It is more that than people generally imagine: but all slang is not equally good: there are slang words, phrases, which carry no meaning with them—out of which a meaning cannot even by investigation be extracted. I could instance cases. The other day I hit upon the expression, 'in the soup': I could not make a meaning for it or out of it." I said a man drunk was described as "full of soup." W. said: "That's better: I get more out of that." Then he added: "In the old days—maybe still, but in the old days—down in the Bowery there was much slang. It was all sorts: derived from all tongues and no tongue: the French call it argot, patois—we call it slang. There were many fine examples of it current, particularly among the theatrical people, the actors: argot." He half remembered one of their words—"a very common often used word." His memory wouldn't work. "I knew it well: it was a word signifying a hit, a take, a fetch—as when an actor had made a point, was applauded, brought down the house, as we say." W. smiled: "Not getting that word tantalizes me: I've got plenty of words: but

 
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where is the word?" He said "clever" was a word much in use among actors "long ago as well as today,""but that is a legitimate word";"has its authenticated papa and mama," I said. "It carries its own lexicographical origin with it: a clean fellow—able, equal to emergencies, with some initiative. You hear that word very often if you loaf in New England farming places: they use it, the farmers use it, to indicate honesty, straight-forwardness, amiability—a sort of all round social man according to the ideals generally accepted." The argot in New York "has the most curious ramifications.""No roundaboutness—everything direct. Take a case: counterfeit money: a fellow wants to pass it: he uses every word through a substitute: he don't 'pass' it—he 'shoves' it: it is not 'counterfeit'— it is 'queer': he therefore 'shoves the queer.' That is argot. Strange to say argot found it hard to get into the lingo of the soldier class. The average soldier in the War was from the back-country: honest, honorable, totally illiterate, of good instincts, hearty, friendly to a degree: he took slowly—very slowly—to the slanginess so common almost everywhere else." But finally "it crept in even there." The boys got so "they demanded a vocabulary that could be called their own."

     Talking of the army brought out another matter. W. called my attention to a pamphlet: A Glimpse of the United States Military Telegraph Corps and of Abraham Lincoln. "It was sent me by this man"—pointing to the author's name, William B. Wilson—"and I would advise you, if you can, to get a copy." He wants to use his copy. "I may write something with it as my text." W. also said: "It is a curious pamphlet: it has unusual interest: more odd than its fascination is the fact that so many years have passed and no one has attempted to do justice to these men—young men, boys, as they were—whom Wilson writes about." I had never hit upon such a story. "No, you have not: you could not—how could you? there has been none." He had himself "thought to while away some of the tedious hours in this room" by "autobiographying" over such facts as far as he could recall them. "There were three classes who served nobly during the War to whom justice has never been done—the telegraph boys, the cadet physicians, the nurses in the hospitals. Some day somebody will write all that down circumstantially. The trouble is that it looks now as if the thing would be delayed till all the actors are dead. The telegraph boys were a remarkable body:

 
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picked up here and there—often waifs, mechanics, sometimes boys of well-to-do families: they were wonderfully sharp-witted—distinguished so, as a body: alert, active, bright, noble, industrious, temperate." W. had "met hundreds of them: there were hundreds, thousands": and he thought "perhaps the most remarkable feature of the whole case" was the fact that "though they lived at the very heart of affairs there in the army and were necessarily admitted to confidences, secrecies, of an almost unparalleled character," there had "never been one—not one—who had violated the faith of the service." This should "be emphasized above all else" in the story. "Indeed if I should write of this, I should say what I have so often said before—always insisted upon: that this loyalty penetrated the whole service, top to bottom—every man in it: as I have put it of the Presidents—every man, whatever may have been his antecedents, whatever he had been before—what his origins, associations—the instant he takes the Presidential chair does his damnedest best, his damnedest best, to justify those who elevated him to the office. I believe this even of Andy Johnson—in many respects the least likeable of the lot: I was near him: my position in the Attorney General's Office placed me in almost daily contact with those who were close to him: even Johnson went according to his light, though his light flickered enough and was often near to going out, to be sure. As with the Presidents, so with all."

     W. generally flouts The Path. But this time he found something in it to read—a piece on Tennyson's Idylls of the King. I showed him a newspaper account of what Longfellow is reported to have said in reply to the charges of plagiarism in connection with Hiawatha. W. adjusted his glasses. Started to read. Then handed the slip to me. "You read it to me." He settled back in his chair.

     "A New York paper, in some pleasant gossip about Mr. Longfellow, tells a story of the way he treated the charges of plagiarism against the Indian poem Hiawatha, in following closely both the form and substance of The Kalevala, the national epic of Finland. When they began to appear, he showed a profound indifference on the subject; but before long his publisher thought best to call his attention to them, and suggested that a reply from the poet be written. 'Well, I'll think about it,' said Mr. Longfellow, and there the matter dropped. The press continued to echo and re-echo the charge;

 
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the publisher again called on the poet, saying, 'Really, Mr. Longfellow, I think it is high time this charge was answered.' Again Longfellow said: 'I'll see about it,' adding quietly, 'How is the book selling?''Oh, wonderfully well,' said the publisher.' Better than my other books?''Oh, much better,' and he named the figures. Shortly after this interview (Mr. Longfellow still keeping silence) the Tribune came out with almost a page of broadsides on the subject. The publisher was now really excited. He called on the poet again. 'It will not do,' he said, very decidedly, 'to let this thing go on any longer.''How does the book sell?' asked Longfellow. 'Amazingly: the sale is already equal to the combined sales of your other books.''Then,' said Longfellow, 'I think we ought to be thankful to these critics. Let them talk. Seems to me they are giving us a large amount of gratuitous advertising. Better let them alone.' And let alone they were."

     When I had finished W. said: "It makes a very good story," and he said: "but—." I laughed. "Then you don't believe the story?" He said: "I can't say it's not true: it sounds very fishy to me: I can hardly think of Longfellow as meeting the charge just in that way: I imagine he'd meet it with entire silence or with some graver statement: that smart version sounds more like another type of man—the smart aleck kind."

     Saw McKay today. Also Oldach. Dave is still talking of the limited edition. W. still says: "I said no: I meant no: can't you get that into Dave's stubborn skull?" Traces of irritation. "I've said it over and over again, Walt.""Don't he understand you, then?""He understands but he thinks you're making a damn fool of yourself.""He does, does he? Well—you tell Dave that Walt Whitman has a right to make a damn fool of himself any time he pleases." This made me scream, "Walt, you're certainly whimsical sometimes: a few days ago you said you wanted to please Dave: now you get mad because he differs from you about something that's of no importance whatever. I think you're right but I don't think Dave has committed any crime." This mollified W. He said: "No doubt all that's as you say it is: only, I hate to have anyone attempt to drive me." I suggested: "Walt: Dave has his eye on the market: you have your eye on yourself: that's why you don't agree." W. retorted: "Then to hell with the market, I say: when the market asks me to give up some principle I

 
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deem precious, I say, to hell with it,""I say so, too," I said. W. quietly wound up by saying: "Tell this all to Dave: he may then understand."

     Oldach is having trouble getting leather for the books. W. is impatient. W. says: "I think we should sell a lot of books in England if we get introduced there right." I renewed our insurance for three months.

     W. spoke of literary style. Said "high wrought" expression was "distasteful" to him, though "some of the Elizabethan fellows did the job rather handsomely.""They particularly studied, affected, worked it: the higher the better: were never satisfied with the direct word." Even in Scott "the finest of most fine souls,""one of the most pure, lofty, excellent" men in literature, "we find this appetite for tropes.""The mother of the milky herd, for instance," he said: "not 'cow' but the sublimated term." I referred to Kenilworth. W. thought that "one of the very best—but not the best." He said Quentin Durward and Ivanhoe were "just as wonderful." He felt Scott to be "perennial.""I can always go back to him and find him fresh." W. said anent something quoted from Morse's letter: "New York's the place! If you wish the profound, generous, encompassing things, New York is your natural center of gravity."

 
Thursday, February 7, 1889

     7.25 P.M. W. reading papers. He had half a dozen of the day's papers on the table near which he sat. Very cold still. I ask him if he had suffered any from it. "No—not at all: I have been snuggled up all day: kept the fire going—the fire within as well as the fire without." Pointed to the stove. "All the prospect's sweet and fair—only man is vile." He seemed to enjoy his own fun. Talked brightly though deliberately. He never talks in a hurry.

     W. again spoke of the telegraph boys in the War. "There were clusters of them—clusters of clusters of them: every general with some, every high officer with many: they did most valiant service: yet no one has ever raised a voice for them: oh! if I had but the power to do it! I wasted many of my own opportunities." Then he said: "That fiction article with its two thousand words don't inspire me at all, but this—ah!"

     W. is after all getting anxious to see the bound book. Annoyed

 
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with Oldach. I defended him. W. then said: "No, no: I do not accept his excuses: I am not inclined to smile on Oldach's dilly-dallying: I am not to be imposed upon by it: I know what it means: I don't cotton to the delayers, the postponers: had I the use of my legs, my feet, today, I have no doubt I could hustle about town and in an hour, in a little time, get the leather we want—if not the exact shade, then a shade just as well adapted to our purposes. I have no doubt you could do it in half an hour, active as you are. I have great faith in Dave for such emergencies: he is the fellow who beats up the bush till the game is found." I was surprised to find him so moved for such a reason. He would not permit my defense of Oldach. "No—no: I am all broken up, sitting in my room here—helpless: I am dependent upon the good faith of others." Paused: "I met much that instructed me profoundly on that point during the War—among the soldiers, the generals. When something of a major character was to be done—something prompt, decisive, resolute—it was Sheridan they summoned, the Sheridans, the man who sort of recreated circumstances—not McClellan, the McClellans, the inert." I said: "And an awful exposure of McClellan it is in that last issue of The Century." He said instantly: "Indeed it is awful: but every word of it is true—not a word of it is unjust: I have long felt what is said, proven, there: felt it at the time: it seems more and more confirmed. In all our history, in all the history of these times, indeed of any time, I never knew a man intrusted with as great responsibilities, opportunities, who was as inert—dead, dead, with inertia." Then he cried: "Oh! I think there is no more important, valuable, necessary, class of men than the men who are under all conditions, all shifts of weather, all play of incident, unbaffled, undeviating, irrevocable." Poor Oldach. This would wither him. But after the books are here and W. is relieved W. will say: "I kind o'like that Oldach: he's a gem." W. is never harsh. He gets tantrums now and then which immediately dissipate. His wrath has no venom in it.

     I returned W. the Magazine of Poetry. Said I liked Bucke's little note on W. W. himself said: "It is very strong, compact, solid: it reads like a bit of pure Greek work: not a sentence out of place, superfluous." I said: "It's as good as anything Bucke ever wrote." W. agreed. "It is! it is! I know of nothing better from him: I doubt if he could do better." He had said, shortly after my arrival: "No word

 
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at all from Bucke today." But while I sat there Ed came in with such a letter, which W. opened and read aloud, B. speaking of Sarrazin's essay, of B.'s own W. W. lecture, of the weather, &c. W. interested. Handed me then a package containing Chronicle (of which he didn't say a word), Slang, Bobs and Pinches, and finally a Curtz printed sheet of Kennedy's English abstract of the Sarrazin piece. This was the "pleasant" thing he promised me from last week and has not since alluded to. As to Sarrazin he said: "I've nothing to say yet: I want to wait and see what you have to say." Gave me another stained dusty O'Connor letter. "It should go with the letter I gave you the other day: they are related." Then he added: "What a difference there is between William's and Maurice's letters! Maurice is literal, concrete, styleless, though vigorous: William, not less vigorous, indeed more vigorous, is lambent, startling, fervent, magnificent. Maurice has no distinct talent that way: William seems to have every talent." I was putting the letter in my pocket. W. said: "No, let me hear it first. You will see it was not written to me but to Maurice. Read it to me."

Washington D.C.,

April 17, 1883.


Dear R.M.:

     I have two letters from you, which I will soon read again, and answer. I caught a bad cold returning from Providence, the Sound boats being badly warmed and the staterooms so many refrigerators, and this ended in an attack of erysipelas, which made my head and face look like a cranberry pudding for the devil's dinner table. So I was forced to leave the office and take to bed, letting all things, including letters, go by for the nonce. You see why I have not written.

     I hope to be out by tomorrow, and will at once get your copyright, a letter from Walt, received yesterday, asking me to do so.

     I was taken allaback and grieved at your dropping the Lucretian lines from the title page. Of course you are the judge. But I am sure this is a serious error. There are words, Luther said, which are half battles, and these words on your title page were armory of the invincible knights of old for the forefront of the struggle on which the book enters. Nowhere else in the volume could they have such a

 
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force, and they won for you from the start. You'll be sorry yet that you gave up this advantage. Good bye. More anon when I get well. Affectionately,


W. D. O'Connor.

     W. said: "William's imagination is copious: he can make heavy of the lightest thing—yes, and light of the heaviest. That erysipelas face is immortal. He took the Lucretian matter sorely to heart: you remember his allusions to it in the other letter. It was the sort of fight I didn't want to, had no business to, get mixed up in. William is rather cuter in all that than Maurice: his great talents all lay in that direction: but as William himself says there, it was a thing for Maurice to finally decide for himself." W. had laid aside another letter for me. Was I to keep it? "Yes: poke it into your pigeon hole." Then he laughed. "I'm commencing to think that pigeon hole is bulging all round, Horace." I'll not doctor Schmidt's English.


Copenhagen, January 5, 1872.


Walt Whitman, Esq.,


Dear Sir!

     I will postpone no longer to thank you for your kind letter of 7 Dec. It was in my hands two days before the beginning of the new year. Your Leaves of Grass Clausen had already sent me; but the other papers—especially your Democratic Vistas—shall be very welcome. I wonder that they have not arrived yet, and hope that they have not miscarried on the way. This unexpected delay makes me very sorry; my mind is full of your poems, but naturally I won't begin to write before having in my hands as complete materials as possibly.

     Hans Christian Andersen would perhaps not make you very great joy, if you did know him personally. Björnson would be your man, he is a dear friend of mine and coeditor of the periodical. At present he is living in Christiania.

     The enclosed portrait is no bad photography, but a photographical portrait is never truly a good one.


Most truly yours,


Rudolf Schmidt.

     Schmidt addded a marginal note. "In this moment the papers received. All right. Heartfully thanks!" W. said: "Later—indeed, from

 
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this time on—Schmidt became more and more intimately associated: I have always felt peculiarly appealed to by him: his Danish renderings are, I am told, done with rare genius. Schmidt has had a checkered career: domestically he's gone through the most agonizing experiences."

     W. had read Lang's article. "Read it all through. It did not impress me as being profound—even competent: it's rather good natured, though it seems to say all the way through—we are nebulous, still, and only nebulous: only preparing—not yet started: that seems to be the prevailing spirit: no doubt it's in some measure exact: but Lang fishes with a short line: it's the best he has but it'll never do any formidable execution."

     W. quickly said as if it had just come to him: "I want you to do something when you are in town: something for me." What? "This: some day, when you are in the neighborhood of the Academy, go in and take a look at Herbert's picture." I interrupted him. "I intended doing so—intended going Sunday." His face lighted up. "Well—Sunday: that's better still: if I could move around, could go at all, I should go Sunday: Sunday is the democratic day." I suggested: "And to see the people as much as the pictures.""Yes—that too: you are right there: to see the people, who beat all the pictures ever painted—indeed, who paint all the pictures. But go anyhow: and take the girls with you: tell Aggie: tell Anne: tell any of them: I place a very high value upon the impressions of women: they are cute, instant, unequivocal: even when they seem to go wrong (seem so to us—to men) they are lightning-like—crowd you with opulent emotional verities." Finally he said: "Now don't forget: I caution you: go yourself—but have the girls go, too: if not with you, then sometime anyway, so we may get the benefit of their report."

     Something brought up the Eakins portrait. I yesterday saw another fine Eakins canvas—the portrait of a bank president. W. said: "I never get over wondering that no one except two or three of us seem to like or even tolerate the Eakins picture of me. For myself I always say I am not only contented but gratified." As to Eakins' work in general: "I should suppose it to be high-tide product: his best canvas, his crowning canvas, so far seems to have been the Gross picture in Jefferson College." Had he seen the original? He has a reproduction of it downstairs given him by Eakins. "No: I have not

 
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seen it—have never been there: but I realize its manifold adequacies—its severe face: the counterfeit, much as it necessarily must have lost, is convincing." He quizzed me. Wanted to know about other pictures. "You make a good interpreter," he said: "I know by your nouns and adjectives that you've got your finger on the nerve."

     I quoted a newspaper which said: "Leaves of Grass is dead already." W. ejaculated: "He may be right—who knows?" I put in: "Stop where you are: I know." He asked: "How in hell could you know?" I put my hand over my heart. "From in here." He wanted to know: "Have you a safe guide in there?" I replied: "I wish I was as sure of my future as I am of the future of Leaves of Grass." W. looked surprised. "I thought you always felt sure of your future." I explained: "I don't mean my future beyond this life but my future here." W.'s face lighted up. "Oh! you mean what is called worldly success? getting along? Yes, I see!" Then he added quietly: "Well, the only thing I can say as to that is, that it does not do any good to worry in either case. It is the glory of Emersonism—the Emersonian spirit—that it seems to say, 'Let come what will, what comes is right: accept today, tomorrow, just as they come, with just what they bring: all is as it should be: courage, peace!'" I interjected: "And certainly Leaves of Grass more than reinforces that same glorious trumpet call"—he crying back to me: "I hope it does! I hope it does!"

     W. used the word "shenanigan" with reference to someone's style: "That's argot: that's the word direct." W. again quoted Bucke's Magazine of Poetry piece as "a good example of a more virile embodiment of the new principles of composition." He said W. "is always admirably alive" even when "not preserving his literary impeccability." W. said: "I want simple narrative: no furbelows: no frills: just as in Tom's portraits, which the formalists, the academic people, won't have at any price: not show, not dressiness, not a remaking of nature, but life, its manifests, just as it is, as they are." He was very ready. "I knew an artist, a painter, who had portraitized N.P. Willis: can you imagine what that meant? It was fix this, fix that: it was a curl wrong here, a curl wrong there: now a wrinkle out of place—or one too many: and so on, so on, through a whole Catalogue of should-be's: and so finally the artist was sick of his job. This method is an abandonment of fact, a surrender to ceremony, a

 
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treacherous appeal to the false, to the meretricious, which no circumstances can excuse." W. poked his thumb up before my eyes. He said: "'It's as if I said I don't like the way God made my thumb: I think thumbs should be different: besides, thumbs and forefingers would be better off if they changed places: presto! I'll do what God neglected to do. That's no sort of sense at all. We must have the cares, the diseases, the dyspepticisms, all expressed along with the joy, the health, the wholesome inertia, that round out every representative personality.""Walt," I said: "you've talked better than a book tonight." He asked: "Why shouldn't I?" I said: "That's so, why shouldn't you? A man's always a man whatever happens, but a book's not always a book whatever happens." W. exclaimed: "A thousand amens to that!"
 
Friday, February 8, 1889

     7.45 P.M. W. was sitting in his room in his big chair. The light was down. His door was wide open. It was rather cool. His head was dropt to his breast, ruminatively. He was not asleep. He started up instantly on my quiet entrance. "Oh!" he exclaimed, extending his hand—"it is Horace: and how do you do?" Then: "I will get you to close the door: I was alone in the house: I thought I would leave the door open." And after another of the usual preliminaries—"how's the weather?"—and the brief reference to his own health, which he called "still good," he asked me quickly: "And how about Sarrazin? did you tackle him?" I expressed my pleasure, adding: "But it is only enough to whet the appetite: I want to see the whole article." W. agreed. "It is so: what we have there are a few specimen bricks: we should have it in its entirety." After reflecting: "But Doctor writes that he is waiting for Kennedy's abstract—will then himself go through it thoroughly." Here something seemed suddenly to occur to him. "I had no news from Doctor today but bad news, very bad news, from O'Connor." I must have looked the serious twinge this gave me. "Oh!" he went on, in observing it: "it was not a long letter—only a postal—from Nellie: I hurried it off to Doctor Bucke: she wished it so: she knew he wanted to know." Ed says W. was very serious all day: had sent the postal north as soon as it was received. W. continued: "O'Connor appears to be sinking—slowly: he cannot write: he is in bed—broken down,

 
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disabled." W.'s tone pathetic. "The worst of it is not in Nellie's despair: she tells me O'Connor himself regards his condition as probably fatal: that is bad, bad, bad." But he would "still hope": would "bear in mind" Nellie's "peculiar constitution": "she is of the nervous makeup—so candid she becomes pessimistic: sees too much. That so frequently happens: the differences between people are remarkable: Nellie is somber, overgrave: William generally the opposite, taking the bright view." He "never failed to recall Carlyle" in "this connection.""He was much the same: every whit honest: in all his sourness, dyspepticism, straightforward: yet Carlyle took the dark view—as I say it, had the pessimistic trend, drift: saw too greatly or too emphatically the bad side of things: but no man was ever more candid."

     Ed here entered with a letter. W. took it eagerly. Then relaxed. "Oh! I was hoping it was from O'Connor," he said: "I have been sitting here all day thinking of him." Only a letter asking for an autograph.

     Return to Carlyle: discussion of his status. I was warm pro. "We must take the balance of quality in a man." W. acknowledged. "All that is to be said: I think it only right to allow for all that—to take it into account, give it a large margin. But that was not all: there was a local flavor in Carlyle—a flavor of bitterness that was not wholesome, not generous. I should say that something in the same vein is found in our own Dick Stoddard—in his assaults on Poe, others." I protested: "But Carlyle makes up grandly for all this: he has another side." He admitted it. "That is true—and Stoddard has not." Pausing. "Indeed no one would be more ready to stick up for that than I. Carlyle refrained from assaulting Burns—forgave his peccadilloes." W. further: "I do not know why: Burns was not Carlyle's man: Carlyle probably overlooked the sins because Burns was a Scotchman." If that was so how can we account for his defense of Byron? "Did he ever defend Byron? I did not know it." I quoted Froude—that Carlyle would freely criticise Byron himself but not allow it from another. W. said: "That is good to hear. Strangely, too, my own attitude towards Carlyle has always been the same. Mary Costelloe—Mary Smith—would often say: 'You won't hear anything said against Carlyle, will you?' It was a day in the city there: everybody was against Carlyle: there at Smith's, everybody: I stormed like the devil: I would not have it." I asked him

 
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if he didn't think the Carlyles necessary at certain periods? "Yes: I would not deny that—would stoutly defend it in fact." But then he amusedly added: "Carlyle was a great bear, too: hard to live with: not essentially a fraternal spirit."

     I quoted Warden Brush as saying to Chadwick of the Sing Sing prisoners: "They sustain my faith in human nature. They are a big-hearted set: very kind to one another." W. visibly touched. "Yes, yes: I am very amenable on that side—very amenable to the story, the appeal. Indeed, Horace," his voice dropping lower: "indeed, there's not a word you have said—not a word—that I do not myself applaud: not a word. You have touched a chord that always induces my sympathy."

     At this point the talk floated back to O'Connor again. At last things wore "a disastrous outlook." And, as W. said: "All the worse that we cannot go to him—see him." Further talk then of Sarrazin. I asked: "Have you written him?" W. said: "No, but I sent him a copy of the big book—sent him a package of pictures." I judged a picture of S. himself would be welcome to W.? "Yes, indeed: he must be quite a fellow." He had no way of "knowing whether Sarrazin is young or old, rich or poor": "in fact, I know nothing at all about him.""Doctor writes me that he has written to Sarrazin or will write." Here W. laughed heartily. "And what a mess that will be, too! I try to imagine Sarrazin trying to get over the Doctor's handwriting: I confess that is one of the things in the Doctor which I can never become reconciled to. If it had not been that I have become accustomed to it through years—have long struggled with it—I would not be able to make much out of it even now: Doctor has a pernicious habit of stringing his words together—sometimes a whole line: it is hard to puzzle it out. Why in heaven's name a man will write a hell of a hand—good people, too, often the best people (especially the English: they are the worst offenders)—I can't say: an insufferable affectation, negligence, carelessness." Especially was this "the offence of the literary classes.""I feel that I am a great sufferer from it: so many of the fellows write me that way."

     To Sarrazin again. "I showed you his letter, didn't I? You know he said there he would print the article in full, in a book—that part of it was cut out of the magazine. Even as it stands it must make five or six pages. Could you make much of it in the French?" Was Bucke

 
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to return the magazine? "That was not stipulated in the bond: he probably does not expect to: but I shall take care to get the book: give instructions for it in New York or Boston—perhaps in London: or perhaps Sarrazin himself will think to send me the book." At any rate, when the book comes "we must get a full and strong translation." He has sent out a number of sheets containing Kennedy's abstract. I alluded to the S. piece as "superior to most anything our fellows have done." He responded: "It is indeed: it is among the strongest pieces of work which Leaves of Grass has drawn out. I think Kennedy's sentences there read as if they were pretty genuine—pretty well followed the original. If it reads so well translated, how wonderfully more vivid it must be in the French—the clear quick flow of its first gush." He didn't think this essay "written in the French style closely": it was not "in the order of the French essayists, polite writers—of Daudet and such: rather like—oh! who is that great fellow?"—here poking the fire with the tongs—bent inquiringly towards me—answering himself: "I have him—Renan! And then there's another, greater still, I think: no, not Hugo: Hugo is vast but not in this direction." I asked, after hesitating myself: "Is it Taine?" He was at it with a flash. "Taine: he's the man: the writer of English Literature! Sarrazin writes more like him—has his solidity, breadth." Then Taine struck him? "Oh my yes: I think his history one of the greatest books of our time: most genuine, most subtle, most profound." Better than it had been or could be done by an Englishman? "No Englishman could have done it: it has a quality no Englishman could have imparted to it." Arnold was "superficial compared with Taine.""Even Grote, the greatest of the Englishmen in that line, could not equal it." Yet Grote's History of Greek Literature "is very profound: rather dull, heavy—yet not heavy: elaborate, plodding." It was "monumental"—a "monumental job" to one who undertakes to read it. He (W.) had "accomplished the whole task." Still: "Taine, too, is a long story: we cannot approach it or depart from it in haste." W. took "no interest in" Arnold's "charge of lubricity against French literature.""Does he use lubricity in the sense of oiliness?" asked W.: "of making things move smoothly?—of furthering grace of motion? I should say, in these of all things the French writers excel: there are no others within range of them."
 
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     W. received a copy of Liberty today. He had not noticed that it contained Carpenter's essay on Customs reprinted from The Fortnightly. "I looked over it: I did not see that: certainly I must lay it aside and read Carpenter." Then he explained: "You know Edward is a great Socialist: in fact, all the young fellows over there seem to be Socialists: even Rhys, if not Socialistic himself, breathes the air of Socialism—absorbs it." In fact, "even Costelloe, Mary Smith's husband," had lately been "elevated through some sort of Socialistic victory" to a position "on the Town Council—something or other—Board, or what not." W. motioned towards the table. "There's a note from Mary—I want to send it to Doctor Bucke—in which she speaks of it." He could not make clear to himself the "precise nature of Costelloe's position"—how "elevated thereto"—but "it came out by some Home Rule and"—here a word lost: "a political combination of some kind, however." It was evidently an important position. "A man so fixed is a distinguished personage." And he exclaimed: "London, with its five or six millions of people: the greatest city in the world: it almost thrills you merely to think of it!"

     W. gave me a copy of the Sarrazin sheet for Clifford: also three dollars for insurance. Saw Oldach. Told him of W.'s anxiety. Promised copies of book tomorrow. McKay goes Monday evening. W. greatly relieved. As to numbering books he said: "You do it, won't you? Do it, too, just in the way you think best: I am afraid to undertake it: the worry of getting the numbers right I must not subject myself to: I want to please you—to do what you and Dave advise: but I think you could manage the numbering better than I." First he thought: "Let us keep all the early numbers for our copies here." Then: "I am not so impressed as you and Doctor and Dave with the necessity of this but I am willing it should be done." San Francisco Chronicle review "very light—not worth considering: I sent it to Doctor today." He also said: Doctor must have his Sarrazin slip by this time: we'll see what he says of it."

     Just as I was about to leave, W. handed me two Rolleston notes pinned together and asked me to read them to him. I looked at my watch. He asked: "Haven't you time?" I said: "Yes: I was only wondering whether it wasn't too late for you." This seemed to

 
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tickle him. "Staying up late is your specialty, Horace, but I don't see why it should be your monopoly." I sat down again and read.

Dresden, Nov. 22, 1883.


My dear friend and master—

     I am at last able to send on the lecture, which I have now got published together with another by a friend of mine here, delivered before the same society. I hope it may do something, however little, towards making the L. of G. known here. If any American bookseller would like it, which is not, I suppose, very probable, he must write to the publisher, Tittman. We are selling it for one mark—which I think a quarter of a dollar, about. I have sent a copy to Doctor Bucke. Would you kindly transmit one to W.D. O'Connor, whose address I don't know? As to Doctor Knortz, I fear it would be quite impossible to carry on the work of translation with him at such a distance. I have appended to my lecture a translation of the Song of the Answerer, and in getting this translation into final form, I was astonished at the amount of discussion it gave rise to between myself and a German friend who looked over my proofs, showing that it would be quite impossible to carry on the work of translation with another person across the Atlantic. Besides, I greatly doubt if he would go into it. His admiration for the L. of G. is decidedly qualified by objection to your system of punctuation, use of participles, &c., which matters seem to bother him more than they ought. His translations are sympathetic and effective for the poetic passages—but when he comes to a word whose meaning is a little remote or unusual, he evades this difficulty. For instance, here is his rendering of a passage from The Mystic Trumpeter:

Blow again, Trumpeter! Take for thy theme
The All-encloser, the Redeemer and Orderer—
Love, pulse of the All, of sorrows and of joys,
The heart of man and woman;
No other theme than love—immortalizing, all-embracing, self-surrendering Love.

     On the whole I begin to fear that a complete translation is not feasible, at present. But I might possibly reckon on assistance

 
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enough to produce good rendering of, say, eight or ten of the longer poems, which might then be published in a small book, and perhaps pave the way for something more. What would you think of this?

     I am sending McKay a copy of the lectures and am asking him to let me have a copy of the L. of G. with broad margins, if he has got one. The 1882 reprint is not very satisfactory in this way, to me at least, as I like to make notes and references in the book.

     Things are going badly in Ireland. The government is putting down meetings (of the National party) right and left, for no reason, and the people are getting very exasperated. I had hoped great things from Gladstone's government, but that accursed Egyptian war opened my eyes finally to the mixture of hypocrisy and injustice which lie at the root of English policy. If you could only live in Ireland for awhile, and see this sensitive, keen-sighted, but helpless nation dragged about in the clumsy lurches of English opportunism—seeing it all, knowing its own mind and ideal, but condemned to incapacity for realizing it—you would wish us Godspeed. ["I do wish you, I did wish you, Godspeed, God knows, Rolleston: yes I did, do, out of my whole body and soul!" ejaculated W.] and yet I did not always see my way to these views myself.

     Now I must close. I was glad to hear of your health and pleasant circumstances, &c., in your last letter. May this one find it all unchanged.


Yours always,


T. W. Rolleston.

     Before I started the second letter W. had something to say. "That 'master' business at the beginning would make me sick if I didn't know its honorable origin. The last fate I'd wish for myself anywhere anytime would be to be 'mastered.'" I said: "On the ground that a master always implies a slave?" He cried: "Good! you hit the nail on the head the first lick!" He went on: "It's a way some of the English fellows have: it's in the grain: they don't mean to be obsequious. You'll notice that in the second letter Rolleston drops the 'master' for 'Walt,' which sounds much better." W. said of the translating episode: "Rolleston and Knortz, who started out at odds, finally got effectively together, with the result you know. It's a detail of which you should be informed—you who have become

 
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or will become our historian in chief." I said: "Yes: the chief cook and bottle washer of the administration!" W. settled himself in his chair once more. "Read the second letter," he said.

Dresden, Aug. 7, 1884.


My dear Walt:

     I write to tell you how things are going now about the translation, &c. It is nearly through its last stage. Our way of working is this. First I translated all I am going to give as well as I could out of my own unassisted resources and handed over the manuscript to my colleague. He then read it over carefully with the English text and made such notes and corrections as occurred to him. Then he handed the notes and MS back to me. All this is now done, and at present I spend the evening in reading a portion of the translation with his notes, and considering all carefully. Next morning I visit my colleague and we go over what I prepared the previous night, everything, every sentence, and give final shape to the translation. In the afternoon I write out for the printer what we have done in the morning.

     I have now ready for print the Song of Myself, Starting from Paumanok, I Sing the Body Electric, Song of the Open Road, Crossing Brooklyn Ferry, and a dozen or two of the shorter poems. We were at work this morning on Salut au Monde! As to publishing, I am trying to get a Dresden man, Heinrich Minden, to take it upon commission. He is now away in Moskow, on business, but returns in a few days. I have written to broach the matter. Curious fact, illustrative of rule in Russia. I wanted to send Minden my translation of Starting from Paumanok, with my preface to the work and Freiligrath's article from the Allg. Zeitung. But they told me at his office that if I ever wished to see these things again I had better not despatch them—as this highly revolutionary and explosive literature would assuredly be confiscated on the frontier by the Russian police! So I left them in the office, where I suppose they will label them "dangerous," and put them on an upper shelf till Minden comes back.

     The German colleague I alluded to is not a partner in the strict sense and takes no part in the publication of the work, nor has legal responsibility for it. His name is Gustav Adolf Israel—he is Master

 
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for German literature in a school here. I have known him for long, and knowing his capacities engaged him for a fixed sum of money to revise my MSS. You must not let his name be known. It would have serious consequences for him if he were known to have taken any part in the production of the L. of G. No one supposes that the book will be much of a success financially speaking. [W. blurted in: "Neither now nor never! Much of a success? No success at all. God save us from success forever more! Amen."] A bookseller told me the other day that no one reads poetry now in Germany, or buys it, except to give pretty books as presents to young ladies on their confirmation. But then as the leading critical organ here, anent my lecture, asserted that the L. of G. are not poetry, perhaps there is a chance for them.

     I have not gone into detailed criticism in my preface. Said that if anyone didn't see his way to calling the book "poetry," he might call it by any other earthly name he liked, if he would only begin to listen to it. Gave a sketch of your life, in which I have corrected some mistakes I made in my lecture, and gave your letter, i.e., the portion you wrote for this purpose. I mean to give the English text, but not on alternate pages—underneath in smaller type, on the bottom one third of the page, so as to give the idea that it is there for reference, making the German rendering the main thing, as it should be for German readers. But this is a good deal dependent on the publisher's own opinion.

     We are thinking of leaving Germany about the middle of September. My address then will be Glasshouse, Shincone, Ireland. This indeed is always sure to find me. I shall be glad to get among my own people again, and to have a bit of a holiday too, for I have been working pretty hard all this summer. I hope you are well and prospering.

     As soon as there is further definite news about the L. of G. translation I'll let you know. Meantime goodbye.


T.W. Rolleston.

     W said: "Rolleston is a sort of republican: has no notion for kings: looks ahead: sees the Empire crumbling: all that. Then he is for a free Ireland: so am I and for a free every country. If I had my way I would break down the last barrier between nations—abolish the last separatist law. Rolleston has the Irish spirit: is fiery,

 
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strong, vehement, uncompromising. I always enjoy him: he always imparts to me something of his own intractable spirit. That's very good, what he says in the second letter about calling the Leaves poetry or not: that German critic is not isolated: he has many agreeing compatriots: Rolleston's reply is the only reply—except that we might say that the best reply is silence. I find that the best thing for me to say even under the worst provocation is to say nothing. They talk about form: poetic form: this tradition for sculpture, that for painting, another for the written word: form: complying to the dicta of professors, pedagogue, stylists, grammarians. Well—a man can do that and be crowned: then he can not do it and take his chances: I have had to take my chances: after I had once started there was no turning back." W. spoke of R.'s criticism of K.'s translating. "I am interested in the question he raises but am not in a position to answer it yes or no: that's all outside my province. I find myself also largely indifferent, which perhaps I should not say—which is probably censurable."

 
Saturday, February 9, 1889

     7.20 P.M. W. reading the Magazine of Poetry. Was not yet ready to send it to Kennedy. No word from or about O'Connor today. "I had been hoping something would come: I have written: wrote last evening." He had "not abandoned hope.""O'Connor has great tenacity of life: I look to see him make a powerful fight: he may stay a great while just as he is now: this disease is not necessarily rapidly fatal. William can sit up: he can read: but it seems he cannot write: some forms of paralysis affect the nerves of the head: this does not seem to." Said he had been thinking of O'C. all day. "I try to be cheerful: yet I am haunted with fears." Then he added: "But I have had word from Bucke: see here: here are two letters: I see by one of them they propose to list you with the meter: I don't know but that will be a good thing for you—also a better thing for the meter. Doctor seems pretty firmly bent on the 18th: it will not be long now before we see him." W. much interested in both letters—3d, 7th: in what they say of the Sarrazin piece. W. said: "Maurice says the new leaves and flowers will be my best medicine when spring comes. That sounds something like: but will the spring be something like? You'll see a few lines there too about Sarrazin:

 
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Doctor gives no opinion: he says he'll do something with the thing if Kennedy's abstract is not satisfactory." I put in: "But in his second note he says: 'I have made a rough and ready abstract of Sarrazin's piece (do you know that Sarrazin means "buckwheat?") Will probably get it copied out and mailed tomorrow. If you have not yet sent Kennedy's abstract to the printer wait till you get mine. Perhaps you will combine them.'" W. said: "That's so: I forgot: but although Doctor says he has abstracted it he does not say whether he likes it or not. If it is what it would seem to be we should have it all Englished. There's nothing to do but wait and see what the Doctor makes of it."

     W. said: "Gurd is Scotch, to be sure. The Scotch: they are masterful stuff: a little too austere, not enough demonstrative, yet steadfast, inexorable:" Said good things of Thomas Davidson. "He's Scotchy of the Scotch: wonderfully human, too: vast in scholarship, all that, which I make least of: I have great respect for what he is." W. wondered if the scholars "ever really achieve a vital, virile, uncompromising style." Added: "The great French writer Legouvé says this is the final, the supreme, test, after all else is tried—how will a poem read, recite, deliver: with what effect? How will it hold its own when repeated? That is the court in which it must justify itself." W. didn't feel "like giving this a radical endorsement." Yet he regarded it as "a theory not to be rejected scornfully."

     I quoted Ingersoll, who has said to me: "Style should lend itself to the lips." This struck W. "It is profound—true: style should lend itself to the lips: it's so scant in words but means so much!" He added: "And Bob has every right to talk of style: he has achieved an undoubtable style of his own." I said to W.: "I like styles out of school not styles out of the schools." He looked at me quizzically. "Say it over again," he said. After I had done so: "That tops the whole thing: styles out of school! The two should be put together: style should lend itself to the lips: styles out of school: why, Horace, it's the style out of school that lends itself best to the lips." W. then broke into quiet laughter. "I'm thinking of the eminent German critic so-so Rolleston spoke about who said Leaves of Grass was not poetry: I was wondering what he would say if Rolleston replied: 'Maybe not—but what is it then?' Even Leaves of Grass might get

 
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benefit of clergy—benefit of professors, critics—by a liberal construction of the traditions: but I suppose it would have to be damn liberal: Leaves of Grass does not defy all the traditions though it does defy some of the main offenders!" W. again said: "I know all is for law: yet I also say 'to hell with all laws!'" I put in: "No man can be lawful who's not first of all lawless." W. nodded: "That's the point precisely: yet when you say this to people they think you're a fool or a knave or both." He reverted to the idea again after a little silence. "What you say about law applies especially to style."

     W. said he had felt "almost quarrelsomely well" today. "I count today one more added to the store of averaged days: no change, no event, to give it a distinct identity." Had he read Carpenter's Custom, which Bucke had alluded to in one of his letters? "Yes, I went through it today—the whole of it. It is not new to me: I have not thought it out just in that way: not made a special study of custom: yet I have ordinarily hit upon the same train of reasoning. It means evolution—says evolution: isn't that the gist of it?" I alluded to its compactness. "Yes—that: it is closely thought out—cubic, solid." If he was done with it I proposed sending the paper to Bucke. W.: "Do you think he would be interested? I did not think of it. Send it then." Asked him whether he had read Ingersoll's address at the funeral of Mary Fiske the other day. "Yes: and it greatly moved me: its tenderness, its force, cuts into a fellow like a knife: it's one of the best of Bob's little speeches. Did you see yesterday's Record? It aroused my ire: has a scurrilous little paragraph on the Colonel: a mean, dirty little paragraph: entirely uncalled for, too: it dealt with his speech, which I consider not only unobjectionable but wholly affirmatively beautiful and consoling." I suggested: "Some people are on general principles shocked by Ingersoll's appearance at a funeral anyway." W. said "yes" and proceeded: "Some people are asses, some people are not asses: then there are others of the overdelicate, overfussy, kind: they too are afraid of the Colonel: I'm always glad when something occurs to tumble them over. I liked what Bob said in this case so much I feel inclined to write him about it: the speech was worthy of the woman who inspired it." He thought "the devils are still at the Colonel's heels.""He is cursed for what he does say, cursed for what he does not say: cursed

 
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for what he is and isn't: when the world has it in for a man he does not have to do anything to furnish it with pretexts for vituperation, slander, persecution."

     Ed came in for mail. He goes to the post office every evening towards eight. "There's nothing—nothing at all," said W. As Ed was going out the door W. laughingly continued: "And nothing's not hard to carry, is it, Ed?" adding, however: "But don't take nothing for a precedent, Ed: be sure you bring something back!" Then turned to me: "Why is it everybody delights in letters?" I said: "Every letter is a surprise: the best of life is in its surprises." W. declared: "That seems reasonable: there seems to be the spice of the gambler in all of us: we'd do anything to get out of the beaten track—even commit crimes!"

     I got five copies of the book from Oldach. Left one with McKay on the way home. Gave W. the other four. W. was pleased as a kid with a new toy. Turned the first book he picked up over and over. Looked at it from all sides. "A handsome book indeed I should call it!" he exclaimed. After a pause: "It hits me in general, in particular." Continuing to examine it. "All except this 'edition 1889,' which is still not big enough." I asked: "You won't send Doctor's copy up to him?""No: he can get it when he comes: I shall be very careful how I send them in the mails: forty cents and more a book is rather a strong pull on a weak purse. Besides, at four dollars, taking out a dollar twenty-four for the cover, I'm not making a great deal." W. felt that "Dave may sell some" but he had "no great expectations." D. already has orders for two copies. W. said: "You can take them over to him Monday." I was to keep the manuscript. Oldach told me "the story of" his "life" today in brief. I repeated it to W., who said: "It's a vivid document: I'm glad to turn over a leaf or two of it." And he was genial this time about O. "He's slow—that's sure: he's stubborn as hell—that's sure too: but after that is said the worst is said: for the rest he pleases me perfectly." I said: "Walt, that would make a great description of you, too: it fits your psychology to a t." He asked: "Do you say that?" and then: "I'm willing." Oldach had spoken of the common demand for cheap meretricious bindings. "They won't let me do things right." W. said: "That is a characteristic which runs wild these times everywhere—in goods, in architecture, in art: showiness, gaudiness, blare." Anyway, he added, "we'll

 
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make our book right even if it costs every cent." Before I left, W. said: "I shall certainly dedicate a copy to you at once."

     Insurance today one dollar and eighty instead of three dollars. W. laughed as I handed him the change. "I'll send you again," he said. Endorsed envelope containing policy and receipt. Ingersoll Lockwood wrote W. notifying him of his election "to membership in something or other" and soliciting "some encouraging words." Had he sent them? He laughed. "That would be almost unheard of." W. referred to Gilder. Then to Stoddard. He exclaimed: "God bless Watson!" Then he stopped. I said: "I don't hear you say: God bless Dick." He laughed. "I'm not averse to it: I wouldn't say God damn Dick!" Then he said: "By the way, Dick's eye operation must have been painful"—adding: "It may help him to see some things he never saw before." De Long, from Medford, who preached for Clifford last Sunday, sent his "regrets and affection" to W. W. said: "I am always glad to take these unexpected handshakes." I told him of Emma Lazarus. She wants to do something "to help make" W. "comfortable." W. said: "It is very companionlike of her to say that: I thank her deeply: such goodwill serves to appease my great hunger." I told W. he seemed a bit below par. He acknowledged it: "I am brooding over William: I can't shake the cloud off: I want to go to him: yet I'm almost as impossible as he is. It's sort of eating into me."

     W. handed me a letter nearly falling to pieces. "What do you think of that? he asked. "It's certainly a curio if no more," he said. There was no envelope for it. "It has always been a puzzle to me why people think that because I wrote Children of Adam, Leaves of Grass, I must perforce be interested in all the literature of rape, all the pornograph of vile minds. I have not only been made a target by those who despised me but a victim of violent interpretation by those who condoned me. You know the sort of stuff that's sent to me here." By this time I had read the letter. "You don't put this in the same category, do you?" He disclaimed it. "No: that fellow Matt Carpenter was a brilliant of the first water, looked at from the point of view of the conventional: he gemmed around about there in Congress for some years: he had a reputation more or less outré—whether deservedly or not, I couldn't say." C. used purple ink and marked his letter "confidential."

 
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United States Senate Chamber,

Washington, Jan. 31, 1872.


Mr. Walt Whitman:


Dear Sir:

     Examining some old papers, the other day, I found an extract from an argument of the late Hon. A. D. Smith, a Judge of the Sup. Ct. of Wisconsin, delivered by him when practising before that Court about twenty years ago, in a case about alleged rape, followed by conception; maintaining that the fact of conception was conclusive evidence of consent on the part of the prosecutrix. This argument was quite famous in Wisconsin at the time, and the extract may possibly interest you. Here it is:

     "Conception, may it please Your Honors, is no reluctant throe of nature. Its production costs no pang, save when pleasure, from excess, is turning to pain: but it follows an embrace in which the heart, the lip, the entire humanity must participate; an embrace in which the mental, moral, and physical powers and susceptibilities are wrought to such an intensity of orgasm, mutual and reciprocal, that Nature crowns her beatitude with the production and endowment of a new identity. And wisely has she ordained that every faculty of mind or body which might thwart or counteract her purpose, should for the moment be wrapt in bewilderment of bliss."

     This is, in its way, I think a very fine thing: and the intimate friends of the author more than suspect that he had been there and knew.


Truly yours


Matt H. Carpenter.

     I asked W.: "Shall I take the letter?""Yes, certainly: it goes with the story." I folded it and put it away in my pocket. W. asked: "Well: have you any thoughts about it?" I wanted to know if W. had ever put the physiological or psychological question raised by the letter up to himself. He answered: "I have taken the thing seriously at times: then again I have a suspicion of Carpenter's flippant impertinence: I have talked with Doctor Gross there across the river—the great Doctor: he would have taken the stand of the attorney who made the plea. I understand that the question has always been moot among physiologists, psychologists, legalists, jurists. I just half remember some Spanish story—was it in Don

 
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Quixote?—that involved the same problem.""Then you don't think Carpenter sent this note to you from any sneering or necessarily ugly motive?""No: why should he? he had a dare-devil streak in him, I'm informed, but I can't see it in this incident. Anyway, what ever his intention may have been, I take the story for what it seems to mean. There need be no dirt in it if we don't put it there. The letter turned up today: I at once thought of you—its natural custodian. Now you may do as you wish with it."

 
Sunday, February 10, 1889

     5.45 P.M. W. sitting by the middle window. "I've been looking at the sky," he said. Cold yellow and gold northwest. The sun was gone. This was only the afterglow. He was easy and cordial. Ready to talk. No visitors today. Big fire in the city. I described it to him. He asked many questions. Hunter was up at the house. Left word with my father for me to say to W. his feet were too bad for him to try to get to Mickle street. W. said: "I should have been glad to see him: he's always a tonic." Hunter is doing German translations. Consults with my father concerning these. "That is just like him," W. said: "that stamps the man: I knew he did it. Hunter is very literary but always literarily honest, straight-forward: he comes over to see your father when he has doubts: the ordinary show of knowledge, then let the thing go. Hunter is too honest: has too much conscience for that: he must have the truth." He continued: "The trouble is that writers are too literary—too damned literary. There has grown up—Swinburne I think an apostle of it—the doctrine (you have heard of it? it is dinned everywhere), art for art's sake: think of it—art for art's sake. Let a man really accept that—let that really be his ruling thought—and he is lost." I suggested: "If we say politics for politics' sake they get mad." W.: "So they do: that is very good: it's true: politics for politics' sake, church for church's sake, talk for talk's sake, government for government's sake: state it any way you choose it becomes offensive: it's all out of the same pit. Instead of regarding literature as only a weapon, an instrument, in the service of something larger than itself, it looks upon itself as an end—as a fact to be finally worshipped, adored. To me that's all a horrible blasphemy—a bad-smelling apostasy."

 
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     Nothing new from O'Connor. "I looked in the mail for a letter from him: there was none—no word at all: things are ominously quiet: I have great hope that he will linger on for some time, perhaps as he is now." Here W. paused. Then: "But that's poor wishing indeed: it seems cruel to make such a wish: I have had enough experience in the hospitals to know what it means to linger on, in helpless pain, through agonies of body and spirit, sometimes with even the consciousness of the man departed. Poor William—poor me: I want him to live, I want him to die: "I can't think of being left in the world without him." I asked: "How could you be, Walt?""That's so: how could I be? But the body is stubborn: it craves bodily presences: it has its own peculiar tenacities—we might say aspirations as well as desires." Then he spoke of his own condition. "I may say through you to anybody who wishes to know about me that I am still resolute, cheery, though badly whacked: I'm like a tree with the chief limbs gone: I may be even getting worse: we have to get something: I don't see how I'm getting better: so I must be worse: still, I'm not worrying about that. My life from my bed to my chair, from my chair to my bed again, is tedious, but endurable." I said: "Your troubles are local—physical: you are all right every other way." But he shook his head. "I don't know: it is true I feel pretty comfortable: am having a spell of good weather now: but I'm like the remains of myself physically—no more." But he admitted: "I can write, read, work: I find I can laugh, cry, be myself, still, in most ways: I suppose I shouldn't kick because I can't climb mountains."

     I spoke of Clifford. "He didn't see anything strained in that Critic review." W. said: "No: nor do I: Clifford is right. I don't think Doctor has done half justice to that piece: it deserves a great deal more—oh! a great deal more—than he has been willing to give it: I myself think it among the best things recently said in our favor." Then as he poked away at the fire: "The Doctor runs off that way at times: I can't explain it." Sarrazin was mentioned. W. said: "Of course that's a heavier gun: I know the Critic stuff is light weight brought up against anything so formidable, inclusive, as Sarrazin's study." I asked W. how he liked having S. consider him as a Yankee. He took that good-naturedly. "I have not the slightest objection in the world: as he uses the word I am willing to accept it: Kennedy shied over it: I haven't yet written Sloane to say I am unperturbed

 
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but shall do so.""To Europe we are all Yankees," I said. W.: "Yes: that tells the tale: just as we are all Christians in a Christian country—though the Christianity of you and me, Horace, wouldn't make anybody rich, eh?" Amused.

     I described a flight of crows I had seen an hour before on the river—"a perfect line of at least eighteen," I said: W. putting in, "like a file of soldiers, I suppose?" I spoke of how as the birds got farther away south they swung and swayed at last like one bird and disappeared. W. said: "I never knew crows to fly like that: I have seen them in groups, clusters, but not in lines: but the gulls and hawks often form so." I went into more detail. Then he said: "They undoubtedly were crows: it was, must have been, a fine spectacle." I asked him about the gulls. "They are the most wonderful of all the birds on the river," I said. He said: "So they are, the gull makes its big stroke—then it is still: floats, floats, across long sweeps of space, without any apparent motion: it is indeed a great sight. The crow never flies that way: he flaps his wings incessantly: is nervous, without inertia." Then he said: "You make me mad for outdoors when you bring in such reports: yet I can't go out: so your reports are the next best thing: they bring outdoors in here a bit: it's only a borrowed satisfaction: yet it helps some."

     I said: "I dropped in at the Academy today." He was all attention at once. "And saw the picture?""Yes.""And what of it?" I didn't say much of it. "Mrs. Burleigh came up while I stood there.""What did she say?""She said it failed to give you personality: that made it you only usual: that you are not a usual man." He reflected: "That's interesting—maybe significant: I don't know. But the main thing is, how did it hit you?" I said: "I don't see that that's the main thing—but I don't mind saying it didn't hit me.""Do you mean hit you for good?""No: I mean that it left me indifferent." Then he asked me: "Might you not get more out of it if you studied it longer?" I could not deny that. He then asked: "What is the cardinal fault? there must be one: otherwise you would not have been left indifferent: could you put it into a word?" The picture is at the head of the stairs. People who passed it as I stood round asked each other: "Who is that old man?" W. finally said: "I see that you don't want to be quizzed: that's more significant to me than if you said something."

     In the meantime it had grown quite dark. With my help W. closed

 
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the blinds, shoved the chairs about into position and lighted the gas. "What do you think of this?" he asked, handing me a big portrait endorsed "John Addington Symonds 1889—to Walt Whitman." He said: "Don't you think our fellows will have to look to their laurels when we get such work as this from abroad—from Switzerland? Look at that: look at the Bucke picture, too: we can't beat it: we have bragged some and there was some reason for it: but here these other people come along with a challenge. It only goes to show how things go round the earth—talents, trades, everything: how what one has another gets: we are getting so close together the world over no one can have any secrets from the rest." W. saw "an Emersonian something or other" in the brow and eyes of Symonds. Then he asked me: "Do you remember Gilder—Watson Gilder? Well—this is in Gilder's style—Symonds and Gilder have some look in common." But he added: "Symonds is the profounder, subtler man by far.""Taking Symonds' knowledge of Greek literature, life, and what he knows of the Italians four or five centuries ago, I don't think his equal can be found in modern criticism—never has been, in fact, so far." I asked W.: "Do you regard Symonds as a thick and thin friend of Leaves of Grass.""Yes I do: and that makes it all the more remarkable that his reply to Swinburne—you knew he had replied to Swinburne?—was such a milk and water affair: I never knew him to do anything so shallow." Then he handed me an envelope: "The picture came with this note: take this with you: then you will see how he stands: he is off in Switzerland somewhere, writing, it appears: but the letter will tell you." I asked: "Didn't Roden Noel also score Swinburne?" W.: "Yes: but they wouldn't print it." But I had seen it in one of the English quarterlies at Harned's. "Oh yes: I do remember now, I think: someone did print it."

     Discussed photographs again. I remarked, picking up the Symonds: "A portrait painter having only technical proficiency, lacking spiritual insight, is beaten out completely by a photograph like this." W. said: "I endorse that: endorse it to the echo: taking the run of paintings: leaving out the very worst, not considering them at all: I think forty out of every fifty would be entitled to be set aside for a picture such as this. I say so knowing that photograph involves a mechanism—is, as some might say it, without soul, spirit: think how much chemicals have to do with it all!" He took up the

 
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picture: pointed to it here and there: "See these lines—how faithful they are, how undoubtedly true! perhaps a little too chemically definitive now and then: so full, so adequate, yet so damned simple, too." He added: "The photograph has this advantage: it lets nature have its way: the botheration with the painters is that they don't want to let nature have its way: they want to make nature let them have their way." He suggested that I take the Symonds and Bucke pictures along "and show them to people, so it may be seen that we have in America here rivals for photographic honors." I said Bucke was a good subject for a painter. W. thought so too. "I wonder that he was not nabbed long ago." Then as he slowly wrapped the pictures together: "I see the Emerson look in Symonds." I suggested: "And yet it's not the look of prophecy, is it?""No: the Emerson in Symonds is not the seer Emerson but the scholar Emerson—not the Emerson that foresees but the Emerson that sees." Then he asked me: "Did you read the Symonds letter? He says some real things: he's on our side: perhaps not hotly, drastically, vehemently with us, but inclined our way with a few reservations." I said: "I'll read the letter now while I'm here." Sat down.

Am Hof,

Dasos Platz,

Jan. 29, 1889. Switzerland.


Dear Mr. Whitman:

     I have to thank you for many mementoes in the shape of newspapers. One which lately reached me, of Dec. 28, 1888, contains the welcome news that you are recovering from your last severe and tedious attack of illness.

     Your November Boughs has been my companion during the last week. I have read it with the deepest interest, finding the autobiographical passages regarding your early life and the development of your great scheme particularly valuable. Rejoicing also in the delightful vigour of your critical notes.

     Now I am eager to get the nine hundred page volume of your Complete Works, and do not know where it is published. I shall try to obtain it through my London bookseller.

     I have long wished to write about your views regarding the literature of the future. Each time I have attempted to do so, I have

 
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quailed before my own inadequacy to grapple with the theme. But I have in preparation a collection of essays on speculative and critical problems, one of which will be called Democratic Art and will be based upon your Democratic Vistas and Leaves of Grass. This I have been working at during the last month; and however imperfect it may be, I have contrived to state in it a portion of what I think the world owes to you both for your suggestions and for the illustrations you have given in your poems—not only by asserting the necessity of a new literature adequate to the people and pregnant with the modern scientific spirit, but also by projecting and to a large extent realizing that literature in your own work.

     Meanwhile I am able to echo the words of your friend Dr. Bucke in his "impromptu criticism," and to congratulate you now in the autumn of your life upon the achievement of a monument "more enduring than brass or marble."

     Believe me, dear master, to be, though a silent and uncommunicative friend, your true respectful and loving disciple


John Addington Symonds.

     I said: "There's 'master' again, Walt: does it sound any better to you there than in Rolleston's letter?" He said "no" at once. "It does not sound good to me anywhere: I appreciate the reasons why but I can't condone them. I have an idea that if we sat here together and they called me 'master' I'd feel like a fool." I said: "Suppose I called you master, or Bucke came and did it, or Tom, or O'Connor, how would you take it?" He broke loose vehemently: "I couldn't conceive of such a thing: I guess I'd send you home till you learned better manners: maybe I'd give you hell right then and there!" But he said: "We have to consider where they are, where we are: what is back of them, what is back of us: how innocent the thing might be in them, how guilty it would be in us: all that: not that I want to make light of it even in them—even in them it's a term, has connotations, I hate." I asked W.: "How about that monument?" He smiled: "I have my doubts about monuments: I'm afraid Symonds is anticipating or thinking about somebody else." W. summed up: "The fact remains that this letter on the whole places Symonds radically with us—places us radically with him: we are of one

 
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substance: he is not a flamboyant spouter: yet he leaves us in no doubt as to his essential loyalty. Symonds is a man whose range of production is extraordinary: he is a critic scholar of the first international all-time rank."

     On my way to Philadelphia this forenoon early I left a little note for W. suggesting that he should "dedicate" my book. Also that he should answer Dave's question about copies for review. He had acquiesced. "Here is the book, just as you wished it: it's your conquest as well as mine: as I have said, I should always consider it our common book."

     As to Dave's question: "I have no plans, no prejudices, in that matter: I want to do mainly what you fellows agree should be done: I have no plans to give out—no plans not to give out: no plans of any kind. Perhaps a copy for the Herald—for James Gordon Bennett: perhaps a copy for the Century, for Gilder." Did he feel to extend that free list? "No indeed: that is not in the program: a few of them only. You know that is one way to pay debts—to recognize kindnesses, acts of goodwill: give people your handiwork: as everybody seems to agree that we have a handsome book, we would not be ashamed to send it out among our friends." Would he send a copy to Howells? "Why not? Howells has not done so bad: I think we ought to be very much interested in what he did have there in Harper's—that he was willing to go even that far: it was certainly a great advance to take that step: rather than complaining that it is not more we ought to be glad it is not less." He thought it "very significant" that Dave found "no fault with the book." He laughed. "No doubt Dave thought we blundered into the good result: nevertheless, we got there: he could approve of the result." Salter is to go with me to see W. Tuesday at four. W. approved. He said: "I'm willing you should tote anybody here you've a mind to: I know you will not overdo it: we must always remember as I used to say to Tom when he threatened to overdose me with champagne: 'Remember I only hold a pint.' Nothing would better please me than to entertain my friends: it would relieve me: I am house-fast: but nothing exhausts me more: except for you, Tom, one or two others, a stranger occasionally, I have to keep myself in executive session—sit with closed doors."

 
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Monday, February 11, 1889

     7.20 P.M. W. reading an old copy of the Atlantic. Sat in his usual place under the light. Fire lively. Odor of wood in the room. "I am a prisoner," he said, smilingly, "but you are not my jailer." Then after a pause: "Indeed, far from that: you are in fact my deliverer." He said right off: "I've got a couple of old soldiers for you: I put them aside: here they are. In William's letter you will find premonitory allusions to the trouble that is killing him today." He handed me what proved to be two notes pinned (without envelopes) together—one from O'Connor and one from Burroughs. He settled in his chair and said: "Would you mind reading them to me?" Of course I didn't mind, so I unpinned the sheets and got to work. He interrupted me every now and then with some exclamation or remark.


Washington, D. C.,

Dec. 10, 1886.


Dear Walt:

     It has been a great trouble to me not to be able to write to you. The difficulty of managing pen and ink is indescribable, and only equalled by the difficulty of putting even the simplest expressions together. I begin to fear that paralysis is not far off. [W. broke in: "Oh, William, William! it wasn't, it wasn't! God help us!"] I move about with slowness and difficulty. But worst of all is the horrible deadness of the mind. I put in an appearance every day at the office, but it is a long time since I have been able to do anything.

     I got two postal cards from you in August, and recently yours of the 19th ultimo. It saddens me to know of your condition, and I wish it could be otherwise. ["Oh William! and it saddens me today to know of your condition and I wish it could be otherwise!"]

     You mention having got a German paper (in August) with a long notice of L. of G. Did you see a pamphlet by Karl Knortz—a lecture about you delivered in New York to a large audience, I heard with great applause? He sent me a copy, and I undertook to get it translated, but the young lady I trust hung fire when just near the close, and I have not got the translation quite yet! I hope to have

 
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it before long. A German friend who glanced over the article, told me the language was very powerful.

     You remember the article from the Nation in review of the New Zealand professor's book about you? Since then Charley Eldridge has sent me the book, which I will forward to you, if you would like to see it. It is remarkable and good, though I don't always see as he does, and wish he were more comprehensive. But it is most significant, and he is flat-footed for you, and from a background of theory which compels respect, and must make the Apaches of criticism pause to think.

     What is most significant, however, is the article called American Poets in the October number of the British Quarterly Review. C.W.E. has just sent it to me, and I want to run it over once more, when I will send it to you. It is disfigured by a few lines, but as a whole it is a glorious tribute, and full of splendid and wholehearted ardor. He reviews all our poets—Lowell, Whittier, Bryant, Longfellow, etc.,—and then puts you far above them all ["Above them all? does he say that?"] giving you the larger part of the reviewing space besides. ["Sometimes it looks as if we should be more successful than we are."] Now when you reflect that the London Quarterly is the great High Tory and aristocratic organ in Great Britain—the very essence of patrician respectability—you will realise where we are ["Well—where are we?"], and the advance we have made! the article is a bad blow for the enemy! This is evident by the silence of the Tribune, the Nation, &c., in regard to it. They are mum! ["They were mum then but God knows they've said enough since!"]

     I have your article on Burns and am going to read it carefully when I am a little better. The scan I have given it, made me feel that it was admirable. I look with interest for all the others.

     If you are writing again to Dr. Bucke tell him how badly off I am, and that I will answer his letters as soon as I can. At present my brain is just mud—I have a heap of letters unanswered. ["I know what that muddy, marshy, sticky, gummy, tarry feeling is myself: didn't I go through hell with it last year?"]

     No matter what the venal press may say, there is no doubt that Julian Hawthorne told the truth about his interview with Lowell, and that Lowell lied. ["Lied? William? that's a fighting word!"

 
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laughing.] Julian got him into an awful scrape, no doubt, by the publication. 'Tis joy to see a bird like Lowell come to grief with his foreign friends, to whom he toadied so basely. ["He did toady, Horace: there seems to be no mistake about that: but that goes along with being very literary, very scholarly: toadying: whether to traditions or people—what's the difference?"]

     I hope to write you a better letter next time ["No one ever writes me as good letters!"], and that your locomotion and general health may improve. I am always deeply glad to hear from you. ["And I to hear from you, William! Yet see how cruelly separated and inadequate we both are today!"]


Affectionately,


W.D. O'Connor.

     As I paused between the two letters W. said: "If that is William at his worst what is he at his best? He's like the Mississippi pilot: if William can do such wonders asleep what couldn't he do awake?" He laughed in a gentle way. Then he added gravely: "But the fact remains that there we find the first intimations of William's deathstroke." I picked up Burroughs' letter and read.


West Park, N. Y.,

Dec. 21, 1886.


Dear Walt:

     I received your card yesterday and also the English paper. This morning Doctor Bucke sends me William's letter. It makes me groan in spirit to think of William's condition. ["Yes! and now he's near the end!"] But he evidently exaggerates it somewhat, for this letter shows streaks of the old fire. ["It certainly does that: but then William will die aflame not frozen."] 'Tis a pity he sits down and lets this thing creep over him. He could do much to fight it off or keep it at bay, if he would make the effort you have made, or if he would take a sea voyage. I think I must go to W. this winter and see him. I have some notion of going south to get a glimpse of the tropics. ["John is not all wrong about that: William is not of the despondent but of the hypochondriac turn: he hasn't made the fight just as I have: John is correct in that: but we are temperamentally so different: the natural thing for me is not the natural thing for him: I do have great faith in what a man's will can do for a man: but this

 
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is no time for going back to all that: what is done can't be undone." I said: "Nor can what is undone be done!" W. said: "That's too sorrowfully true. Poor William! poor all of us!" I said again: "Rich all of us, too! Rich William! rich Walt!"]

     I like your Lippincott paper; it is very dignified and impressive, and contains many very effective sentences. [W. exclaimed: "I hate effective sentences, brilliants, such like baubles! Yet—God bless John! I know what he means."] I am so glad you are writing again. My own health is pretty good. I think I have been much benefited the past fall by drinking vichy water. It has reduced my weight about ten per cent. My belly has gone away as if I had been confined. It might be good for you. It is good for those who make too much blood and fat. It reduces and thins the blood, and, with me, it corrects the too much uric acid. I am eating but two meals a day, the last at two-thirty p.m. I sleep much better for it.

     The Quarterly Review article to which O'Connor refers I have read. It is very fine. Many strong and penetrating things are said about you. I should like to know who wrote it. It is in the same number that poor Gosse gets such a terrible cutting up. The New Zealander's book I had not heard of. ["It's queer about Gosse: William never mentions him but to say 'poor Gosse': and I find myself always thinking of 'poor Gosse': and here John says 'poor Gosse.' A man as poor as that must be in a mighty bad way!"]

     Your book will doubtless have a checkered career in the future as it has had in the past, but I have no more doubt that it is one of the few immortal books than I have of my own existence. The world can never long pass it by. If it suffers centuries of eclipse and neglect it is bound to come up again. ["Don't you think you are very brazen, John, to go so far? to claim so much? Be bold, be bold, be not too damned bold, John!"]

     Study into the causes of your bad spells and I believe you may master them or mitigate them. The bowels are the seat of the difficulty with you, I believe. Doctor Bucke says he is well and lecturing on insanity to medical students. I enclose O'C.'s letter. With much love


John Burroughs.

     I asked W.: "Was it Frederick the Great who said: 'Keep your bowels open and keep your powder dry'?" W. laughed. "I don't

 
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know: it's just as good if he didn't say it." Then he added: "John was then, is now, about right in saying the bowels are the seat of the difficulty, but he was, he is wrong, if he says the bowels are the origin of the difficulty. There's something back of all that in my history, physiology, accounting for the hole I've got myself into. I have lived along pretty conservative lines now for years, but in spite of that I'm slowly slipping to the foot of the hill: it seems as though nothing would stay, however some things might or do delay, my descent."

     I returned W. the pictures. Then he talked of Symonds again. "That photograph is the very top, culmination, crest of the art: it is the crowning product of the camera: I have never seen anything to equal it." He held the picture up before him. "What does this face most suggest?" He answered his own question: "Symonds is no joker: no notion of the jolly dog could be suggested by anything in his physiognomy: to me he expresses the scholastic—the profound, the fervent, not the ephemeral, scholastic: he is a bookish man—lives with books, in books—yet I don't know but that he goes for the meat, the philosophy, the principle, in literature, regarding these, with lesser factors, as of prime importance: but bookish he is: it's in every line of his face as well as in every line that he writes." Yet he had every reason for believing that Symonds "is of that higher type of the man of culture to whom literarishness is not an obstruction to life."

     Naturally turned to O'Connor. "I am greatly disappointed," he said: "I have been looking for some word all day: waiting, remembering, hoping. I wrote today: I write every day—something: but Nellie is silent. It has been four or five days since I have heard: by and by something will come: I am praying that it may be favorable—a break in the clouds—though I suppose really ameliorating news is not to be expected." He said: "Nellie must be having a bad time of it: they live alone: she has nobody to help her. William is not entirely stranded: he has a position—a good one, I imagine: I don't know what his salary is—not less than two hundred dollars a month: they continue to pay him that: they are very decent in that sort of thing in Washington." He wound up saying: "After all, there's nothing makes up for the body: when the body gives out a man's about ready to pass in his checks: whatever's to happen hereafter,

 
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a man minus a body is of no use here." Then again: "That's why the art preservative of all the arts of living is the conservation of the body."

     W. said: "I got nothing from Bucke today: did you?" But he had had letters: "One was from my German friend, Knortz—Karl Knortz: he says the book is out—that he has not yet had or seen a copy but has come across advertisements of it in the German newspapers." I asked W. what Knortz was: had he a profession? "I hardly know what you would call his occupation: I think he makes his living by hacking for the newspapers—writing, doing odds and ends: seeing good stories—making the most of them: all that. He started out with being a Presbyterian preacher: when he came from Germany had a church—I think here in South Jersey. By and by he gave that up—he saw it would not do: that he was not built for it: then he went to jobbing it on the newspapers. He is a cute wide-awake man. You have never met him? I think Doctor has seen him, talked with him—I don't know but liked him very well."

     Talked of young Emperor William. "I find I can't think of him patiently: he rubs my fur the wrong way: I had great hopes of his father: they may have been based on nothing, but I had them: but this boy only excites my distrust. I never cease wondering how a people so enlightened as the Germans can tolerate the king, emperor, business anyway. The Hohenzollerns are a diseased mess, taking them all in all: there seems to be a corrupt physical strain in the family: what does it come from? can it be syphilis?" He was silent for awhile. Resumed: "I am aware that that is often said of Frederick: it is the pet theory of doctors—their staple explanation: but the question is, is it true? how much of it can be true? I am not easily convinced in such matters: I call for absolute testimony—and that no one outside has got in this case. Doctors put all the iniquities of courts, palaces, high society, down at this one door—but do they belong there? I listen to the stories—yet am not convinced: I am not willing to contradict them or ready to acquiesce. Victoria, in England, comes in for the same muck. I know Englishmen—young, radical, republican Englishmen—(the great point being that they are very cute, intelligent, cultured, noble)—who can never allude to the Queen but with foul epithets: the Queen, who, if I accepted the estimate of these boys, I would have to set down as a low, dirty,

 
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sneaking, stingy drab—a sluttish drab!" But his idea of it all was wholly contrary. "Even Mrs. Gilchrist, splendid as she always was—fair, discriminating—could never speak of the Queen but with contempt—the heartiest disdain." I asked: "Weren't these scornful negations rather for the queen than for the woman?" He did not answer directly. I waited. Finally he said: "You may be right but they didn't sound as impersonal as that: as negations of the queen I would have assented to them." Had Bucke ever said anything on the subject of Frederick?—anything pathological? "I hardly think so: not to me: I have no doubt he has opinions: Bucke is slow to commit himself on professional problems. It's easy to put on an air of mystery before cases you don't understand and say 'syphilis' in a hushed voice and impress listeners with the idea that you're a big gun: but causes, effects, what was before, what comes after, heredity, such elements, are not to be so readily put together, taken apart, brushed aside in a generalization."

     W. spoke of the complete W.W. "It is valuable if at all not for extraneous qualities but for something interior: something personal, having to do with me, with my past, with what is to come—if that is worth while. I would hardly expect Dave to compass that: it goes rather with the psychological, even the metaphysical, than with book-selling: we must not demand too much of people: if we demand enough—that's sufficient!"

 
Tuesday, February 12, 1889

     4.35 P.M. Met Salter at the ferry. To W.'s as we had arranged. I went up and told W. Salter was there. W. said: "I'll see him for a few minutes." Near his dinner time. W. hospitably at ease. Salter took off his overcoat. Found a chair. I sat on the sofa. W. asked S. a few questions about his work. Then, turning to me: "Who has been writing about us in the Chicago News?" addressing Salter, too: "Do you know? Last Saturday's paper contained a long story." S. said he didn't know the literary man on the News. W.: "No? it's by some person—some outsider, so to speak: it is not by anyone familiar with our propositions." Salter asked W. about his health. W. said: "I am pretty thoroughly whacked up." S. asked: "How is your head?" W. replied: "Considering the condition of the rest of my body the immunity enjoyed by my topknot is marvellous—even surprises me."

 
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But he said: "You must not think I am wholly exempt mentally: any long stretch of reading, writing, talking, exhausts me."

     Salter and W. got talking of the West. S. asked W. if he had been in Chicago. W.: "I only passed through it—not to stay: Chicago, then down to Cincinnati: I have been to St. Louis—lived there for some time": spoke of his "favorable impression" of Missouri. "I think I must have struck it at a happy time, under favorable circumstances: went in across the center—then north. It is a great State—a great State: sometimes I think the greatest (if there is a greatest)." Then after a laugh: "You see I am a brevet Missourian: I reckon I'm a Westerner in spirit." Had gone farther along to Denver: "I was very contented there: I can't say what it was that hit me: something in the air: Denver itself is not at all attractive: yet there's something magnetic in the come and go of the life there: I have always felt as if had I been detained there I should not have growled." Salter spoke of a German student who had gone off into that country and grown from a shriveled up sick man to an athlete. W. said: "Eakins did that: you know Eakins? the painter: he was sick, run down, out of sorts: he went right among the cowboys: herded: built up miraculously just in the same way." I asked W.: "Don't you suppose this episode helped to make Eakins the painter he is?""Undoubtedly: it must have done much towards giving him or confirming his theory of painting: he has a sort of cowboy bronco method: he could not have got that wholly or even mainly in the studios of Paris—he needed the converting, confirming, uncompromising touch of the plains." Salter was born in Iowa, where his father settled forty-three years ago. Still preaching there: orthodox. W. thought it "remarkable" to hear of anyone "born in Iowa forty years ago": adding: "That State was a wilderness forty years ago." Looked at Salter as if he was a curio. It amused us all.

     As we sat talking Mary came in with tray: W.'s dinner: panned oysters, toast, coffee. We at once got ready to go. S. offered some excuse. W. said: "It is one of the admonitions of my Doctor not to see people—not to talk: but then I am a disobedient subject: I only regard professional advice so far—not farther: I decide limits for myself after all." I asked W. to hand me the Symonds picture. Salter took it from me. "Yes," he said: "the author of The Greek Poets." W. nodded. "That's the man." Salter said: "He's an invalid." W.:

 
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"Say was, not is: he was sick: he has brushed that away: you can see by the picture that he has become quite rugged, ruddy, bronzed: he looks weather beaten, yet serene. He lives in Geneva: went there to Switzerland looking for health: he has means, fortune—can go where he pleases. I am sorry I have put his letter up to send to Doctor Bucke: you could have seen that: a letter I got Sunday: he has written me often: he beats the other scholars over there at their own trade."

     Salter picked up his coat and hat. We shook hands with W. We got near the door. W. said: "One minute." Reached to the table and got S. a copy of the Sarrazin sheet. "There," he said: "take that with you: make the worst or the best of it: that is the latest: I give it out to those who come here." And as S. folded it up to put into his pocket: "You are doing me more favor than yourself by accepting it." And then as we passed out: "Good-bye, both:" and to me personally: "I'll see you again, Horace." Showed S. the Eakins portrait downstairs. Then strolled about the streets some. S. questioned me concerning W.'s ideas. Seemed to be still as formerly dubious about W.W. on the whole. Yet said: "He was beautiful as he sat there, and his talking was very fine—the whole manner of it." Salter also said: "I wanted to hear more, yet was, as I told you, very much uncertain about going there at all. I seemed to have no excuse for a visit. You thought differently and I'm glad that you did, otherwise I shouldn't have had this treasurable experience. The brief call, the informal entrance, the exit as he said good-bye to us—oh! I shall never forget it. I acknowledge that meeting Whitman personally has determined me to look carefully into his work again."

     7.15 P.M. Stopped in to see W. again. Had he anything from Bucke? "No word at all: let me see: this is Tuesday and he said next Monday. Well, he has so often set his Mondays I am skeptical." Had he received Bucke's abstract of the Sarrazin? "Yes: didn't I tell you? I meant to." Was it more elaborate than Kennedy's?" "It adds nothing to Kennedy." He asked me to tell him about Salter. "I enjoyed our Western talk." I said: "He is still having trouble with your mystification of virtue and vice." W. laughed. "Is that too hard a nut for him to crack?""Yes," I said: "but he can't get reconciled to you when you ask, what is this blurt about virtue and about vice?" I haven't heard Walt laugh for a long time so heartily as he did about

 
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that. "That would be a hard thing to make plain to any man who could not make it plain to himself." W. asked: "He's of the pro-ethical sort, didn't you say? They are in a net from which they are not easily disentangled: the Ethical people have more botheration getting under way than the Trinitarians: they've got rid of one mixup and adopted another: so far as dogmatism is concerned I can't see but good and bad may be as objectionable as heaven and hell."

     W. has something to say about the beauty of the Symonds picture every time he looks at it. Harry Wright in this evening. Stayed an hour. After he was gone W. said to Ed: "Why didn't you come in and take him away: he stayed too long: next time give him a pointer." Sent off a big mail—papers and letters. Salter told me of a Chicago library in which there was no copy of Leaves of Grass. Some one he knew had a tilt with the librarian over the matter. W. said: "We're tabooed in many places: this counts only one more place: I am never surprised whatever happens to the books good or bad." Just as I was about to leave he said: "The best word I have had today is from abroad—from Rolleston: a few lines, brief lines, very happy lines—very much the kind of letter I most enjoy and am most encouraged by receiving." He paused. "He has got the big book: I am gratified at that: Wicklow must be in an out-of-the-way country. I feared a little for the book: it's big, bulky, weighs considerable: but there it is. And Rolleston appears thoroughly to accept it: I was very much enlightened with what he said of it.""What did he say?""He said he liked the idea of having the books together in one cover: he said the volume seemed like a great land which you enter and find overflowing with riches—a land in which everybody has enough room: fine, grand vistas: vegetation, strata, everything laid out on a conclusive scale." I said: "What he says you have done sounds like you saying what you intend or would like to do." W. said he wrote to Bucke quoting R. He gave me R.'s letter to look over. After reading it I said: "It's not as forceful as your description of it." W. answered: "Perhaps I gave what it meant, not what it said." W. handed me a poem pamphlet. "Look at that," he said: "That's a sample of the things I get—must endure: read the letter: it explains." The poems were called Cherries from a Young Tree. W. said: "The letter is better than the poems." Then: "I never feel like making

 
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light of this sort of effusion: it means something to the fellow who does it." He said he got "all sorts of poems and proses from all sorts of people." He never knows "what to do with such fodder." Harned said: "You should use it for bumwad." W. retorted: "You're too severe, Tom: we have to look at these things from the standpoint of the other fellow, too." He asked me: "What right have I to say it's not poetry? Any number of people agree that what I write is not poetry."

     W. gave me what he called "another tidbit" for my "archeeves.""It belongs with the story: helps along its continuity: some day if you arrange your documents in order you'll have quite an explicit narrative: you'll be able to clean up many questions having to do with the history of Leaves of Grass." Then he added: "But as for that maybe nobody'll ever care what its history was." Giving me a letter from O'Connor induced him to say: "But oh! what wouldn't I give to be near enough to William now to see him occasionally." I said: "You do feel him?""I do: I do: every inch of me: all the time: yet I crave his bodily presence." The letter:


Washington, D.C.,

April 9, 1883.


Dear Walt:

     Here you are! Good, too! I managed to get down to the Congressional this morning, and copied the enclosed from the Areopagitica. I think it makes a capital epigraph.

     It will add force to the argument to print it as I have copied it, with the full title of the treatise appended, since "unlicensed printing" is the subject of our story. I think you will agree that the passage fits the case also in other ways, and I hope you will like it.

     Winter has a characteristic dirty squib in today's Tribune anent of Doctor Bucke's book. I hope the dose I have given him in the Introductory may be appreciated by him. Goodbye. Faithfully


W. D. O'Connor.

     [Enclosure] "As good almost kill a man as kill a good book; who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were in the eye. Many a man lives a burden to the earth, but a good book is the precious lifeblood of a master-spirit embalmed and treasured

 
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up on purpose, to a life beyond life. 'Tis true no age can restore a life, whereof perhaps there is no great loss; but revolutions of ages do not oft recover the loss of a rejected truth, for the want of which all nations fare the worse. We should be wary, therefore, what persecution we raise against the living labors of public men; how we spill that seasoned life of man preserved and stored up in books, since we see a kind of homicide may be thus committed, sometimes a martyrdom."

     W. exclaimed: "That should be carved over the door of every library, every publishing house, every public place whatsoever: children should be taught it: grown-up people should be forced to remember it: it is precious, sacred, everlasting: William was right: it fits our case, our struggles against adversity: few people know what we have had to go through to get even where we are today—which is none too far. Horace, read it again before you stick it in your pocket." I did so. He exclaimed "Amen! Amen!" when I was through.

 
Wednesday, February 13, 1889

     4 P.M. As I entered, World reporter passed me at the door. Ed said: "He was up but a minute." I went to W.'s room: found him poking the fire—complaining somewhat of the cold. Very raw out today—a strong wind, strangely, from the S.W.

     W.: "Sit down—sit down." Then: "How are you today?" I said something about the reporter. W.: "Yes—he was here—he came from my good friend, Julius Chambers, now on the World. The World folks are getting up a collection of opinions from various men—opinions on the question, what is the foremost problem or problems with which the forthcoming administration will have to deal? I was to give an opinion on that!""Did you do it?""Yes, in a way: I said I knew little about the problems ordinarily uppermost—the tariff, civil service—but that it seemed to me the great question for the new administration to tackle would be, how to bring the South back into the Union—bring it back sympathetically, emotionally, spiritually—not merely as a share-holder of political aggregates, but as a living, acting, coöperating factor: words to that end.""Did he take them down that way?""He listened—wrote—sat there: I said no more—had nothing to add: indeed, I am surprised I said that much:

 
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I didn't know I had anything to say." This Southern matter, he said, had always been near to his heart—"overtopped all others."

     He did not feel well today. "I have a bad cold—have had it for some time: a sort of headache—yet not hardly that: rather a severe cold in the head that sets my head in a whirl—so and so"—indicating with a gyrating motion of the hand.

     W. had no word from Bucke today. But I had heard. In a postal dated the 11th B. said: "It looks well for a start East next Monday, the 18th." W. laughed. "It tickles me to hear that: but the question is still, will he come? I will believe it when I see him here." He stopped short. Looked over towards me meaningly: "I have something to tell you: I have had a note from Washington, from Nellie O'Connor: it is not very satisfactory—not the note I had hoped for: it does not relieve me at all. There is no change in William: he remains just as he was." I suggested: "Perhaps no change for the worse means a change for the better." But he was dubious. "No—no: I'm afraid not: O'Connor is near gone: the clouds thicken: I try to think not but can't get away from the figures: I read more in Nellie's silences than in what she says." He was sorry "Nellie is so reticent." Said Bucke would "go to Washington as 'his' ambassador" and "report the real state of the case." He looked towards the fire and poked into it a little getting the logs into position. "I sit here doing things, reading, seeing the sky, dawdling along, always with my mind fixed on William."

     "Something new," W. said: "I received a letter from The Critic this morning—from Joe Gilder: he says they are to have a Lowell issue—that of the 22d: invites me to some criticisms, some elucidations." Well: was he going to comply? He laughed outright. "Give them? On Lowell? I rather guess not: no indeed: I never reply to such requests. I took the letter—enclosed it to Bucke: let him make out of it what he can.""Then you have no opinion of Lowell?" He said quickly: "Yes I have: a very decided opinion: but not for print.""What is it, anyhow?""My opinion is that I have no opinion! I recall a little matter that comes up with the end man of Christy's Minstrels: it seems to me very good—very fit, cute: a question is given him: what does he think of this or this? or, was this so? that so? and then the end man—oh! I have always thought it so funny, so deep, so like my own experiences often: the end man exclaims, so helplessly,

 
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so niggerly: 'I'll not answer it: I'll not refuse to answer it: I'll not give it up: I'll have nothing to do with it!'" W. most animated, gesticulatory. "Such words, only in the nigger lingo: he wouldn't touch the question: he wouldn't say no, nor yes, nor no-yes. That's how I feel about Lowell: I'll not touch him." He asked me: "Is it true that Lowell is to make some speech at the dedication of a statue to Marlowe?" Then, before I answered, said: "He is in great demand in all well-dressed literary circles: he turns up in all the moves on the board."

     A box of books—twenty-one copies—came over today. Oldach charged more than his estimate. I had to see him about it. First he said: "You men are quarrelsome." Later he said: "I guess I'm a fool." When I repeated this to W. he laughed heartily and said: "I guess I'm a fool, too: tell him I said so." I am to start numbering the books. But W. will confuse it. He'll give copies away on his own hook and destroy the count. I am only doing it for Dave's sake. W. said: "Let us please Dave wherever we can consistently with our own principles." McKay is now doing New York and Boston. Returns Friday. I instructed Oldach to send McKay twenty-four books. W. said: "That will make twenty-five Dave will owe us for. My God! we'll be lousy with money if this thing keeps on!" Returned W. the Cherry poems. He said: "The first piece is best: it's called The Answered Prayer: it contains some genuine stuff." He asked: "This E.T. Kirschbaum: who is he? He says he's a workingman." He has not read much today. "There's a little something the matter with my head," he exclaimed: "it's the first warning I've had since December: I'll have to watch myself." He has sent out no copies of the leather bound book yet. "There they are in the pile just as you left them the other day." W. gave me a letter from Richard Colles, Dublin. I asked: "Who is Richard Colles?" He hates to have anyone fire a fast question at him. So he said: "That's so: who is he?" I said: "You know who he is: who is he?" W. said: "Read what he says: then you'll know." I read.


Dublin, Feb. 12, 1888.


My dear Sir,

     Yours of 27 January, and Leaves of Grass, received. Please accept my sincere thanks for your kindness in sending me the book and for

 
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the gratification you have given me by writing in it as I requested. I beg to enclose P.O. order in your favor for One Pound—No. 2044.

     I hope that you did not consider my request for your photograph impertinent. My only intimation that you had had one recently taken was the published letter to you from Tennyson and therefore my allusion to it. It was a very deep disappointment to me that I failed so signally in my endeavor to prove to you how many in Ireland would gladly avail themselves of an opportunity to show their gratitude for such a gift as Leaves of Grass. But the reason is readily given. the chief men in connection with the University had contributed through Mr. H.H. Gilchrist, and such men as the Lord Chancellor and Sir E.C. Guinness resemble Gallio in that they care for none of these things. Professor Edward Dowden I have the honor of knowing for the past eighteen months—indeed, it is to my love of Leaves of Grass that I am indebted for my acquaintance with so lovable a man—and he is aware that I did my best—however—perhaps I soared too high—in addressing Barbarians. I had told Dowden of my not having received any reply to my cards or letters and my apprehension that you might be ill, and I have therefore all the greater pleasure in conveying (to him at least) your "best regards."

     The two volumes I mentioned as having been sold by me were purchased by the National Library for one pound.

     With every sincere wish that you may enjoy health, which is happiness, I am, dear sir, yours very gratefully,


Richard Colles.

     After I was through W. said: "Now you know who, what, Colles is." I said: "Walt, you often make light of my determination to preserve these records. I don't wonder. I don't expect you to know yourself. But it's my theory that the world will want to know all it can about you after you're dead and I'm going to do what I can to help it do so. That's all there is to my hoarding up these records—as you call it. I don't have any sycophantic regard for you. I don't worship the ground you tread on or kiss the hem of your garment or discover something oracular in everything you say. But I think I know how you are bound to be regarded in the future—not as a man above other men but as one of the spokesmen of a new movement of the spirit." When I stopped W. laughed approvingly: "Why, Horace,

 
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that was quite a speech: I like what you say: I am willing you should have your way: be sure you don't 'master' me—but I need not advise you on that score."

 
Thursday, February 14, 1889

     In and out W.'s all day till about four. Numbered such copies of the Complete book as he had there. About a hundred and seventy-five. Numbered them by letter in red ink. Worked in the lower front room. Took them from W.'s bedroom down. Then returned them to the box in his room where they now are. W. said: "It does me good to see you working round." he spoke of "not feeling in the pink of condition." Every time I entered with some books he would make some pleasant remark. "And how do you progress?""It must be a nuisance.""It's quite a job.""I wish I could help you.""Well—God be with you!" After I had brought back the last book he said: "I should like to: I am no longer physiologically so fixed that these ailments are matters of a day: I cannot shake them off: I have to let them wear themselves out—I can't drive them out." His head was "in a whirl.""Not precisely headachy but with a jellylike feeling." I saw him first at breakfast at 9:30. He then said: "I must not allow myself to know how I feel." W. tried to make up a copy of the big book. Got it half done. Then said to me: "I'll let you finish it." It was for Knortz. Book eighty-six. I expressed it. The copies so far gone out were unnumbered. W. laughed. "It's just as well: but don't say so to Dave: it might worry him." Had letters from Bucke and Kennedy. "Instead of writing to Kennedy I'll send him Bucke's letter: instead of writing to Bucke I'll send him Kennedy's letter: that'll kill about half a dozen birds with one stone." Read the morning papers.

     7:30 P.M. Gave W. express receipt for Knortz's book. He talked freely but said he was "feeling below par." I asked him: "What does Kennedy mean when he says, 'I wish the good J.A. Symonds had the courage of his opinion?'" W. answered: "I do not know what he refers to unless it be the Fortnightly piece, which was very flat indeed

 
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—very flat—a surprising performance for Symonds. Symonds' piece reminded me, reminds me, of Captain Cuttle—the queer Captain Cuttle." W. here laughed quietly. "The Captain would say in his own inimitable style: 'If the ship has gone down then she has gone down—if she has been wrecked then she has been wrecked—that's all there is about it.' That is Symonds as he shows up in the Fortnightly." Kennedy also said something in his note about "a contrast" between W.W. and Browning, whom he is now systematically reading. "I will put in a footnote." W. exclaimed: "May heaven forefend!" Then he said: "I have no doubt that is all a chimera, project from his own personality—his own inner consciousness. There is nothing to contrast." I protested: "He don't say 'compare' or 'parallel' but 'contrast.'" W. was stubborn. "Well—even for that! Have you ever read much of Browning? Some years ago I went all through the Ring and the Book and other poems—two or three thick volumes: they were very interesting." But he did not "feel free" to go into "the detail of" his "impressions." Finally: "In short, we do not seem to belong together any way you've a mind to put it: we are occupied in totally different spheres: even a contrast would be hopelessly inopportune."

     Kennedy's book was mentioned. Someone had said to W.: "It will be like a scrapheap." W. said: "That is extreme: I have seen it—seen parts of it I should rather say. I am willing to wait and see what comes out of it: I stake no high expectations upon its fate: certainly do not rate it as highly as Bucke does or even as highly as you do. My hope is, as the boys say, that it 'gets its roots in': you have heard that expression, eh? But whatever it proves to be it will do good: all these things do good—at least, I believe they do." But as to "enthusiasm?" No—he didn't feel it. "Sloane's book is yet a problem that I'm afraid will never be solved by me. If I lived a hundred years I do not suppose I would be as well pleased with anything else that could be said, that will be said, as I am with Doctor Bucke's book. I do not refer to its explanations, abstractions, explications, but to its general make-up—the book as it stands: enclosing, enfolding, as it does, O'Connor's two marvellous letters—all followed by, including, the Appendix. The whole arrangement satisfies me the more I dwell upon it." But wouldn't K.'s book have peculiar force as coming from the literary group? "You speak of the scholastic? do you

 
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think Kennedy scholastic? Probably he is: I had not taken it in from that angle: I admit that it's a pertinent suggestion." Then: "No doubt the literary, professional, fellows may take hold of us if we last, but I confess I shrink from it with horror. Sloane is semi, half and half, literary some, quite human too." I asked: "Did you come to no thoroughgoing conclusion when you examined the manuscript?""I can't say I did: it's a hodge-podgy book—begins nowhere, ends nowhere: yet I can see that it might prove to be tantalizingly spicy to the curiosity seeker."

     We spoke briefly of Specimen days—I of its "many snatches of thought, for any mood, as we turn over the pages." He considered it "interesting" to follow "non-methodical reading.""I can easily see that is one way—indeed, not only a good way, but who knows but the way?—as, for one to take a walk—allured by a tree, a bush, a stream, a mountain, a sky: just feely, when and as the spirit dictates, not as I put it, by malice prepense. My friends could never understand me, that I would start out so evidently without design for nowhere and stay long and long." Books so made "become a part of nature."

     W. sent quite a mail to P.O. with Ed—seven pieces, including letters, postals, packages. Ed returned in about ten minutes with a letter from Bucke, which W. read aloud as I sat there. Leave of absence not yet received—had telegraphed for it. Was all ready to come otherwise. I said: "I wrote Bucke just this morning about the Washington trip." Said W.: "Yes, and I have written him too about that—more than once, I think: I asked him if it would not facilitate matters if he went direct to Washington, then came here: but he writes no: speaks of it in this letter: says his leave will be but a short one, that he won't be here for many days, that he has other arrangements to follow out, but fully expects to make the trip to Washington, going from Philadelphia. These trips are very matter of fact now—a few hours: much shortened since that time I took them so often. Well, I have no doubt Doctor will be with us early next week, anyhow."

     He had given Ed a five-cent piece for matches on going out. "I don't know how much they are: get a box like that." Ed returned with two boxes which he got for four cents. W. gave him one box: "You use that—I will keep this. Mary has given me matches several

 
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times—I should return her a box. But I'll wait now till we buy a larger quantity." I interposed (to Ed): "Why didn't you get three for five?" W. laughed: "That's so Ed: why didn't you? you're not up to business!" It is one of his diversions now to watch the fire, poke it, do the few little things he can from his chair. Standing seems to grow more and more difficult for him. He laughed over "the trivial incident of the matches.""All my life here," he said, "is made up of pathetically little things: yet I don't know but all life is more or less like that—made dear or cheap to us in the proportion that we can accommodate ourselves to the kind of people we must meet, the kind of meals we must eat, the kind of clothes we must wear, the kind of pleasures we must have. We may make an adventure abroad occasionally, but for the main part the little motives become the big forces in existence."

     I told W. of Oldach's irascibility. W. said: "Well, if he is mainly right, if his tendency is in our direction, if he finally comes round, we can forget the rest—the little tempests: at least I should: should go about (if I could at all) treating these as matters of course to be expected, laughed over."

     After a silence of some minutes, both of us regarding the fire, W. said: "I have something new for you to do. I have been thinking of a pocket edition: something small, in leather: morocco, probably, with a flap: sort of diary style. Do you think Oldach does that work? I should print Leaves of Grass in full—including, at the end, A Backward Glance. The project is in a nebulous condition—not defined, not certain, not determined upon, yet seriously thought about." W. had even thought out its detail. "I shall have very narrow margins—shaved close: thin paper—not too thin—probably like this"—placing his hand on a copy of the Complete book which was on the edge of the table. "The edition would be small: probably two hundred and fifty: not more than three hundred: well printed." He advised me "to go and see an expert—consult with him: experts often put you in the way of your own—give shape to your own unformed desires." He asked: "Can we do the book? I'll need your assistance: if I can't calculate on you the book should not be started." I said: "You know well enough, Walt, that you can count on me for this or anything." Then he said: "You make me feel better—though

 
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I might have known it." He then said: "Before going ahead we must find what the penalty may be for going ahead. I must, of course, as usual, impose much of the routine going with the job on your shoulders." I am to see Oldach tomorrow. Also Dave if he has returned. W said: "we should not less the grass grow under our feet." When W. is sickest he always wants to hurry things. When he's well he wants to take his time.

     W. did some more house cleaning today. Among other things he turned up his draft of a Herald letter. He gave it to me to put away. "It's quite significantly valuable," he said: "it belongs rather with you than with me now." W. had written at the top of the sheet: "Sent to Mr. Chambers, Herald, March 7, 1884." After the note came a memorandum to this effect: "proposal accepted by letter from H. March 8." This is the note:

     Mr. Browning has just been here and says you wish something more specific, defined, in my relations and pay— If you want the little pieces continued, I would like to continue them for forty dollars a month, and will furnish you with say ten pieces a month—of the character and length as hitherto—this bargain to commence with the current month—


Walt Whitman.

     W. called this note "a curio." Told me he had thrown "a great mass of papers" away—"burned them up.""A heap of old receipts." Said he was "not afraid of being swindled." Adding: "If anybody can afford to swindle me." I said: "That's very Tolstoyan." He nodded: "Probably: but that won't hurt it any." I quoted: "The murder is to the murderer and comes back most to him." W.: "Yes: that's it. I may escape most things but I can't escape myself: what I am I am committed to: nothing else enslaves me—no outside bond." As to the Herald: "I do not fail to see that Julius Cambers tried to throw a life-rope my way: that the Herald, taken all in all, had no interest in me—the main functionaries: Julius was where he could do a little on his own account and did it: his personal disposition towards me was always friendly in the extreme. From the newspaper point of view my appearance in the paper could not have been better than merely formal." I said: "Bucke thinks you are never fooled." W. laughed: "That's where Doctor is fooled."

 
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Friday, February 15, 1889

     7.30 P.M. W. reading. His cold not much if any better, "though not actively disagreeable." Still, talked better: always does when I bring him welcome intelligence and many things for him to look over as I did tonight.

     McKay has returned. He sold twenty-seven copies. I found Oldach still delayed because of the leather. I had to promise McKay we'd send him over the twenty-four copies we had in Camden. W. highly gratified. I said: "That gives us back over a hundred dollars on our expenses." He thought for an instant. "No—you remember I only get two seventy-six out of each copy." But I said: "I did not speak of profit but of return." He nodded: "I see: you are right. We will welcome all that comes: but my satisfaction anyhow is not is not in selling the books, though I'm glad enough to sell them: not the least of my satisfactions is in having lasted to produce the book at all. After all the doubts, anxieties, horrible badnesses of the summer—after the threat, often and often, of being completely chopped off, completely—to have got the book out definitively in this shape would be victory enough if it stood alone: I still maintain myself. I think it is still more wonderful, when I face it frankly—cooped up, imprisoned, here, for nearly nine months now, surviving, as I have, beating off the storms, assaults, hacked away at right, left, everywhere—still more wonderful that even today, disabled as you see me, hardly able to stand on my pins (not able, in fact), I still remain comparatively comfortable—have not yet given over all hope. To me that is the wonder of wonders." He could not fully account for it: there was evidently "some factor missed by us in the inventory of my resources." What was it? "I think Doctor reckons for all of it: Doctor Bucke: he knows, sees: I have no doubt he saw in the summer when affairs were darkest." Here W. turned to me inquiringly: "But what is it? How can we explain it?" I said: "You are serene: you are almost prosaically poised: then you have faith." He assented, "Yes: perhaps it's the serenity most of all." He laughed over my phrase "prosaically poised."But there's a reason for that, he said: "I dare not be otherwise: if I let myself go I'd wear out my resources at once." Again: "I do not worry: I determine not to worry—let come what

 
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may come. Resignation, I may call it: peace in spite of fate." I broke in:"Peace at any price?" Laughed. "Almost that: what the religious people call resignation: the feeling that whatever comes is just the thing that ought to come—ought to be welcomed." But this element in him "is not explained" by his "occidental origins." His vision drew him into the past. "Somewhere, back, back thousands of years ago, in my fathers, mothers, there must have been an oriental strain, element, introduced—a dreamy languor, calm, content: the germ, seed of it, somehow—of this quality which now turns up in me, to my benefit, salvation." Had this anything to do with fatalism? The Mohammedan temperament? "No: it antedates all that: we find it in Hindustan, Palestine, all over the East: rich, suffused with the glow of peace: in nations of men: before what we call civilization."

     Through all this the book had come. "And now that it is done, out," his "joy" was not in the "sale of the book" but "in the consciousness that a long-cherished thought had found successful embodiment.""I am more gratified by such things as the few words from Rolleston than by anything else that could come of the book. I spoke to you of this last night"—he meant some nights ago. "That is my sufficient reward. After having put the books together as we have done—built them, welded them, with the notes, with the final touches—nothing more reassuring could have occurred than Rolleston's simple amen." W. was very gentle about this. Rather reflected than talked it out. "That is what I wanted the book to be: to stand for in some sense, to testify to, the multifariousness of the universe—to include, combine, celebrate, all: all: not the least jot missed: not the mouthpiece of classes, select cliques, parts, details—the choiceries of literature: no: but all, all: to utter the bad as well as the good—to participate in the common, the outcast, along with the high, the elect: to see care, oversight, everywhere: the divine working through it all: never an ending of intention: the purpose vital, evident, inveterate, to the end." Had he always done that? "I often ask myself." Rolleston had been a great comfort to him. "To go as if into a great land: does not that sound significant?" Not to "celebrate parlors, proprieties, traditions, dresseries," but "nature as she is.""I don't believe we'll ever get deeper than the saying attributed to Machiavelli, the Italian fellow, to some prince or other—some one: you have seen it? Machiavelli said: 'I shall chastise you by picturing

 
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you'—or something to that effect. How profound that is! I approach nature not to explain but to picture. Who can explain?" I asked W.: "Does that come anywhere near art for art's sake?" W.: "No—not unless I misunderstand it." I quoted John Morley's challenge to the priests. "That is the same thing," W. said: "probably he got it from Machiavelli." W. thought "most people" take up the theory "hesitatingly, doubtingly." He said: "I doubt if the masses, the body, of men and women, would understand it—accept it. The literary fellows, the scholastics, the bookish goody-goodies, will not have it—declaim against it: but nevertheless it stands, will stand—I see no escape from it."

     McKay had hit upon a couple of Whitman portraits in New York—one of them the Hollyer etching—another a large card, twenty-two by sixteen—a large photo—almost full figure in négligé: new to me: fine face, beyond words. I asked McKay: "Did they charge you much for it?" He answered: "I paid two dollars for it." Showed him the Hollyer portrait first. W. looked at it curiously again. "It is not bad, taken as a whole: it's not a likeness, to be sure, but a good piece of work, judged from the artist's standpoint, the etcher's: probably fine line work." After awhile, picking it up again, he said: "The worst thing about this is, that I look so damned flamboyant—as if I was hurling bolts at somebody—full of mad oaths—saying to hell with you!" The autograph below he looked at sharply: "I guess it's a copy from a genuine signature—done with a finer pen."

     Here I suddenly exposed the big picture—put it into his hands. He seemed literally astounded. "Hullo! Hullo! Hullo! Where did that come from—where was that unearthed from?—Me, as I live!" And he regarded it long, with intense interest. "How shaggy! looks like a returned Californian, out of the mines, or Coloradoan: perhaps with too much benignity for that—not just the expression usual with such men." And again, after a pause: "And just that benignity—it puzzles me: the whole figure very like: the clothes: how natural the clothes!—the pants, vest, coat, tie: but the benignity: how does that come?" I said: "It is there—it is you, too." But he shook his head: "No—that is a mistake: such benignity, such sweetness, such satisfiedness—it does not belong. I know it often appears—but that's the trick of the camera, the photographer." Had he any remembrance of

 
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the picture at all? "Not the slightest—not the suspicion of a memory. It is new to me—perfectly new—and authentic, beyond a doubt: every line signifies that." All so unstudied, I suggested. W. then: "Yes, and that's the charm of it. When it could have been taken—by whom—where—I cannot even guess." Before the War, did he suppose? "Certainly then—before the War: probably in Brooklyn." Did he remember the dress, the striped trousers, vest, heavy coat? "No more than if I had never seen them. I am sure I never saw a copy of the picture. I have often and often and often sat, and passed out, away—never been shown the results." He spoke of the apparent age of the face. "That must not deceive you—when did I not look old? At twenty-five or twenty-six they used already to remark it." Just then Ed came into the room with mail. W. asked: "What do you think of that, Ed?" So on, remarking its detail: "The realism of it is unmistakable: I accept all that beyond a doubt: but where did it come from? where? that is the mystery. There must be others in existence: where are they?" I said: "Perhaps not: at that time the same value was not put on your existence." He laughed. "That is so: I was just in my beginnings then—just coming out. How Doctor would like to have a copy of that!"—turning it over and over. "It has had rough usage, too, though it is not broken at any vital place." How would it do to have it photo-engraved? He caught at this idea instantly. "That's an idea—what do you think? Even this size, if may be!" I was to inquire: he was fully set upon it. Then he spoke again of its "authenticity.""Certainly I will sign it"—for McKay: then commented on the art: "even the creases of the pants are fine.""Oh! there is no doubt of it—it's your uncle, and it's Walt Whitman! but how the devil it turns up in this fashion at this late day—that beats me!"

     Dave told me today of a W. letter which sold in N.Y. for sixty dollars—a letter in which W. speaks of having set type on the first edition. First W. said he couldn't remember such a letter. Then he said: "I have the faintest, fadingest, dimmest, suspicion of such an inquiry and response: still, I can't be sure of it now: too much has come between for me to go far back into such minutiae." Spoke of "that first edition—the quarto.""They are very rare: I have only one copy—a single copy: not bound: I don't know where it is: I mean for you to have it when it reappears." I asked: "Are you dead sure

 
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it's here?" W. said: "As sure as that I am. The edition was one thousand: we got several hundred of them out in paper covers: I have one of them—the one destined for you. Years ago I made every effort to get some copies—secured high and low, but with no result. I think Doctor has one—scoured one after three or four years of persistent agitation everywhere in the bookstores." Here he paused. "But I must not be positive about that: it may have been another book. Some of them turned up in London—a few: I wish I had half a dozen: where can they have gone?" Destroyed? "No: I don't explain it that way: put by in various places, no doubt: books have their own way of disappearing without being visibly despatched." I said: "According to your letter to Emerson you sold all the first edition: according to your stories to me you sold practically none of them at all." He said: "How do you make that out?" I replied: "You told Emerson that they 'readily sold.' Do you say to me now that they 'readily sold?'""No—I do not.""Well, why did you say it then?""At that time I thought the books were selling: a lot of them were consigned, right and left: there were no sales: they came back: then booksellers bought some that buyers would not take off their hands."

     I laughed rather heartily. W. asked me why. I said: "I was wondering whether you were not bluffing Emerson.""You mean bragging? Well—maybe there was something of that sort in it." I said: "I can't forget, either, that in that same letter you call Emerson 'master.' Now you repudiate the word. What did you mean by it then?" He answered: "They were salad days: I had many undeveloped angles at that time: I don't imagine I was guiltless: someone had to speak for me: no one would: I spoke for myself." I said: "You didn't need to play Emerson: he was on your side without it." W. said in a fiery voice: "Who the hell talked about playing anybody?" I said: "You haven't made out a very good case for 'master' and 'readily sold.' I believe what you say because you say it but it hardly sounds plausible to me.""Do you mean to say I'm a liar?""No: I mean to say I'd like to know the real reason for 'readily sold' and 'master.'" He ended the quiz half petulantly, half jocularly: "Maybe if you look long enough in the right place you'll find what you're looking for." W. said of Sanborn: "He's in luck: he has two copies of the first edition: he has the advantage of me: they seem to bring almost any crazy price nowadays." I told him Dave

 
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had a copy of the second edition. W. said: "Oh! you mean the chunky fat book!"

     W. asked me: "Did I tell you I had sent a copy of the big book to Knortz?" Then: "Oh yes! to be sure: you took it to the express office yourself: he must have received it today." Had a copy yet gone to Burroughs? "No, but I mean him to have one. Do you think John is still in Poughkeepsie or has he gone home to West Park?" Should I write B.? "Yes, do so: tell him we have a copy for him which we will send the first chance that offers." W. shrugged his shoulders: "The truth is, Horace, I shy from that forty cents postage: it knocks the wind out of me." Why not express them? "That is so: we might do that: but with John I have waited for not knowing just where to address it. You write him: I'll then send it immediately." There were "several copies" to go to New York. "I think I would like to send a copy to Gilder—Watson Gilder. I don't believe Gilder goes crazy over me: I certainly know I don't go crazy over him: yet he should have a copy: he has every title to it: I honor, love him." Further: "One copy I should like to present to Julius Chambers, who has gone on the World: he has been very good to me." Had O'Connor's copy yet been sent? "No: and for the same reason as with John: the postage. I have been thinking that if Doctor took the trip to Washington he could put the book in his grip." I asked: "Couldn't you send the copies to New York the same way—by Tom? Tom seems to go over frequently." He responded: "Perhaps, but I've always had an idea Tom did not enjoy commissions of that sort—did not care to carry bundles, what not. Is it so?" I persisted: "He might like to call on those fellows." W.: "That might be: but I am still doubtful." Added: "There are still several more copies I should like to send to New York"—and after another pause: "One to Andrew Carnegie, I think." I may have looked dubious as to this. W. took it up. "He has been very kind to me—has helped me, tried to further me. I remember that once he wrote me almost a fulsome letter: full of warm words, thoughts." I must have still worn a doubtful aspect. "More than that, at the New York lecture, in 1887, he paid three hundred and fifty dollars for his seat—more than all the rest put together." I said: "But he has more money than all the rest put together, fifty or a hundred times over.""Damn your logical brain!" But he said: "It is significant that his help was unsolicited: he volunteered, nobody,

 
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so I understand it, said a word to him by way of appeal. There were many men present of very large incomes—of immense, princely, fortunes." I asked W.: "Why do you specify them? what do you care about them?""Does it sound suspicious for me to pick them out?""Yes—a little: I'd rather you didn't." W. said sharply: "You're quite a detective." I owned up to my suspicions of Carnegie. "I don't like the kinds of quarrels he has with workingmen.""Oh! that's the idea, is it?" W. persisted for C. Asked me: "Hasn't he got partners?""Yes.""Well—all those partners must have specified, particularized, defined duties: such that is done by one may not be known about by the others: no doubt Carnegie stands apart from, does not realize, most that goes on." And at any rate "Carnegie showed himself so warm, generous, lavish, towards me, I must recognize it, would recognize it in anyone, notwithstanding your workingmen." I said: "Walt, that sounds like treason: the knowledge of what he did for you is one thing—the consciousness of what he or his partners did with their workingmen is another thing. I don't think his generosity to you or any individual makes up for his greed as towards the people from whom he derives all his money.""There's your logical faculty buzzing again: you're unbearable when you get going on that tack." He stopped. I waited wondering if he wouldn't say more. "Though when you put it that way, Horace, I acknowledge that you shake me a little."

     Who else are to have books? "Probably Howells: no doubt James Gordon Bennett." I said: "Walt, you are one of Bennett's pensioners." He finished it: "One of his paupers? is that what you imply?" I had a letter from Bucke today fixing Monday for his start. He has his leave of absence. Read B.'s note to W. He said: "When we see Maurice face to face then we'll believe he's here."

     Discussed pocket edition. Oldach says yes—he does that and any other thing in the binding line. He asked me: "What does the old man think I am? a mere dilly-dallier?" W. laughed himself into tears when I repeated this. "He's certainly an entertaining character: I'd give a good deal if I could meet him myself." Brought W. a sample volume over. It had no tongue. W. said: "I prefer to have the tongue." He wanted a book that would "go into any reasonable pocket." Suddenly started poking about the floor with his cane.

 
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"What are you after?" I asked. "The Bible: my black book—the English Bible." We found it. He showed me the very narrow page margins. "The English are beyond us in that: our fellows always demand thick paper, wide margins—show. This is nice, if merely to look at: I often take it up with no other object."

     Showed him a copy of Harper's Bazaar. Among the pictures was a reproduction of Courtois' Motherhood. He took a great fancy to it. "You will leave this paper with me for a day? do: I should like to see more of that picture: absorb it." Turning a few pages further on he hit upon a picture, After the Opera, which was so unlike the other as to make him laugh. "Well: that strikes a key way down the board." But another picture, Packing Oranges at Seville, excited his approval. "That would hit Tom Eakins: Seville: Eakins' town—one of his towns—I believe." I asked: "Does Eakins wear well? Is he a good comrade?" W.: "He does: he is: he has seen a great deal; is not too ready to tell it: but is full, rich, when he is drawn upon: has a dry, quiet manner that is very impressive to me, knowing, as I do, its background." I asked: "Did you find him to lack the social gifts? he is accused of being uncouth, unchary, boorish.""Perhaps: I could hardly say: 'lacking social gifts' is vague: what are social gifts?" Then after further cogitation: "The parlor puts quite its own measure upon social gifts: I should say, Tom Eakins lacks them as, for instance, it would be said I lack them: not that they are forgotten, despised, but that they enter secondarily upon the affairs of my life. Eakins might put it this way: first there is this thing to do, then this other thing, then maybe his third thing, or this fourth: these done, got out of the way, now the social graces. You see, he does not dismiss them: he only gives them their place." He "remembered well" his first meeting with Eakins. "He came over with Talcott Williams: seemed careless, negligent, indifferent, quiet: you would not say retiring, but amounting to that." They left. Nothing was heard from them for two or three weeks. "Then Eakins turned up again—came alone: carried a black canvas under his arm: said he had understood I was willing he should paint me: he had come to start the job. I laughed: told him I was content to have him go ahead: so he set to: painted like fury. After that he came often—at intervals, for short sketches." I interrupted: "And that is the result"

 
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motioning downstairs. W. at once: "Yes: and that is the result." Eakins was "no usual man," but he did "not lack the graces of friendship." He had "no parlor gallantries" but "something vastly better." At first sight "he might be taken to be negative in quality, manner, intuition" but that surface impression "wears off after a few meetings."

     The old limp complete W.W. sent back by Oldach had been badly slashed at the bindery. W. had tied it up today with this curious memorandum pasted on the wrapper under the string:


Mr. Oldach, Bookbinder 1215 Filbert St.

Phila.

     Please put a plain strong binding on this Vol: will cost me ab't 50 or 60 cts—want something will last hard usage, especially a good durable back—No particular fancy or beauty expected. I leave it to you what style. The label for back-lettering will be found pinn'd enclosed in front of the Vol:


W.W. 328 Mickle Street


Camden

     W. said: "Will you take care of it for me? They played the devil with it over there. I want it made so I can rough-handle it without being afraid that it'll fall apart. I want to go through it making marginal notes of an autobiographic nature for you fellows to make use of if there's occasion for it in the future." I removed the box for McKay from the room so the expressmen could get it early in the morning without disturbing W. Only twenty would go in the box. I have to carry four. As I was leaving he picked up a newspaper. "I'll read a bit till I get tired: then I'll call Ed and turn in." Referred to the mysterious W.W. picture. "I've taken it today in great gulps: I'm full of it: but I'm still wholly in the dark concerning its origin: they say it's a wise slut that knows its own father: this is a search in which I am completely baffled." W. was livelier than for some days. Animated in matter and manner. Nothing from O'Connor to either of us. W. said: "I write often—even send papers: practically every day: Washington is as silent as a grave: alas! seems to be digging a grave for our William. I wish Nellie wrote us more frequently: yet I suppose she has nothing to say: we must not tax her even with our love: she has enough to endure."

 
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Saturday, February 16, 1889

     7.30 P.M. W. reading paper. Asked: "The weather outside is pretty bad, isn't it? Is it still raining?" as indeed it was. Rain all day. Could not take the picture with me to Philadelphia. W. said about himself: "I still have trouble with my head but it is no worse." I delivered McKay the twenty-four books. He expected to ship them today to New York and Boston. I rendered him two bills—one for four and the other for ninety-six dollars. W. said: "I like the idea that it has started off so: but now I haven't a book here for myself—not a copy." I looked towards the table: knew he had left a copy there. He divined me. "Yes, there was one, but I sent that up to Tom." Then suddenly: "Let me see: suppose we send a dozen of what are left with Oldach to Dave: that will leave me how many?""A dozen.""Well, that will do for the present. I want one copy by Wednesday for Doctor Bucke: you will see that I get it?" Personal item in Press about Burroughs. W. asked: "Where is he? in Poughkeepsie or at the farm?" Said I should write B. for him. "Tell him I still remain imprisoned, in health much as I have been: tell him I am reasonably comfortable—that I am always minded of him, John." Letters from Nellie O'Connor and Bucke. No change in William. "Doctor writes that he will positively start Monday and will be here Tuesday; says he will see me Tuesday afternoon or evening. Evidently he intends getting that meter thing under way before he comes over to Camden. He calls this a business trip." He said Bucke thought he might have trouble getting leave of absence. But W. thought that "nonsense.""The government there must respect a man of Doctor's quality—would not refuse him."

     W. asked me to follow up on Dave's idea about books for abroad. "I guess I'll have you get eight or ten sets of sheets folded—unbound." I asked: "What for?" W. seemed surprised. "Didn't you say he wished 'em?""No: I only said he supposed the copies sent abroad, if any, would have to be sent in sheets.""Oh! then we'll not push this." I said: "I wish some of the fellows over there could see your cover." W. wished so himself. "I don't think they would do better: yet I don't know: they are doing wonderful work: they have great binders: it would be hard to beat—even to equal—them." He got to searching the paper-piled table for something. "I had a slip here,"

 
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he explained, "from one of the Boston papers—an advertisement of some scrapbook for photographs: I intended that you should look it up for me." After his fruitless hunt: "Well it's gone: anyhow, you can keep on the qui vive for such a thing: I should like to find out more about it." He added: "I remember being told by somebody that anything that can be bought anywhere in the world can be bought in Philadelphia." Here he laughed. "That must be true: ergo, you will find my photograph book in one of the Chestnut Street stores if you don't forget to look for it."

     Harned came in. W. & T. greatly animated. W. immediately opened up. "Did you get the book, Tom?" T. enthusiastic. W. again: "Are you satisfied with it? Isn't that as good binding as you could have got for yourself?" T. had asked for a copy in sheets. "We were just talking of it as you came in—Horace and I: Horace said our cover should be seen abroad." Harned "liked the idea" of "putting the two books together" so as to get a powerful immediate result. W. said: "I like you to like that idea, Tom: for that idea is the idea." Continuing: "The thing that has tickled me more than any other is, that I sent a copy clear across the sea into the wilds of Ireland—clapped forty cents of postage on it (the only copy sent abroad except the Frenchman, Sarrazin's)—half dubious as to how it would carry: to a friend: you know him, Tom: Rolleston? I did not know how it would fare: but here a week ago comes an acknowledgement, not only saying that it arrived safely but that it arrived promptly, also.""You know I sent a copy to Sarrazin.""Before you had his piece?""No: after: Walt never heard of him before that." W. saying: "Nor did I: not even his name." Harned said S.'s essay was the best thing that had so far been done on W. Then W. said: "I believe it is." W. turned to me. "You observed what Kennedy dilated on in his note, didn't you? how he found a copy in the Boston Public Library where he works—I don't mean works—goes?" Then to Tom: "Yes—it's cut short as it appears in the magazine. You read the letter he wrote me: I showed it to you, didn't I? Something had to be abbreviated, dismembered, and like the true courteous Frenchman, he suggested that it should be his."

     W. is full of thought of one kind or another about the big book. "The only trouble with the big book is that you can't put it into your pocket, but then a fellow can't eat his cake and have it too:

 
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each thing in its place." I said: "It makes no difference about people's pockets: if you can get the big book into their hearts your victory will be sure." He said: "Yes! yes! we will pray for that." Picked up the tongs. Commenced playing with the fire. Talked as he worked. "But never mind: the pocket edition will come: I shall never be satisfied till I have had it—brought it out: not only a book that will go in the pocket but a book that is made for the pocket—one that will stand pocket wear and tear."

     Bucke says they will be here Tuesday, at eight in the morning. Will stay at Dooner's. Wants Harned and me to meet them at ten. I wrote yes. Tom now says he will have to be in court in Trenton that day till afternoon. W. said: "You must meet them, Tom: meet the Doctor Tuesday sometime."

     I said to Harned: "Tom, you haven't seen the wonderful new picture we have discovered." W. chiming in: "No, Tom, you haven't—and it is wonderful: it belongs to Dave: Dave ran afoul of it in a shop in New York—nipped it. It is a curio—certainly a curio: I should call it that." It was a "young man" picture. "I can take an interest in it which no other could—no living person: it is me, me, unformed, undeveloped—hits off phases not common in my photos." Harned spoke of W.'s "always mature look." W. said: "Yes, that was one me, even then: even at that day I had a full beard, almost like this now"—stroking his beard so—"and even then bits of grey in it." He was sure the picture "was from twenty-six to thirty." Yet he "had no clue" to its origin. "I have not thought of it today—but even if I had, nothing would have come of it: I am as certain as I sit here that the picture is as new to me as to you." I described the figure to Tom. W. explained: "I was very much slenderer then: weighed from one hundred and fifty-five to one hundred and sixty-five pounds: had kept that weight for about thirty years: then got heavier." Here he burst into a hearty laugh: "What bothers me worst of all, piques me, tantalizes me, is the expression of benignity"—more pointedly to Tom: "There is an undoubted expression of benignity in the face, which does not belong there"—and after my protestations, with another laugh: "Nevertheless I don't believe it is there—don't believe it ever was there." And he explained to Tom: "We intend getting it processed if we can—processed, I call it,"—and in a sort of counselling manner to me—"and this size if it

 
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is possible—if it does not cost too much: and, Horace, I want you to see Brown: talk strongly to him, talk to him like a Dutch uncle—have him give us the best thing possible."

     W. gave me back the Bazar. "I have enjoyed it thoroughly." Harned had Bryce's American Commonwealth under his arm. W. asked: "What's the book, Tom?" Tom told him and said: "You should read it, Walt." W. said: "I would like to." Harned talked of Bryce's purpose. W. said: "That is a great thing: can he do it? has he done it?" He also said: "I know it is praised up to the seventh heaven: but then I am not so sure myself of books that are so unanimously adopted by the critical upperdogs."

     Announcement in today's Press of tomorrow's publication of letter from Donnelly on the Cipher. W. said: "I have no doubt I'll take a great deal of interest in that." Tom was doubtful of O'Connor: "he's too flighty." Then to W.: "Now, your point of view on the question is a sensible one." W. said: "But my point of view is also O'Connor's—or, rather, his is mine." Harned said: "No: O'Connor is too spasmodic." W. protestingly: "No, Tom: you are wrong, wrong, wrong: William is hot: he is a giant—like other giants: he is like Hugo, like Castelar: no, not like Castelar, but like Hugo—full of fire, vision, vocalism—spasmodic, perhaps: I should not use that word—it does not answer for me—yet I don't know but as you mean it, it is as good as any other. O'Connor takes the view that there is something behind the Shakespeare plays—that the play's not the thing—not the thing alone: that something more was intended than the story."

     Further talk on the same line. Then W. said: "My regret is, that this tomorrow is by Donnelly instead of O'Connor: just before he was taken sick O'Connor put together a long essay, piece, rigmarole, what not, examining this whole question, but he had not found a publisher when he was taken sick: now he is down—disabled completely."

     Harned asked: "Did you know Harry Bonsall had lost his wife, Walt?""Yes, Tom: I read of it just this evening in the paper. What a lot of shadow we have to go through in life—eh, Tom, don't you think? I had no idea Harry's wife was in such a bad way." Tom said: "Harry is to be pitied.""Why?" W. asked. "He sold out bag and baggage when he went into the last combination on the Post."

 
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W. asked: "How was that?" Harned remarked: "He was a victim of his poverty." W. said: "So are all the poor: so am I." Harned kicked. "But you never sold out, Walt: you've suffered but you haven't given in." W. was still for a few minutes. We said nothing. Then: "I'm afraid what you say of Harry is part true: he does not resist enough: he permits himself to be fooled, driven." Harned said: "You have stuck it out to the finish." W. laughed heartily. He turned his hands round as if gesturing towards himself. "Yes, and here I am today, a living witness to failure—the taboo of all the Russell Lowells of creation, the laughing stock of the damned as well as of the saved"—and after a slight pause, merrily again: "Yes, and—as some said who came to see me years ago—proud that I am!" But then Tom must be lenient. "Don't press your argument too far: it breaks down: we are all in limbo, Tom: all of us, all of us." W. and T. went on for some time on this tack. Then W. said: "We have to hold our horses: it looks easy to regulate a man from the outside: but every life has to be lived from the inside after all: then one's specifics fail."

     W. got reminiscing. "Years and years and years ago Emerson spoke in an anti-slavery course in New York: He was the last in the course: read his essay on Slavery: I remember it very well: how, after he had finished the talk, had gathered the sheets of his manuscript together, so"—indicating, throwing his head aside, his voice emotional and powerful—"he asked in his deliberate way: 'Slavery? and why do I speak of slavery? what right have I to speak of slavery? are we not all slaves': and then said no more: passed off the stage." Harned exclaimed: "How dramatic and beautiful!" W. said fervently: "It was, Tom: it was: oh! I think I did not then realize how profound that was coming at such a moment applied to such a situation: how very simple, yet how very subtle, it was. You must take it along with his wonderful composure, the sweetness of his demeanor: I myself was stirred to the bottom by it: I said to myself: 'You, man, you are the vastest of us all!'" Then W. also said: "He was vast: that's the word for him: he was so spacious he welcomed, accommodated, everything: yes and we are all, all of us, slaves!"

     Clifford wrote today: "My love to Walt. 'Dear Walt Whitman!' Hilda calls him and asks to see his picture often." W. exclaimed:

 
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"The children are the key to all the rest." And he said again: "Before you go put this into your pocket." I asked: "What is it?" I found it to be another old O'Connor letter. "As William's letters all have more or less to contribute to the story of the ups and downs of the Leaves I think you should file them away for reference." As Tom was there he didn't ask me to read it. But he said: "If it suggests any questions ask them tomorrow." This is the letter:

Washington, D.C.,

June 13, 1883.


Dear Walt:

     I have yours of the 13th and am rejoiced. Today is the 15th—the day the book is to appear.

     I am getting better, and hope soon to be myself again. A bandaged hand prevents my writing, and everything is in arrears with me.

     W.S.K.'s notice is very gratifying. As soon as I get the free use of my hand, I will write to him, as you suggest. I read some time ago his article on you in the San Francisco Magazine.

     Nothing will ever please me like knowing that my Bucke letter stands as it does with you. This is the King's signet. Your compare of it to '93 is magnificent and happy. Yet the retribution is only partial. As Willie Winter says, there is "a Himalayan stock" left—little he knows how Himalayan. Little beast!

     The more I think of the recent Tribune review the more I am amused. It betrays the writer's sense of having been spanked, so thoroughly. There is a kind of surprised meekness in the tone of it. His plea that I ought to hear with patience his "frankness" is particularly good. It reminds me of a story Henry Peterson told me. At school a boy came up, and said, "Say Peterson, do you like frankness?""Yes," replied Henry, "I do.""Well, then," rejoined the other, "I think your sister is the ugliest girl I ever saw in my life." This seems to be the Tribune idea of "frankness" also! More anon.


Faithfully


William D. O'Connor.

     Harned said: "Walt will last many a day yet." I asked: "Do you feel encouraged by his appearance?""I certainly do: he surprised me by his mental alertness." Harned also said: "Tom Donaldson

 
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told me the other day that he considered Walt a good deal of a fraud and humbug." I said: "He palavers Walt enough when he comes here." Harned laughed. "Certainly: that's a part of his game.""What game?" Harned said: "I guess you know."

 
Sunday, February 17, 1889

     8 P.M. W. making up a package of papers for O'Connor: quite a fat bundle. No word from Washington. Had made up a package for me, too, containing a copy of the Chicago News—"I sent for some of them," he said—and letters from Bucke (15th) and Rhys (from South Wales, 2d). I asked: "Does the New Review amount to anything?" He evaded answering. "I have given you a paper: see if it does: tell me!"

     Bucke wrote W.: "O'Connor's condition is infernal, and there's only one way out of it. It seems too devilish bad that such a man should have to go through such a bad time, but there is no use growling at it. We must grin and bear it. It cannot last long: that is the only consolation." W. says: "I'm always asking myself: What's the use of the fight? There's no hope of a change for the better: why then should we try so hard to postpone the inevitable?" I asked W.: "How do you know there's no hope? If the door's got to be closed all right: but why should we close it?" And I added: "I didn't know it was according to Leaves of Grass to say anything was hopeless." W. replied: "You're right and you're wrong: you're right where you're general and wrong where you're literal."

     Bucke followed up his reference to O'C. with this: "I wish you could have a little better time yourself than you are having, but it is impossible that you should feel half yourself while you are constantly shut up in one room: no air, no change, no exercise, no amusement, no nothing but a weary dull routine. We must try to rouse you out when the birds and leaves come again." He has several times written W. similarly. W. himself indulges such fancies. He frequently tells us where he'll go, what he'll do, when he gets out again. "One of the first things to do will be to see the boy," he says: "to see Herbert Spencer Harned." As to the Doctor's coming: "I am not staking anything on seeing him Tuesday or even Wednesday: I expect to see him the coming week sometime: that's the most I can say." But he was sure Bucke would not "waste many days in

 
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London when the time came.""His leave of absence is doubtless from a certain day to a certain day: that's the way they were arranged for in the departments at Washington. We could always get our furlough extended—within reason." Did he spend his vacations in New York, Brooklyn? "Hardly—rather here." He came to this place to live "because of" his "mother.""Then my displacement occurred: then I came to grief: there's nothing but my old hulk left."

     W. had "no idea" who wrote the News piece. "I do not know even who sent me the paper." He said: "Tom was in today—after church time, about—and Mrs. Harned. They brought me the Tribune. I was glad to see them—to see her." He had spent one of his "usual days""not better, not worse, than the average." He spoke again of a scrap book for photos. "Don't go out of your way to get it but see to it when you can: then I'll know where I stand." These little things were not important, but "to a man in jail they are a whole world—the only world he knows." Said I should return him the Rhys letter so the Doctor could see it. I asked him: "Have you written any postals today?" He looked at me. "Yes—some, several: one to O'Connor: one or two others. Why?" I handed him the following from today's Philadelphia Times:

     "Walt Whitman's partiality for postal cards is well known to his correspondents and of late he rarely uses paper and envelopes. This the poet does principally to simplify his letter writing to the greatest degree. His mail would not be considered large to a younger man, but to the gray old poet it is more than a burden. He answers only business letters and those from friends; notes of any other character are unnoticed. To the autograph collector Walt Whitman is a well-known terror, and his persistent refusals of his signature make such few letters as he writes the more valuable in the open market. Even the most urgent business propositions he will answer on a postal card. A well-known literary gentleman the other day, exceedingly fastidious in his tastes, recently had occasion to write to Walt Whitman. In a few days an answer came, courteous and explicit, but written on a postal card and in red ink. A more disgusted man one never saw. But this is a little eccentricity of the old poet. To him the postal card is a luxury; it confines him to brief writing and, with eyes that are no longer of the best and fingers not as supple as they were fifty years ago, surely we may grant the old man this trifling breach of epistolary etiquette."

 
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     He put on his glasses: read it carefully. "Who has been guilty of this?" he asked, turning the paper over: "what a lot of stuff: this fellow was yawning for a paragraph—so I became the victim. The 'fastidious gentleman' was a fiction. He was created to order to give spice to this story." And: "As for the red ink—I never use it—I have none." Then he proceeded: "That's the devil with these smart newspaper writers: they are not especially scrupulous: a thing true, a thing false, may be one thing to them: what they want to know is whether their tale is readable—sounds well: whether it will bait the hurried reader: that is enough. And that is Conway, too—Moncure Conway: he has a touch of the same vice—the sin of smartness, of verbal thimble-rigging: but for that Conway would be quite a man to reckon with: with that he has in effect nullified his work." W. also said: "We can't trifle with ourselves spiritually any better than physically: we have to pay the penalty on the one side as well as the other." I said: "Ingersoll said to me he's willing to be considered a fool or be a fool but he'd hate to be looked upon as a liar or be a liar." W.: "That's thunderation splendid!"

     "Where have you been all day?" W. asked. "What have you been doing? Have you met people? Who?" I walked to Germantown with Kemper and May. To Clifford's Church. In at the Emerson circle. Met Clifford: also Mrs. Baldwin. W. still asking his questions: "How was the temperature for walking? is the moon full tonight?" I told W. the Emerson circle was discussing Emerson's "speechifying manners." This made him laugh. "If ever there was a man who didn't have any, Emerson was that man." Did he find Emerson's stage demeanor impressive? "I can't say that I did: not especially so: and yet it had certain features that transcended description." How was that? "There was no rhetoric in him in the formal sense of that term: he was probably the least rhetorical man who ever dared go on a platform: I might say it in this way: that his don't-care-a-damnativeness was sublime. And, Horace, that seems to be the first requisite: to get out of your own shoes, so to speak: to become disembodied: to give your audience the feel of your virgin impulse: that is to say, have them realize that you come there fresh, buoyant, just for them: Emerson threw out that personal effluence: his very port was a compliment to his audience."

     Continuing re Emerson: "I have seen him come on the platform,

 
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arrange his papers deliberately, look about over his audience—so"—indicating—"then proceed. After a bit, a point would come: he would strike a deliberate pause: probably a minute and a half, which is a long time to make an audience wait: yet he would do it as if it was the most natural thing in the world—as if people had come there understanding, desiring, that he should follow out his own ways wholly." Further: "Yes, Horace: he was altogether unlike any other speaker: he had his own peculiar ways and means of arriving at his conclusions." I said to W.: "You deliver your Lincoln lecture with much the same unstudied ease: at least what looks like unstudied ease." He smiled over my latest skepticism. "Well—have it as you will: I'm not conscious of trying to put on any frills: no doubt there is a little something in your comparison." He got right back to Emerson: "Emerson felt on his own side that he had certain things he wished to say, that these things were worth saying (of course he felt they were worth saying: he would not have said them otherwise): that certain conditions of language, audience, manner, were required to get them said as they should be said: hence his style—its personal flavor. I should liken his manner to the finest, rarest, plate glass: I often liken style—its highest extensions, its most subtle evolutions—to the most exquisite French plate glass: I think Emerson's bearing on the platform peculiarly open to that comparison."

     I asked: "Is this the way you felt about Emerson at the time?" He answered: "You know, Horace, none of us put Emerson where he belonged in those early years—none of us, not one: indeed, I think that not till the late years, the very latest, of his life did we commence to realize his grand build—how vast his measure really had to be. We knew he was great: we realized that there was something above the usual in his whole port—spiritual, physical: but for the rest, we were blind." W. again instanced "his platform style which we have been speaking of" as "not being impressive in the usual oratorical understanding of effect" but as being "supremely natural—natural, Emerson's: not half rated as it should have been: like a cup of pure cold water, plain, simple, honest grub: everyday matters, than which nothing could be more sound, important: not immediately apprehended, yet buried away in the normal course of things." Such "delicious precision and beauty" yet also such "childlike

 
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spontaneity." W. said: "These points were always so obvious in Emerson." I asked if in their talks E. would discuss his own ego at all? "Not much: hardly touch it: if something led too close to it he'd shrink back into the general again: he refused to lug himself, his work, what he wrote, into the center of the stage: even if referred to he would drop them the first chance."

     I said: "Walt, you seem to hate to leave the subject.""I do: I never get tired of talking of him." Then he resumed. "I think everybody was fascinated by his personality—everybody who came within reach of him: young, old, everybody. Take Alcott: he was an opposite man: always insisted upon his personal affairs—all sorts of pettinesses, trifles: transcendentally, of course, always transcendentally—but in a manner that to me was intolerable: he imposed them on you: he did not ask: you had to listen." But the notion sometimes given out by those who met Alcott that he thought himself superior to Emerson, W. "never was conscious of." If A. had "any such conceit" he "never intimated it in any way" in W.'s hearing. "If I say his personality fell short of Emerson's I do not wish to be understood as wishing to make less of him: not at all: but I always am aware that Emerson's personality was the most nearly perfect I ever came into contact with—perhaps the most nearly ideal the world has ever known." I asked: "What about Jesus? what about many others?" He shook his finger in my face. "There you are with your damned interrogation points again." I asked W.: "Did Sidney tell you how Emerson once said to someone that though Alcott maybe couldn't write he could talk and how Alcott who heard of it got even by saying that while Emerson maybe couldn't talk he could write?" W. said: "No: but how rich it is! and there's a grain of truth in it both ways!" Emerson had been the chosen one in The Critic's symposium about American poets. Did W. think the choice just? W.: "It was very significant: almost every fellow named him: I don't know but it's final."

     Had he read Donnelly's Shakespeare piece in the Press? "I did not read it all: started it: read considerable: it did not interest me, so I gave it up as a bad job." He said he was "surprised" at himself. "I was sure I would be interested: certainly, the subject interests me: I find myself bothered by the minutiae of the problem. As you

 
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know, I am mainly with them—with Donnelly, with William: but ciphers, three and two make five, six from twelve leaves six—that is too much for me."

     Referring to the Times story: "It's a fabrication." In the News, his copy, next the W.W. piece, he had marked a poem, Jim, by George Bosely. "It's worth looking at—once," he said. W. very cool. Some blazing splinters blew out of the stove among his papers. He calmly extinguished them with the poker. I quoted O'Connor's: "It is the king's signet." I said: "Walt, it's more than that: it's the man's love!" W. was very responsive: "Yes: whatever else it may be, back of it is the man's love: Horace, you are right."

     As I got up to leave he said: "And now, by the way, you must take this Carpenter letter—from Ed Carpenter—as closing out that unfortunate draft matter. I certainly fell over my own feet that time. As you have heard the rest of the story—have been a party to it—you should codicil it with this memorandum. Carpenter has been wondering, but what could be his wonder to mine? My memory never played me such a mean trick: I've had horrible experiences to meet, endure—but my memory has always been loyal. This was almost its only offense: I forgive it this time but if it ever behaves so badly again I'll discharge it." I broke in upon his quiet laugh: "But if your memory fails to remember, it discharges itself!" W. said: "What a logic-chopper you are! you won't let me have any fun with myself." Then he added: "But read the letter." I asked: "To you?""Yes—if you will." I said: "I will, to be sure: but I'd rather hear you read it to me.""That wouldn't do," he answered: "that wouldn't serve my purpose."


Millthorpe near

Chesterfield, January 27, 1889.


Dear Walt Whitman.

     Yours of 11 Jan. received. It is a bother about that draft—as I think probably it has been cashed already, and that you won't get the money. However, please send a line saying what happens. The original was posted about the 25th May last (I may have a note of exact date somewhere, but am away from home just now). I got no answer from you, but news came about that time that you were much out of sorts, and then later appeared a paragraph in the papers

 
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from you saying you had been ill and thanking friends for birthday letters remaining unanswered—so I supposed it was all right. If the original letter has merely been lost, the duplicate draft will of course be cashed: but if it has been, as I guess, intercepted, there is no practical remedy. I am almost certain that I registered the letter, which perhaps is an unwise thing to do in these cases, as it's like showing one's hand—and I may have the p.o. receipt for the letter at home, but of that I am not sure. Anyhow, let me know by p.c. how matters stand, but don't worry about it—as the letter (if necessary) would have to be traced from this end. The sum in question was from the Miss Fords, R.D. Roberts, W. Thompson and friends, Frank Deas, and myself:—as a little birthday remembrance—and we shall only be sorry at your receipt of it having been so delayed.

     I saw Ernest Rhys a day or two back in London—seems pretty well—told me a good bit about you. I am glad from this present letter that you seem a bit better, Walt. Shall be glad to see the 900-pounder edition! a fine literary cannonball.

     The Fords' address is Adel Grange, near Leeds.

     I am lecturing around a bit, in London and neighborhood, enjoying life well—a wonderful feeling of new social life in the air—though the days are foggy and we see no sun.

     Greetings to Henry and to yourself.


Edward Carpenter.

     I folded the letter up and put it into my pocket. W. said: "Carpenter knows the truth by now: no doubt it was my terrible crisis of last June that was responsible for this break as well as for other breaks in the consecutiveness of my life. It was only for a day or two but it was a real disaster. There's no use nursing the memory of it: it's best forgotten. But that note, now: I have wished to ask you something about it." I took the note out of my pocket again and offered it to W. He shook his head: "No: not that: I don't want it: I only want to ask you a question about it.""What question?""This," W. said: "whether you do not feel a certain aloofness, withdrawnness, in the letter: as when he starts saying 'dear Walt Whitman' instead of 'dear Walt': and at the end, where he sends me 'greetings.' I may be mistaken, but I seem to sense some sort of reserve there that I had not noticed formerly in Edward. What's the truth of it? Does it denote a change of attitude? or is that reserve

 
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only the English of it? You see, the English way is somehow very different from our own: not quite so easy-going, not nearly so out and out: we have possibly developed a little farther in personal democracy—in the ability to forego castes, classes, social lines: I find the American more immediately capable of unbending, of meeting those he meets simply as a man meets a man, without any extraneous quibbles. The English are more likely to ask: who are you? what do you want? why should I? Do you not scent such a distinction in Carpenter's letter? I never quite suspected it before, but it does certainly seem to be here."

 
Monday, February 18, 1889

     8 P.M. W. was searching on the floor when I entered. He did not hear me. When finally he looked up and saw me standing in front of him he laughed happily, offered his hand, and said: "You are a dangerous man to have around, your movements are so mysterious, baffling." Raining all day. Could not take the pictures to Brown. But I went to Oldach's, where I numbered the twenty-four books (not quite finished) for McKay. Two of Oldach's binders off drunk today. We will not get more books till Thursday anyhow. W. said: "It seems to be taken as one of the inalienable prerogatives of some of the best mechanics to get drunk: you know how true this is of the printers: often of the very best of them: then there are the hatters: they too I am told are tremendously addicted to the cup: there must be something in these confining occupations which induces thirst: though soldiers, sailors, are great drunkards, too, and they certainly are not victims of the factory. I remember that a doctor said to me once down in Virginia, when I shook my head: 'What? a poet and no whiskey? Not a drop? That'll never do—never, never!' And he was a surgeon, too—a good one: belonged to Virginia though in the Northern army. I suppose we can't hurry the matter: we'll just patiently wait till the drunks sober up." I returned him the Bucke and Rhys letters. "I shall send both to Kennedy: he is hungry for bits, details, about us: it saves me writing a letter."

     Bucke up. I said: "Doctor takes a gloomy view of O'Connor's case." W.: "He does indeed: a very gloomy view: but Doctor is inclined to do that." Did not B. differ from doctors generally in his frankness with patients? "Yes, he does: radically: Doctor believes in

 
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telling the truth at all times: he is more moralistic than I am: if I thought it would help a sick man I'd lie the top of my head off." Laughed. "Wouldn't Doctor?""I am afraid not: we'll have to put it up to him when he comes." Then again: "I am quite conscious of the difference: it will interest me very much—oh! very much—by and by to have you discover how severe the Doctor is on all those points." Had he heard from Bucke today? "I don't know: let me see"—closing his eyes: "I think not: none later than this you bring back: Doctor's letters are so frequent I can't keep track of them." I showed him my letter of the 16th, received today. Bucke there says he won't start till Tuesday or Wednesday. W. exclaimed: "Another day and another day! that's the way it has gone for a month!" Nothing from Washington."They are almost ignoring us." McKay wished to know whether W. intended sending out any copies of the big book to the press? Was one copy, for instance, to go to some Boston paper? I said I thought not. Several had already gone to individuals. W. assented to my view: "The Herald has noticed us: the Transcript: then Sanborn in the Springfield Republican: I don't think I shall go any farther with the journalists up there in New England. But I have several copies to distribute in New York: one for Bennett, one for Julius Chambers, one (perhaps) for Howells: and for Gilder: I must not forget Gilder." The Century would not review the book: "it prints us reviews": but Gilder "is personally entitled to the compliment, if we may egotistically call it such.""But as the lawyers say, irrespective of the fact herein contained, Gilder shall have a copy, if for no more than to show I appreciate his individual kindness to me—recognize that he has treated me fairly if not handsomely." I asked W.: "Do you say that without any reservations?""Quite! think of it: I have sent him my pieces, put my price on them, been paid that price: an important item enough even taken alone: but, added to that, Gilder takes what I offer unhesitatingly without question, never interjecting a single word of petty criticism." He paused. Then he asked me: "Do you realize that that is treatment no other magazine editor in America has accorded us?" He then enlarged on this situation. "For the last three or four years Harper's has practically closed me out—would have none of me." Not because of Alden, he said, however. "I think it was the house—that Alden would be free enough if let alone—only, they put the
 
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screws on him."
Was Curtis inimical? "About as much inimical as he could be without active inimicality." Spoke of the Schuylers: a little doubtful how Eugene looked upon him: "but Montgomery, I believe, is distinctly favorable—even strongly so"—then, after a moment's reflection: "That is my impression, but I must not swear to it."

     I spoke enthusiastically of the Chicago News review. W. said: "It is quite a review, isn't it? It is evidently written by a man who knows about us, but who I haven't the slightest notion." There were "no earmarks." W. said: "I should not like to write asking who." I asked: "Why shouldn't I do it?""I won't encourage or discourage you," he said. McKay has sent copies of November Boughs to McClurg. W. was interested in the name. "McClurg? did you read in the papers about the new publishing house to start there? colossal? nine stories high? Rand, McClurg—some combination like that? Maybe the Rand who has just failed in Boston." News mentioned again. "If I was out there, happened around, I should not hesitate to ask, but to write a formal inquiry—that would not do: besides, newspaper etiquette generally imposes a secrecy upon such anonymous writing." But the News man "wrote so much like one of the heretics, outlaws, I can't quiet my curiosity."

     W. then talked of The Critic review, saying: "After it appeared, I wrote a postal to Joe Gilder telling him I appreciated it—that I was grateful to have these things so well said: something like that: requesting that my postal should be forwarded to the writer. Gilder replied telling me who had written it. A few days following, came a letter from Harrison—you know him: Prof. W. H. or W. M. Harrison—of the State College of Virginia. I should have answered this—intended to—but did not: I did not like the tone of the letter: Harrison took good care to tell me in the note that he did not accept me in toto—did not endorse me—all I am, have done: he admitted that November Boughs had carried him along with it. I could not tell in terms just what it was that repelled me—an indistinct something: you know how that is often—you must have realized it yourself: a something in the atmosphere, in things unsaid as well as said, a taste of something—it might be most subtle: as sometimes we know it in food—a merest suspicion, no one could say of what, but sufficient and of the sort to destroy the broth." I said: "Then, after all, Doctor's

 
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distrust of the criticism was subtle—is confirmed?" The only reply he would make to that was:"You think so, eh?"

     Talk of critics in general. W. said: "You have Doctor's book, haven't you? Do you remember the Appleton's Journal piece there at the end? Well, that is Dick Stoddard's: read it again. To anyone who knew Stoddard as well as some of the older heads, this article does not need his name. If you read it again, you will see for yourself that it is the same hand that penned the Lippincott piece on poor Poe—the same venom, hatedness." I spoke of reference I had seen to "the amiable Stoddard." W.: "Dick is anything but amiable—anything." And further: "But why should I say poor Poe? Rather, poor Stoddard! With critics of the Stoddard order the picture they conjure is not of another but their own." He felt that if he wrote "of Poe, Burns, Madame Dudevant (George Sand), Byron—even Carlyle," he would "pass over the sins, idiosyncrasies, many of them, and make for the subtle benefiting powers.""I should not lay this down as law for everyone—not at all: I can well see how necessary it should seem to some to indicate the significance of the bad as well as the good"—but "whether this is done with venom or in kindness—here is the important fact." I argued: "The fatal weakness of Stoddard's Poe piece is, that he gives himself away in it—that he makes Poe's moral status contingent upon an imagined offense committed against Richard Henry." W. said at once: "That's the rub of it: that's the motive within the motive by which our Humpty Dumpty has his great fall." And again: "That's a fatal weakness—that alone: but there is more than that: his whole temper, his prevailing temper, unfits him for any discussion of the subject." Here he spoke with fervent fluency—rather more rapidly than usual: "But do you know, Horace, there's a great deal more in this case than is generally known, than you could know, than anyone could know who had not been in the thick of the fray. John Burroughs knows—John could tell you: the mortal offense which this New York crowd can never forgive Poe for is that he is famous—is held in great esteem wherever he is known. There were several in that group—fool Willie Winter was one—poor ass he is, too!—Stoddard—then Briggs—Charles V. Briggs. These fellows had enough quality to enter the match, name themselves for the race: just as in a walking match, men who know

 
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they have no winning chance, yet have enough quality to enter: but anything more serious than this would not be expected of them."

     I asked: "But you rank Stoddard higher than Winter?""Oh yes! yes! very much: fool Willie Winter has no standing at all." He said he had no "sore feeling" against his "enemies": "but I know I will never be tolerated: they have always had it in for me: what right had I not to be forgotten? That's their shibboleth. Sure enough, what right had I? But as I had nothing to do with being forgotten or being remembered I don't attach any great guilt to myself in this controversy." But he did not think I would ever "fully appreciate the intensity of the opposition as it was in those first days of the fight." I would "have had to be there." He said: "The thing was like a fever: one day hot, one day cold: there were spurts of silence, then spurts of noisy venom." I said: "Someone told me that Winter takes the ground that no Italian has any right to play Shakespeare: that Shakespeare belongs to the English-speaking races: that the English-speaking races can alone interpret him fairly. I don't know whether the quotation is authentic or not." W. said: "It sounds like him, whether authentic or not: it's worthy of him: it's asinine enough to be his: it's just like the little jackanapes: to judge everything by the schoolbooks, traditions, boundary lines—the tape measure of his puny inner self. Willie always set up for two things—to be a critic, to be a poet: he never went far, even got fairly started, in either direction."

     W. said he had been doing his best to locate Dave's "photographic find.""We must never be too certain of things: that picture shows it: after all these years, no one even suspecting it, there, in an obscure out-of-the-way place, this turns up to accuse us." I said: "Lucky that the find credits rather than discredits you!""Yes indeed: therein we're lucky: the conditions could easily have been reversed!" He tried to fix the date. "It must have been taken between 1845 and 1850—probably in '46 or '47: I can't seem to do any more towards accounting for its origin. As a work of art the portrait is extra good: we should get it processed and let the boys see it: no one can know as I know how really precious it is—what a current of reminiscence sweeps into me out of it from those past years."

     Postcard from Knortz acknowledging the big book. I had consulted with McKay about review copies for abroad. W. gave me a

 
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copy to send to Gardner, in Scotland, who was to pass it on to the periodical Dave named as being desirable. "You must use your own judgment about that: if you need another, take it." W. endorsed Harned's copy of the leather-bound big book in this way:

Thomas B. Harned


Dear friend & Sir:

     I send this book to you not merely as a collection of my own poems, thoughts, descriptions, of our day and time—but as a special personal memento of our friendship and of many meetings and festivals at your house. And I wish to put in my best greeting to Mrs. Harned and to Anna, Tom, and little Herbert—sending love and prayers herewith for you all.


Walt Whitman

     Camden New Jersey

     Feb: 15 1889.

     As I sat there Ed brought him in a black-edged letter. W. opened it hesitatingly: said painfully: "Oh!" but no more. I did not ask for what. I knew. W. asked me about "the little man in the store—Dave's father"—adding: "I am sure I should like him though we have never had much to do with each other." And again: "I like the simple folk: they get nearest my heart: I get nearest their hearts." He had been reading about the disappearance of Bessie MacIntosh, in Philadelphia, whose father I knew well. "It's an insoluble, deepening, tragic mystery," Walt said: "Do you realize, Horace, the number of people who in one way or another simply disappear from the world, God knows when, where, how? I have thought I must some day put that into a poem in some way or other.""Horace," he said again: "I wonder if Sarrazin has yet got the big book? I shall be a little anxious till I hear that the book is in his hands." I said: "Kennedy seemed a little sensitive about 'errors' in that sheet." W.: "Yes: so it seems: he said something to that effect in his letters: but I don't know why he should be—don't know what errors there were.""But in writing to Kennedy you said something yourself about his overlooking the errors." W.: "Perhaps I did, in a general way: not indicating anything, however—only saying I regretted little slips: but there really is nothing—nothing to attract the criticism of a reader: I don't believe Sarrazin himself would take exception to anything

 
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found on that sheet." Then he added: "In Doctor's case I'll be very careful.""Ah!" I said: "then you have sent his abstract to the printer?"Yes, today: he has it now: Curtz: I meant to tell you. I did not hurry him: in fact, let him know he could take his time with it: I intended sending a proof to the Doctor but as he is about to come on he can take care of it when he arrives." I had a letter from Blauvelt. Read it to W.

Hagaman's Mills, N.Y., Feb. 15, 1889.


My Dear Sir.

     Some time ago, you may remember, you were kind enough to send me an engraved portrait of Walt Whitman, to be used in illustrating Stedman's Poets of America. Now, I understand there has been a new portrait of Mr. W. published recently, which I would like to have, if it be procurable. I believe it is in Mr. W.'s November Boughs. I am located in a place where information in regard to much that is going on in the literary world is hard to get, and I therefore take the liberty of troubling you in regard to this. Should there be such a portrait as I mention I will esteem it a favor if you will drop me a line at this place, stating the fact, and also price of portrait, so that I may remit the necessary amounts. My usual address is Richfield Springs, N.Y., but I am to be here for a few days yet.

     I saw in a recent paper that Mr. Whitman was still confined to his room. Please say to him that I hope soon to hear of his complete restoration to health.

     I expected to have the pleasure of sending him another partridge or two before the weather changed, but we had several early falls of snow, and after this happens the birds are not in good condition for eating, owing to the food—certain sorts of birds, usually—to which they are restricted. Our other game is only ordinary—principally rabbits and squirrels.

     Again apologizing for thus troubling you, I am


Yours Sincerely,


William H. Blauvelt.

     W. said: "I suppose he wants the sitting picture: we must give him one: we must never refuse to gratify anyone so kind who is so easily pleased. He seems honest: to mean well—mean us well: is

 
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bitten with the idea: let him have it." Picked up a pile of papers: began his search: found the picture without much trouble: gave me one. "Send that to him." I saw a picture in the pile that I had never seen before. He noticed my interest. "Do you like it? then take it along." He wrote on it: "Walt Whitman in 1864." Photo: half figure. W. also said: "Blauvelt has a benevolent side: he not only pays but throws something in: that's how it should be all around: I am always inclined to treat with people that way myself: some day we may have a world in which the ways and means of life will be quite different from now." I broke in: "Yes: when everything instead of being for value received will be for value given." W. paused as if thinking something out, as he was. Then he said: "That sounded silly to me when you first said it but when I turned it over in my noodle I began to see how subtle it is."

 
Tuesday, February 19, 1889

     4 P.M. W. not doing anything in particular. "I am tied up to the wharf today: not trying out my sails any." Did not look very well. "What have you got there? what's the big book?" he asked. I handed it to him. Johnson's China. "I should be interested to look through it," he said. Read title page aloud. Passed the pages quietly through his fingers. Stopped at the section, Poetry. "Ah! this! I must see this!" and so on. "It's about the East—that wonderland." Asked me about the fire in Philadelphia: in the yarn district. Extensive. "They have been telling me of it: it is quite near the river, isn't it?" What had I done in town today? "Who have you seen?" Told him about Brown, who says he couldn't probably give us a picture bigger than six by nine: that this would cost twenty-four fifty. W. said quietly: "I'm trying to make out what that size would be."Let's measure it." W. laughed: "That's what I say: but where's the measure? I had a measure here once, but"—swinging his hand towards the piles of papers everywhere—"God knows where it's hidden away." But he added: "Let it be six by nine: that sounds big enough to handle." I left the original with Dave. "Perhaps our wise course would be to have it made small, so we can use it in the book—the new edition we are going to get out for the pocket." Still, his caution intervened. He resents having to make prompt decisions. "Anyhow, let me consider it: I will let you know tomorrow just

 
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about what I deem the best thing to have done." He seemed to divine me. "Yes: I know I'm slow: I was built slow: I seem to be made on the Dutch plan."

     "I have had a short note from Doctor today," he said, reaching towards the table: "here it is: take it along: he will not be here till Thursday." I put in: "Or later." W.: "Yes: or later: we won't believe him till we see him." Brown thought the photo would reproduce well. W.: "Glad to hear it"—adding: "Some of 'em seem to go straight to hell in the process." Made up a bundle of newspapers to send to O'Connor. Wrote him a postal. Ed says W. woke up feeling rocky. Face decidedly swollen. Now improved. From a tooth? W. said: "I am ballooned one side: look at me: ain't I likely to go up?" And laughingly: "We're a gassy lot: we can never tell to what dizzy flights our loquacities will lift us." Was rather disposed to fun. But still said: "I'm way below par."

     He picked papers up from the table. "Look at these! They are the papers you brought me from Dave yesterday: both contain reviews of November Boughs: one is the Pall Mall Gazette, the other is the London Echo: the Gazette goes into the matter quite liberally." I asked: "Who wrote the pieces?""It does not say: in neither case is there any signature.""What shall I do with them?""Perhaps for one thing you had better take the papers over and let Dave see them: he may find sentences to quote: besides, you will want to read them yourself: take them in your pocket: but don't leave them with Dave: I must on no account lose them." I said: "I thought you didn't care a fig for reviews.""I don't: but think what would happen if Bucke came along and found them gone!" While we were talking, Mrs. Davis brought in his dinner. W. said: "Here's Mary with the grub: won't you sit down and have a bite?" And then he added as he started buttering a slice of bread: "That's the round of my life: got up, ate my meals, went to bed again: not getting up very far, either, nor eating much, nor even sleeping enough to brag about!"

     I went home. Was held up by a messenger at the door. The telegram was from Bucke. "Cannot get away before Monday. Tell W. and write." Which confirmed our uncertainties.

     7 P.M. Stopped in at W.'s again. Showed him Bucke's telegram. Disappointed. But he said: "Well—there's nothing imminent." Then,

 
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as to writing: "Let me see: have I anything to say? I guess not: I shall not write tonight." Did not feel, did not look well. Yet he said: "I have eaten a decently hearty dinner." He explained: "The trouble with me today is not so much in what I do as in what I do not feel." I said: "Discomfort is worse than pain. He said: "Yes: much worse: I've had more than one of the poor boys in the hospitals say to me: God, Walt, I wish I felt some pain!""Pain may mean life: the absence of pain may mean death.""Precisely: who had more right than I have to say that? Not only from what I have seen in others who suffered but from what I have suffered myself."

     I said to W.: "You don't feel like talking tonight: I'll skip off." He said: "I'm not spry, to be sure, but then you are always a tonic to me: don't hurry off just yet." Then he put on his glasses. "I've got something for you to do anyhow: after you do that you may go if you feel so disposed." After turning over a lot of papers on the table he handed me some stuff pinned together. "Look at it: look it over: I rooted it out of a hole today while I was after something else.""It looks tasty," I said. He was very jolly over it. "From your point of view it is tasty." I examined it. W. said: "I can easily tell you what it is: I want you to read it all to me: there are three letters: you have heard of Bram Stoker—Irving's man: he took a shine to me over there in Ireland when he was in college: wrote me from there—but was afraid to mail the letter: the second letter tells about it: he has been here: I value his good will highly: he seems to have remained of the same mind, mainly in substance, as at first." I continued turning it over. "Am I to read it?" I asked. "If you will," he said. There were two Stoker letters and the draft of a letter from W. acknowledging them. "It's a rather long story," I said: "there are several chapters to it." I also asked him: "Did you read them over today when you found them?" He said: "No: I left that job for you: I haven't read them since they came in '76: when I sit here, when you read to me, when I have nothing to do but listen, I feel composed, at peace, more than usually impressionable: I take things in without any effort, then—moreover, retain them." I said: "I am willing enough to read." W.: "You see—there's method in my laziness: I'm doing the best I can in the littlest ways as well as the biggest to conserve the few dribbles of vitality that are left to me. John is always giving me advice about that: and Doctor:

 
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but God knows, Horace, and you know, too, that I need no advice on that score—that I anticipate them." Then I read. Stoker's last letter first, then his first letter, then Walt's reply.

Dublin, Feb. 14, 1876.


My dear Mr. Whitman.

     I hope you will not consider this letter from an utter stranger a liberty. Indeed, I hardly feel a stranger to you, nor is this the first letter that I have written to you. My friend Edward Dowden has told me often that you like new acquaintances or I should rather say friends. And as an old friend I send you an enclosure which may interest you. Four years ago I wrote the enclosed draft of a letter which I intended to copy out and send to you—it has lain in my desk since then—when I heard that you were addressed as Mr. Whitman. It speaks for itself and needs no comment. It is as truly what I wanted to say as that light is light. The four years which have elapsed have made me love your work fourfold, and I can truly say that I have ever spoken as your friend. You know what hostile criticism your work sometimes evokes here, and I wage a perpetual war with many friends on your behalf. But I am glad to say that I have been the means of making your work known to many who were scoffers at first. The years which have passed have not been uneventful to me, and I have felt and thought and suffered much in them, and I can truly say that from you I have had much pleasure and much consolation—and I do believe that your open earnest speech has not been thrown away on me or that my life and thought fail to be marked with its impress. I write this openly because I feel that with you one must be open. We have just had tonight a hot debate on your genius at the Fortnightly Club in which I had the privilege of putting forward my views—I think with success. Do not think me cheeky for writing this. I only hope we may sometime meet and I shall be able perhaps to say what I cannot write. Dowden promised to get me a copy of your new edition and I hope that for any other work which you may have you will let me always be an early subscriber. I am sorry that you're not strong. Many of us are hoping to see you in Ireland. We had arranged to have a meeting for you. I do not know if you like getting letters. If you do I shall only be too happy to send you news

 
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of how thought goes among the men I know. With truest wishes for your health and happiness believe me


Your friend


Bram Stoker.

     After going this far I waited for W. to say something. He was not disposed to talk. "He was just about a boy back in those days: now it was fifteen years ago: he has been here: I think the man Stoker repeats, fulfils, the boy: I never quite think of myself as being the subject of such utterances. There's one sentence in his letter which hit me hard." I said: "I'll bet I know which one it is." He nodded. "I'm rather persuaded that you do: which?" I quoted: "I write this openly—." W. interrupted me. "That's it: that's me, as I hope I am: it's Leaves of Grass if Leaves of Grass is anything: 'I feel that with you one must be open': that explains Children of Adam, everything." I thought he might say more. He didn't. I gave him time. Then I read Stoker's first letter.


Dublin, Ireland, Feb. 18, 1872.

     If you are the man I take you to be you will like to get this letter. [W. exclaimed: "I don't know that I'm the man he takes me to be, but I did like to get his letter—and I like to get it today again as you read it to me!"] If you are not I don't care whether you like it or not and only ask you to put it into the fire without reading any farther. ["It has been here quite half a lifetime without getting into the fire!"] But I believe you will like it. ["I did, I do, like it!"] I don't think there is a man living, even you who are above the prejudices of the class of small-minded men, who wouldn't like to get a letter from a younger man, a stranger, across the world—a man living in an atmosphere prejudiced to the truths you sing and your manner of singing them. The idea that arises in my mind is whether there is a man living who would have the pluck to burn a letter in which he felt the smallest atom of interest without reading it. I believe you would and that you believe you would yourself. ["I don't know about that: I'm only about as weak and as strong as other people!"] You can burn this now and test yourself, and all I will ask for my trouble of writing this letter, which for all I can tell you may light your pipe with or apply to some more ignoble purpose—is that you will in some manner let me know that my words

 
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have tested your impatience. Put it in the fire if you like—but if you do you will miss the pleasure of this next sentence, which ought to be that you have conquered an unworthy impulse. A man who is uncertain of his own strength might try to encourage himself by a piece of bravo, but a man who can write, as you have written, the most candid words that ever fell from the lips of mortal man—a man to whose candor Rousseau's Confessions is reticence—can have no fear for his own strength. If you have gone this far you may read the letter and I feel in writing now that I am talking to you. If I were before your face I would like to shake hands with you, for I feel that I would like you. I would like to call you Comrade and to talk to you as men who are not poets do not often talk. ["He was a sassy youngster: as to burning the epistle up or not—it never occurred to me to do anything at all: what the hell did I care whether he was pertinent or impertinent? he was fresh, breezy, Irish: that was the price paid for admission—and enough: he was welcome!"] I think that at first a man would be ashamed, for a man cannot in a moment break the habit of comparative reticence that has become a second nature to him; but I know I would not long be ashamed to be natural before you. ["I hope not: Stoker or anybody else!"] You are a true man, and I would like to be one myself, and so I would be towards you as a brother and as a pupil to his master. ["There's 'master' again!"] In this age no man becomes worthy of the name without an effort. You have shaken off the shackles and your wings are free. ["My wings may be free but the same can't be said of my backside!"] I have the shackles on my shoulders still—but I have no wings. If you are going to read this letter any further I should tell you that I am not prepared to "give up all else" so far as words go. The only thing I am prepared to give up is prejudice, and before I knew you I had begun to throw overboard my cargo, but it is not all gone yet. I do not know how you will take this letter. I have not addressed you in any form as I hear that you dislike to a certain degree the conventional forms in letters. ["Not to a certain degree but altogether! and not only in letters: everywhere!"] I am writing to you because you are different from other men. If you were the same as the mass I would not write at all. As it is I must either call you Walt Whitman or not call you at all—and I have chosen the latter course.
 
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["The boy fires off a hell of a big prologue—eh? Horace? He does not know how indifferent I am whether to terms or no terms!"] I don't know whether it is usual for you to get letters from utter strangers who have not even the claim of literary brotherhood to write you. If it is you must be frightfully tormented with letters and I am sorry to have written this. I have, however, the claim of liking you—for your words are your own soul and even if you do not read my letter it is no less a pleasure to me to write it. ["Come, Bram, Mr. Stoker: get down to business: this is all only preliminary!" and: "How little he realizes how little I have to do with the literary brotherhood!"] Shelley wrote to William Godwin and they became friends. I am not Shelley and you are not Godwin and so I will only hope that sometime I may meet you face to face and perhaps shake hands with you. If I ever do it will be one of the greatest pleasures of my life. If you care to know who it is that writes this, my name is Abraham Stoker (Junior). My friends call me Bram. I live at 43 Harcourt St., Dublin. I am a clerk in the service of the Crown on a small salary. ["How did I get the impression that he was still in college?"] I am twenty-four years old. Have been champion at our athletic sports (Trinity College, Dublin) and have won about a dozen cups. I have also been President of the College Philosophical Society and an art and theatrical critic of a daily paper. I am six feet two inches high and twelve stone weight naked and used to be forty-one or forty-two inches round the chest. I am ugly but strong and determined and have a large bump over my eyebrows. I have a heavy jaw and a big mouth and thick lips—sensitive nostrils—a snubnose and straight hair. I am equal in temper and cool in disposition and have a large amount of self control and am naturally secretive to the world. I take a delight in letting people I don't like—people of mean or cruel or sneaking or cowardly disposition—see the worst side of me. I have a large number of acquaintances and some five or six friends—all of which latter body care much for me. Now I have told you all I know about myself. ["And a mighty graphic picture it is too: I seem to see you not as in a glass darkly but as in the broad day lightly: I do, I do!"] I know you from your works and your photograph, and if I know anything about you I think you would like to know of the personal appearance of your correspondents. You are I know a keen physiognomist.
 
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I am a believer of the science myself and am in an humble way a practicer of it. I was not disappointed when I saw your photograph—your late one especially. The way I came to like you was this. ["More analysis? I'm almost afraid of it! But go on: may the good Lord have mercy on my soul!"] A notice of your poems appeared some two years ago or more in the Temple Bar magazine. I glanced at it and took its dictum as final, and laughed at you among my friends. I say it to my own shame but not to my regret for it has taught me a lesson to last my life out—without ever having seen your poems. More than a year after I heard two men in College talking of you. One of them had your book (Rossetti's edition) and was reading aloud some passages at which both laughed. They chose only those passages which are most foreign to British ears and made fun of them. Something struck me that I had judged you hastily. I took home the volume and read it far into the night. Since then I have to thank you for many happy hours, for I have read your poems with my door locked late at night, and I have read them on the seashore where I could look all round me and see no more sign of human life than the ships out at sea: and here I often found myself waking up from a reverie with the book lying open before me. I love all poetry, and high generous thoughts make the tears rush to my eyes, but sometimes a word or a phrase of yours takes me away from the world around me and places me in an ideal land surrounded by realities more than any poem I ever read. ["Autobiography is the only real biography, Walt," I stopped to say, W. adding his "amen" and saying: "It's absorbingly interesting, eh, Horace?"] Last year I was sitting on the beach on a summer's day reading your preface to the Leaves of Grass as printed in Rossetti's edition (for Rossetti is all I have got till I get the complete set of your works which I have ordered from America). One thought struck me and I pondered over it for several hours—"the weather-beaten vessels entering new ports," you who wrote the words know them better than I do: and to you who sing of your own land of progress the words have a meaning that I can only imagine. But be assured of this, Walt Whitman—that a man of less than half your own age, reared a conservative in a conservative country, and who has always heard your name cried down by the great mass of people who mention it, here felt his heart leap towards
 
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you across the Atlantic and his soul swelling at the words or rather the thoughts. It is vain for me to try to quote any instances ["Yes: don't quote: we can get along very well without quotations."] of what thoughts of yours I like best—for I like them all and you must feel that you are reading the true words of one who feels with you. You see, I have called you by your name. I have been more candid with you—have said more about myself to you than I have ever said to any one before. You will not be angry with me if you have read so far. You will not laugh at me for writing this to you. It was with no small effort that I began to write and I feel reluctant to stop, but I must not tire you any more. ["Beautiful! but all of it from the inside: almost painfully so: he is youthfully self-conscious: sees things in their exaggerations!"] If you ever would care to have more you can imagine, for you have a great heart, how much pleasure it would be to me to write more to you. How sweet a thing it is for a strong healthy man with a woman's eyes and a child's wishes to feel that he can speak so to a man who can be if he wishes father, and brother and wife to his soul. ["How sweet, indeed! where there is love, why not? why not?"] I don't think you will laugh, Walt Whitman, nor despise me, but at all events I thank you for all the love and sympathy you have given me in common with my kind.


Bram Stoker.

     W. said: "Horace, I call that an extraordinary occurrence: that he should have let himself go in that style: or do you argue that it's all studied out—even the spontaneity? It all sounds easy and informal to me—not verbally stiff in the joints anywhere: I was, I am, inclined to accept it for just what it pretends to be. I may be gullible, deceived, fooled: yet I am confident I have made no mistake." I said: "There's still your letter to Stoker to read. Shall I read it? or do you know it well enough to not have it repeated?" He replied: "Read it, Horace: I want to get it tucked securely away in my noddle before I say good-bye to it." This is the letter:


March 6, '76.


My dear young man,

     Your letters have been most welcome to me—welcome to me as Person and as Author—I don't know which most—You did well to

 
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write me so unconventionally, so fresh, so manly, and so affectionately, too. I too hope (though it is not probable) that we shall one day meet each other. Meantime I send you my friendship and thanks.

     Edward Dowden's letter containing among others your subscription for a copy of my new edition has just been received. I shall send the books very soon by express in a package to his address. I have just written E. D.

     My physique is entirely shattered—doubtless permanently, from paralysis and other ailments. But I am up and dressed, and get out every day a little. Live here quite lonesome, but hearty, and good spirits. Write to me again.


Walt Whitman.

     I got up, put the letters into my pocket and started off. "Good night, Walt." He called me: "I say good night, too. I wonder whether you understand at all the functions you have come to fulfil here! that you're the only thing between me and death?—that but for your readiness to abet me I'd be stranded beyond rescue? I want you to understand."

 
Wednesday, February 20, 1889

     7.45 P.M. W. reading Lippincott's. Had been well. I told W. I had left Gazette and Echo with McKay who wished to copy off some quotable lines. W. satisfied. I spoke warmly about the Gazette piece. He said: "The Pall Mall Gazette has always been favorable: Stead has always shown an inclination to stand by me: and more than Stead: an attache of the paper there—oh! let me think of his name!"—but he could not, and went on: "Did you not read in the papers, about a famous telephoning incident—wasn't it that?—between Stead and some one of his men here in America?" No: I didn't. W. then: "That other man was my friend: he was in Canada, Stead in England: curious, wasn't it?" W. then: "Stead is gathering round him on the Gazette a strong staff." As to the Echo paragraph: "I did not go far into that—did not read it carefully: it was of quite another character: stereotyped, perfunctory."

     No letter from Bucke. "But I wrote him this evening: I hardly expected to hear from him: probably the others who are to come with him are responsible for the delays." Just then he looked at me

 
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quizzically. "Why! I guess Eddy's forgot: he has not gone to the post office yet." Took up his cane. Knocked on the floor. Ed up instantly. "Oh!" said W.: "Did you forget the mail?" Handed Ed one letter and four postals. "You haven't any time to spare, Ed." Ed hustled off. I had a letter from Bucke, written on the 18th, before the telegram. Wrote Burroughs today asking him where we should send the big book. "Where did you address him? at Poughkeepsie? Well, I am glad you wrote: John is quite a gadder-about in the winter." Who had written Boston Herald piece quoted by Bucke in Appendix? "That's Baxter's: Baxter jumped right in: was enthusiastic from the start—was what they have called a Whitmaniac." Reference also to Appleton's Journal criticism. W. at once:"Well—does it not satisfy you? Do you not see Stoddard peeping out of it all over?—the Poe piece there in another dress?" Stoddard "is a curious combination.""There seem to be two Stoddards," he added: "they puzzle me: yet both are genuine. We may well ask: Can this man have compassion for prostitutes—the common woman of the town, the low, the vile? the man who on the other hand writes with such devilish venom? Certainly in this one poem—The Woman of the Town—he is sympathetic, generous, to the core: it is certain on the other hand that there is another Stoddard—the snaky, sneaky, poisonous, backbiting, venomous, skunky Stoddard. Can both be genuine? Can such contradictory qualities inhere to the same personality?" I said: "In The Book of the East, Stoddard always sounds true." W. assented: "I'd say that, too, hard as it is to believe."

     I asked him: "Did you see John Sartain's paper in Sunday's Press?" Sartain replying to Stoddard on Poe. "Sartain knocks the spalpeen into a cocked hat!" Stoddard said Poe sold The Bells several times over. Sartain said no: only sold it a second or third time after extensive additions. W.: "Yes, I think Sartain is right: and I think more than that: I think anything Stoddard would say about Poe would be open to suspicion." I know Sartain well. W. wished me to talk about him—his ways, his ideas, &c. Then: "A wonderful, a beautiful, old man he is, too: I have met him: he's a man of knowledge, ideals." W. did not know Emily, Sartain's daughter.

     Stead came up again. "He is a marvel: enterprising: seems to have an instinct for good heads." Who wrote the W. W. piece in the Gazette? We're still guessing. W. said: "It was able—but where

 
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is the author? Mary Costelloe has several times contributed pieces: I considered them very fine, too." What were her subjects? "Oh! some of the women matters: you know, Mary is deeply interested in all that pertains to progress, suffrage, such things." He "classed" her "as very radical indeed—almost along with the Anarchists." Said: "I am surprised, in the first place, that Mary should have gone to England to live: then I am further surprised at the extent to which she has thrown herself into public life there—almost swallowed the whole camel." But then "that should not be puzzling, either: it is just like Mary: just what might have been expected of her impetuosity, ardor, which is of a high order."

     Arthur Stevenson just back from Europe. Full of English politics. Repeated some things to W. Then: "You know, Horace, they have recently made a change in governmental affairs there in London? a sort of Home Rule issue bringing about marked changes. Mary Costelloe has a good friend there: they call her Lady Bathurst: this lady whoever she is floated in on the top of the wave. The conservatives, however, will resist the result: don't like the idea of having a woman in such a place: they are protesting: oh! what do we call it when they take office? what's the word for it? anyhow, they claim fraud in the election—will try to throw her out. Mary's husband enters heart and soul into it—is one of the Lady's counsel." Then Costelloe was a lawyer? "Yes, and, I have heard, a markedly good one: he has a large clientage: Mary herself says in writing me that he hardly knows which most engages him—his private business or his political life: he, too, is radical: and, more's the surprise—you will be surprised when I tell you—he is a Catholic." A Catholic in fact or formally? "I think a real Catholic: his mother was one, anyhow: a strict, strong, bigoted Catholic, they inform me—a devotee, in fact. But Costelloe has got rid of the severest elements—has dismissed them." I said: "Every Catholic almost does the same thing these days." W.: "That is so: we are getting beyond some of the old asininities—all of us, Catholics, Protestants, Jews, alike: we can't hold the world any longer to the old weights and measures." Mary Smith, for instance, was "likewise much more advanced than her father: quite a great woman in her way—a true woman of the new aggressive type: though going so devotedly, whole-heartedly into public work she does so abrogating nothing of her wifeliness, sisterliness, motherliness,

 
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womanliness: all these remain not less, rather, more richly demonstrated than before. Mary is much like Mrs. Gilchrist—much that style of woman." What was the nature of the political revolution in London? "I don't know: I could not tell you: I know nothing of these matters: what little I have picked up I am repeating to you now out of Mary's letters: I have frequently forwarded her letters to Doctor Bucke: he says they are illuminating even to him—that they are really very clever, throwing significant light on London matters, evolutions, political and social struggles, not made clear to him from any other source.

     W. said: "I see Tom has been making a speech: did you read it? last night, I think: there are good reports of it here both in the Courier and the Post. It is clear—very vigorous and clear: I enjoyed reading it: anti-Pratt"—Pratt, the present Mayor, up for re-election—"it will surely do good." And again: "Tom seems to be made—constitutionally formed—for one thing: for a thing perhaps the most necessary, most important, of all: to be in the opposition: he has the genius of antagonism. I should say Tom has not half used his gifts: they are of the positive sort: set free in the right field they would win him distinction—more than that, would do a vast public service. As I read Tom's speech, I found myself saying all through: Good for Tom! Good for Tom!" I said:"Tom might also have said: Good for the people!""That's so," he said: "Good for the people, too!"

     Told W. I wrote to Morse suggesting that he might find out for us who wrote the Chicago News piece. W. said: "It is a noble piece indeed: that man knows, understands!" I wrote Bucke today saying he must surely come by Tuesday as I wished to have him go with me to hear Lawrence Barrett talk about Charlotte Cushman. Told W. "Oh! Cushman! She was a great fellow—a noble fellow!" Had he known her personally? "No—never her: but her acting—oh yes! well: everything probably that she ever did." I put in: "You should have liked her: she acted Scott." W.: "I see: you mean Meg Merrilies? But I did not care much for that: it was too muchly much, as the boys say: her Meg Merrilies made me think of Byron's rum they tell us of: he wanted rum like vitriol that would burn his throat on the way down—not the God damned French stuff for twenty-five dollars a gallon! This was the sort of horror reflected in Cushman's Meg Merrilies: it did not attract me—was not pleasant. Much of

 
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Charlotte Cushman's great acting was done in her earlier days before she was famous—some of her very highest flights: but she was a great woman—always a great woman: a genius: do not understand me as wishing to deny that."

     His ignorance of the local turn in London politics tantalizes him. "I ought to know: I know nothing: what is the change? That's so or so—what, God knows. They must have a sort of imperium in imperium there—the present new form." Asked me: "Did you see the process man today?""No: why should I? I am waiting for your decision.""That's so: it went by default today: that's like me: Tomorrow, then: ask me tomorrow." He had "got into Johnson" but "not far." Wished especially "to read the chapter on Chinese poetry." Said: "I looked through quite a budget of papers today: Press, Record, Boston Transcript, Cambridge Tribune." W. had me take this old letter in his own hand. "It's another publisherial item: you have a lot of them: some day, if you put them all together, in order, date for date, you'll have a complete story."


Washington, Feb. 19, 1868.

Messrs. Routledge: Publishers Broadway


Dear Sirs:

     By your note of 18th, from New York, just received, I find that Mr. Edmund Routledge, editor, would like to keep and use an original poem I wrote—three page poem [Whispers of Heavenly Death] sent him from me, but demurs to my first-asked price—that he directs you to offer me 10 pounds—which you can send me, $50: in gold—and that, (the terms being settled, &c.) he will advertise it very largely.

     I accept the terms offered—$50 in gold—and you can forward me the amount as soon as convenient. I repeat, that I distinctly reserve the right of printing the piece in a future edition of my poems.

     [Passage marked out: Allow me to say to Mr. E. Routledge—I profoundly approve your idea and enterprise of a Magazine interlinking the two English-speaking nations, and, persevered in, I have no doubt it will be a triumphant success.]

     Sending best wishes and respects to editor and publishers, I remain,


Walt Whitman.

 
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     W. had memorandized the envelope: "Letter to Routledge and Sons, (accepting terms), sent Feb. 19th '68 probably left N. Y. in steamer Feb. 22." I said: "Walt, the paragraph you marked out is the most interesting passage in the letter." He replied: "I think so myself, but when I looked it back it seemed a trifle out of place." And he added: "You know how any moves looking towards a completer understanding, rapport, between them over there and us here appeals to me: not only as with England alone, but with the others just as well." I found myself kicking a little O'Connor letter round the floor. I said: "It seems a shame to waste this." He said: "Why do you say waste it? What is it? let me see." Put on his glasses. Looked. "Oh! William: maybe it's something that belongs in your treasure box: you have too much stuff, nonsense, in that box, but nothing of William's comes within such a category. Read the letter to me: let's see what it is." I read.


Life Saving Service,

September 22, 1883.


Dear Walt:

     I got your last, enclosing MS, on the 20th, and at once, as you suggested, sent the document to the Sun, copying your draft of note to the editor, &c. Let us see if tomorrow's Sun will have it.

     I infer from your suggestion that you think the article not so bad. Bad or good, its publication by the Sun will make Fra Diavolo Godkin howl.

     I return your Salt Lake City letter about Bacon and Shakespeare, having carefully read it thrice. It seems quite crazy—though maybe only crude—yet has some good points in it, which I took in.

     I am in great mourning that I can't get my reply to Richard Grant White on the Bacon-Shakespeare matter, printed. It was certainly brilliant, though I say it as shouldn't. The North American man called it "so very valuable a manuscript," apologizing for declining it on the ground that too much MS has already been accepted—which is all gammon. Fanatical prejudice in favor of Shakespeare, unwilling to allow discussion, is at the bottom of the matter.

     I was in hope that Charley Eldridge would get to publishing, so that we might start a magazine, and make it pleasant for the bats and owls and literary carrion generally, but he appears to have

 
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abandoned the idea, and gone into law and claims in Boston.

     Good bye. Faithfully


W. D. O'Connor.

     "Well," exclaimed W., when I laid the letter down on my knee and looked at him: "Well—that is a fusillade, a volley, a charge on the run—William at his vehementest: a nugget too: God knows what not: when he goes on in that mood William is simply overwhelming: he could upset mountains." Then he laughed. "Your right foot became a divining rod that time!"

 
Thursday, February 21, 1889

     7.45 P.M. W. reading Lippincott's, which he put down on my entrance. Did not look spry though he said he was "about as well as usual." Voice not vigorous. I had seen a box of books in the hall below. From Oldach. W. said: "I know: Mary said they had come." Twelve were for him. I had twelve sent to McKay. Oldach made his charge one twenty-eight. Said he could not do them cheaper. Had W. heard from Bucke? "Not a word, not a word: neither did I write him—though I wrote others yesterday." Again: "My day has been entirely uneventful—but I always might say that. My sister was here: George's wife, I mean—my sister-in-law: she did not stay long: she is a comforting woman." I said: "You get more out of her than out of George." W.: "I get nothing out of George or absolutely nothing: I get much out of her."

     His brother Jeff "happened in yesterday.""His visit was quite a short one: he came in the forenoon: then I thought he would come back again before going off but he did not: he goes straight West again, I think." I said: "You must have been overjoyed to see him." His reply was a quiet one: "I don't say overjoyed: but Jeff and I are actual as well as accidental brothers." Then: "You know, he is not connected with the Water Department at St. Louis anymore: he is a topographical engineer: most of his work now lies north of St. Louis—in Milwaukee, Detroit, thereabouts. He is investigating theories of sewage, drainage." But not working by the French plan of running the sewage into the land? "No: Wisconsin, Michigan, have not got as far along as that yet: Wisconsin is not France—nor Michigan—nor any American State: there are individuals, institutions, doing that sort of wise thing this side but not communities,

 
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not States." But it was "a great subject"—one that seemed to involve investigations, experiments, on a vast scale. He gave Jeff a copy of the big book

     I returned W. Pall Mall Gazette and Echo. McKay is through with them. W. still likes the Gazette piece, but says as to the Dante Rossetti quotations in it: "I don't quite understand them myself." Then suddenly broke out: "The nudity business appears to be growing—don't you think?—don't you notice that it is?—with the artists, writers, everywhere? And the artists are getting more bold, daring: more apt to stand by their guns. Did you see that Comstock pounced down on a fellow the other day there in New York: a statue of Hermes seems to have been the basis for Anthony's discontent: but they defied him: they are going to fight it out." I said: "William calls Comstock an unmitigated ass." W. laughed most heartily. "So he does—and so Anthony is: that is true, true, true: and there are back of him more unmitigated asses, if I may so say it." And he continued: "And the worst of it is Comstock exercises a sort of censorship over the mails—occupies an anomalous position that gives him that power." I quoted him a strong paragraph from Julian Hawthorne. But W. said: "I am not afraid of censorship, not afraid that we will be brought to that degradation." He thought Comstock "had an essentially dirty mind: nothing else will explain him." I said: "When you say you are not afraid of the censorship you mean that you don't believe a rigid censorship will ever come to pass not that you are indifferent about such incidents as we have spoken of?""Yes, that's the lay of the land: why, I hate all censorships, big and little: I'd rather have everything rotten than everything hypocritical or puritanical, if that was the alternative, as it is not. I'd dismiss all monitors, guardians, without any ceremony whatsoever."

     Parnell Commission in session investigating the charge of the London times. W. said: "It's uncannily complicated: I can't make head or tail of it: do you read the story? I skip it." He had been "trying to read" Sartain's Poe article in Lippincott's. "Looking into it, cursorily," he said: "I intend reading it all: it's significant." Any word from O'Connor? "Not a suspicion of a word: I sit here seeing William thousands-wise: he presents himself to me persistently, in all ways, old, new: I can't shake the haunting image

 
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off—nor can I say I want to. Nellie keeps us in unnecessary suspense: she probably does not realize that it's a sort of dead watch to us as well as to her."

     W. still has not decided concerning the halftone. "You will have to give me a day or two more for that." I said: "If it's not Bucke it's you: Bucks puts off: you put off: you are a couple of procrastinators." W. asked: "Is there any reason for hurrying?" Laughed. "There may be reasons for hurrying but I can't hurry anyway: I'm no hurrier: I couldn't hurry if the house was on fire." I asked: "Were you always as stubbornly deliberate over trifles as you are today?""I'm afraid I was: William said to me more than once: 'Walt, you're as fast as frozen molasses!'" Inquired today about scrap book for photos: eleven by fourteen at three dollars and a half. W. asked: "You have informed yourself of its eligibilities?" I laughed. "Well: now what the hell is it?" he asked. I said: "Eligibilities struck me, that's all." He laughed himself. "It is a rather formidable word: if I had received it instead of giving it I've an idea I'd been struck too." He said he had many pictures. He wished a book that would contain them all. "There's only one thing to do: get one: that's the only thing to do: I shouldn't wonder but I'll have to commission you to proceed." He added: "I am obliged to brush up things to do to ease the monotony of these dilatory days."

     He spoke of his visitors. "When they come they question me—pester me: they insist on talking of things about which I care nothing: some about things that I should not worry myself over even if I did care." He went on: "Visitors are a problem: the doctors say, bar them all out: I can't do that: I don't want to do that: but if we begin admitting visitors where will we end? It's not that I don't want them: I do want them: but they wear me out. It never occurs to a visitor to come here, sit down, say nothing: yet these inarticulate visits are often the most precious: certainly we know it: many's the hour we have spent in this room together, Horace—you and I—without saying a word. Mary admitted a man the other day (it wasn't her fault: it was mine), who said as soon as he got into the room: 'I came to have a little debate with you about your Children of Adam poems.' I was scarified: I threw up my hands deprecatingly: I said: 'You'll have to adjourn that little debate, my friend, till you

 
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can have it with Horace Traubel or Tom Harned or Doctor Bucke: they are the debaters of our household: especially Tom: Tom has the belt!'" I asked: "Did the man leave?""Yes: he said: 'that's funny': we exchanged a few inane remarks both sides: then he withdrew."

     W. said: "Today I told Ed to shut all the visitors out, without exception." Miss Stafford and a newspaper man were turned away. "I have been more on my bed than on my chair today." Little reading. "I only skimmed the papers." Indigestion: headache: still laboring with the cold. No alarming symptoms. W. said he was glad to hear that Gardner had a London agency. "That will put Symonds and others in the way of getting the big book." McKay says that the "great sellers" in London will not handle it. W. said: "You like personal confessions: I've laid aside three of them here: they may be put away among your data: you must be getting quite a pile of stuff between what you collect yourself and what I pass over to you. These letters represent three nations—Scotland, England, the United States. I've always told you it is essential for you to know about Henry Clapp if you want to really know me: he was one of the earlier fellows: he was literary but he was not shackled (except by debts): he gave me more than one lift: contended for me against odds." I asked W. if he felt like hearing the letters or whether I should take them away without reading them. He said: "I'd rather have you read them to me: then if I have any comments to make I can make them without your questions." I said: "Walt: you do hate questions: you'd rather be hung than catechized." He replied very quietly: "Yes, I do hate questions: still, some questions are vital and necessary." I read Clapp's letter first. W. had endorsed the envelope: "Henry Clapp to me in Boston."


New York, May 12, 1860.


My dear Walt,

     The books are duly delivered. The publishers and printers deserve high praise for the superb manner in which they have done their work. For the poet, he shall hear from me next week. Meanwhile I am up to my eyes—and over my eyes even to blindness—in the slough of a fearful road to that great castle "success" which looms up in the dim religious distance, and from which white-winged

 
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angels, peopling every turret, beckon me with many colored banners. In plainer English I am fighting like a thousand Humans to establish the Saturday Press, and have for my almost only encouragement the cheering words of warm and appreciating friends who alas (as in such cases made and provided) have nothing but words to give, and also the printer will not be paid in words though they are "like apples of gold in pictures of silver." As for you, success is certain. It is written all over the book. There is an aroma about it that goes right to the soul.

     What I can do for it, in the way of bringing it before the public, over and over again, I shall do, and do thoroughly—if the S.P. is kept alive another month. We have more literary influence than any other paper in the land, and as your poems are not new to me, I can say it will all be used for the book—in the interest of poetry.

     My brother George will deliver this. He is of the right stamp.


In haste


Henry Clapp.

     W. said: "Henry was always in financial difficulties: the Press never had anything but a hand to mouth existence: it was always at the point of passing in its checks. Henry was my friend: he would have done anything for me: in spite of being mostly academic himself he vehemently espoused my revolt: what he said there about sticking to his guns was true: he knew the difficulties I was laboring under: how but for the merest handful I was ignored or despised: nor was this from pity: there was no maudlin emotionalism in his acceptance of Leaves of Grass: he didn't take me wholesale anyhow: first of all he said he wished me to have a fair show: 'With half a fair show, Walt,' he used to say, 'I know you can take care of yourself.' I felt sorrowful a bit as you were reading: I was reminded of Henry's heroic struggle, how he went confidently on in spite of reverses: how finally he was backed to the wall and slaughtered. There was a woman up there, a marvelous woman, who did some writing for the Press: she wrote about Leaves of Grass: there was quite a stew over it: some day I'll have to unbosom so you may know the ins and outs of the incident." Here W. hauled up and looked at me. "What a lot of blabbing I'm doing: there are other letters: read them."

 
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S. S. Anchoria,

Anchor Line, New York,

Nov. 17, 1883.


Dear Poet.

     I have been home and back again since I called upon you in Philadelphia last month. I often think of you and wish I could stay near you, that I might see and speak to you sometimes. However, I often read your poems, and, as Shelley has said, "poetry is the record of the greatest and happiest moments of our greatest and best minds." Therefore, in reading your book, I feel that I have that which is greatest in you, but the heart will often rebel against the most logical conclusion, and thus with me I would like to be near you sometimes. I have only one other friend who has the same power over me, and that is he of whom I told you, in Halifax. I was rather amused (when I told some of my friends at home that I had seen you) at the idea they seemed to have of my object in calling on you. Some thought it was simply because you were a great man, and they gave me the addresses of several well-known men in literature &c. However, I told them those other men were not Walt Whitman ["Nor is Walt Whitman those other men!" exclaimed W.] and that the only others I would have crossed the Atlantic to see would have been Emerson and Thoreau, both of whom are very, very dear to me. ["And to me too! to me too!"]

     You may have forgotten all about me. ["But I haven't!"] Indeed, it would be surprising to find it otherwise. But it was not that you should know me that I came. No. I both knew and loved you before, but I wanted to see and speak to you. It might have been my friend as well as myself who called, but I had the opportunity.

     I send you a book that a friend in Glasgow, who is greatly taken with your Leaves of Grass, asked me to send to you or take. I cannot very well leave my ship just now, so I post it to you. He would have liked to have sent a more valuable book but he cannot afford it. I thought it very kind of him. I know he is a dear, soft-hearted fellow, and a splendid critic of English literature. I will be here for eight days, and I would like very much to know if you are well.

     I am glad to be able to tell you that your number of readers in Scotland is greatly increased. They are beginning to understand your teaching much better.

 
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     I heard that Swinburne ranks you third of living men. ["Not now: that was once upon a time!"] Victor Hugo, I know, is his great hero. ["And one of my heroes, too! and one of the world's heroes!"] With best wishes,


Yours affectionately,


T. F. Macdonald.


(Surgeon S.S. Anchoria).

     "He's a surgeon, Horace, you notice: you remember what I've always said: surgeons, mothers, nurses—they should understand me best of all: they do not always do so, but they should: Macdonald, he's Scotch: he thought I forgot him: no indeed—I am not that sort: besides, I'd had too many enemies to forget my friends." He again said before I started the third letter: "Do you feel some subtle psychical difference between the American and the Scotch letter? a little more man to man I'm as good as you are attitude in Henry? the little more deferential tone of Macdonald? It has its own long reasons for being—that difference: it's no accident: after all we've developed a little farther in the direction of personal democracy on this side: that much we have done. When you read Angus you will see still better what I am trying to say." Before I read the third letter I said: "Why, Walt: you said this was from an Englishman: he's Scotch, I think: Angus is his name—he writes from Glasgow: what made you think he was English?" He said: "Let me see it." I handed it to him. He looked it over. Handed it back. "I guess you're right: I wonder how I got the other notion? It's remarkable how stubborn false impressions get to be." And reflectively: "Angus: yes, that's Scotch: I must have had some other letter in mind when I spoke of this: no matter: let me hear it.


Glasgow, October 26, 1888.


Walt Whitman, Dear Sir—

     I am glad to see by the Pall Mall Budget of yesterday that you are in fairly good health. Were I near you I should like to have the honor of paying my personal respects to you. I am your debtor. When a young man I read your Leaves of Grass 1855 edition. It revealed a new world to me—the world within myself. Your Specimen Days I regard as the most humane book of the present century. ["Poor Leaves of Grass! where does that put Leaves of Grass?"]

 
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     While breathing the spirit of freedom it bears no feeling of ill will against those who wished to keep chains on men because their skins were black. ["Don't carry that inference too far, Angus: I may not hate anybody, but the chains—God damn the chains, I say, no matter where!"]

     I might say more, but enough to satisfy you that I have a real sympathy with your life's work, and that I regard your Leaves of Grass as being the most original of American books. ["Ah! there's leaves of Grass: I was wondering what he was going to do with Leaves of Grass."

     If you would write your name upon my 1855 edition, which I intend to present to a public library, I should send it to you. I should like the book to represent your penmanship as well as your skill as a printer. Hoping you will be willing to render me this service, I am, dear Poet, yours truly,


W. C. Angus

     I said: "There's your Englishman!" He said: "I don't remember when the letter came but when I picked it up off the table here the other day I said: 'There's that Englishman's letter again.' I was thinking as you read it how many angles I am received from—with what different results. Sumner said to William once: 'Whitman would have been all right if he'd only written Democratic Vistas.' Phillips, too, it seems, told somebody that Leaves of Grass was a mistake. The public seems to look at things the other way about: people buy Leaves of Grass—they don't buy Specimen Days: to many people Specimen Days is the mistake." I asked him. "To most people, Walt, both books are a mistake, and you yourself are the biggest mistake of all!" He nodded: "It's fair to say that, too: I'm not sure it's wrong. I am not prepared to put up an argument against it." I said: "Walt, you never put up an argument against anything: when they growl you say 'yes, yes' when you mean 'no, no,' and go on doing just as you please. Laughed. "I am not prepared to put up an argument against you." Laughed again.

 
Friday, February 22, 1889

     5.45 P.M. Dusk. W. sat by the middle window. No light. Looking out at the darkening northern sky. Hair rather confused. Hands clasped across his belly. Big, ample, impressive. Tired in aspect.

 
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Clouded and chilly all day. He had felt it. I remember my call this day a year ago. He gave me a copy of Passage to India. A year hence! Will he still be here? I hardly look for it. And yet—. W. greeted me in his usual way. "Ah! Horace!" His meal still on the table, half eaten. But he said he was through. "I started late." Bad day. "No relief from the deadening routine." Was "not conscious of any deterioration." W. never hides anything from himself. Neither does he worry over any anticipated evils. W. said: "I guess he has nothing more to say by letter—is saving the news up—will tell us when he comes." But he went on: "I had a postal from O'Connor—Nellie O'Connor: William is still in a very sad state: but she gives no details—writes only a few lines, unsatisfactorily, tantalizingly." But he thought that Bucke would get to Washington next week. "That consoles me." He pointed to the table: "I had a letter from John—John Burroughs—too." I asked: "Was it in answer to mine?""I don't know"—but after a moment, reflecting: "I don't know but it was, too: he remembered you in it: he said I should tell you the essays he is now preparing for a volume are old ones, collected from the magazines, periodicals, papers." How was his letter? cheerful? "I don't think you would call his letter bright: it is not chipper: John is not chipper, optimistic: he seems to be laboring under some depression, moral as well as physiological." I asked: "Do you feel so sure about that streak in him?" W. answered: "Well—it is there: John seems unaccountably in the clouds—in the blackness: he is serene but serious—shadowy: there seems to be very little of the dawn left in his composition." Did he say where we were to send the book? "Yes, to West Park: he is going back to his farm." W. says his friends just now, like himself, "seem to be passing through a period of crisis: the news all around is bad, saddening—we might almost say disheartening," though "disheartenment in any usual understanding of that term is foreign to my inclinations." He says he "braces up against the O'Connor fatality." If he experiences any despair it is not so much logical as atmospheric. He says he has sense enough to expect "the worst, as the world calls it": that which, in William's case, as we know it, "will be the best."

     I told W. I was going to Germantown this evening and wished three Sarrazin sheets to take with me. He wheeled about his chair, took up several out of the pile on the table (it was too dark for him

 
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to count) and passed them on to me. "How many are there? Take your three." There were four. "Well, take four: I think Bucke's abstract would be a better one to circulate, to pass around, but that is not ready yet: I am going on with it leisurely: it is still in the printer's hands." But after appearing to think it over he said: "Perhaps it should not be said that Bucke's is better: rather, not better but complemental. Give your people these: then we will send the other—let it follow, when the printing is done." Wished to know about Mrs. Coates. Had I seen her lately? She had been ill: was not physically strong. W. said: "I thought just the opposite of her: she was so cheerful." I said: "Bonsall said the other day that except for the fact that you said and he knew you were sick he wouldn't have known it from your face or your talk.""Yes, it often goes that way: the growlers are not the worst off by any means."

     I asked W. what he thought of Harrison's prospective cabinet—particularly of Blaine as Secretary of State. W. said: "Yes: I see it means him: that is a demonstration: it demonstrates the policy: I expected it"—stopped for a moment: "And I say, damn it, too!" Here he turned to the window, looked out again, locked his hands in the old way: "But the most welcome news to me, the most satisfying news altogether, coming the last three or four days, is the story of the admission of the new States—four of them: that is a glorious evolution: I appreciate it: no one realizes the fullness of its meaning better than I do." I said: "The Press glories in their admission because they will be Republican States." W. first laughed—then became quite grave: "Yes: I suppose that is their reason: but I have other reasons: I approve fully, wholly, entirely: more than approving—glory in it, in fact it even falls short of what I should have said, include New Mexico—oh! New Mexico is a great territory!—even Utah!""But," I said, "they could not stomach the Mormonism." W.: "I suppose not: though what that has to do with admitting Utah I can't see.""You evidently have no objection to Mormonism yourself, Walt.""I haven't—not a bit: I don't make it my business: I said Utah, too: I meant it: with or without Mormonism. I meant it." I said: "The West seems to be the Great West to you, Walt." He exclaimed: " Great indeed! no one can tell how great, either, till he has been there, breathed in—known its vast, I might almost say limitless,

 
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expanses—the prairies, the infinite spaces." He was immensely stirred: "It is the great, great, great stretches in the West, there beyond the Mississippi, which are so awe-inspiring: take the stretch say from Kansas, one of the Eastern cities, even Kansas City, on the edge of the Missouri: start off on the ride to Denver, a matter of seven or eight hundred miles: everywhere you are pervaded with the sense of the interminability of things: scarcely a dot, a sign, of life, the whole long way: the land on every side virginal, untouched." He added: "And yet all this was appointed.""The West is filling in: think of the twenty of thirty years to come! what will they not disclose?" He said: "It is such thoughts as these which drive in upon me the importance, significance, of the admission of the new States."

     I met Florence Burleigh's brother. He is just back from Alaska. He brought some wonderful photographs along. W. had me tell all I could about them. "I can see them: their dramatic power: their charm: trees, mountains, the rolling sea, the clouds overhead, long lays of land, the faraway shore, the workmen moving round." He said: "The mere thought of it as you talked fascinated me: I think of myself: my prison life here: then of the wonders of the north: all that." He said some critic had said of his own work that it evinced "a painful fidelity to life." Was it true? "I ask myself that question: perhaps it is true: absolute realism: and yet how can we desert life? I don't say the case is one-sided: it must be considered both ways." I received this note today:


66 Broadway, New York,

Feb. 21, 1889.


My dear Traubel.

     Thanks for your note. I enclose ten dollars—i.e., two dollars and a half to the first of June, which is about all I can spare, I am sorry to say. How much of a regular (pledged) fund—monthly—have you got established? Give my love to W.W. There is a nice article on him in the London Hobby Horse, the art journal.


Sincerely yours,


E. C. Stedman.

     I read the Hobby Horse sentence to W. He said in his queer way: "Oh! thanks—thanks!—and then as to the article: "I do have a faint echo of suspicion of a remembrance of it—but one that's too dim

 
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to make anything of it: I think it was the January issue: it was specifically on November Boughs: very fair, considering: but what can I say beyond that? Have I spoken to you of it before? I shouldn't like to have to swear to anything pro or con concerning it. Sometimes I get the impulse to run away—to get beyond all the seeing and hearing of criticism: to just write, to perhaps publish, but to refuse to have anything further to do with what happens or does not happen." He admonished me:"When you write to Stedman say the right things to him for me: tell him about, describe to him, the hell of a hole I'm in at last: say there's very little if any hope of a deliverance: make it clear to him that we're not despondent but facing the facts frankly, calmly: then give him my love."

     An after-reference to Mary Costelloe. He asked me: "Have you read much of Montaigne?" Had he? "I don't say I have: I suppose I have not: but I've read him some: he is precious stuff." He paused: "Off towards the end of the book there is a woman—oh! what is her name?"—but he couldn't get it: "Well, it is a woman, just of Mary's type: you will see it some day: I want you to look it up. Read Montaigne for his own sake: after a while you'll come to that place: study it well: then you'll be introduced to Mary—then you'll know her: though you have never met her you'll know what she is like. Asked me for Stedman's address. "Is it still East Fourteenth Street? I want to write him: I have things I want to say to him: he deserves more than the passing compliment from me: I don't always pay these courtesy and these love debts, in words, especially these recent turbulent days, but I want to do so—I feel guilty when months slip past after months and I have been obliged to forego my duty." I said: "You used to discredit duty, Walt: you substituted 'living impulse' for it: don't forget that." He answered: "Call it 'living impulse' then if you prefer: 'living impulse' is better, to be sure."

     W. has not yet decided the scale for the picture. He is "hopelessly dilatory," as he himself says, in such things. Now he says: "Let it go till Monday—yes—even to Tuesday, when the Doctor comes." Not reading a great deal these days. But he has "dipped into" the Johnson. "I see it as an author's copy: Clifford and Johnson appear to have been friends." Review in an old copy of Christian Union of a volume of poems by a Canadian, Cameron, who quotes W's "Who touches this touches a man." W. said: Leave it with me: I should

 
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like much to read it all." W. had "turned up" another Carpenter letter. Would I read it? Certainly.

Brighton, Sept. 17, 1877.


Dear Walt,

     I am sending you a P.O. order for ten pounds. Some of my friends want your books and are forwarding the money through me. I also want one or two copies to give away.

     You had better, I think, send the books direct to the following: Both vols (Leaves of Grass and Two Rivulets) to E. Seymer Thompson, Christ's Church, Cambridge: ditto to Clement Templeton, Abernathy House, Mount Vernon, Hampstead, London: one vol (Two Rivulets) to J. J. Harris, Teall, University Extension lecturer, Nottingham.

     The rest you had better send to me. But do not send them immediately. I will write again when I know my address at Sheffield (where I am going shortly) and when I know which volumes are wanted.

     I have not seen (or heard) anything of Buchanan since I have been in England: but I shall bear in mind your message if ever I come across him. I looked at Augusta Webster's poems the other day at the library: but they seemed to me commonplace—rather inclining to be intellectual—and I don't think you would care about them. They were not miscellaneous poems but one vol: a drama and the other a Chinese story. I have made inquiries but I cannot hear of any other vol. If however by any chance you want to have one of these vols write and tell me and I will send it.

     I had a letter from Arunachalaen—my Bengalese friend—whose photo you have, not long ago. Speaking about you he says: "I have for some time been seriously thinking of writing to him to express my love and reverence." He also says: "Do send me a photograph of him. I know of no means of getting it. I want if possible also a big one that I could frame and hang up." I have sent him one of the small photographs that I have.

     By the bye, I wish very much that you would not have that photograph on the fly leaf of Two Rivulets. I do not like it at all. I don't think it is like you. Could you not put there, instead, the head of 1871, or that of 1872 (which I admire much?) I have been showing

 
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the photographs you gave me to my sister Dora—whose likeness you have. She is very much impressed with particularly the last mentioned, and wants to make a painting after it in oils. She is getting on finely, I think, and if I can get it I shall send you a photograph of one of her last—a couple of dogs, a pug and a King Charles.

     I am finishing up my preparations for my winter course of lectures. I have got a whole lot of apparatus down here to illustrate "sound"—organ pipes and tuning forks, and speaking tubes, and piano wires stretched on sound boards, &c—and am practising experiments on them much to the delight of a small helper who understands everything at once in the most alarming way.

     Remember me to Harry. I would like to know what he is doing.


Yours


Edward Carpenter.

     "That was a practical letter," said W.: "it was a hand offering even more than it was a money offering: '76 and '77 were memorable years to me, especially when regarded from the point of view of the English help-fund." There was a postcard pinned to the letter. This card Carpenter wrote three days after the letter had left. The card read: "Please also send two vols (Leaves and Two Rivulets) to Revd H. R. Haweis, 16 Welbeek Street, Cavendish Square, London, W. He orders them through me. The remaining three vols keep till I write again." Also a portrait of Dora Carpenter. W. said: "These edges, bits, margins, cuttings, what not, all serve to fill in the gaps in the story: I don't know what use you can ever make of them: perhaps no use: but you will be equipped—you will have the data if for any reason it is called for or is in order." W. said: "I can't see much of Ed in Dora—of Dora in Ed—but they are brother and sister: take them for that: I was glad to have the picture: the little counterfeit faces are faulty, yet precious: they are friends in need—especially to a fellow housed up as I am, isolated, sidetracked, waiting God knows for what."

 
Saturday, February 23, 1889

     7.45 P.M. Ed says W. said he was "only middling" on getting up. All day long he has manifested this depression. Physical. Inclined to be cheerful otherwise. "I have been only half and half," he said: "with a leaning on the good side to less than half." This really signifies

 
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that he has been feeling quite bad. I know what his words mean. "Bitter cold outdoors: I know by the way the fire was burning, by the crackling of the wood, that there was a big wind blowing down the chimney: I've been sitting here thinking of the river—hoping somehow to escape the deadening four walls of this room. Read a little this evening but nothing otherwise all day. "I did not write to Doctor today—nor yesterday: but by this time he must have received what I sent the day before: that was Thursday: I sent a letter and a paper." But had he heard from Bucke? "Yes, there's a letter here somewhere"—proceeding to search the table. He finally found it. "Ah! here it is!" Then: "Bucke seems at last absolutely set upon his time: Monday: he says he will see us Tuesday: then there's a message for you in it—something about the meter." He asked: "The meter? what of the meter? Is it everything or nothing? I incline to nothing—though I don't want to be a prophet of evil, either. I seem to never be of any other mind about the meter: I only see it failing: I never see it succeeding.""Are you going to tell the Doctor that?""Hardly: not unless he invites it: not even then, perhaps."

     W. thinks it's about time he had heard from Sarrazin. "And Griffin? I wonder what has become of him?" G. has never sent W. a single word acknowledging the Leaves of Grass that was sent to him last year. "Was it Griffin Sarrazin said was dead? Didn't Sarrazin say something in his letter about it? You read the letter, didn't you?" I did not think so. W. added: "I appear to be confused." Agnes Repplier has a piece in Unity on The Ethics of Lord Tennyson's Poetry. She quotes something from "a recent lecturer" which I called W.'s attention to: "Browning is the only English poet, living or dead, who has any message for the men of the nineteenth century." W. asked: "What does she know about all the men or all the women either?" I said: "She don't say it: she only quotes it." W. again: "Well, anyhow—what does she know?" I spoke of her as "brilliant." W. assented. "Yes, brilliant—too brilliant: she is one of the great cluster of intellectualists in which Doctor Johnson was a shining light—an illustrious luminary: the polishers of language: learned, esoteric: sparkling wits: above all, erudite—oh! too damned erudite!" I put in: "And last of all, often, lovers of truth!" W.: "That is God's truth—though I don't know that that just expresses it (the whole of it): it is an evasive though contemptible quality. We meet people—

 
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men, women—not intellectual, not literary, to whom we are drawn, who are drawn towards us: we do not know what draws us—could not tell why we are drawn: yet the fact is indisputable—the bond is unseverable. This quality, whatever it is, the intellectualists, as such, lack: they are as humans to be avoided. The world in our time seems full of intellectual people: full: you meet them everywhere: the professions particularly are overweighted with them: but literature suffers worst of all from their invasion: the mal-development there is the most marked—is there most repulsive, most painful."

     W. read the Christian Union piece on the Canadian poet "with great interest.""There's nothing at all in it from which I should dissent. I weighed it carefully. Shall I put it here with the budget?" He's piling things up against the Doctor's arrival. W. said: "Tom was in last night: when he left I gave him the Pall Mall Gazette criticism and the Lippincott containing the story, Bella Demona: I wish you would get both for me in a day or two. Tom quite understands that I want them back: often he don't step in for a week: I shall want them within that time." He spoke of the Gazette piece as "scholarly in the extreme." He said: "The scholar can't hide himself: he gives himself away every time." I said: "The thicker he makes his verbal veil the easier he is seen!""Admirable! splendid!" W. exclaimed: "Say that again." Which I did. Still harping on my daughter. Spoke of the News piece again. Again said: "I am tantalized in not knowing who its author can be." Told me he "had an envelope" from Morse. It contained an address by Adler—another address by Swing: newspaper reports: but there was no letter included. I asked Morse to hunt up the News man. No word on that subject yet. W. asked: "Do you want to read the Sermons?" I asked a question in return: "Have you read them?""Hardly: sermons are hardly my specialty." But he added: "Down in another column of that copy of the News—I think on the same page—there was a dialect poem, Jim: did you read it? I marked it: it seemed to me very strong, very efficient, indeed." He spoke of this the other day. "In the Harteian manner?" I asked. W.: "Yes: no doubt with the touch of Bret Harte, but except for three or four of his best, better than anything Harte has ever written." Had I seen Bill Nye and Riley when they lectured in Philadelphia the other day? W.: "As a general thing I don't enjoy dialect literature: it's rather troublesome stuff to handle: yet Jim took a

 
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powerful hold on me: but though I don't care much for the dialect writers myself I acknowledge their validity, value, pertinence: that some of them are remarkably gifted: they indicate, stand for, exemplify, an important phase in our literary development." He had "particularly in mind" one of Bret Harte's "lesser quoted" poems. "It is mighty fine. I have regarded it as his most eminently splendid bit of work: what the locomotive from the Pacific says to the locomotive from the Atlantic when they meet: have you read that? Oh! it's capital: it's a perfect creation." Had he any objections to The Outcasts of Poker Flat? "Not a single objection: I like it—more than like it: all of it." Where did he rank Bret Harte? "I hardly know what to say to that." Above Mark Twain? "The English have taken to Harte: they seem to understand him." What was his idea of Mark Twain. "I think he mainly misses fire: I think his life misses fire: he might have been something: he comes near to being something: but he never arrives." I quoted Brander Matthews. W. asked at once: "Who is he? Where is he from? I have neither met nor read him."

     When I asked W. about the portrait, he said again: "I've done nothing with it: I thought we were going to put it aside till Bucke came?" I said: "Dave sets great store by that picture: he says we mustn't let anything happen to it." W. replied: "He sets no higher value on it than we do: I believe I see in it, through it, around it, better than anyone else: I'd be more robbed than anyone else if anything happened to it." Asked me: "Have you any idea whether Oldach has got along any with that correction, annotation, volume for me? I'd like you to see if he's gone too far with it to insert half a dozen blank pages for notes front or back or both front and back: will you take care of that for me? Sometimes he's slow: if slow this time we'll be the gainers and not the losers."

     W. had laid aside for me what he called "a Rossetti document." He smiled. "It will give you some actual figures for what might otherwise be pure theory." He said I should "never forget how whole-heartedly Rossetti had always stood by his guns." He admonished me: "You will stand for me far into the future: Rossetti is one of the few: you must always keep him well up towards the head of the list." Several memorandums were pinned to the letter. W. said: "They all go with the story: they all help to unravel the mystery: for it is a mystery, eh? how things get started, stop, win, lose, in this world."

 
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I started reading. W. lapsed into his chair. "I'm at ease," he said: "this is nice."

London, October 4th, 1885.


Dear Whitman,

     I received with great gratification your post card of 8 September acknowledging a previous missive of mine.

     I now endorse a list of some further sums. These are all that have reached my hands up to date: there may possibly be something besides in the hands of the Gilchrists, but I have no particular reason for supposing so. I had been expecting for some weeks past to see a circular in print, Herbert Gilchrist having ordered one, but have not yet seen it. When it comes we may expect to come to closer quarters with your admirers and adherents, who are certainly neither scanty nor lukewarm in this country.

     I shall now without delay proceed to pay the £37.12 into the Post Office, so that it shall reach you in like manner with the former sums. As soon as I have actually done this, I will send you a brief letter of advice.

     Some of the names on the enclosed list are unknown to me: to others I have put a brief note of explanation. The last person on the list, R.B.C., is Earl Russell: he writes me: "I do not wish my name to be published," so I have not given details on the list itself. This youthful Earl is now twenty years of age, and is grandson of the (in England at least) celebrated Lord John Russell, who was a prime agent in passing the Parliamentary Reform Bill of 1832, was afterwards Premier more than once, and was created a Peer as Earl Russell. His son, Viscount Amberley, died while the father was still alive: the Viscount was a very liberal thinker on matters of religion, &c., and published one or two books. Lord R. writes to me as "a recent but more or less ardent admirer of Walt Whitman"—and he subscribes "with the warmest feelings of thanks and reverence for the Good Grey Poet." I am no devotee of titled people as such (would on the contrary abolish all titles if it lay with me to do so), but would have thought that you might like to know these few particulars about R.B.C.


Yours with affection,


William M. Rossetti.

 
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     W. made a pencil memo on R.'s letter: £37.12 sent by letter from W.M.R. of Oct. 6 '85." Three lists of contributors accompanied the letter. These were the names on the lists: G.T. Glover, John Wallace, John Fraser, G.R. Rogerson, Charles Rowley, Jr., W.A. Turner, H. Boddington, C. Sheldon, E.R. Pease, Miss Hamilton, Miss Riley, Rev. Lewis Campbell, W.H. Coffin, J.A. Symonds, A. Crompton, R.B.C., Amy Levy, Oliver Elton, Shadworth Hodgson, Henry James, Charles Pratt, J.F. Molloy, J.R. Williamson, John Todhunter, Miss Gibson, L.W., G.R. Benson, R.G. Totton, T.G. Leathes, L.A.J., Miss Pease, J. Johnston, Oscar Gridley, T.H.C., G.H.M., M.E. Dakyns, G.C. Macaulay, Ernest Myers, R. Louis Stevenson, Rob. Hannah, A. Sidgwick, R.E. Powell, Helen Zimmern, Leonard M. Brown, Mr. and Mrs. Francis Darwin, Miss Gerstenberg. One of the sheets is mutilated, cutting off three or four of the names. I said to W.: "I call that a roll of honor." W. said: "I am precluded from repeating your phrase but I may well call it a roll of love."

 
Sunday, February 24, 1889

     8 P.M. Found Baker in the parlor. He wondered if it would be all right for him to go upstairs and see W. I had him go with me. W. greeted us both heartily. Chatted briefly with B. who left us alone in a few minutes. In reply to B.'s question: "How are you?" W. said: "Well, here as you see, still in chains." And to the question: "Do you ever get down stairs?" he answered: "No—not once in a month"—in fact not since last October. When W. gets these colds he seems to have a little difficulty in hearing. Baker said he had been in the Academy earlier today. He had seen Gilchrist's picture. W. asked: "How did you like it?" Baker's impression "was a favorable one." It seems that Baker saw a picture of Mrs. Gilchrist by H. there also. This appealed to W. He asked B. several questions concerning it. Baker asked: "And what is your opinion of the picture, Mr. Whitman?" W. said: "I have no opinion, Doctor: it's safer for me not to have an opinion." W. said: "No word from Bucke today: the day as usual has been uneventful: Tom stopped at the door: left the Tribune, which I read." But he said there was "no news." He thought: "Bucke's silence is significant: he will come: I have not the slightest doubt of it: he starts tomorrow morning: gets here so that we can see him Tuesday and Wednesday."

 
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     Asked me what I had been doing all day. I told him of my walk to Germantown. The air was very cold and bracing. He said: "You must walk these days for both of us." And again: "You are required to be double hearted as well as double footed: I find myself expecting you to stand for me, represent me, say things for me: after I am gone you'll find yourself involved in situations which will not only test your loyalty to me but test your loyalty to yourself." Said he had read Unity. "But Agnes Repplier doesn't interest me: we seem to belong to different planes." I made a move as if to throw the paper into the wood box. W. asked: "What are you doing? You won't throw it away?""Why not?" and then: "Keep it: send it to somebody: send it to Eldridge: he likes these half and half things." Explained: "All such papers of the liberal cast I send or give to some one: indeed, I mail papers daily, north, south, east and west: bundles, packages, single copies: to Tom, Dick, Harry: to my friends: they are sort of brevet letters: lately, in my disablement, I've had the paper stand in place of letters." Was "trying again" as he said, to read Boswell: "The more I see of the book the more I realize what a roaring bull the Doctor was and what a braying ass Boswell was." He handed me some papers tied up in a string. "They are papers of the mystic esoteric sort," he said: "I can't go them: they tell me I am a mystic myself: maybe that's the reason I don't like mystics."

     W. was under the weather. "I woke up this morning a little worse than for some days past: I've since rallied a bit." Had complained to Ed and Mary of "stitches" in his side, which sometimes wake him in the night. "I am anxious to have Bucke come: I want to ask him some questions about these things: I don't want professional opinions: I want to go deeper than that." Returned him P.M. Gazette and Greg pamphlet. Delivered him a letter from Harned. "I shall put them in the Doctor's budget." Said: "You must stand between me and those who push me: I need to have you do it: you have no idea what a comfort it is these days to know that you are sure to do what I neglect to do, haven't had the vigor to do: that you are like a sentinel everlastingly on guard shielding me from dangers on every side." I said: "Dave wants to know how much time you will give him on the big book." W. said: "I don't know: Dave never hurries anyhow: he has not made the December settlement yet in the regular

 
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account." Had he any news from Washington? "None whatever: not a word from anyone: I can't tell you how as this anxiety drags on I become more impatient, restless: I have tried to have Nellie understand how much I need to know about William from time to time: I hardly think she appreciates this—or my superadded helplessness."

     I will be glad when Bucke comes and can take the Washington trip. W. is looking eagerly forward to it. He reached out to the table, picked up a couple of folded sheets of paper and handed them to me. He said: "I have wondered what you can make out of that." I opened the sheets. They were closely written over. "Is this something new?" I asked. "No: it's something already old: turn to the last page there: you'll find a date: 1884." I asked: "Do you mean for me to read this long thing back to you?""Yes.""But I thought you said you felt tuckered out tonight?""I did say so: it's true I don't want to talk: but I can listen: that won't tire me." I started to look the thing over. "It's one of the confessions," he said: "I get confessions every now and then: from women, from men: they seem to inure to the kind of work I do: I don't as a rule know what to do with them: they mainly amaze me. This letter is very much like Stoker's in character." I appeared to him to be hesitating. "If you'd rather not bother about it, all right," he said: "I haven't read it myself for years: take it along, anyhow: I want you to have it: it belongs with the other riff-raff you have.""Riff-raff, you call it, do you, Walt? That's a fine word to apply to the good-will offerings of your best friends!" He exclaimed: "Guilty: I plead guilty: I know it is: what I really had in mind was the curio, not the human or historic element, that plays in the hunger of the collector, in the hoardings of collections." I then said: "Walt—I'll read now if you don't object: I want to go as soon as I've finished." W. interrupted me at a few points as I proceeded but for the most part was perfectly still, though wide awake.

     O Walt!

     Take this Calamus leaf at the hands of him thou hast sought for. Lo! I am he.

     What shall I say, or how shall I utter, the radiant feelings that gush from my heart at the magical words thou hast sung to the unknown?

 
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Like as the waters at Moses' command gushed out from the rock in the desert.

     Long had I wandered alone in the earth nor met with a friend or a lover. And wonder not that my tongue now stutters and falters, for never before have I been allowed to express my love to a living soul. And none can comprehend the extent of ecstasy who hath not passed like Dante from hell to the light.

     'Twas at midnight and we lay alone (remember thy words) when we first met, and O the flush of overwhelming joy that shot through my heart and set my pulses throbbing with a wild exaltation that hath not faded away.

     I need not demand thy love, for that has been given. I have embraced thee and thou hast returned my embrace. Utterly thine am I and thou art mine own, and no one in all the world is like to us twain. Nor need I repeat again what thou hast depicted, nor add any silver words to thine of redeemed gold.

     O thou hast not written in vain! We didn't then know an echo would somewhere be found, fearing only (didst thou not fear?) that it would not reach thine ears in the day of our sojourn here.

     But now thou wantst myself. Then listen, brother and lover. Let me unroll the extensive panorama of my own personality.

     1.

     First for the account of its growth up till now (for it has not and never will have done growing): At fourteen I was a freethinker, at fifteen a Buddhist, at sixteen a Mohammedan, at seventeen a follower of Carlyle, at eighteen a Darwinian, at nineteen a skeptic and almost materialist, at twenty a human universalist: these are but rough landmarks. I have been an atheist and a pantheist. I have been a Stoic and an Epicurean, a follower of Plato, and of Diogenes. I have been an admirer of the man Jesus and of the Struggle for Existence, an idealist and a materialist, a misanthrope and a philanthropist. I have been a Liberal and a Radical, a Socialist and an Anarchist. And I am still all these and much moreover.

     I glory in my mutability and my vast receptivity. I glory in having no unalterable opinions. I glory in my invincible supremacy over prejudice, my superb contempt for custom. Finality is the only thing

 
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that is impossible to me. The only idea I fight against is the idea of fixed principles: against the possession of such I revolt and stand on my guard, for I know that, as necessary as is its perfect poise to the magnet, unswerving endeavor coupled with inexhaustible liberty is the only price of truth.

     I have pondered on Life and Death and the Universe more than anyone else that is alive: but now I am no more troubled about them. If I am to be immortal, it does not trouble me; and if I am to be annihilated, that does not trouble me. For I have so diminished the separateness of my identity that I have already partly ceased to exist, and I have so transfused my essence with the Universe around me that while it lasts I cannot be altogether annihilated.

     I have accepted the Universe. Wherefore it has come to pass that I am as Godlike as God is, for God cannot cause anything to happen that I have not agreed to and willed beforehand.

     Also, I laugh at the smallness of this little earth; with thumb at the North Pole and finger at the South Pole I can grasp it and pinch it together. And the Solar System is absurd in mine eyes, the sun and all of his planets are so small.

     (A word is written on externals.)

     Although I am not of thine in birth, yet that may perhaps be forgiven, for what is a country, or what is a world, in the depths of the All? And is even Identity or Separation so beautiful as Nothing or Cohesion? And anyway can Sentiment stand in the place of Truth?

     Easy to me was thy paradox. I answer it by this riddle of mine own, for thee to read: The segment is as circular as the circle, but it is not half so beautiful.

     2.

     Love alone is my master, to him I succumb and surrender. He is the author of all my suffering, but he hath redeemed my soul. And alas! for the blasphemous scruples of prudish harlots, I have not seen the loving entire of thee; only thine English presentment reached me last week, selected too by a mild, well-meaning soul who "admits" thy "boundless self-assertion" a "serious fault."—For me, who love thee, thou canst not assert thyself enough.

     Love is my lord and king and only god, and yet I know not what

 
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it is to be loved—did not, let me say, till I met thyself. For when I was but fifteen I loved in vain, loved with a holy, yearning, obstinate love, loved a being too weak for me to reproach. Pardon me that the flesh-wielded pen returns with a sad delight to the thought of bygone loves. And O how joyfully now can I look again at the sorrowful, sorrowful times I have left behind.

     I assure thee that from that time to the present there has never elapsed one moment in which I would not have welcomed death. I assure thee that when I was but seventeen I bore poison constantly about with me, meditating the example of Chatterton. I assure thee that when Carlyle died I almost shed tears, I, who since my childhood have never wept.

     I assure thee that I wrote letters at midnight to an imaginary friend! To him I said this: "I feel a large fountain of love running waste in my heart, and I want someone to partake of it; I thirst for someone to love and to be loved by. And will a merciful God let me thirst in vain forever? Surely not. O my friend, mayst thou never feel such heaviness of heart as I sometimes feel. O wherefore did I not meet thee then?" And elsewhere I wrote: "O could our souls together climb Above this realm of earthly clods And soar aloft like demigods, To watch the travail throes of Time!" All these were meant for thee, and more I need not now extract.

     Hast thou had experience such as I speak of? Hast thou known what it is to live unloved?

     With parents whose affection is no boon to me (for without it be accompanied by understanding, what is such affection, after all, than the beast's?) with relations not even friendly, without a single lover, or friend, or intimate, or companion.

     Such is the curse of the Truth-seeker; but the Universe is his reward.

     And I had steeled my heart to desertion, and they that marked me said: "This mortal has never loved, a selfish satirical cynic is he, whose heart is only a palpitating stone." Yet knew I that somewhere, far in the Universe, there dwelt a spirit in pure accord with mine, strong and weak and high and tender and large and true.

     Now dost thou know as much, perhaps more, of me than I know of myself, for these blunt words to thee will be subtle directions.

 
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(And of what account are words except for the impression produced? And no words ever yet produced quite the same impression on two different personalities.)

     And if thou wouldst inquire of evil qualities and vices, I have all thine evil qualities and vices, but I do not acknowledge them to be evil and vicious. (I have expunged the word "SIN" from my writings.) And I take pleasure in what men would call my personal defects for I can, standing by as it were an outsider, perceive them working together to influence my identity for good.

     And if thou wouldst know me, as I write, even to the innermost core, go forth at night and gaze for a silent hour into the mighty deeps of the far-off stars.

     3.

     My soul and heart hast thou seen, and now my mental directions.

     I am a singer or writer of verses or perhaps—but I do not yet appraise myself. I have written plays, comedy and tragedy, allegory, satire, and biting political pieces, a few of them printed, also a multitude of sonnets, with other pieces, serious and pleasant, too numerous to be mentioned.

     I have written prose treaties on the constitution of the Universe and contributions in several comic papers.

     I am an orator and a demagogue (I prefer the name demagogue for myself). I have delivered speeches on behalf of free thought and democracy. I have gone, a Saxon, among the embittered children of Erin, and they will not report unfavorably of me.

     Now am I less than equal on account of my years. I hold that youth has its own high wisdom, that it is fully as wise as age. For youth can be easiest touched and taught and won and converted.

     4.

     On externals.

     Here I have recently come as a clerk in a government office. But meanwhile I secretly prepare myself for the task of aiding the people to reject the yoke of my own (I do not mean bloodshed). This thou wilt surely deem a not unworthy object. Yet for its better advancement I have to play the part of a grateful citizen—part repugnant! Such am I known, a respectable good young man, with perhaps a

 
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taste for rhyme, a radical too, and tainted, alas! with some slight touch of freethought!

     Yet to no two persons am I known quite the same, and there is not one who has seen one-tenth part of what I am showing thee. (For I have not succeeded in publishing aught yet, though even now I am trying.)

     Here too my fate of unfortunate love has followed me still, for thou art an ocean away. Now if thou wilt summon me, I will take courage and leave all, although without a penny I reach thy side (for I am not rich). But without thy word I dare not forestall the course of events. Nor dare I summon thee here, for it is my place to go to thee. And if it were possible, I know thou wouldst come.

     Yet it shall come to pass somehow, soon or late. I must behold thee. And no so much to listen or talk, as to grasp thine own warm strong right hand, and take a long look down thine eyes.

     This is the Calamus leaf which the Englishman Allen Upward (Upward, ought I not to be proud of the name?) plucked from the soil of his inmost bosom to send to Walt Whitman, the American, poet, writer and lover.

     From 11 Great Charles Street, Dublin, Ireland. Written on the 12th March, 1884.

     WALT See, I kiss this, am I too bold?

     I said to W.: "That's about the biggest job you've ever given me in the reading line.""Yes," said W.: "I suppose it is." After a pause: "Well, Horace: what do you make of it?" I replied: "That wouldn't interest me: I'd rather know what you make of it." W. was momentarily still. Then he said: "You answer one question by another. What do I make of it? Nothing: taking it as a whole, nothing definite: I have feelings about it but no conclusions: it's so youthful, so green, so little, so big, so spontaneous, so stagy, so bulging with vanity, so crowded with affection, I can only listen to it, read it, like it as if I was eating something I was sure I liked and wondered if I liked, both. Do you see something in the letter that makes you think of Stoker? The same impertinence, and pertinence, too? the same crude boy confidence, the same mix-up of instincts, magnetisms, revolts? In both cases there's the curious, beautiful self-deception of youth: Stoker, this boy: it's the same: they thought

 
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they were writing to me: so they were, incidentally: but they were really writing more definitely to themselves. I could not but warmly respond to that which is actually personal: I do it with my whole heart."

 
Monday, February 25, 1889

     7.45 P.M. W. again reading Boswell. "He's the champion brayer in literature," said W. laughing. "I swear I'll never try to read him again." I met Ed at the door. He had an armful of mail to take to the post office. Thought W. a little better than yesterday, though still not back to normal. W. himself said: "I am doing fairly." I repeated what Ed had said. W.: "I'll never be back to normal." Asked about the weather. "It must be milder: my body tells me so." Letter from Bucke, he said. Searched for it. Everything gets sort of lost. Found it. Read it to me. "No doubt he will be here tomorrow: I am full of it: it encourages me with the liveliest anticipations." I said: "I propose having him come over to see you in the morning: we can't meet Harned till afternoon: you won't want him here all day anyhow.""That is true," he said: "I might want him but I couldn't stand him: even from Doctor a half hour's visit would be best."

     Discussed the mysterious picture. W. said: "We'll talk it over with the Doctor: three heads are better than two.""Even if two are cabbage heads," I said. He laughed: "Yours and mine, you mean!" I said: "No: mine and some one else's!" He laughed again. "Oh! you want Maurice and me to fight for the honor: I see!" Then he stopped fooling. "I think we must get the picture reproduced with reference to use in the new book: the book we now have in view." But that meant reducing it to the size of the November Boughs page. He said: "Yes: but I would rather have it large: in fact, I had contemplated something quite other: contemplated having it done in facsimile: if we were in Paris I have no doubt a way would be devised: their resources in such directions over in Europe—particularly Paris—seem unbounded. Gutekunst has a process: we might [have] recourse to that: what does he call it? phototype—something like that." But if G. did that he would own the negative and do as he pleased with the prints, no doubt putting them on the market. W. said: "That probably would be the case; we could have no protection against that"—here he paused, then went on: "Except that we are

 
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our own protection: we may argue that we are not famous enough to create a market for the pictures, which would mean that it would not pay Gutekunst to proceed." After another stop: "There might be another way: the thing is now in our own hands—at least in Dave's." I put in: "Dave says we may make whatever use of it we choose." W. exclaimed: "Good! good! and thanks to Dave! Well, then: we have it in our own hands—can make our own conditions." We "need the picture for the book." But he could not "spare" himself "the desire to have it made on the present scale." But that, probably, was "out of the question even by the Gutekunst method.""It might be made large by the Ives process, to cover two pages, bound in on slips," I suggested. But W. was afraid. "That seems like choosing the elaborate way to an end," he objected: "I have no desire to court trouble: if I was to live fifty years yet, knew it, felt husky, I might declare for that: but under the present circumstances I must not consider it." I said: "I don't see what fifty years or being husky has to do with it: but have your own way: it's your funeral." He laughed heartily: "That's what I was just saying: it's my funeral that's in the way!" I said: "Walt you're a grim joker." He replied: "We can't cut out our fun even at the edge of our grave." I asked: "You mean that a joke says to a grave: where is thy victory?" Then he said: "You're joking yourself now! Just the same I think the fun is entitled to its innings even with death." I said: "If we live again then the joke's on death anyway!""So it is: we must, will, can't help, living again: death can't have the last word."

     W. said: "I have been thinking of what Rossetti said in that letter about titled people—about being a republican: the earth will be covered with republics by and by." I put in: "or communes." He didn't object. "They may be the same thing," he said. I asked him if he didn't think Rolleston was also a republican? "Yes, he must be: it is made inevitable by his attitude towards the Empire." I also asked him if he thought the governmental development of the world would end with the republican form? "I don't say that at all: how could I see so far?""Well—what of the anarchistic idea—no government at all?" He gave me a question for my question. "How can it be done? is there a way it can be done?""The anarchists say so." He shook his head: "I know they do: but can it be done?"

     W., asking me what was the literal translation of "Grashalme,"

 
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said: "I think it one of the splendid facts of our time that we insist upon the short way of things if there is a short way—and there always is a short way!" I told him I had caught the book in time at Oldach's. The twelve extra blank leaves would be put in and twelve yards ("stubs," W.: calls them). W.: "So that is the binder's word for it? I am glad to know it: I like "stub" too: it's a good word: terse, direct: I like any word which sharply defines its object: I prefer the ugly to the beautiful words if the ugly word says more: ugly words you'll often find drive more immediately to their purpose." He added: "The usefulness of speech all goes with that: on its promptitude, its inevitableness—hitting the nail on the head without circumlocution." I heard a lecture by Tom Davidson yesterday. W. had me tell him about it. He questioned me. Listened. Finally he said: "Yes: I can see what Davidson was after: I too respect science—the scientific point of view—surely the scientific spirit: but I do not feel myself to be ready to say that I go with it wholly, unmitigatedly—for I do not. I can see what science sees—what it says can be seen: but there is much beyond that: I see that too." I said: "I'd like to hear you say more about that, Walt." He went on I could see rather because of his own impulse than of my suggestion. "I should be inclined to say the supreme value, the highest service, science is rendering to thought, today, in our world, is in clearing the way, pioneering, opening roads: untilling, in fact, some things instead of tilling them: sweeping away, destroying, burning, the underbrush. Oh! think of what it has done in untilling alone—what a precious force exerted in untilling! Take the instance of what is called the theological, what people call the religious world—the world of belief so-called: think of it: of what it has swept away there: the slag, the waste, the filth: the loathsome prisons, bitternesses, barbarisms! Even today its task is not done: see how much lingers still in some places: the cruel anathema not only of words but of deeds: how the traditions are still harped on, made much of, in pulpits—even in the press: how they threaten, slander, browbeat." Here we find that science may "get in its leveling touches—clearing, cleaning, heaven and earth for what may come."

     Had he heard from O'Connor? "No: not a word: but I got a letter from Sarrazin—a short letter: he has received the book." I asked: "Does he make no comment?" W. replied: "He does not enlarge: he

 
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says he will remember me when his fall work appears: it seems he is preparing a volume, a book, which he will call 'second series': it will contain other essays as well as this." Didn't he specify the big book at all? "No: but his letter was in general very encomiumistic: if I ever blushed (I never do) I would blush at that—blushed to be talked of, talked to, in that way: but whatever about that there's no mistake about the essay itself: I don't think anything nobler has been anywhere said about Leaves of Grass." Shouldn't we proceed offhand and get a full translation from somebody? "Yes: we should have that done: but who can do it? there is no one in our group who can translate it as it should be translated: there are several who can give us its spirit, import—indicate its drift: I am happy enough, grateful enough, for that: but one needs someone who can take it up elaborately: of course there is a good deal—four or five out of the thirteen pages—made up of quotations, which will not need to be translated." I said I knew a fellow who might do the job. W. asked: "Is he thoroughly equipped? It is important that if we have it done it should be done accurately, in the right way, in complete understanding of its spirit as well as of its letter." He added that "in justice to Sarrazin" it should be given to the English speaking world. I asked: "How about justice to you?" He laughed: "That's not so important: that can wait: some people say that I've had more than my due already—that from now on I'll be a vanishing quantity: so we'd best leave that with time, which relentlessly settles all things, both for bad and good." Still kept on the same tack: "It is curious enough: I have hit upon an interesting fact: Doctor in his translation nabbed many passages not made use of by Kennedy: the two abstracts happily complement each other." W. relapsed for a few minutes during which I said nothing. Then he reached to the table and said: "But why shouldn't you have the Sarrazin letter itself? we've talked a lot about it: here—take the letter." Handing it to me—I read it to myself.

Paris, February 14, 1889.


Dear Mr. Whitman,

     Accept my thanks for the "Works complete" I received some days ago; it is a very dear gift to me, and I shall peruse the new pages with the same admiration I bore to the ancient ones, with all my

 
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love for the one I considered, from my first reading of him, as one of the best and the greatest men of the time. The proofs, too, photographs, and newspapers, reached me safely.

     I am very glad to hear you are better and I am sure you will live long yet; besides, as Doctor Bucke rightly says, "here or elsewhere you will live and be honored always, Dear Walt, yes and loved always."

     As soon as my second series appears in book form (very likely in the last week of the next month) I shall send you a copy.


Gabriel Sarrazin.

     After I had read the letter W. said: "Now you have the first hand of it. Sarrazin does not seem to be able to do much with the English, but he can do enough: does much better than Rudolf Schmidt, who, in spite of the fact that he is a translator, writes an English letter like an Irish Indian." I laughed. W. then said: "I didn't mean that to be laughed at." I said: "I was thinking you had been rather hard on Schmidt." W. said: "I did not mean to be that either: I know he must know English very well, because I am told by knowing people that his translations from me into the Danish are superb: I have, however, always been surprised that his direct personal control of the English was so slight." Asked me if I did not think the postal business "in a sense a miracle, a marvel—something almost staggering?" And explained: "I am tickled when I learn how immaculately so big a book is carried, no matter where to, how far, whatever the difficulties: even into the wilds of Ireland: even into the equal densities of Paris.""I put forty cents on such a package: it goes into France—across seas: without a shock, apparently: I have sent papers way off to Symonds, in Switzerland, for a cent—one stinking little penny stamp: I can girdle the earth for a nickel."

     Then again he said to me: "I got something more today: the German copy came today." Reaching forward, "I have a copy for your father: is that right?"—pointing to transcription on front leaf: "M.H. Traubel from W. W. with best regards." Again asked: "That is right, isn't it?"—adding: "I have wished him to have it: and see here, Horace—if he has time, perhaps he would make me a rough draft of a translation of the preface: don't push him too hard: I am not particular about Knortz's but Rolleston's I should like." And while I was not to "urge" my father should "find out" what is his

 
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"impression of the translation." He knew Bucke and some others could give him an idea—"some notion"—but not enough: "I know nothing about the German—nothing whatever: I want to find out how the translations touch one who is au fait to the German: who has sucked it in with his mother's milk: lived in it—is a German." He was interested in my account of my father's extensive reading of the German classics and of his great weakness for Leaves of Grass.

     We spoke of Goethe, Schiller—finally of Heine, whose "raillery is rarely understood." W. said: "I am given to assigning a good deal of the weakness of Heine to his translators: some translators make, other translators destroy, a book: Heine has been translated out of court." I inquired: "You would not say that with Leland's Reisebilder in mind, would you?" W. said: "Perhaps not: that might be going too far: I don't know, of course: that is the way I put it: besides, I do not think the English lends itself to the translation of Heine's peculiar German: the French would be a much better medium—would be a readier vehicle." I said: "Some would say too ready: I never sympathized with the charge that the French lack, as it has been said, solidity and the moral qualities." W. warmly: "Nor have I—never: O'Connor would fire up mad, blazing mad, if anyone even hinted of such a thing in his presence: I am aware of what our puritans think of the French: it counts for very little with me: I'd rather be any kind of a horrible example than a model: the main difference between us and the French in sex directions is in their frankness as opposed to our hypocrisy."

     Gave W. Bucke's letter of the 22d to me. W. read it himself. Laughed merrily. Bucke spoke of some social functionings he was asked to do. "Could not get out of them," he said. "Damn all such nonsense," he said. W. shook his head. "That's a little of Maurice's stage-play," he said: "he will go: Bucke knows, as we all know, that the things which take us out of our reckonings now and then, our routines—the clubs, the meetings, even soirees (I hate 'em too!)—may of all things be important, refreshing, not to be dispensed with."

     W. had read a baseball story in a paper. Said to me: "I still find my interest in the game unabated: I suppose it's so with you, too: I can't forget the games we used to go to together: they are precious memories." I said I considered my playdays quite as valuable for

 
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life-making as my workdays: did he? He said at once: "At least as potential: at least, at least: there may be more reasons some days for playing than for working." He smiled sadly: "I'd give a lot to be able to play a game of foot and a half with you this minute."
 
Tuesday, February 26, 1889

     Met Bucke at ten at Dooner's, as appointed. Then to McKay's, where he at once looked at and was captured by the mysterious portrait. Then to Camden, reaching W.'s about 11. W.'s room thrown wide open: one of the doors, one of the windows: W. himself in the bathroom. Bucke stopped in the doorway. Finally W. came toilsomely from the back hall, Ed supporting him. He sees the Doctor. Ed was saying: "Be careful." W. said: "I will! ah! there is Doctor Bucke!" and as they met at the doorway: "Ah! Doctor, how goes it?" Greetings all around. Ed and Bucke shook hands. W. said: "Well—the family is reunited at last!" Bucke and W. said little at the start. They gazed at each other. They both looked serene. Doctor dropped into the second big chair. W. looked out of the window. Grave. Motioned to Ed, who closed the window. W. said: "Well, Maurice: we've had a long wait for you: now you're here: this is our reward—to have you here at last!" Bucke said: "Walt, if you had half the fun waiting that I've had having to wait you must be fully repaid." W. said: "Do you call it fun, Doctor? I'd call it something else if I had to give it a word."

     Bucke thought W. looked "rather well after all." Better than he had expected to find him. B. always candid: "Yes, Walt: you're not in any condition to brag of: you've gone off a lot: but you may last a long while on this stage." W. asked quietly: "Then you find me still a little chirpy?" B. replied: "You can put it that way if you've a mind to." W.: "Wouldn't you put it that way?""Hardly: I'll be honest with you, Walt: I know I couldn't deceive you if I wanted to—and I don't want to: I don't think your status anything to brag of." W. very calm. "I wanted you to say that, Maurice: I wanted you to tell me the truth as you see the truth: I'm not willing to be humbugged by professional sugar-baiting: I knew you would say what you felt." B. then asked: "And how are you faring just now, Walt? at this minute? is there anything you wish to say, to ask me about?" W. spoke up at once: "The past three or four days have been in the

 
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minor key: I have suffered a lot of discomfort." Then exposed his side. Bucke examined. Said: "It's only an enlargement of the spleen." Was it serious? He smiled: "Not a bit: it can easily be relieved." He would provide for that.

     O'Connor talked of. Bucke said: "William does not boost himself enough: he helps everybody but himself." W. nodded his approval. "That's what John says: that's what Horace and I have talked over here more than once.""What do you see ahead for William?" W. asked. Bucke replied: "Nothing but death: and it's not far off, either." W. said: "You spare us nothing, Maurice." B. asked: "You don't want me to spare the truth, do you, Walt?""No I don't," said Walt: "I want to know the worst: that's why your appearance here has helped me instanter." Much desultory conversation. W. gave Bucke the pile of papers he had been saving the last week or ten days. Bucke looked over the Sarrazin proof. W. listened with keen ears as Bucke read certain passages aloud. I said: "Doctor's abstract seems to me stronger than Kennedy's." W. asked: "Does it appear so to you?" I said "yes." He said: "Ah!" He wouldn't take sides even with Bucke there. "I think of the two abstracts as the two sides of the shield," he said. That was all. At the point where Sarrazin discusses evil as interpreted by W. he exclaimed: "Yes: that is a part of it—tells a part of it, indeed, a good part of it: but that is not all." He told B. he had Sarrazin's acknowledgment of the big book. "Only a short note—not going fully into anything." W. said: "And not too French! that tickled me!"

     W. asked: "Maurice: tell us about the big book: did it convince you?" Bucke said: "I can say the book did: also that the board cover did: but the last experiment seemed to me to be a failure: it can't be said to look like you at all.""But it suits the publisher," protested W. Bucke said in a boisterous way: "It looks too much like a bound volume of Scribner's to suit me." W. again: "But it is not to be judged by that standard alone." W. asked: "And what about the meter, Maurice?" B. was fervent at once: "Oh Walt! we've got a big vast thing there: no one can tell what it will not do for us: we'll all be millionaires quicker'n it takes you to say Jack Robinson!" W. looked at Bucke quizzically: "Do you say that, Maurice, because you don't believe it or because you do believe it?" B. replied: "I believe nothing, Walt: I know!" I broke in with a laugh. "What's

 
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up?" I replied: "I was only thinking that you, Walt, would have said that thing the other way about: you would have said: 'I know nothing, Maurice: I believe!'" W. said: "You see, Doctor, Horace is trying to humble us both with his transcendental epigrams!"

     But B. seemed to be a trifle piqued by W.'s apparent skepticism. He fired the question at W. straight: "Walt, I don't believe you want the meter to go, damn if I do." W. was good-natured, yet emphatic: "I don't want you to make a million dollars, Maurice, damn if I do!" We all laughed. Bucke said: "You'd rather see me poor than rich." W. assented. "If you have to be either I'd rather you were poor." And though B. started to say something replying to this last remark W. went on: "I'm afraid to have anyone I love make money: I'd rather he'd make anything else than money: I don't want to see you rich, Maurice: I'd rather see you mostly as you are: I'm simply afraid—yes afraid: you sort of scare me when you come here and talk of millions, millions: though as for that"—here he laughed quietly and put his hand gently on Bucke's knee—"as for that I don't think there's any danger impending: I feel it in my bones that you are never to be tested." Bucke cried: "Do you mean that you feel in your darned bones that the thing'll all go to smash?""I didn't say smash, Maurice: I only said I felt it in my bones that you'd never be tested." Bucke, still vehement: "You're cute, you're stubborn: I don't know how to take you: I never saw you before in the role of kill-joy." W. looked straight at B. "Oh Maurice, won't you understand? It's not kill-joy: it's kill-grief: I feel that success in this thing will only bring you sorrow." Bucke was mystified. "Why? Why?" W. was not disposed to continue. "I'd rather not argue it, Maurice: you asked the broad question—I gave you the broad answer: let it pass at that." I said: "Walt and I have taken the vow of poverty!" B. regarded us with genial contempt: "You fellows may do as you please: but as for me—well, watch me." The meter talk stopped here. But when we were out on the street alone afterwards Bucke said to me: "Did you ever hear anything so extraordinary as the way the old man went on about the meter? Why, I felt as if he was kicking my ass out of the house!"

     W. pointed out the Symonds portrait on the mantel. "Maurice: did you see that? What did you think of that?" B. remarked the lines on the face. "They are asthmatic," he said. W. contradicted him.

 
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"No: consumption, that's the reason he went to Switzerland." And as to the Gilchrist W. W., a piece of which peeped above the picture that stood in front of it: "That's the London drawing-room point of view, which also has to be considered to be sure." Then he added: "There are some of my friends who are determined that I shall not be represented as a savage with a tomahawk, so they curl me up—agonize me: even the process man, you remember, made a break for the Romeo curls." He talked energetically in this strain. Bucke said: "But you rather like Herbert's work on the whole, don't you?""I was not speaking of his work on the whole: I was only referring to this particular picture: it seems to have been painted under some misconception." Bucke asked: "You still stick to the Eakins picture, Walt?""Yes: closer than ever—like the molasses holds on to the jug."

     Bucke found a letter at Dooner's from Nellie O'Connor. Downcast. She gives us little hope. Bucke engaged to deliver his Whitman lecture next Sunday at Germantown and on Tuesday at the Ethical. Some talk of Dave's portrait of W. Bucke said "the mystery is unsolved," going on to advise W. that it was his "duty" to "find for us the genealogy of that picture." W. replied: "I can't do much with duties, you know, but maybe I can help you out—maybe." Urged Bucke if he came again today to come in the early evening, "say five or six or thereabouts"—or perhaps better, "come in the morning." He was very calm though depressed. Pale, somewhat: talked with hesitation—took his time. W. said: "Maurice, you and Horace must stick together these days: I want you to see all you can of each other: it'll help me as well as both of you for the two of you come to some complete understanding." Just before I left he said: "Shove this in your pocket: read it as you and the Doctor travel about together." I didn't look it over at the moment. "Who is it from?""Rhys: and if you find there's anything in it you wish to ask me about bring up the questions tomorrow. Rhys starts off with a wonderful passage describing his environment in Wales: he's rather stolid in average moods: this seems to wake him up—to stir him—so he lets go and speaks out without any compromise."

     Bucke had got out in the hallway. He reappeared at the door. "What are you two chinning about?" he cried. We all laughed and I followed Doctor as he hobbled downstairs on his very necessary cane. We went off to town together to dinner. I met Gurd. Later, in

 
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the evening, at 9:30, I dropped in at W.'s with a powder for him to take. He was still up, sitting, the light turned low. It was fine to get back into the quiet of that dear room again after the rush of the city and tiresome meter talk and the hurry and swagger of the club. I stood over W. He looked up at me in the half dark. "I'm glad you came in, even if only for a minute," he said. And as I kissed him on leaving he cried three or four good nights to me down the hallway to the front door.

59 Cheyne Walk,

Chelsea, London, Nov. 26, 1886.


Dear Walt Whitman,

     I have been waiting all this time for the right mood and the right day to send a letter to you, but I must not wait any longer now, though there is a fog outside and a fog or something of the sort in my head. Since coming back here from the country three weeks ago there has been such a lot to do that I have got out of touch with the natural order and spirit of things, and these London fogs are enough to make the animal in one turn absolute coward. With sunlight or a flying wind or a good rain I am happy enough, but I cannot stand these smoke-soiled days. They make me feel stupid and wicked.

     But I ought not to grumble like this, and I won't any more. For I had a splendid ten weeks of autumn in Wales and the West of England. In North Wales, at a place called Llwyngwril, a primitive little village, quite away from town ways and fashions, I stayed for four weeks with my dear friend Herbert Horne at a farmhouse close to the seashore. There we bathed and mountaineered and drank our fill of mountain and sunshine, and I rambled off once right round by Snowdon to Carnarvon, where the remnant of the Cymric races were holding their Eisteddfod. There is a wonderful old castle at Carnarvon, and within its walls on a bright September morning it impressed me strangely (being half Cymric in blood myself) to see those old gray-bearded, venerable fellows, in their mystic circle, uttering those wonderful Druidic prayers (which are purely theistic), and eloquently orating in a way utterly unlike our English fashion; for the Welsh orators make their voices almost sing sometimes, and their language is much more plastic and various, like a more southern tongue. Their improvised harp-songs—Penillion-singing

 
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—are very striking too—quaint wild tunes that would delight you I am sure, so full as they are of natural music and feeling. Unhappily I don't know enough of the language to understand all, but I saw and heard enough to make me feel that there was a great deal of tremendous value for our Saxon materialistic minds in the spirit of imaginative idealism that underlies the Cymric expression of life, now as in the past. There is something to me greatly inspiring to think of the international elements, Celtic, Cymric, Schlavonic, Gallic, that our Saxon stock must assimilate to itself new ends of human growth and perfection as time goes by. And for this, of course, America is the grand field of development!

     A few days back W. S. Kennedy's new book about you arrived here from Chatto & Windus, and in reading it and looking at relative passages in Specimen Days and Leaves of Grass, the thought of the American future has filled me with a new impetus. But I must not dwell upon this now, as there are other things to settle. I must just say about Kennedy's book, however, that I have every hope of being able to place it satisfactorily with some publisher. I am waiting now to hear from Fred Wilson, of W. and McCormick, and you may be sure I will do all I can for the book. There is a great deal in it about L. of G. and about yourself intimately, which I find unspeakably stimulative and tonic. It will cause something like a sensation when it appears—amongst those who know L. of G. at any rate. Having it in my drawer or on the table as I write, it makes me feel as if you yourself had been in the room, bringing health and virile stimulus.

     This brings me to Specimen Days, which I am proud to think will appear in the Camelot series. Thanks very much for letting me have it! I will get as much as I can out of the publishers; for as Walter Scott is one of the largest railway contractors as well as a publisher, and well stocked with money, I have no scruple on that score. It is not easy in any case to get much out of him, unfortunately. For my own sake, as well as yours, I wish it were! As for cutting the book down, it seems wicked to think of it; but it is rather longer than they find it pays to give for a shilling, and if you will do the emendation yourself, we may feel less sore about it. Including the appendix (which is of course in smaller type) there are about seventy pages more than the publishers like to have in the Camelot

 
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volumes, so if you will revise the book to make it about three hundred pages, it will answer capitally. Is it too much to ask you for a few fresh words of introduction as well, addressed to the English reader?

     I hope we shall soon be ready now too to print the second edition of the selected Leaves of Grass. In the paper you sent me I noticed your admonition about tampering with your full expression in them, and have thought it over very seriously, besides asking Doctor Bucke's opinion about issuing a second edition at all of my little book. He strongly advises the reissue, however, looking at it, as I do, as an important makeshift which will help the perfect presentment to a hearing presently. He advises, too, the inclusion of the Song of Myself instead of some of the other poems. Herbert Gilchrist (whom I expect to see this evening) has promised me a new portrait too.

     Doctor Bucke has hospitably pressed me to see him next summer, holding out the inducement of your being at his place. Ah, how I should like it to be possible.

     I ought to have said with regard to Specimen Days and the Camelot requirements, that the volume of King Arthur contains a great deal more than the publishers can really afford to give. The fist volume they looked upon as a sort of pilot for the rest, and put an extra amount in accordingly.


Yours, with great love,


Ernest Rhys.

     I should add this. W. said: "There's quite a bit of Leaves of Grass history in Rhys' letter: he had his troubles over it all: I appreciated it: Rhys, though a Welshman, is of the German sort: has the oversolemnity, overweight, of the Germans, but also the Germanic force, solidity, mountainousness: being built for strength before grace, though not graceless either."

 
Wednesday, February 27, 1889

     9.48 A.M. W. reading papers. Sitting up. Had not finished his breakfast. Looked and talked as though much improved. "But the medicine has not acted yet—no sign of it." I said the Doctor minimized W.'s perils. "He says you are pretty hale yet, considering everything." W. said: "It yet remains to be seen whether the Doctor's

 
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diagnosis is the correct one: I am inclined to think it is: we must wait and see." He started to stir the fire. Wrestled for some time with a stubborn log. Finally gave it a vigorous shove with the poker. "'There—go there!'—as the man said when he tried to shove the dog out of the room and he ran under the bed: go under the bed then!"

     The exercise increased W.'s color. He dropped back into his chair in a sort of glow. "What a hell of a time we seem to be living in!" he exclaimed: "The papers this morning are full of Pigott—nothing but Pigott: in England lying, murdering, stealing—all that: the synonym tallies for all the English sins." I said: "The Blaine cabinet, for instance." He approved. "Yes—the Blaine cabinet.""With forty millions capital," I added. "Yes," he said, "forty million God damnations! Horace, we are all under the thumb of the millionaires: ours is a millionaire government, without a doubt.""Ain't all modern governments millionaire governments?""I suppose they are or getting to be." Then he added: "And I do not know that I complain: the millionaires must have their innings, too: that is a phase we are going through—can't skip." I asked: "Then you don't think we'll always have millionaire governments?" He answered quickly: "You don't need to ask me such a question: the people, who are now asleep, will yet wake up." I said: "Sometimes you quarrel with the people who try to wake them up: you call them doctrinaires and partisans.""Do I?""You certainly do: yet you are a fierce doctrinaire and partisan in your own way." He said he wasn't "inclined to dispute" me. But how did I make that out? "No one is more stubborn for what he considers the truth than you are. That's all the other fellows are: stubborn for the truth as they see it." W.: "I say again, I'm not disposed to say you're wrong: indeed, you make me feel as if I must be guilty after all." Again talking of money, he said: "As Frederick said of facts—they are divine: bank accounts, too, are divine."

     W. asked: "Have you seen The Critic this week? I sent my copy up to Kennedy. It is a Lowell number—all Lowell." I asked: "Your piece with the rest?""Yes—all I sent, which was nothing." Said he had not had a letter today from anybody. "But there were papers: quite a budget of them." Told him of Bucke's letter from Mrs. O'Connor. W. said: "William may not be optimistic but he is courageous:

 
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he is grit itself: typically Irish in the best sense: he will not anticipate evil: is no premature resigner, surrenderer." Then after a pause: "Oh! it is poor O'Connor who should have the nurse, not me: poor William: he deserves it, I do not." He would "never be satisfied" till he had "Doctor Bucke's report" on O'Connor. He recognized Bucke's "extraordinary competency," yet also "his utter emancipation from medical formulas.""I never permit myself a doubt of it: I am sure that but for him four or five months ago"—he meant June last—"I should not have pulled through: but for him I should not be here today."

     I returned W. the Sarrazin proof with corrections by Bucke. W. adjusted his glasses. Looked it over. Doctor had changed "builds" to "throws" at one place. W. exclaimed: "No, no, Doctor: 'builds' is better than 'throws': it must go back to 'builds.'" I asked: "Did he write it 'throws'?""Yes, but I changed it to 'builds': 'builds' it shall be!" He then laughed silently. "Horace, you should have seen the first proof: it was overflowing with errors: look at this"—pointing to the word "condensation" in the first line—"this he put 'conversation': that's but a sample: there were fifty devil-knows-whats if there were two: I had to work hard over it: now it is in very good shape." He spoke more freely than when Doctor was with us yesterday. When I said again as I had before: "Doctor's abstract is more virile," and again: "Kennedy's is scrappy though fine in spots," W. responded: "That's about the measure of it, I suppose—that's about the difference: Bucke's version is more compact, better blocked out."

     I gave W. my father's roughly rendered English version of Rolleston's preface. "That is the thing I want: I only need clues, so to speak: I can find my own way to the rest. What does he say of the poems—the translations? Do they take any hold on him?" I repeated some things my father had said. They were favorable. W. said: "I am pleased to hear it: of course the German is au fait to him: after awhile, after he has gone farther, when the poems have sunk in, been absorbed, he will better know just what to say to me regarding their faithfulness to the original—what they lose in the transfer." Lifted the German book up, pointing to it with his own hands. "They don't stitch, they only paste, these covers on: that's how they do it abroad: the buyer can bind or not as he chooses: they don't stitch the signatures together: I don't know but they're right." He

 
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turned the book first one side then the other. "I like it: it's flexible: it's easy to handle, read: I sometimes find myself more interested in book making than in book writing: the way books are made—that always excites my curiosity: the way books are written—that only attracts me once in a great while."

     W. asked: "You are going to connect with Doctor? Yes? You fellows will have a lot to do together. Did you say the Doctor would be at Tom's?" I asked him: "You don't want us round here all day, do you, Walt?""My God, no! I couldn't keep up with it: I think it would utterly extinguish, efface, me: I couldn't stand a chorus of angels all day these days: it's too necessary for me to husband my little reserve of strength: then while I love the Doctor, like him near me mostly, there are times when his boisterous vehemence gets on my nerves. You go to him: let me have the margins of your time: that'll be enough for us all." I got up to leave. He handed me a letter. "Do you take this along if you will.""What is it?""A confession.""I'm getting quite a wealth of confessions," I said. And I added: "And for a man nobody likes, whom no magazine will publish, whose books nobody will buy, you do pretty well after all, Walt." He said: "So I do: it's not for me to complain: the Bowry boys used to say, 'Little, but oh God!' I have every right to say of my friends, 'Few, but oh God!'"

     It was getting towards my engagement with Bucke. I said: "You don't expect me to read it to you?""Not this time: I just read it to myself: take it along: read it at your leisure." He added: "It's a letter from one of the beautiful unknowns—the beautiful unknowns: they get nearer to me, I get nearer to them, than any others: they have no axe to grind, no wires to pull, no game to play: there's no nigger in their woodpile: they're just Amos and Miranda: Amos who, Miranda who, does not seem to matter."


Hampstead, London N. W.,

Aug. 2, 1887.


Dear Sir.

     Presumptuous as it may be, I cannot refrain from sending these few lines to you from the old country to thank you for the new life your poems have given to me. Since reading them—and I have read them again and again—especially the Leaves of Grass, I have

 
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felt conscious of a new vista opening before me. I am only twenty-three—yet I feel as if the past few years (breaking away gradually, as I have been, from surroundings orthodox and conventional) were long eras of indifference and lethargy. How delightful to feel that there are such great possibilities in life! All my sceptical rejection of creeds and dogmas is giving place to a sense of the eternal fitness of things. In my blind unreasoning egotism I mistook the shadow for the substance, and thought that "religion" was what is preached from the orthodox pulpit and practiced in the city. And then I came upon two lines of your Leaves of Grass:
"I swear the earth shall surely be complete to
him or her who shall be complete!
I swear the earth remains jagged and broken only
to him or her who remains jagged and broken!"

     I wish I could explain to you in what way they touched as with a magnet some latent chord. And yet I feel there is no need to explain anything. You will understand.

     I have already reached across the water and clasped your hand. I have found something deeper and more precious to me than your printed words. I am looking forward hopefully and joyfully to a future which shall not be lacking in strength.

     Forgive my illogical desultory manner of writing. I think you will understand all I would convey. The little picture of your home life in Specimen Days has so much interested me. Now I feel as if I knew you in the flesh as well as in the spirit. Accept the grateful thanks of yours faithfully.


Louisa Snowdon.

     I have already been asked by people in the street if Bucke was not W. W. I told W. of this. He was pleased. "I like it if Maurice does: yes indeed, I like it even if he doesn't!" He again said: "Yes, there is something, mainly in the color: I can see that." I said: "Doctor has a voice like a trumpet with a cold." W. said: "You might describe it that way: I don't mind it much: it has, however, a shrieking quality which is like a knife to my sensibilities." As I left I helped him to the bathroom. "You may go along, to give my step a sort of certainty." I did not help more actively than to walk near him till he reached the two steps at the landing, when he said again: "Put

 
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your hands on my shoulder to steady me if I should fall: otherwise let me navigate myself." And as I finally withdrew: "Good-bye! good-bye for a little while!"

     5.30 P.M. Had been at Harned's with Bucke and others all day. To W.'s with B. I entered the room first. W. extended his hand. "Ah! Horace!"—and then: "And where is Doctor Bucke?" Doctor just at that moment entering and W. saying: "Ho! here he is! I had almost given you up, Doctor: thought you lost!" Bucke heartily congratulated W. on his improved appearance since yesterday. Did he not feel better? W. responded: "I still have the pain in my side." As bad? "Yes, as bad: but it is not acute—has not at any time been what you would call severe." Then Doctor's questions and W.'s answers on physical points. Bucke urged that W. should get outdoors in the spring. W. himself doubtful. "When the grass comes and the leaves and the flowers," B. argued—"then you must get out." But W. said B. did "not know" the conditions: "It would be a hard thing to plan: I do not know what I am—what I am for." Adding: "As Miss Nipper says in Dickens' story—in Dombey and Son (you remember it, don't you?): 'I don't know whether I'm a temporary or a permanency': I don't know whether I'm to stay or move on." He laughed merrily. B. still insisted, W. finally admitting: "I have no doubt, as you say, that when the sun comes north, the clear skies, the free air, it would do me good to get out"—but then: "The worst of it is, I have no craving to go—none whatever." Bucke had used an expression: "When you are stronger"—but W., not hearing him out, exclaimed: "But I do not get stronger: you have no idea how weak I am: why, I can scarcely walk at all—stand on my feet: to go to the bed there is a great effort: it is all I can do to keep from falling down even by the assistance of the chairs, the table." And after a little more in this strain, which seemed to be enough for him, he abruptly asked: "And what have you done today?" Bucke described the proceedings at Harned's. W. questioned: "What is the meter for? Tell me: I have wanted to hear"—Bucke then proceeding over the same ground I have with W. again and again. W. said: "I thought it was a motor: somehow I have had that idea in my head and could not shake it off." And when B. was through: "Well—that clears the matter to me." W. all along addressing B. as Maurice and seeming to listen with considerable attention. But like as not he'll forget about the

 
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meter by tomorrow and ask the same questions over again. As B. himself says: "It is in one ear and out of the other." He has no real interest in the matter.

     I asked W. if he had heard from Kennedy and he said at once: "Yes, I got a letter today: not a considerable one, however, and nothing really new in it." Nevertheless, he handed it up—handed it to Bucke. Kennedy evidently a little out-of-sorts that B.'s abstract was to follow his. W. resented the letter as far as he could towards anyone he liked as he did Kennedy. "Kennedy evidently convicts me of an artfulness—almost a chicanery—which I did not think I possessed: he speaks of inveigling—says that I inveigled him, you." Then to Bucke: "Kennedy questions some of your renderings, Maurice—don't admit them at all: you will see for yourself: but there are at least several places where I thoroughly agree with him—thoroughly: the line, 'the candor,' &c., for instance: but there is the letter: look over it: you will see just what he says." And after a pause and some little discussion further: "But we must show great consideration for Kennedy: we know that at bottom—in osseous, integral parts—the central man of him is thoroughly genuine, generous, honest-hearted: and as for Leaves of Grass, for me, for our cause—he is a true friend, a firm upholder." But he said we "know also" that K. is "a college-bred man: that the best college-bred man gets to some extent the taint of bookishness, artificiality"—and we must, as a consequence, "know what that signifies—allow for it." Doctor said that in his translation some things were "not literal" but were "what Sarrazin said"—and W. repeated: "Yes, I have no doubt of that."

     Bucke spoke of his Whitman address—said that he already had "made two engagements to deliver it." W. turned to me: "I don't know about your talents as a reporter"—pausing, seeming to reconsider: "I should not say that: I do know—know them to be very good, in fact: but I should say now, exercise them more sharply than ever before, show what they are, with reference to me—to my wishing to hear, learn." I interposed: "Doctor should show his talents by bringing over the address," W. allowing: "Yes, that is one way." Doctor here said he would bring it over: W. could look through it. W. acquiesced. "That I can do, to be sure." And then added: "Years and years ago, in Washington, Brisbane once tackled me—asked me

 
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to come and hear him speak: Brisbane, in urging me, said: 'I'll tell you about that greatest of all puzzles, yourself': and I went—went, not as a person, but as universal man: and it was very good—really very good: I found myself deeply instructed." W. stopped long enough to turn to the window and emit a slight laugh. "Perhaps I would stand in the same relation to this case," he said, "if I heard, read, the Doctor's story." B. explained that his address was "from a new standpoint—the result of several years' work." W. was "sure" he "would like in some way to get at it." Did not promise to "read it in full but to examine it." B. jokingly said: "The writing—my writing—is as clear as print." W. laughed out his answer: "Oh! I get along with it pretty well"—and to B.'s further: "What—only pretty well? why not absolutely well?" W. then: "I am not greatly troubled: I can make most of it out." Just today I read Bucke out of my notes W.'s references to the nature of his handwriting.

     W. directed the stream of thought again: "And what of O'Connor?" looking straight at B. "What did Mrs. O'Connor say in her letter." B. was very explicit and candid. "O'Connor is in bed, his sight is practically gone, his weakness is more and more general—probably no turn for good is any longer possible." W. turned his head towards the window. I could catch its outline against such light as still lasted. His face was calm but set. Evidently touched, affected, of course in his own unmurmuring way. Bucke then expressed his conviction that O'Connor was "practically dying"—would probably only last a few weeks. W. had more questions to ask. Bucke always answered frankly. W. was pleased. W. didn't say a word to Bucke's final statement—that "considering O'Connor a misery to himself and to others," the end should be welcomed—"the sooner the better." W. only looked out on the western sky: seemed not to be able to audibly say "amen" to Bucke's prayer.

     Then considerable talk of Bucke's Washington trip. W. more than ever urgent that it should be undertaken. Not possible to fix a day. Bucke explained that he would be here for a couple of weeks. W.: "Well, it don't signify then if you must put it off for a few days." Bucke thought he would go some morning and return in the evening—perhaps Monday, inauguration day, though he cared nothing for that. "I suppose we could not get in anyway?" Bucke said inquiringly to me. I said: "There's no place to get in: it's all done out of doors."

 
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W. said: "That is so: it is indeed out of doors—out of doors, Maurice, in the air: I have twice seen it: I know: I was there in the midst of the swirl." As to selected seats somewhere W. continued: "I don't think there are any, Maurice, except for the immediate fellows: you have to take your chances, besides, for what you would want to see you would not require a front seat: the grandeur, immensity, splendor, impressiveness of the affair is the spectacle: the vast outpouring of the seas, of the people: for that you want to go as Horace goes, as I went when I was strong—right into the crowd itself, into the swim, for what luck you can." I said: "I might myself run down with you." Bucke cried: "That would be grand!" W. asked: "Have you been to Washington? No? Then you should surely go." Some talk of distance, time, &c. Then B. spoke of his motives in wishing to see O'Connor. W. still curious, quizzical.

     Bucke had seen the '63 portrait in my room—never before today. Had W. another? "I think I have, Maurice: would you like it?""Would I like it! My God!" W. mockingly said: "Maurice, you shock me!" Then: "Well, I shall look it up tomorrow: I am sure there is one here: you mean Gardner's picture?" Spoke of Kennedy's "swing" from Wilson to Gardner. "He has sent the manuscript to Gardner: I think Wilson has tired him out: Kennedy thinks Wilson has not treated him right." W. went over the Sarrazin proof today. Has been reading George Eliot's essays again. W. said: "It always makes me mad—make me laugh, too—when these gossiping newspaper men, parsons, and so forth, speak of the Colonel as the anti-Christ. Anti-hell! he's that sure—and here's grease to his elbow for it! and anti-God, as they portray God—and here's more grease: but he's anti-nothing worth saving: I sometimes think Bob is about the most reverent, religious, pious man in America today, bar none!" Bucke exclaimed: "Walt, if you keep on talking like that you may figure as anti-Christ too!" W. laughed. "What haven't I figured as, Maurice? and still my withers are unwrung!" When we got up to go Bucke expressed some reluctance to tiring W., but W. protested: "Stay! stay! I can stand it if you can: let us talk on." But we didn't stay. B. said outside: "In spite of his bluff I could see that we were wearying him." Room severely hot. W. sitting by the window still as we left. Twilight gradually deepening. Bucke is to come tomorrow either towards noon or in the evening.

 
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Thursday, February 28, 1889

     5.30 P.M. As yesterday, were at Harned's office all day. Then down to W.'s. Bucke and Gurd along. I went upstairs first. Shook hands with W. He asked at once: "Did the Doctor come with you?" and when satisfied as to that spoke of his health as being "not extra good" and no gain perceptibly. Had not taken the Friedrichsthal advised, "though I got some today." But "the effect is not inevitable." A minute later the Doctor entered. Then talk for nearly an hour. W. sat by window: had just finished his dinner: no light. Looked more rested than for several days—even more than yesterday. At middle window composedly gazing out. Doctor questioned him closely about his health. W. very willing to answer. Pain in the side somewhat eased. Digestion pretty good. As Doctor felt his pulse—the left—W. said: "That is always feebler: the right is strong." But Bucke tested each, W. cautioning him: "You must remember I have just had my dinner." W. explained further: "I get up six or seven times in the day." B. corrected him: "You mean night?""Yes: night." But the troubles were "by no means in an active stage." B. asked for information about W.'s eating. "I rarely touch meat—not more than once in five weeks: tonight I had some toast, a cup of tea, custard." And to B.'s question W. answered: "Yes, bran bread." Bucke greatly satisfied. Said: "Walt, you are in rather good condition—for you." Bucke told W. Gurd was downstairs. W. said: "Why didn't you bring him up?" then to me: "Horace tell him to come up"—which I did: and Gurd sat there, after his greeting, quietly, through the rest of our conversation.

     W. cut short the talk about his health by some sudden reference to O'Connor. "I have good news—better news than yours—from Washington." Picking up a postal: "It is later"—and as Bucke took it—"read it—read it aloud—or let me read it." B. put on his glasses to read: the news was really favorable: indicating some recovery of motion and appetite. Discussion of advisability of going to Washington at once. Fixed Saturday as the day, avoiding the confusion of Monday. "Saturday will be a good day: it will be easy to get back: though few people will be coming up they will have to send the cars back: why, you could almost have your pick!" And again: "Sunday would not do—would it?" Bucke laughed. "I am to

 
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lecture on the old fellow—don't you know?—Sunday night." W. quite merry. "Yes, to be sure: and God help you and 'em!" But he was eager to have B. come over Sunday and report the result of Saturday's pilgrimage. Bucke, however, has engaged to go to Germantown in the forenoon. I would be in and report in general, B. to give full details Monday. That appeared to satisfy W. After a while, in broaching the subject again, as we stood up ready to go, W. said he did feel good. "The news from O'Connor quite set me up!" B. assented but warned W. not to put his hopes too high. W.: "I shall not: I am quite aware of his condition: but I am hoping this may be something worth talking about—something that will persist at least for a time.""The tone of Nellie's note" had encouraged W. with "maybe unwarranted hope."

     More talk about the meter. W. mixed in some, though admitting he knew nothing about it. Bucke said "Everybody who's seen it says it's a marvel." W. said: "I hope it is, Maurice, but—." Bucke broke in: "There you are with your but again!" W. amused. "Buts are always in order, Maurice." Bucke asked: "Honest, now, Walt, wouldn't you rather the meter failed than succeeded?" W. replied: "I'd rather have the meter fail than have you fail.""Do you think the meter's success means my failure, Walt?""It might.""God Almighty, Walt, you're a queer bird: do you want me to die in the poor house?" W. said: "I don't want you to die at all." I sung: "I would not die in springtime, I would not die in fall, and if I had my way about it I would not die at all." W. cried: "Bravo! that's it, Maurice: I don't want you to die at all!" Bucke exclaimed: "Very well, then: when I win out you'll wish you had been a better prophet!" W. said: "Winning out wouldn't alter the circumstance any."

     Doctor said he had "talked himself tired today." I put in: "Yes: uniting Canada with the United States." W. laughed: "Did you do that?" And when I added: "Yes and also exposed the great corruption in Canadian government"— W. was highly edified, saying with a laugh: "Corruption? wouldn't that be jumping from the frying pan into the fire? we are not to be taught on that score." Doctor persisted: "You know nothing about corruption: your politicians are mere apprentices: they couldn't hold a candle to ours for real downright chicanery." W. asked: "Do you mean theft, Maurice? do you mean

 
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that seriously? I have always supposed we were veteran adepts at the business." Bucke assented: "Yes, Walt: I mean theft: unmitigated unexampled theft: why, if ever you read the real story of how the C.P.R. has looted the people up there it'd make your hair stand on end." W. said: "Maurice, you astonish me: you destroy one of my cherished beliefs: I hoped you were better than we are—profited by our example." B. said: "Better? no: worse: profited by your example? we might have but didn't: profited nothing: we seem to have to learn by the same bitter experience." W. said: "That's another of my illusions shattered." B. nodded: "Yes: the best thing to do with illusions is shatter them." I said again: "And he's been giving some drunken fellow up at Harned's some good advice." W. said: "That's poor business: what's the use?" B. expostulated. "He won't take the advice, Walt: never you fear!" W.: "No: he won't: they never do." Doctor turned to me playfully: "Who was it who said he wouldn't give a cuss for a man who took advice? wasn't it Walt Whitman?" W. took this in good humor. "Anyhow," he said, "I don't think much of a fellow who is good because somebody tells him he ought to be—who is so and so, does this or that, because he is advised to: the only real good is that which springs out of the man himself spontaneously." B.: "That is a neat little sermon, Walt: all in a few words: much in little: you were born for a preacher!" W. exclaimed: "My God! has it come to that? am I fallen so low? they say you should only say pleasant things to the sick!""Sick be damned!" Bucke yelled: "why, you won't be sick even when you're dead—you won't!" Walt laughed till the tears rolled down his cheeks. "Maurice, you'd make a master Irishman! your bulls are perfect!"

     I asked W.: "Did you read my father's translation?""Oh yes: read it yesterday." Was it clear? "Every word of it clear as could be: now I know what Rolleston said." I told him I had a note from DeLong, Unitarian minister at Medford, Massachusetts, in which he asked for some words from me for a Whitman evening in his church there March 4th. W. exclaimed: "God help 'em!" I said: "God will: it's a good cause." When I asked him his opinion he said: "Yes—send them something: a few words: it won't hurt even if it fails to help." Bucke said: "You must give me a few words for Sunday, too, Walt." W. shook his head. "Haven't I given you enough words for every day, Maurice? I guess you'll have to get along with them." Bucke

 
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objected: "How can we evangelize for you, Walt, if you won't help us?""I don't want you to evangelize for me, Maurice: neither you nor anyone: I'd rather not have anybody evangelized into a belief in Leaves of Grass." Buck told W. he was "very literal." W. denied it. "I am only timid, Maurice.""Yes: so you are: about as timid as the Rocky Mountains." W. was still for several minutes. I said meanwhile: "Walt shrinks from the idea of conversion even to himself: he'd rather have enemies than converts." Bucke was dubious. "That sounds like nonsense to me," he said. W. was of the opposite opinion. "It does not sound like nonsense to me, Maurice: Horace hits the nail on the head.""I don't think so, Walt: I can't reconcile myself to some of his transcendental fol-de-rol." W. laughed, sticking his forefinger at B.: "Oh Maurice! Maurice! will you never understand Leaves of Grass!"

     Returned W. Kennedy's letter. W. and Bucke discussed translations—for instance, the difference between après and d'après, in the phrase, "the greatest of the philosophers after Whitman," in Bucke's Sarrazin piece. W. asked: "Is it not after as in saying, 'faith—Christian faith—after St. Paul'?" Bucke admitted Kennedy's criticism on his use of "after" but said "as of the wings of the condor" was all right and should stand. W. said he was still wondering what Kennedy meant by "inveigling." Kennedy said W. inveigled him as he had Bucke. Bucke bantered him. "Yes, Walt—it is a shame." W. himself: "Yes, sure enough: but what does he mean by it: do you know? I know Kennedy has always seemed to feel I had considerable artfulness, calculatingness, along with other qualities: a scheming side, I may say." W. paused here an instant: was serious: then said with a twinkle in his eye: "And indeed I have, I suppose: no doubt he is right: have worse than that: who knows?" But while he had "felt the presence of such qualities in himself—drawbacks, even,"—he had been "very candid about stating himself: have always been very free to own up: have never attempted to cloud them over—hide them." But K.'s use of that word still baffled W. "I wrote him about the Sarrazin article, saying I had sent it to him—that if, as he went along reading it, he would make up an abstract, a rough draft, giving me some idea of its drift, I would be glad to have it: if not, not: almost in these words, I should say: and I wrote you, Doctor, in just the same strain."

 
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     To W. that had "seemed innocent enough." But: "What is the origin of 'inveigle'? what does it mean?" This suggested an appeal to the dictionary which was in the pile of books at his feet. Considerable talk as he worked. And "inveigle" led to other words. Bucke asked: "Walt, what did you mean by the word 'fores' in the line, 'Poke with the tangled fores'?" W. made the reply usual in such cases: "Sure enough, what did I?" It seemed obvious enough. Much to my surprise W. answered: "'Fores': the front, the snout, whatever," etc. Nor was he disposed to stop there. "The word 'stoop' would be another puzzler: Mrs. Gilchrist told me when she met a line, 'I went up the stoop, off the stoop,' some such use of the word, she put down her book, wondering for hours what could have been meant." W. said: "It's a good New York word: commonly, everywhere, used up that way: probably of Dutch origin." Referred to Century Dictionary. W. asked: "I wonder if my words will be included? If I found the way open I'd ask if 'Presidentiad' is to be used." Bucke suggested "yawp" also.

     W. asked B. if he had sent Sarrazin a copy of his book. B. said no. "He refers to the book in his article," said Bucke: "probably he already possesses a copy." W. said: "I should send one anyhow: it does not follow that he has one: he may have got the matter second hand." And then: "Be careful about the address: T-r-o-y-o-n, not C-r-o-y-o-n"—spelling it carefully. Always minutely accurate on such points. The other day when B. told him he always wrote "prostrate" instead of "prostate" gland W. said: "Of course I like to know when I get a word that way wrong: I am glad you told me: if you hadn't told me I'd have gone on all the rest of my life repeating the same mistake." Bucke said: "I hope you won't take offense at my freedom?" W. said: "No: I'd rather take offense if you were not free."

     Bucke said: "Tell me how you feel, Walt." W. said: "Are you quite sure your diagnosis of this pain is the correct one?" I asked: "What do you think of the London Times and the British government now?" He looked at me. "They are in a bad way, ain't they? What people call 'having a nose knocked out of joint