Commentary

Disciples

With Walt Whitman in Camden vol. 6 (1982)


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WITH WALT WHITMAN IN CAMDEN

September 15, 1889-July 6, 1890

6
 
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WITH WALT WHITMAN IN CAMDEN

September 15, 1889-July 6, 1890

6

By HORACE TRAUBEL
Edited by
Gertrude Traubel
William White
SOUTHERN ILLINOIS UNIVERSITY PRESS
CARBONDALE AND EDWARDSVILLE
 
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Copyright © 1982 by the Board of Trustees, Southern Illinois University

All rights reserved

Printed in the United States of America
Edited by H.L. Kirk
 
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PREFACE

     Because this sixth volume of Horace Traubel's With Walt Whitman in Camden will most likely be used by those who know the preceding five volumes, published in 1906, 1908, 1914, 1953, and 1964, not much need be added to what Horace Traubel wrote "To Readers" in 1906 (reprinted in Volume 4) and to Sculley Bradley's Introduction to Volume 4 in 1953.

     In Volumes 2 and 3, instead of writing a Preface, Traubel only quoted remarks Whitman made to him, the most pertinent of which is worth repeating: "I want you to be in possession of data which will equip you after I am gone for making statements, that sort of thing, when necessary. I can't sit down offhand and dictate the story to you, but I can talk with you and give you the documentary evidence here and there, adding a little every day, so as to finally graduate you for the job."

     So in the poet's own words, as recorded by his dutiful friend, what we have here in these conversations with Whitman in his last few years in Camden are data, statements, and documentary evidence for the biographer to do his job, or for the reader to know more about the man who created Leaves of Grass.

     Both Horace Traubel's wife, Anne Montgomerie Traubel, and his daughter, Gertrude Traubel, had considerable respect for the unpublished material left in their hands; thus out of concern for this and in the tradition of current editorial practice, I have made almost no alterations in the text—I have "edited" as little as possible, though obvious typists' errors have been silently corrected, as Traubel would have done if he had seen this volume through the press. Typographically

 
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and in format and design Volume 6 follows the earlier volumes.

     Most of the transcribing and editing had already been done by Gertrude Traubel, whose illness prevented her from completing the task. Charles E. Feinberg, whose collection of Whitman materials is in the Library of Congress, and whose generosity in connection with Walt Whitman endeavors—including the present one—has become legendary, has asked me to see Volume 6 and succeeding volumes of With Walt Whitman in Camden through the press as a reference tool of the greatest importance to Whitman scholarship.

     WILLIAM WHITE

     Franklin Village, Michigan
6 October 1981

 
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CONTENTS

EDITORS' PREFACE v
ILLUSTRATIONS CONTAINED IN THIS VOLUME viii
LETTERS CONTAINED IN THIS VOLUME ix
CONVERSATIONS
September 15-30, 1889 1
October 1-31, 1889 32
November 1-30, 1889 105
December 1-31, 1889 170
January 1-31, 1890 223
February 1-28, 1890 273
March 1-31, 1890 312
April 1-30, 1890 347
May 1-31, 1890 385
June 1-30, 1890 444
July 1-6, 1890 481
INDEX 489
 
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ILLUSTRATIONS CONTAINED IN THIS VOLUME

      From the Feinberg Collection. Used with the kind permission of Charles E. Feinberg

     [ Frontispiece]

     PEN-AND-INK SKETCH OF HORACE L. TRAUBEL, From a photograph made in 1916

     [ Between pages 160-61]

     WARREN FRITZINGER WITH THE POET IN 1890

     MICKLE STREET, CAMDEN, IN 1890

     "LAST WORDS" IN WHITMAN'S HAND

     FRANCIS HOWARD WILLIAMS

 
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LETTERS CONTAINED IN THIS VOLUME

      Adler, Felix, 237
Blake, J. V., 176
Brinton, Daniel G., 150
Bucke, Richard Maurice, 57-58, 77, 272-73, 452-53
Bush, H. D., 207-9
Clemens, Samuel L., 106-7
Daintrey, Laura, 75
Fairchild, Elisabeth, 359
Garland, Hamlin, 114, 377-78
Gilder, Joseph B., 476-77
Gilder, Richard Watson, 107
Ingersoll, Robert Green, 456-57
Kennedy, William Sloane, 108, 247
Mitchell, Weir, 107

 
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      O'Connor, Ellen M., 124-25
Sanborn, Franklin Benjamin, 109, 121-22
Stockley (translator), 219
Stockton, Frank R., 118
Trautwine, John C. Jr., 377
Whitman, Walt, 237, 299
Williams, Talcott, 476

 
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     WITH WALT WHITMAN IN CAMDEN

     Sunday, September 15, 1889

     and

     Monday, September 16, 1889

     Not in at W.'s. On the 15th was at Logan—on the 16th detained for settlement at the Bank up to too late an hour to stop in. But learn W. has spent several bad days. Did not go to Harned's on Sunday, though H[arned] stopped in to see W. Notice of [Edwin] Arnold's visit to him 3 of our papers Sunday—Press, Times and Record—perhaps others—these all I saw. Had to confer with Clifford Sunday about his changes in the book.

 
Tuesday, September 17, 1889

     8.10 P.M. W. in his room. It rained hard. Found him reading Stedman's "Literature." Did not look well—nor was he. "I am not having a good time of it these days—not at all." Asking: "It still storms? We do not get out this weather." Then further: "Where have you been? We have wondered what came of you." Referred to Press of Sunday: "It was a silly piece—absolutely silly—and lying, too. The Times article—did you see that?—was better. I have sent papers up to Bucke. That man Green was the most unwelcome reporter I ever had call on me. I told you so at the time. We might forgive a little knavishness, but silliness!—it is damnable! The

 
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Times man tells several brazen lies—yet gets more the truth than this other fellow." Did he use that word "soft-sawdering?" "No indeed—did not even think it. It is utterly silly, the whole invention. The man's name in this case is very significant of the man himself—he is Green enough. I hope never to see him about here again. I shall tell Talcott Williams that if he ever has occasion to send a man over here, he should take care not to have it this one." He did "not wonder that people" thought the report a "burlesque." As to the darkness of his hallway and Arnold's stumbling: "That is the reporter's own version—he came up, perhaps stumbled: then he puts Arnold in his place."

     Afterwards he reminded me: "I have had a letter from Tom Donaldson. He writes of an accident—an accident to his arm—his right arm. The letter seems as if written under restraint—he says he writes with his left hand. I was glad Tom said he would soon be over and bring the Irving money along with him—not that I am in any way troubled about the money, but for my wish that it might be acknowledged to Irving—a point probably long due."

     I took a look through his old bulgy scrap-book to-night—full—choked—with magazine pages, newspaper extracts, written (the text everywhere scored, marked, commented on) pieces (copied, original)—"the origins, beginnings, if not whole of Leaves of Grass—just there," W. says. A precious volume, which he reads daily, almost. Speaking of the Modjeska-Booth combination, W. declared: "Of Modjeska personally I have nothing to say—she is a delightful true woman: but the Modjeska of the stage I do not fancy." W. received what he calls "one of my funny notes" a while ago. A young man in Richmond, "a Southern boy"—writes a novel—says publishers refuse it because it shocks" etc. Asks W. to read it—it is only 109 pp. legal cap! Of course W. never answered. "I left down on the table in the front room," he said—"a package

 
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for you—the pictures I wish mounted—photos—300 of them—and instructions inside." I received at last the Liberty extras so wanted. McKay will include Symonds' letter provided we provide for composition—he to furnish other extras, paper, printing, etc. W. expressed astonishment at the charge—also at McKay's resolution to charge Gilder for alterations. "I think we might do that much for Gilder: it was kind enough of him to come on—to be here—to speak at all." Still Dave's was "purely the commercial view" and we had "to excuse it by that consideration." Returned me Forum containing Gosse's piece. The pictures in package totalled 300— 4 kinds—butterfly, Sarony, Centennial Edition photo and Lear pictures.
 
Wednesday, September 18, 1889

     7:30 P.M. W. in parlor, with a little girl sitting at the opposite window. W. introduced her to me in the dark: in a little while she went back to Mrs. Davis in the kitchen, evidently not interested in our talk. W. asked me: "Does it show any more inclination to clear off? I seemed to sniff the air of something tonight, but later it came as cloudy as ever." I referred to the magnificence of the golden sunset as I had seen it from the boat. "Ah!" he exclaimed, "that must have been the glint I perceived—the influence I caught—in the early evening." And then he added: "No—I am not extra well—only so-so!" I had left at the house for him in the forenoon copies of Liberty. He remarked: "Yes, I got them—sent 3 or 4 of them off at once today—one to Mrs. O'Connor, not knowing if she already had a copy—one to Doctor—one to that dear friend of William's who is also my dear friend—who is in the revenue service there in California. I could easily use other copies." And after a pause: "Already I have an idea I discern a faint

 
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glint, glimmer, growing, of reviving interest in William. It will come more and more."

     We discussed the first edition of Leaves of Grass. The Glasgow copy I brought last week he had already forgotten. "Did I sign it? It was already passed out of mind!" he remarked. Yet the old things he remembers with perfect clearness—as that of Cliff Riggs, whom I met on the Logan train the other night and who asked me to find out from W. if he remembered a young man who came to him from Sinnickson Chew about 1880 for a copy of more of L. of G. for Edmund Clarence Stedman and of whom W. instantly asked on my doing so: "Was he a printer boy—tall, slim, bright—very tall?"—indicating absolute remembrance. "Oh, yes! I remember him well, though I did not know he got the book for Stedman. Of course, matters of moment still make the wonted impression, but the minor details are apt to go." He went on to describe the first edition. "It was in green back—dark green—mottled—rough—large gilt letters." Tom had spoken of getting—or trying to get—a first edition. W. appealed: "Tell him not to—tell him it's not worth while—not worth the powder. I don't know what a fellow can want with it—it costs 20 dollars—I think that is the price. If Bucke got one for less—I think he did—he got it at a discount. Yes, yes—tell Tom not to. It is held at a ridiculous figure. Why, I should think a fellow would want the last book—the last edition—the full edition—complete. Doctor, along with other things, is a curio hunter, anyhow—and I greatly encourage, humor, it in him, too—send him all sorts of scraps I think he would count of value. Having committed himself to this thing,—us—he works it for all its worth—must have things, de novo."

     He asked me—"You have read 'Leaves of Grass' Imprints? the little book before the war? I came across a copy today—and for fear you had not seen it, I put it here in this envelope for you"—reaching to table and taking from it a bulky big envelope marked

 
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     "'Leaves of Grass Imprints'
1860
O'Connor's Criticism
in 1866
the Burns Monument
in Rome
return to W.W. without
fail"—

     Added—"I put in the other pieces, knowing you are interested in old things—in new, too: for there's not only the O'Connor piece but another, from the Boston Transcript—written by Chamberlain—a good friend there of Leaves of Grass. It is about Bruno—it seems somebody over in Italy forwarded him photographs of the monument. The event has been in every way a success." I suggested laughingly: "In spite of the Pope and the Cardinal?" And he responded: "Yes indeed—I was going to say, in part because of them—on the ground that none of the greatest men—discoverers, leaders—but had to pass through the ordeal of the Popes, Cardinals, such: the squirming, hissing, squealing, howling, anathematizingness, of Popes and Cardinals belong—set the event off, in fact. All the great fellows realized it—even Columbus had to be handcuffed, died in poverty."

     He inquired later: "What have you done about the Symonds letter?" When I explained that McKay would not pay the cost of composition but would pay all others, he said: "Well, if we have to do that we might do more—I have been thinking over something to propose—not for anything written for me—but matter of some sort or other that might fitly go in as an appendix." Then he turned more definitely to Symonds. "The significance of the Symonds letter is in Symonds himself." I gave him my conclusions—that S. made three overwhelming statements—that L. of G. was the greatest single volume ever written—S. excepting only the Bible,

 
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which is a literature, not the work of one person—that W. was the emancipator of literature and life (quote "Academical culture") and in closing, signed himself a disciple. W. again: "Symonds stands high—is the greatest of Greekists—in the spirit at the very top, in the letter almost as high—classicist of classicists, among all men in England in our day—so I have understood. When you get the matter in type, can't you get me an extra proof of it?" He had "not got hold of the points definitely, clearly" the other night when I read. "This deafness stands badly in my way—and worse, it seems to be growing and growing."

     I left photographs with mounter today and am promised them finished in a week, price 4 cents per copy, as before—even though the card requires to be larger. W. laughed about the envelope man, and said of him—"He knows how to charge as well as how to make an envelope." Comparing Press editorial today on Arnold with the interview report, W. called the former "more respectable."

 
Thursday, September 19, 1889

     7.30 P.M. W. in his bed-room, reading Stedman's big book. I told him I had read the O'Connor review of L. of G. and when I called it "a remarkable article," he said himself: "Yes indeed—it is a remarkable article. I doubt if, aside from the Times file copies, there is another copy extant aside from mine. I doubt if Dr. Bucke has one, or ever heard of it. William must have written many things of the sort of which I never heard. Whether Nellie knew of them all—kept copies—the run of them, is something I could not say." I remarked: "There's no one in America writing such book reviews today"—and he quickly, energetically, in raised tones, assented: "No—not one: even the fellows like Gilder, Stedman, good as they are, do no such work as that—none of them. They could not do it in the first place—then, they would not

 
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if they could." I said: "O'Connor's sympathy for other writers is everywhere palpable." W. then: "It is! It is! His was the most catholic mind I knew—a mind catholic in the large generic sense of that word—a democrat of democrats—above all, a lover of freedom—freedom of mind—especially of literary freedom: oh! how all-inclusive was his judgment of writers—poets, all!" I said further: "His sympathy is everywhere. While he leaves no one in doubt of his espousal of you, he puts up no bar against any other. It is as if he took us to the stars: it is unmistakable which star he is pointing out to us; yet he in no way objects to our seeing the others and putting what value we choose upon them." W.'s face was radiant: I know he fully entered into my idea—indeed endorsed it. "Every line, word, is true!" he exclaimed, "every line, word—intuitively grasping him. It is all exactly as you say!"

     He referred to Dr. True's letter that Clifford had brought down. "I receive many queer letters—a couple of weeks ago there was one from an Englishman—he signed himself a priest—it was very gushing, very. Yes, I have received love letters—many of them—especially years ago—plenty—even now, having one occasionally." As we sat there, Ed came in with a letter from Bucke, which W. read aloud. An allusion to me and the book greatly excited W.'s laughter. Bucke asked if I was one of the everlastings, like Willie Gurd &c. W. said: "My first impulse would have been to get mad at the delay; but as you say, when I see the dishes our delay has brought to the feast, I am satisfied—more than satisfied." We discussed my idea of closing the volume with a paragraph from Sarrazin. W. took hold at once. "I will see what comes to me tonight and tomorrow about the matter—probably something will be aroused—I am pretty sure it will." I had taken him proofs of the Symonds letter, and left it with him. "Now I will get a sufficient taste of it," he remarked. Spoke of the Sarrazin piece—thought he would get Morris and me "to spend an hour or so marking a copy of Leaves of Grass for me"—and

 
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our marks "must be in blue pencil"—and he started forthwith to give me a part of his blue pencil, until I objected and he was satisfied.

     W. immensely amused over two new brilliants given me by Clifford: one of a man who spoke of Goethe as "the Edwin P. Whipple of Germany" and the other of a remark he overheard in a parlor from Dan Dawson (in re Walt Whitman) "if he's a poet, then I'm no poet." Greatly curious about my meeting with Franz Vetta (Louis Neumayer) today—and questioned me explicitly. Had not been extra well. Keeps to his own room. I advised him to build a fire to take the chill off the room. He said: I have been thinking of that myself." Shows inclination to stay more indoors. Makes no suggestion even of going out. Ed said as I left that he wished "to take a walk"—so, as I was bound Philadelphia-ward, walked with me to the ferry. On the way told me of his resolve to go back to Canada Oct. 20. Had engaged with a veterinary surgeon to go with him on that date. This rather staggered me, as experience has shown how difficult it is to get a nurse for W. who combines qualities we desire and those which commend him to W.

 
Friday, September 20, 1889

     5:30 p.m. I found W. in his room just eating his dinner. He sat eating and talking during nearly the whole time of my stay. At one point said: "I think this is the heartiest meal I have eaten in a fortnight." Because he was extra well? "No—not that—but this corn"—munching a little for an instant—"This corn is the cause of it and you can put it down in your notes." Laughingly: "I remember when Sidney was here—he took lots of notes—always had his pencil ready—and I would say to him—put this down—that down. Now you put down for me—say that Walt Whitman likes nothing on this earth in the way of eating better than good, genuine, sweet corn. Mrs. Davis gets a good batch now and then—knows just how to

 
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prepare it for me—to suit me." Mrs. Davis came into the room with a little baby—"This is Mrs. Williams'—she is going—I thought I would bring it in for you to see." W. was radiant, instantly—took up the towel, wiped his lips and hands. "O the dear! the dear! Why, it is pretty, too—almost the prettiest I ever seed. Why, I must up and take it—it has been a long time since I held a youngster like that in my arms"—reached out for it—took it—kissed it. The baby (only 3 weeks old) crying instantly—Mrs. D. hurrying in with it from the room and W. exclaiming—"Oh! it is afraid of me! it's afraid of the critter—afraid I'll eat it up!" I advised him to have a little fire in his room. "I have been thinking that myself," he replied, "especially if this chill keeps up."

     I brought him copies of the picture-envelopes, now finished, which he examined. "It is a noble, genuine job," he said at once, "though this red silk—I don't know about it—I prepared the yellow" &c. Put his hand in his vest pocket—gave me a 10 dollar bill. "Pay him out of this," he said, "he is a stranger—don't know us—we must treat him well.""I shall send but a few of them away at a time—for the present a very few" &c. Said: "I have read Symonds' letter, now I have the point of it. It is grand—grand!" And he said later on: "I must send him a copy of the big book. I have not done it—should have done it long ago."

     Near by a copy of Poet-Lore containing H. S. Morris' paper on Browning. Said W.: "I saw it there—looked into it a little—did not read it, however. Horace, there must certainly be something in Browning that the young fellows take hold of him—something—perhaps a great deal. A young Englishman recently told me, the young fellows over there were leaving Tennyson and taking up with Browning—with Browning." Then after a pause—"and one other—Walt Whitman." I asked: "Was it Arnold?""No—not Arnold—another—Herbert." And then: "But they don't know: so many of my friends think I make too much of Tennyson—but no—no—I do not—

 
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I am sure of my ground—I take Tennyson the native, in the rough, for basic uses, origins—and I see him large because I see him." I asked: "O'Connor never reproached you on that score?""No—no indeed. O'Connor was one who knew, himself, of these things. But there are many of my friends—and fond friends—who do not understand it"—here he laughed—"do not understand my preference. But neither do some of my friends understand my love for the prairies—my statement, insistence, that the prairies typify America—our land—these States—democracy—freedom, expanse, vista, magnificence, sweep, hospitality. But I understand why I make my claim—I know—I see its justification—its necessity. I have been on the prairies by day, by night—have seen the great, vast spaces spreading out before me—often the stars overhead—then the sun. I would look from car-windows—and to me it was a revelation, even a glory—a magnificent spiritual drama, lesson." He spoke with great feeling. I had with me a copy of the Magazine of Art, containing a paper (illustrated) on Millet, by David Croal Thompson, which W. asked me to leave with him. He put on his glasses and took a great interest in the pictures. "There's the Sower—there's the Angelus, too—that is the picture some of the fellows over there think too much is thought of, paid for." I said: "Perhaps—but in a sense, they're not up to him." W. exclaiming: "That's it!—they're not up to him—nor for long will be. It takes a long time to get up to him—to the likes of such a man. Yet, even in his life, just before he died, there were those astonishing prices."

     Seeing papers in my hand, and learning they were last Sunday's Press and Times—he referred emphatically to the man Green again. "That Press reporter was vulgar—a liar—a most unfit, unprepossessing man—to me absolutely disgusting. His description of the visit of Arnold was grotesque, in fact. I was down-stairs with Arnold—sat at the front window, as you have hundreds of times seen me—there was no

 
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excitement—no looker-on. That touch, about the neighbors, was the touch of the vulgarian—thinking it would be a bright stroke to represent the neighborhood all out. Yet I venture to say there was not a single person abroad for the purpose given—not a person. Indeed, the American character itself is my backer—for an American as a rule does no such gazing, impertinently—what not, they might take furtive glances, but that would be all. This man Green made a great enemy of Mrs. Davis that day he came—I don't know what he said—or whether it was only some action at the door—but whatever, she was aroused and indignant." He handed me a copy of the N.Y. Herald of Saturday last—containing a Washington interview with Arnold—"before his coming here." A reference in it to W. W. W. added: "I suppose he is in Boston now. He is to lecture there—speak—at the college, I think—on the Mahabharata—something of that character."

     I told him of an opportunity I had to sell a complete Whitman for 5 dollars, if he chose—and he laughingly reflected: "Well—as the tradesman says, we'd better let it go at that price—as trade is dull, and our stock languishes, we'd better do what we can to deal it out! Of course they'll all distribute by and by, when we are dead—but we may just as well have some of the glory, the fun, now!" When I started up to leave, he called me back and advised me how to adjust my various papers so as most easily to manage with them in walking—"You see, I am as stiff in that point as old A. T. Stewart with his string. He expostulated with a boy who was using too much string for an 80 dollar sale." I said: "He was given but little string when he died," and W. in a laughing way—"True enough—but as much as he deserved." Fixed up my Gutekunst picture for me as I waited. Wrote his own name and "taken from life" with date. "I was going to put your name there with my own—but did not do it; unless you think so, I'll not do it." And so I did not insist, I took the picture as it was. He spoke of Gilchrist's having been over last night. "He

 
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comes quite frequently nowadays—often stays long." Had followed up my proposition of last night for a piece out of the Sarrazin essay to close the book. Copied off several manuscript pages and indited an advertisement of his books. In a blue envelope—inscribed—

     "Excerpt f'm Gabriel Sarrazin
to fill out Horace's book
(correct and bring proof)"

     Said: "Doctor always speaks of it as 'Horace's book.'"

 
Saturday, September 21, 1889

     8 P.M. W. in his room. Had not got out today. Started a fire,—the wood had a fine, memoried odor, as of the hazardous days last winter. The envelopes had come over as directed by me—made a big bundle, and stood on the floor there—I was amused by the line—"Don't crush." I gave him the receipt, which he put on the table, and will probably utterly lose in the litter. He had been writing in his note-book, which laid open on the table. On my entrance was reading a newspaper. Started a considerable hunt for a copy of the Transcript. "It contains something about Bruno which perhaps you will like to see. I don't think it interesting—not at all—dry, rather. Yet you may see more than I do. A column or so, letters—marked with a blue pencil." Then reflected: "It is a surprise, somewhat, that the Popes, Cardinals, bigots, don't know better than to slap Bruno in the face. I, for my part, rejoice in the opposition—in the whole turmoil—it evokes declarations from the other side—radical utterances. Here is one of the Transcript writers delivering tremendous blows. Would he, if the Pope hadn't come out with such a display? I do not know much about Bruno—not much in a definite, particular way—but the men who cluster about him—they're enough for me." I had heard a Catholic say today of Bruno: "Why! he's an infidel!" and this greatly amused W. "Yes—he

 
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was—and so were all the great men—they had to be. But 'infidel' don't hurt—we are all infidels enough to the Catholic Church—to other churches, too, for that matter. The Pope has issued a little document, I suppose, about two inches,—on Bruno—and the first disposition of every Catholic will be, to get up a great hurrah, enthusiasm, glow, over it—boost the Pope, his Cardinals. But psha! we don't care for the Catholics—undoubtedly things will come about entirely as is best in the long run."

     Had read the Millet piece in the Magazine of Art, which he returned to me. As to the portrait there of M., done "by himself" W. "liked it much." And "the whole article was of great interest" though not new in its treatment. Referred to Kennedy. "He has a vacation—will probably go off somewhere—I don't know where. I wonder if he'll get down this way?—perhaps—perhaps." And when I said: "He deserves a vacation—he works very hard." W. said: "Indeed he does—he does" (pronouncing as if spelled d-u-e-s). Adding after a pause: "I have known half a dozen fellows who in their time got married out of worldly considerations,—and in every case the marriage was a disappointment—a palpable failure—resulting in the way to put a man's nose—so the old expression was—nearer and harder upon the grindstone." I instanced—"for money?" And he shook his head. "I don't mean just that—have rather in mind, worldly position—ease—something in that line." And he then added: "Rhys, when he was here, stopped with them—did not like them at all"—hesitating—"perhaps I am hardly justified in that"—pausing still again—"but I am—I am—even dislike. Kennedy looks on Ernest as essentially—first of all—a selfish nature—that he is out to gather what may be to himself, let others what others may. But this is not my view—not at all. I can realize that Ernest has the English acquisitiveness—and Lord knows! our own is great enough—and I don't see how I can object to it either."

     Left with him proof of the last two pages—with which he

 
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expressed himself as well-pleased. "I hardly expected you would get the proofs tonight—and it looks all right, too—seems rightly done." I told him the dollar Gilder had sent to the proofmen had been placed to G.'s credit in the office, and W. said: "I hope my 50-centses and whatnot always go direct to the men? I don't want the office between us. But then I recognize that the cases are unlike." When I told W. that probably Tom would be bringing in some of the representatives at the Unitarian Conference in Phila. next month, he said: "Let 'em come." Would read proof tomorrow and if I did not get down would send it up to the house by Ed.
 
Sunday, September 22, 1889

     Did not see W. today. But he went over proof of Sarrazin extract, as he had promised, and sent it up to the house by Ed. Suggested that instead of "Then, Postscript" I say, "Last Words"—but I prefer my own choice and shall let it go at that. W. not out of the house the whole day.

 
Monday, September 23, 1889

     8:10 P.M. W. in his room—staying upstairs now entirely. Reading "Waverly." Looked ruddy, but said he had not been "chipper." A couple of visitors today—women, New Yorkers, who bought copies of November Boughs. Referred to Tom's visit yesterday and to the fact that Clifford, though in Camden, did not stop in. I wrote Brinton in response to his postal, inviting him to come over to see Walt instead of eking out mere hints of his condition by correspondence. Told W., who was pleased. "I am glad you did it," he announced, "Brinton is one of our men." I asked W. about the Arnold letter to him printed in the Times. "As I told Tom—haven't I told you?—it was all news to me as to others: I never got such a letter." I

 
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said, "If it is true that Arnold said, as reported in Herald there"—I returned him the Herald sheet with the Washington interview—"that Longfellow is our greatest poet, then I give no weight to his endorsement of you." W. gave a slight laugh. "But you know, Horace, you must not predicate a man's judgment by anything you see in the papers about him. We ought to know, of all men! For you have often heard me say, it is with a newspaper man, not, 'What is the truth? What can I tell here that is true?' but, 'What is interesting, spicy?—what can I tell here that will interest, sparkle, attract?'" Repeatedly speaks of this as "the Moncure-Conwayism of journalism."

     He had quite a siege hunting up Johnston's address for me in the notebook. Then later he tried to find the Sarrazin manuscript, which just the other day had been the top of the heap but now had entirely disappeared. His expressions were very amusing. He hunted—leaned over,—till his head hurt—then would sit back—then recommence. Finally relinquished. "It will turn up readily enough when I am not looking." Would take his cane, give a pile of books, &c., a knock—"make matters worse," as he said. "To-morrow, I'm sure to hit upon it somewhere."

     Showed him the slip herewith, from Item last week. He laughed especially with idea of the Item getting on moral stilts—the dirtiest lyingest sheet in these parts. "Reminded him," he said, "of the old-time criticisms" in which now there seemed a lull.

     Sir Edwin Arnold

     It was very kind of Mr. Childs to give a dinner to Sir Edwin Arnold, but the gifted Englishman ought not to assume that we are deaf, dumb and blind, and lack understanding.

     Coinciding with the New York World, we assume that Sir Edwin intended the following remarks about "Walt" Whitman in the kindest spirit to the American people: "I am more than ever convinced

 
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that he is one of the greatest of your American writers. His poetry is wonderful. Prudish people, I know, object to some of it, but there is nothing impure in it. It is the expression of a simple child of nature."

     It is, perhaps, ungracious to object to what is intended to be flattering in the remark of so distinguished a visitor, but we cannot help saying that, unless Sir Edwin is acquainted only with the expurgated English edition of Whitman's poems, his compliment is a little left-handed. If it be conceded to "Walt's" admirers that the proportion of nastiness they prefer in their poetry is a matter of taste, they should at least refrain from calling those who prefer poetry without nastiness "prudish people."

     There are many fairly educated people who do not find Whitman's writings poetry at all, and to whom his filth is only a source of added weariness; but those who are so constituted as to admire him will hardly, we think, indorse Sir Edwin's opinion that there is "nothing impure" in his writing. They could not easily do so, if they had read all his verses, without admitting that impurity is not a quality of dirt.

     Handed me a picture of Tolstoi out of Book News—remarking my interest in him and "the strong face."

 
Tuesday, September 24, 1889

     7.30 P.M. W. in his room. Reading paper—which he laid aside. Looked ruddy as usual, but with rather a labored expression. Not out today, or even down-stairs, as has been the case for many days now. Morris told me today of Tom White's new enthusiasm over L. of G., to him a new book. W. remarked: "We seem to be booming nowadays. What it will all come to, who can say?" Had found the Sarrazin translation. "It was on the floor—had slipped down," he laughingly said. Was exceedingly anxious I should take half of his blue pencil for Morris, but I did not. Rained. He asked about the weather. Keeps his room closed. No fire. I do not like the so-much staying at home. It smacks of the habit of last winter:

 
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suggests confinement, ill air, the consequent impairment of his condition. But he is so susceptible to the cold,—his blood so sluggish—all that is therein explained. As we sat there Mrs. Davis came in and sat down. She had been off to Doylestown, visiting the old grandmother of the Fritzinger boys. W. very inquiring so she recited incidents of the visit. As to the old lady's childishness: "So her old age and sickness give signs in that way, eh?" A deep feeling in his voice. I showed him new sheets of the last pages of the book. As he examined them he said: "I see you did not take up with my suggestion, 'Last Words.'" Of course made no ado about it. Added: "I have been thinking I would have a couple of hundred of these pages struck off for myself—not now, but after the book is out. These two are—I should not say the best, but among the best, pages of the book—with the best pages, anyhow." The printer had spelled "portrayal"—p-o-u-r &c. W. laughed. "No indeed, we do not want this: this was a fashion forty years ago, but we do not make much of it this year. It is a peculiarity of printers to insist and insist. If there had been something in that page particularly needing to be seen—fixed—eluding us—he would not have seen it. That's the way." He laughed brightly as I told him Dave's first edition would be 500 copies. W.: "He ought to print more—I should say, a thousand, at least."

     Brinton sends me his pamphlet discussing the aims and traits of a world-language—(Nineteenth Century Club paper). When I proposed that W. read it, he said: "Yes, indeed, read it—I shall look it over—it will interest me. I was going to ask of Brinton and the universal language, what was asked of Emerson and immortality so often: does Brinton accept the fact? I have heard of the great German philologists—the greatest, perhaps—who think the English is to be that language—become universal." I said I believed Brinton did not. W. then: "At any rate, the idea of a universal language is

 
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grand, noble—is in line with all the broad, deep, tendencies of the time—is one with our political progress—governments, free trade, solidarity—the democratic drifts, glories, of our time—the over-flowing, ever-flowing, humanities!" At another moment he said: "I had quite a long letter from Rhys today—a good one, too—written, not from London, but Wales. He seems to be bustling about—vigorous. They have been having a harp festival there in Wales—they have them, I understand—both in North and South Wales—a sort of equivalent for the Roman, Grecian games. The Welsh people are an animated, gesticulative people." But was Rhys not quiet? "Well, Ernest was practically raised in England. They call these games, Eistedfodd. I have met harpists—I remember they coached me in the pronounciation of the word, which is not as we would pronounce it, though what I could no more tell now than fly!"

 
Wednesday, September 25, 1889

     7.30 P.M. Found W. in the kitchen, talking with Mrs. Davis. Asked me if the weather was "settled" yet—turning then laughingly to Mrs. Davis: "That is, if anything can ever be called settled—as they cannot, and best not!" Sat back in the corner, out of the draught. Ed came in with a postal shortly, which W., not having his glasses with him, found it impossible to read. I showed Morris today the Sarrazin extract in the book. He wished to know if W. had not altered it considerably. "I am sure I made it to read more smoothly than that." I now asked W.: "Did you make extensive alterations in the text?" He said at once: "No indeed—only enough to make it read smoothly!" I laughed outright. W. looked at me. "What is it?" he asked. And when I repeated to him Morris' remarks, he too laughed. "We differ about smoothness, it seems," he finally exclaimed, with another hearty laugh. Then he added—"There are a number of expressions along in the English

 
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of that piece which seem to me to be misleading—evidently too literal. Sarrazin is made in one place to say my father was a great lover of infants. John Burroughs always beautifully said my father was a lover of children—and that is right—children is the word. It is only in such ways I have undertaken to alter."

     I received a letter from Mrs. O'Connor today dated Nantucket. Read to W., who was much interested and questioning. She has been ill again, but is recovered, mainly. Speaks in warm terms of my Liberty piece on O'Connor. W. very susceptible to cold. Insisted on Ed's putting the sash down, though shutters were closed. "You may catch cold," he insisted—Ed smiling meanwhile. Of course does not get out at all. I had a postal from Brinton today saying, he would be over Friday evening, probably. W. said:—"I shall be glad—very glad—to have him come. But he knows I can't see him long, don't he?—only 15 minutes or so?"

 
Thursday, September 26, 1889

     8 P.M. W. upstairs in his bedroom, gas on, and Gilchrist there talking with him. Although his color was high enough, he did not look well, and he evidently spoke with much effort. Yet he grew interested and was free enough in gesture and phrase. Gilchrist left some 5 or 10 minutes before I did. A bundle of Harper's Weeklies on chair. His exposition poem appeared this week. Gilchrist was examining a copy of my entrance. W. asked me: "Well, Horace—what's the news?" And when I answered, "Oh! I came here to learn the news! Walt has more time for reading than the rest of us!"—he said quickly—"I have! I have! More time than I want! I envy the man out-of-doors—the boatman in the river, the carter with his team, the farmer at his plough—the active, unliterary employments!—their freedom—the elasticity they develop!" Then added for himself—"I am most interested in the French

 
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elections"—G. saying—yes—he regretted the fall of Boulanger—we all liked a sensation etc. W. said: "I regret just the opposite—that he wasn't buried deeper—not that I think he as a person amounts to anything, but that what he represents, stands for, is of all things the most abhorrent, repulsive, hateful to me. My sympathies are all against him." G. explained that he knew W. was essentially right—W. proceeding—"President Carnot and his group, ministers, occupy a position in quantity—though in no other respect—analogous to our Abraham Lincoln's. The time is on, to be conservative, hold your horses, not let yourself be run away with."

     Reference to Brinton's pamphlet. W. said: "I read it—read it all—and read it with great interest. Brinton refrains from stating himself positively, I notice—writes somewhat in the Captain Cuttle vein—of Captain Cuttle, who said"—here W. assumed a voice and position of vehemence—"if the ship comes safely into harbor, very well then, she is safe in harbor; if the ship goes down, very well then, too—she goes down!—it is in that spirit." Yet there was "more than that to be said," of course. "A universal language—a world language I very much doubt: the Central African will never develope into it." This replying to my question if such a language would not be developed. "But its genesis—its origin—its conception—is essentially noble—in line with all the modern tendencies that I value and cherish. Solidarity, unifying—unification! This is in fact my argument for free trade—not that it will produce so much and so much in dollars—though that too is to be said, and I feel that free trade could be justified even on that ground—but that it will break down partitions, dividing lines—lines of demarkation—bring the race together—interests not worldly alone, but on the human side—the high deep embracing spiritualities." But Gilchrist spoke of the great lesson his American experience had taught him—that we went on differentiating, in spite of talk of union with English life, etc. W. allowed it: "That is true, much else is true—then comes in another department—then enter other considerations—

 
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after differentiation, then unity, too." He dwelt upon commercial necessities. "Probably for these purposes, a system of signs—new codes—will be—will have to be—established." Talked thus vigorously for some time. Gilchrist by and by withdrew.

     W. then spoke of the weather—how it interfered with his freedom of movement—kept him in-doors. I found out from the picture-mounter today that our pictures would not be done till next week. On the table a handsome blue book which I picked up. "Have you ever seen it?" W. inquired. Adding after I had remarked that it was Swinburne's Essay on Blake—"Have you any curiosity at all to read it? If you have enough to persuade you, take it along—look it through—I don't know but it would interest you. I came upon it today in looking for something else." Swinburne himself had written on the title page simply

     To
Walt Whitman
from
A. C. Swinburne

     and W. had added along the outer edge

      "Walt Whitman
sent me by A C S to Washington D C. in 1870"

     no more punctuation on either side than I have indicated. Beyond writing on the title page under Blake's name

      "born 20th Nov: 1757
died Aug: 1827 not quite 70"

     W., so far as my cursory glance showed me, has not marked the book at all. A book that touches him is always marked if it is his property. He spoke of this as "much less full, elaborate—than Mrs. Gilchrist's book on Blake," but offered no further criticism.

     Ed has not yet told him of his intention to go to Canada in October. I conferred with Harned this evening about a new

 
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man and about the fund matter generally. W. showed a peculiar interest in Gilchrist's explanation of his impression of American life—its significance—as he always does in intelligent views that are alien—that give us to see ourselves as others see us.
 
Friday, September 27, 1889

     8 P.M. Brinton came over just a few minutes before 8 and we went to W.'s immediately, remaining there till the clock struck 9. Found W. in the kitchen with Ed and Mrs. Davis. He greeted Brinton cordially—kept his place way back in the corner away from draught and talked a good deal of the time freely enough. To B.'s inquiries after his health W. talked very freely. B. expatiated on an extract from one of W.'s letters to someone in England which he had seen in a Paris paper describing himself as a wreck. B. was chary of such belief. But W. said "Ah! Doctor—it is true—and that is putting it mildly, too: I am literally an old hulk—hauled up on the shore, in the mud! The last 3 or 4 years—especially the last year—has damaged me very badly—very." But did he not get out daily? "Often—often—though the last week or so has not once tempted me forth. I am a great waiter on the spirit—on whether the spirit moves me—and if I go, if I stay, it is because I am strongly moved to the one or the other. I have all my life observed this habit—so that now I am rather its victim than its devotee—it may be said to have possession of me. I can see how it has inestimable benefits—then I can see more—can see when it is a weakness, a drawback. How many's the argument I had on this very point with my friend Mrs. Gilchrist, in England—in most respects the finest, cutest, most womanly woman I have ever known. She was a great believer in deliberation—in pre-arranging things. For instance, she had a household in England—comfortable, children—

 
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she takes up the notion of coming to America—for several months calculates, arranges—then comes. That is what I mean. I could never do that—my whole make-up is opposed. As the spirit calls, so I follow—in no other way." Brinton objected that while that was a felicitous arrangement of an individual life, he did not know that it would work as a general principle. W. assented instantly: "I can see that clearly—I realize that there is the one truth, then something more: in all individuals there is the countervailing force—the other thing, duly emphasized, active—that other thing weak in me beyond belief, as I know—but I am too old—now in my seventy-first year—to review my habits. I well comprehend, however, how the constitution of the cosmos is such as to make all such apparent failure right in the end—as I said, the countervailing force. Mrs. Gilchrist is enforced in the way processes of the worlds—the orbs, suns, all such work: work—not by my method—not by the fact of to-day, but by prearrangement: every turn prepared, provided for, not to-day, but thousands, tens of thousands, of years ahead. The one force—or lack of force—is countervailed by the other." W. then added with a laugh: "That is a part of my quarrel with Horace here about Emerson. He will not hear to it, but I always insist that Emersonism, legitimately followed out, always ends in weakness—takes all color out of life. Not that this could be said of Emerson himself, because, as I point out—as is plain to me—Emerson supplies his own antidote—teaches his own destruction—if seen at his best. Besides, it is more to know the actual Emerson—the corporeal, physiological Emerson—to come in contact with him, his voice, face, manner—for I believe Emerson was greater by far than his books." Brinton reminded W. of a time when he, B., too, had taken me to task for my espousal of Emerson. W. saying again: "But of course, I never will allow anything to be said against the good Emerson—I am sturdily his defender through thick and thin—will not hear him offended."
 
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     Brinton gave W. a specific account of his trip to Europe. Spoke of his Quaker ancestry. W. very curious as to the Arabian experience of the Doctor. Asked him many questions. As to their abstemious living B. was very explicit—also on the point of personal appearance etc. W. asked, "Are they still so utterly barbarous—just as you say?" and then—"And after all that is said, how are they as persons; individuals, companions?" And—"What is their amenability to civilization?" and "What manner of books or what not have they? none at all?—none?"B.'s account was full of strange detail. I could see how W. feasted on it, sitting there in the corner, saying little or nothing. After W.'s account of his breaking up, B. had protested in a rather laudatory vein. W. listened—here again said nothing. Inquired after B.'s wife—whether bettered much by her trip. The conversation developed at one point to the Bruno episode in Rome. B. gave some note of his experience—of the intense feeling grown out of the erection of the statue in Southern Europe. W. said: "That is all what we want to hear. There has been a great to-do about it in this country. I myself have rejoiced in it. It has made people ask themselves—as it made me—who is this Bruno they are kicking up such a devil of a row about—what did he do—to what extent must we all recognize him, denounce him? It is very important—very—to get even that far with such a man. There are letters to be read—or letters have been read—in all the churches about it—the Catholic Churches—deliverances by the Pope, bishops, others." B.'s recital of the outline of Bruno's life W. regarded intently—thought B.'s assertion of freedom "glorious"—and to a quotation from Spinoza he exclaimed quickly as though it had forcibly struck him—"So that is from Spinoza!" W. said at one point: "In this last year or so—perhaps more markedly still in the last six months—we have been boomed—boosted—as never in our life before. It would be hard to tell what it all amounts to—leads to." Of the dinner he said: "I was not favorable to it at the start—told the

 
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boys so—sort of felt it would be what they call a 'flunk.' But somehow it proved more than a success. I suppose [it] was a surprise to us all—even to the most expectant of us." And again—"And perhaps what the dinner led to is the most important of all."

     On entering W. had introduced B. to Mrs. Davis—"My friend"—he called her—and to Ed also, in a similar phrase. B. picked up a book that he saw on the table—a veterinary volume—and W. said—"That is Ed's there—he is studying it." B. thereupon speaking of a volume of his own "in my salad days" on that subject and offering to send a copy of it to Ed.—speaking of his later dislike of the horse as having risen from his early plodding farm work with one etc. Before we went W. arose and insisted on going up stairs to get B. a pamphlet "about the centenary of the Grimm brothers"—bringing it down laboriously in a few minutes with the remark—"Perhaps it may seem a trifle but it is a sort of fillip, anyhow." B. expressed a pleasure in his visit and W. reciprocated, only adding—"You find me insufferably dull, but that is the attendant of my sluggish nature and my age"—adding too as to B.'s pleasure—"I will believe it when I find you coming often." B. went with me to Harned's, who was not at home. Thence to town, talking much by the way of W. I showed him Symonds' letter which he read with astonishment and applause. Says he is writing a book on Rhythm—wants definite talk with me sometime about W.'s origins etc. in art. A fine evening, which I think we all enjoyed. W. very simple, amply communicative, yet rather letting B.'s good talk flow on than interposing as much of his own as sometimes. The night clear and heaven studded with stars.

 
Saturday, September 28, 1889

     7.30 P.M. W. in his bed-room, light up full, talking with Harned and Hobart Clark, the Unitarian minister who

 
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preaches here tomorrow. W. said right quickly after we had shaken hands: "What do you think, Horace? John Burroughs was in here to see me today—came in on a flying visit—stayed awhile—was off again. He said he was going directly home again. He wanted badly to see you, but I could not tell him where you were—I thought I knew but I didn't. I hoped some way to get you word so you could come over earlier than usual. He went to town to see Herbert on the way off. Certainly he must now be gone, though it would not be impossible for him to step in here to surprise us this very hour. He came down from Ocean Grove. Oh yes! he looks well—better than I have known him to look for a long time—and he tells me he eats well at last. You know, awhile ago, perhaps several years now, John was taken with that spasm which seems at one time or another to attack every American—the avoidance of meats—subsisting on vegetable supplies—no mutton, beef, pork—though I do not wonder at the pork—and all liquors—wines, everything. And he persisted in it, too—I think for several years—2 years or so. He got it, curious to say, of a German doctor—a cute man, able, broad, I am assured. John said when he was about leaving that he felt the premonition of one of his periodical headaches. Every 4 or 5 months he gets "a spell of this kind." Then W. turned to me again specially—"I am very sorry, Horace, you and John did not meet, but you see how it was." W. having referred to Gilchrist, Tom spoke of the mother, whereupon W. said looking towards Clark: "Both of these gentlemen know her—of her. She was my friend indeed—and a woman to know, too, like Emerson, as I have so often said, to be met personally—to be taken into actual physical contact—with voice, eye, lip, all—before fully known—known for her true greatness." Theological matters coming up. W. remarked at one instant: "The idea of the ministers seems to be, that without the theory of heaven and hell—particularly of hell—society would not be safe—things would not go on—we would collapse!"
 
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He laughed merrily. I told him I had repeated to Brinton W.'s expression some time ago that morality as he grew older, more and more relegated itself. Brinton thought it important and interesting to know this—Goethe had made a similar confession. W. rejoined, "Yes, and not only Goethe but all the fellows that amount to anything—all. I am glad to hear Brinton's own confession. That is the creed of Leaves of Grass, the in-working, through-working principle." I remarked that Brinton is more and more taken with L. of G., and W. laughed—"Well, that is what it is for, to grow into people." To which I said, "And Brinton is a good sort of a man to have it grow into!" W. then—"Sure enough!" Laughed over Brinton's idea of the literary class, that it was a cowardly one. "Likely enough" he exclaimed mischievously—"I have heard such things said!"

     Tom read Clark the Symonds letter upon my recommendation. I asked if he had shown that to Burroughs, and he said—"No—I never thought of it." Communicated Brinton's high opinion of it—then the fact that B. would write a volume on poetic form, rhythm; W. saying thereto: "I should think that would be profoundly interesting, especially as coming from Brinton—yet I confess I have some qualms, at first blush. My wonder is, is Brinton the man to write a book on that subject? From what I have heard—what I have seen—Brinton would not detect rhythm by his own ear—gets it rather by other forces, agents. Not that I would in any way discount his book or whatever, in advance—only, that there are delicacies, intricacies, to be traced, followed, in such a study, which demand the finest ear—the best organized. And my doubt of Brinton would be, not that he could produce a valuable study, but that he would produce a study of topmost power—the best deliverance on the subject—exhaustive. I have a book here somewhere which it seems to me would be important in this connection—I have spoken of it before—C. C. Felton's lectures on Greek art, literature. Even if not

 
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of importance on that subject direct, of importance in itself, a book Brinton, I should think, would enjoy to read. If he has not the book, I should be glad to have him use my copy. Tell him so." Alluded to the religious discussions of the time as "mostly thorns crackling under a pot."

     Harned picked up a pamphlet from the floor—poems—and W. laughed when questioned about it. "That's one of the thousand and more choice lists I get from the fledglings who write poetry, as they call it. But that's not the worst: as the boys have it, they get the drop on you sometimes with a whole manuscript, on which they want your opinion—'dear sir, I am a young man, need help—if you will only tell me' etc. etc.—something in that strain." Referred again to Edwin Arnold's letter as in the Times. "It's as new to me as to you—to any reader: yet it sounds something like, as if Jim came upon it fresh somewhere—certainly not here." As we hung around, he opened a little package Ed had brought in containing the picture from Mrs. O'Connor of William. "I sent it to her a while ago—now she sends it back. She had asked me about a picture of William to have engraved—she says she has this. I had a letter from her today—she is still at Nantucket. Yes, this picture is very fine—I always liked it." I said: "He was rather stouter when I saw him." W., "Can it be? In my time, usually thinner than this—this already is fat." Spoke with Clark about Eistedfodd—the pronounciation of the word. "I received a letter—a very interesting—even strong—one—about it—and a paper, too—from my friend Ernest Rhys—over there in England. By the by, I sent them off just this evening to Dr. Bucke. The Welsh people, as Rhys makes them out, are warm, flush,—not flamboyant—but flowing, radiant—in their poetic, musical, forms"—and so on.

     Handed me a pamphlet in "Riverside Literature Series" containing some Lincoln speeches and Lowell's Essay on Lincoln. "If you think this would in any way appeal to you, Horace—you can have it—take it along. They had a piece of mine

 
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in it, which was all blundered, bad—I tore it out, sent it back, with the message that it would not do." He looked over the book—became a little doubtful. "I don't know—probably this is not the book: but it was just such a volume." As we were about to leave W. asked: "And how's the family, Tom? Is the baby come about all right?" And to the favorable response, "Good! Good!" Harned asked: "Are you coming up tomorrow, Walt?""That remains to be seen.""I'll open a bottle of champagne for you.""That's good—the very best—inducement, to be sure." Tom then to Clark: "Walt won't eat anything at my house any more, but he'll crack a bottle of champagne with me any time. His doctor keeps pegging good advice into him." W. protested with a laugh—"No—it's not because of the admonitions of the Doctor—it's because the cookery is so tempting—I take more than I ought to." Harned expressed some doubt of the effect of champagne on himself, but W. insisted banteringly: "For me, champagne is the top of the list: then, Tom, it's to be remembered there are some people to whom good things—champagne for one—are particularly addressed—and I think I am one of those people. But whether I come up or not, I should be glad to have you come in here—both of you." Morris will have the translation ready early next week. W. "pleased" with the notion of "having it back again."
 
Sunday, September 29, 1889

     9.40 A.M. W. just up. Had put a big brown-mixed coat on and was opening the shutter blinds. Very cheery, and looked well. Sat down and spoke with me. I wished to leave him Ashton Bell's name for inscribing in a copy of the big book. He promised to write it and send the book to my house by and by by Ed. I had the Swinburne book under my arm. He asked—"What have you there?" And when I told him he said: "You will like to examine it, as you would a curio—but it is

 
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not much—not profound—never touches bottom, or near." Again said: "If you are going to Germantown give my affection and best love to Clifford"—adding as he looked out of the window: "It appears to be a beautiful day: isn't it mild, fine?" And then—"The clear sky—how it beams! This might be a day to get out, after all."

     Spoke of "Emersonism" as so often before. "Emersonism finds nothing infallible enough for its test—nothing—all is fluid, uncertain"—and then—"Let us stay on the earth," etc. I did not linger. Ed came in with a bowl of water, in which W. proceeded at once to bathe his hands and face. Since Dr. Brinton's advice to Ed to take a University Veterinary course, Ed is inclined somewhat, to stay. I have some hope of it.

 
Monday, September 30, 1889

     8 P.M. W. in his room, reading evening mail that Ed had just brought in. I took him the five dollars from Ashton Bell. "I have the ninth volume of Webster's Mark Twain's Stedman's book," he said curiously, "and I like it well—like all the later volumes better than the earlier. In this one are extracts from O'Connor and Burroughs, and a picture of John—a good one, too"—picking the book up from the floor, searching it, finally pointing out portrait of J. B."This is John, to be sure—a little bit of pain in it—and a stoop—but they belong to him—the picture really very like. But some of them here beat the devil. Here, look at this—Willie Winter"—pointing to a portrait that faced him—"He's a little damned fool anyway: this is all made up: in life, speech, profession, there's nothing like this to him—nothing at all: this is all damned affectation—made up for the occasion.""But there is another face I like much—Mrs. Dodge—Mary Mapes Dodge—probably because I have always sort of liked her." Contemplated her face—"A good one—don't you think? And then they're most of 'em superior in this volume." Pointing to the poem

 
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opposite—"The two Mysteries"—W. went on—"This is the poem—but the three or four or six lines of explanation that used to go along with it are indispensable. But I suppose they left 'em out 'for reasons.'" By some searching he found out the O'Connor pages. I examined them and said: "And not a word out of 'The Good Gray Poet'!" He asked, "Do you think there ought to be?" I answered, "Yes, I think they're like the lines to that poem—indispensable." He laughed—"So you think that? A part of 'The Carpenter' is here: I am a figure in that."

     Referred to the possibility of Arnold's return to Philadelphia. "He said he was to come from Boston to New York. No time was set, but I am sure he said he was going west." Brinton told me more definitely today that his book on rhythm and the poetic art would be scientific—concerned most for tendencies. He had not read Felton's book—would get it out of a library. W. enlarged on general talk of Greek art—methods: "They believed in the harmonies—harmonies of character—were esthetic, yet not alone that—and moralistic, too. All through history, we find—in all ancient peoples—moralism had a part. They laid a good deal of stress on the physiological man: so do we, in a sense—in the colleges, with the gymnasiums and the like—but then this is an artificial stress—like the Unitarian faith in religion, believing in cold reason, to Spanish Roman Catholicism, which will have nothing but passion, fervor. The Greek principle was one that laid primary stress here.""They did not disdain to draw analogues from the songs of birds—harmony: human character must be many-sided—not one thing alone. They were not blind to what we call the Christian virtues—neither inclined to think the Christian virtues all in all. In such respects inferior to our typical man, some would be inclined to say—in such respects superior, others—and I would be inclined to pass with the last. They would educate the whole man. Some insist they were superior in astronomy, but I am inclined to accept

 
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that—it appears rather to me, they were inferior. They had a music—a music of their own, undoubtedly. Felton tells in his book there of some scrap that was unearthed, even from the time of Euripides, Sophocles—which he had tried—which was enough to bring the devil out of hell. But I don't think that authentic, even to begin with: there's only one out of ten million chances that it was the thing. Then the wild notion, that an old Greek piece could be rendered—be given justice,—as a modern piano tune! It is out of respect altogether!"

     W. is writing a verse—"Champagne in Ice"—inspired by evident facts. A sheet he has been writing contains a list of philanthropic millionaires. Gave me a copy of the Harper's Weekly poem, printed on a slip by Curtz. "Bravo, Paris Exhibition"—he had changed to "Bravo, Paris Exposition!" and the line originally

     "Add to your show, dear France"

     he made—

     "Add to your show before you close it, France."—

     the change evidently necessitated by the time consumed in refusals of Herald and World to print the poem. Referred to Arnold again as "great on the globe-trot, like our own Americans, most of 'em, when they can." Was "pleased to know" Stedman had "made quotations from Ingersoll in the book.""Some would not have done it."

 
Tuesday, October 1, 1889

     8.05 P.M. W. in his room, reading letters. Asked me immediately—"Did you know Harry Wroth?" And on my assent—"Did you know his brother Johnny?" he continued—adding thereupon—"This letter here on my lap is from the brother Johnny—as I knew him, a boy—now grown almost—perhaps quite a man. Harry went to Albuquerque—in New Mexico—and became something there, I should judge. The

 
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Governor, the judge and the doctor are the famous men in these new places. I knew the Wroth family well here—liked them. The wife—there was a daughter too—a nice girl. The father was treasurer of the city once—got under a cloud.""This boy Johnny writes me often—I enjoy the letters, too." Then again. "And there was a note—a postal—from John Burroughs, along in this evening's mail. He said he had his headache—felt in dubious humor—went to town and right off in the train. He stopped at Herbert's, but Herbert was out. Now he is at West Park again." I alluded to Ashton Bell's early favorable reading of Leaves of Grass. W. smiled. "So you think he takes some hold? Well—I almost pity the young man (or woman) who grapples with Leaves of Grass. It is so hard a tussle."

     Gave me a copy of To-Day containing an essay by Edward Carpenter. "Mrs. Kennedy—Sloane's wife—happened in today: came about eleven—that was one of my changes of garments." But he did not enlarge. I left with him the Sarrazin manuscript, at last finished by Morris. He examined it and was pleased. Thinks "seriously of publishing it" but does "not know where, how, as yet." He had a fire in his room, which he stirred now and then. Not looking extra well. I had been arguing with Ed to stay and take the University Veterinary course this coming winer. Explained to W., who said: "I did not know anything about his going away—he said nothing to me. But I can see the wisdom of your suggestion—how indispensable are the two hundred or more things embosomed in such an opportunity." As to department clerks at Washington: "It is a great mistake to suppose the positions all or mostly sinecures—some of the clerks work like beavers."

 
Wednesday, October 2, 1889

     8.05 P.M. W. in kitchen, talking with Gilchrist. We stayed till a few minutes after 9—then left together. Gilchrist thinks W. benefited greatly by the good long talk. I wonder? Talked

 
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of many things—W. very free. We found his voice better even than usual. Spoke of Mrs. Kennedy. "She has not gone directly home: is junketing about a little—after a long stay in one place—keeping close to duties, all that." And then of Kennedy: "He appears to be writing a book about Whittier. He did this once before—but the Whittiereans are not satisfied with it, nor was Sloane himself—so he is to make another attempt. There is a publisher up there at Cambridge who employs Kennedy for this—pays him little or nothing yet throws out consideration, even at this, when five dollars is so important a matter to Kennedy." W. pointed to a book on the table— "Have either of you seen the 5th Reader? Harper's 5th Reader? Look at that! I am quite carried away with it! Look at that print, look at that letter on the cover—look at that paper! It is astonishing, the beauty they achieve. Oh yes! they have a poem of mine there! It has been so long since they asked I had forgotten all about it." Gilchrist queried: "I suppose they put it in without your permission?" to which—"Oh no they did not! they not only wrote me the flattering note yesterday—sent the book—but came up like a man long ago and asked my assent. I do not know who wrote yesterday's letter." I showed them a sheet of the paper Dave had selected for the book. Both liked it. W. put on his glasses and examined it critically, expressing his gratification.

     Gilchrist inquired what W. knew of Henry James. W. said: "Very little—very little: I don't think I have ever met him—know I have not." G. repeated several amusing stories of James' visit to Gilder some time ago. W. then—"I thought as much. I knew and know very little of this Henry James, but of the father—the old man—I know very much more. I had a friend who was quite intimate with him. So far as I could gather James was the type of the man in his place—in the universities—a man afraid of facts,—divine facts: not to be better expressed than by the figure of a mirror—with its reflection: and the notion of the man who could be very well

 
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satisfied with that mirror—but with the fact itself—oh no! let us not talk about that—hear none of it—would rather be excused!" G. spoke of James' regret spoken somewhere that he had not seen W. personally, because a few minutes face to face clears many things. W. exclaimed—"Well—whatever he writes that is false, that, for a surety, is true." Discussed pronunciation of Symonds' name? W. argued—"I am sure it is Sim-monds. You know, it was Edward Clifford, the artist, very closely allied with Symonds—who was here and told me about it." G. said James considered London the greatest city in the world and W. exclaimed—"Well—I guess there's no doubt about that!"

     Mention of Cooper—Gilchrist seemed to be very ignorant of his life and work. W. said among other things: "Cooper is way better than Hawthorne—50 percent better: something in his ways like Scott, though with less sparkle than Scott but having in common with Scott a sort of garrulity. Not that it is really garrulity in an offensive sense. I find as I grow older, I read and read the novels again, then turn to the long labored prefaces and read every word again. You are right—even these escape garrulity in its odiousness." G. had "thought Cooper's works of the Charles O'Malley order" but W. said: "No, they are not: they are not so sparkly, so brilliant, as that, but are of a solider metal." Quite detailedly he spoke of Cooper's work: "His first work was 'The Spy—no—not that—another—'Precaution,' he called it. Then there was 'The Pilot'—then the Natty Bumppo tales—all worth knowing. And still more, one that is not generally ranked as his best, yet always appealed to me—held me—fastened upon me—'The Wept of Wish-ton-Wish,' a tale of an early New England settlement. 'The Spy' is not a great book—yet a very good one nevertheless." Described minutely 'The Wept of Wish-ton-Wish,' then: "A very good play was founded on this story many years ago—probably fifty—and it made a great impression on me, for I remember it very clearly to this day. A

 
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great French pantomimist—a Madame Celeste—a famous woman in those days—took the part of the lost girl. Her power was great—lasting." W. spoke of other writers as compared with Cooper: "It is like comparing dimes to dollars—the world seems rather to prefer quarters, dimes, to dollars but I consider Cooper greater—much greater—than Hawthorne, just as I consider Bryant—though the world will not have it so—incomparably greater than Longfellow. But such comparisons, I suppose, are not good, wherever made."

     He then said:"I have received a copy of The Open Court—somebody has sent it to me—and now I think I have an idea what monism is, which I never had before. The Open Court is the great court of metaphysics, in which the fellows beat each other about, this way and that, on questions of which nobody knows anything at all." He said laughingly, "The function of the true reporter of our time is, if he can't make an interesting enough report out of the facts as he finds them, to get up facts to suit!" Spoke of Cooper as "open, free, expansive, if not as elegant as other writers known." As he used the expression "open, free, expansive," he threw his arms open wide and his body back in the chair.

     Gilchrist asked W. if Talcott Williams had been over? W. answered "Yes." Had W. asked him the proposed question about the letters in The Press? W. answered first, "No—I forgot all about it—never said a word"—then asked quickly—"That would be rather a pointed question, wouldn't it?—taking unwarranted liberties, with what are perhaps professional secrets." G. said, Talcott would be able to take care of himself." W. thereupon—"Yes—no doubt: and besides, it would really only be one priest asking another priest." A paper on the wall—pinned there—a newspaper—slipped down as he rubbed against it, and he said—"It seems to have discovered an affinity for me." Complained that Knortz did not return him the Gilchrist book: "I wrote him once about it—told him there was someone here anxious to read it—but he asked to

 
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keep it a little while longer—so I let it go. I must write again." I stayed longer than I intended, expecting after G. went to give W. the samples of mounted photographs I had with me, and proof sheet of bust for book. But finally showed them to W. anyhow—after which G. and I went off together. Ed has finally consented to stay and take the college course. I am to pay his board and pay him twenty dollars per month—he to be with W. mornings and evenings and Sundays—and to stay all day in case of any sick turn in W. That is the agreement. W. pleased when I told him of it tonight. "I wished it so," was all he said, "though I have said nothing to Ed about it myself."
 
Thursday, October 3, 1889

     8 P.M. W. in his room, reading a newspaper. "I have just been down stairs," he said to me. We talked some time together alone—and after a while Gilchrist came in. When I left, G. was still there.

     He had enclosed several matters in an envelope for me to attend to—and written instructions on the outside—then he laughed, giving it to me—"Don't lose the 5-pound note: that has a special importance to me"—I put in—"Nor the check, for that has a special importance to Oldach"—at which he laughed again heartily—"That is more true than many things!" he exclaimed.

     Remarked his amusement over the newspaper criticism of Curtis for his civil service reform speech the other day in Phila. "It makes me think of an expression I used to hear up along Long Island when I was a boy—signifying, here are people damning a man for the one good act of his life. But it is easy for Harrison to have defenders—the man in power, the party in power, power itself, emolument, office, show, never want for friends—friends as friends of that sort go. But what does it all amount to—a defense set on such pins?"

     He spoke of what one paper calls "the All-America

 
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Congress"—of representatives [diplomats from Central and South American countries, who were welcomed to Washington by Secretary of State Blaine]. "I read Blaine's speech—read it all—liked it all—it was fine—all in the right spirit—broad—expansive—the best thing Blaine ever did. But the most wonderful thing about it all is the jaunt the delegates will make—5 thousand miles by rail, about America—the United States—never changing cars—starting from Washington—going to New England, to the West, coming back again, in the very cars that took them first. Blaine will not go with them, but he has thrown everything of good purpose in the scale for them—eased their going about—sent his men—engaged with the railroads—thrown the panoply of the government about them. I took to his little speech: it started off a little materialistically—like Colfax's speeches long ago, and Banks'—N. O. Banks'—I remember, they always measured success by so much land, goods—so many dollars—and so Blaine's speech at the start, though there was more than that to it." He said much of this over again for Gilchrist's benefit, when he came in later on. Said moreover: "No—I don't think the broadest significance of this strikes Blaine or any of them—but it is a good thing, nevertheless—it will produce its own results—good results—notwithstanding. It will not strike Harrison, surely—Harrison is the man out of all the rest of them to calculate action with reference to its political effect—no, worse than that, even—rather party than political effect. But the universe takes its road—is on and on and on—and events prosper far more than the actors believe, understand—in spite of them. It is all provided for in the inherencies of things."

     Said he had had a letter from Bucke about the book. When would it come?

     Touched upon Chase—"a man out of men—a trivial, damnable man,—a dangerous, handsome man. I always thought D. Ridge here on our street much resembling him—I mean

 
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in form. In head, Chase was noble, almost impressive—deceptively so. Carlyle did not believe in our democracy—criticised it out of a divine disbelief, and I always welcomed his criticisms—always thought them valuable—do now: but Chase's, from the inside, were the most hateful, insidious, to be imagined. In all these things it was not the surface alone that gave importance to events, but the undercurrents, the bases: while Lincoln and Grant greatly, not them alone." War was not luck—"often it is something of the sort—a sortie, an assault, a surprise, a surrender—something of that sort—but that is not the whole story. In long-prepared transactions—in arranged, calculated, campaigns—in persevering effort, like Lincoln's, Grant's—towards a great purpose—acknowledging no defeat—there is no luck—no chance. It is like our fine macadamized roads—not the surface alone, but the underpinning—the basis—there is nearly the whole virtue: if that is bad—if the determination of the soil yields—the soil lacks it—all is lost. No one can know as I know how this applies to Lincoln: not enemies at the front alone but in the rear—everywhere—subtle, keen, unscrupulous. I was myself a New Yorker—nestled in the very bone—perhaps not heart, but brain, viscera, of the malcontent—knew it all—from what it came—what was to be expected of it—realized how dark and rapid a weapon it could be. Yet Lincoln, knowing it all, was calm in it all—persevered in his way." Such the drift of his talk.

     I received a card of introduction of Prof. Huidekoper for Ed from Brinton today, who has gone to New York. W. informed me Ed had gone over, not found the professor in but found out at what hour to get at him tomorrow.

 
Friday, October 4, 1889

     7.50 P.M. W. in his room. I took him down the bundle of mounted photos. He called it "quite a packet." As to his

 
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health—"It becomes quite a tedium, to sit here confined—I should try to get out some." Adding after a bit: "Tom was here tonight with a couple of gentlemen—one of them is to lecture on prohibition down here at the church—and it was no small addition to the tedium to have him here, lightening himself of his load of doctrine." But he laughed quietly, looking across at me, "But we survive all such things—they are a part of our growth!" I asked him whether, after the Morse head was printed, there was any other to add to the envelope. "For the present, none—at least, none till some other strikes us!" The conversation turned by his own remark: "Did you read the account of the delegates?—the trip to West Point? Not the least part of it was Sherman's little speech—the General's—it was very good." I asked: "Are not our generals anyhow advanced over those abroad—more humane—seeing better that war is only a make-shift?" He answered quickly: "Yes indeed—in that way—in many other ways: and not only the several we know—like Grant, Sherman, Sheridan, whom we always mention,—but others—many—who stood ready, only waiting the opportunity, very much resides in opportunity—no one being all told till severely tried."

     Some reference to Bruno occasioned W.'s remark: "They seem to have given it up—the Church has retreated: so far as I know, the Archbishop's letter, which was ostentatiously to have been read everywhere was read nowhere. Some powerful thumb came down at the right time—some keen intellect saw the mistake in time—imposed quiet—some subtle-sensitive thumb, that can move a world. Well that it was so! I suppose we can count that as a great victory. I wondered from the first that these fellows didn't see." Of the Spanish protest that the "All-America" congress was a protection move W. said: "I can see the hand of Castelar in that protest—commend, endorse, it too. But still I would say to this congress, others like it, go on—go on—in spite of yourselves you are working for free trade, for brotherhood, for human unity!

 
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Dear as the principle of free trade is to me—near as it is to my heart—fully as I am convinced that in it, only in it, is brotherhood, solidarity, democracy, assured—still, in the event of protection success, I would say, go on with that, too—let that try itself by high, severe standards!"

     I had a letter from Mead today asking for a ten page paper on W. W. for the New England Magazine. When he heard of it, W. was much struck. "How do you explain it, Horace? as you say, it is significant. Is it because they are making such a racket about us in England, France, Germany?" I told him I proposed writing more of his later years than the early ones, and suggested using the Gutekunst picture, Mead volunteering illustrations. "Oh yes! use it, if it will do!" And when I said: "Walt Whitman at 70" was one of my suggestions of a title, he said: "Yes, that is very good—very. How would this do for a headline—'Walt Whitman at Date'""I can't think of another name just now," he exclaimed. To his further question—"What causes all the kindness?" I replied—that Darwin two centuries ago would have had to wait longer for justice; progress accelerates; so will the Whitman idea. He said: "That is a striking way to put it, that no doubt is one of the glories of our time." I said, "Browning asked me on a car the other day if the Herald had gone back on you." He responded: "Well—there was the Paris Exposition poem—it was declined by the Herald but met a better fate—was, as you know, in Harper's—and they paid me ten dollars for it without protest." Adding, "And I suppose the next number of the Century will contain a little piece—six lines or so." I paid fifty dollars to Oldach today, changed the 5-pound note, paid for and secured mounted photographs. W. satisfied with all. I asked if he wished a set of sheets of my own little book. "Oh yes! and then I can write Dr. Bucke positively at last that the book is practically done."

     I had opened vol. 5 of the Stedman's big book at the portrait of Cooper and W. said: "Yes—I thought him a handsome

 
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man always—I saw him often—he looked like a gentleman farmer—richly dressed, yet simply—like plain Europeans we sometimes see—men of means but of native taste and sobriety. I have sometimes thought—perhaps have said—that if Cooper had had a little more of Tennyson's grim determination to be by no means led into a fight, and Tennyson had had a little of Cooper's—I don't know what to call it—it would have been better for both. Though I don't know that Tennyson is quite so much the reserved man as is sometimes reported. From things Herbert tells me, I am persuaded he likes to mix in with the people, be democratic—plain. I think he would shrink from notoriety, but not from this." Then—"Cooper was not distinctively the literary man." Of Stedman: "Stedman is under pressure there in New York. I do not altogether wonder at his coolness towards us—he is like a piece of iron that has been many times heated and now is the critical heating!""I have told you I knew Stedman at Washington—he had my position before me. When the Secretary of the Interior cut my head off—I went over to the Attorney General's office—took Stedman's place. But of course we were good friends then. Twenty years ago—in those days—Stedman was more dandaical, as O'Connor would declare, but in the years since he has expanded greatly—thrown aside many of the old trappings." But there were no doubt fellows over there who took advantage of the Herald scrap to point out to Stedman—now what of your Walt Whitman. "They will lie—outright—we know that well enough—so that we do them no injustice." Gave me a copy of the journal called Society with its big flaring initial letter, and said, "I don't know who sends it to me. It is all frivol—frivol!" And The Open Court: "Take it along if you would like to look through it." An article there by Paul Carus on Wagner was marked. Who? W., "You mean the lead-pencillings? They are Kennedy's, I guess—the papers come from him." Talcott Williams writes me, "The workingmen's letters are printed just as they are received." W. said: "I am glad to hear that—glad to hear that
 
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insufferable tendency of the newspaper bigots was resisted—I rather thought it had not been."

 
Saturday, October 5, 1889

     7.30 P.M. W. in his room—not appearing extra well, nor feeling so—for he said: "This is one of my bad days: I have had rather a bad spell today: I live by spells and spells." He asked after "news"—saying, "I am told by the folks here it is a fine night. Is it?" I read him part of a letter received today from Lincoln Eyre in regard to the fund, W. remarking: "It would seem that the Lord not only permits but provides us friends at last—even lets us turn up a Jack now and then, as they say in cards!" Said: "I really must make some struggle to get out-of-doors—but the temptation to stay here—rest here—settle—is very great, usually triumphant."

     I see he has cut the leaves out of Bucke's black-bound annual report, pasted a sheet of white paper over the gilt lettering and commenced to use it for the disposal of his scraps. It is on the table with the "annex to the annex" (of November Boughs) now growing bulky. He is very curious to see a copy of the New England Magazine—proposed yesterday that I write for one. A copy arrived anyhow today. I promised to leave it with him in the morning on my way to Philadelphia. He studied the sample sheet I had from Mead—dissected the reprint of the cover—"And this," he asked—pointing to the leafage—"is this the Mayflower or what? And this boat—is it the boat Mayflower? It has all the form—high at both ends—thick—even like Columbus' boats." I only stayed a few minutes.

 
Sunday, October 6, 1889

     9.35 A.M. Stopped in on the way to Philadelphia to leave the New England Magazine with him. He was in his room, eating his breakfast. Laid down the towel he was using as a

 
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napkin—took the book—commented on it: "Yes—there it is—the Old South Church—the very essence, culmination, of New England Presbyterianism. Cotton-Matherism and everything that is damnable.""But then," he added after a pause, "even these things had their place, and today they serve at least as curios, if not for more." Spoke of the morning as "an ill one" for him. "I got up rather bad, all over." Still, his color stood its own. Had been reading a Century piece about Olin Warner, the sculptor. "Do you know of him?" he asked—adding "He is a new man to me."

     8.30 P.M. In for about 20 minutes with Fred May. W. talked very well, though expressing the fact that he had spent a very bad day. I introduced Fred. W. then asked—"What did you say his name was? May? Oh! that name takes you into a world of reformers, anti-slaveryists, radicals, progressists."

     Remarked that Tom had not been in today.

     I had with me the following extract from the Boston Herald—caught on the fly by [Joe] Fels in Boston the other day (Oct. 6, 1889).

     WALT WHITMAN.

     The Good Gray Poet Since His 70th Birthday.

     The latest tidings from Walt Whitman are that he is now more of an invalid than ever. He is no longer able to drive out, his legs having failed him so that he cannot get in and out of a carriage. On pleasant days, however, he goes out in a wheel-chair, and passes considerable time on the river bank enjoying the air and scenery. He is carefully attended by a male nurse, sent by his friend Dr. Bucke of London, Ont. The nurse is a strong and sympathetic young Canadian, and the expense is met by a number of Whitman's friends, who make monthly contributions for the purpose. Mr. Horace L. Traubel, a young gentlemen of Camden, who has been of great service to the venerable poet, is looking after the matter.

     Whitman now no longer sits in the front room on the ground floor of his humble house on Mickle Street, where his face at the

 
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open window in mild weather has long been a familiar sight to passers, and whence he was wont to pass a cheery word with neighbors, or with the children in the street, who were much attached to him. He keeps chiefly to his room on the second floor, where he sits, surrounded by a pile of books and papers, strewn confusedly around, doing a little desultory reading now and then. He receives calls from numerous friends and admirers, many strangers from Europe coming to pay their tributes of esteem; among the recent ones was Sir Edwin Arnold, who, like Tennyson and many other distinguished men of letters in Great Britain, has a profound admiration for Whitman, and did him the honor of paying him the second visit which he made in the United States, his call upon the President, as the head of the American nation, being the first.

     The poet also does a little writing when the mood seizes him, and keeps up a correspondence with some of his friends, chiefly by means of postal cards, upon which he jots down fragmentary thoughts without formality. His handwriting is as firm and vigorous as ever, showing no trace of infirmity. Among those with whom he keeps in regular correspondence is Mr. W. Sloane Kennedy of Belmont, who has written several critical essays on Whitman, which are soon to be issued in book form, together with a concordance of his poems and a list of the various articles and essays which have been written on Whitman that show that he has been more the subject of literary discussion than any poet of this century since Goethe.

     The proceedings at the banquet in Camden last May, at which Whitman's friends celebrated his 70th birthday, are to be published in a little memorial volume by a committee appointed for the purpose, Mr. Traubel being in charge. Whitman calls it "Traubel's dinner book."

     Still another edition of Whitman's poems has appeared in the shape of a most attractive issue of "Leaves of Grass" with the addition of "Sands at Seventy" and "A Backward Glance O'er Travel'd Roads." It makes a dainty looking small volume, bound in pocketbook shape, with fine dark green leather. The edges are gilt, and there is a receptacle for keeping scraps and memoranda. The following characteristic words on the title page tells its story:

 
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     May 31, 1889.
Today, finishing my 70th year, the fancy comes for celebrating it by a special, complete final utterance, in one handy volume of "L. of G." with their "Annex" and "Backward Glance," and for stamping and sprinkling all with portraits and facial photos, such as they actually were, taken from life, different stages. Doubtless, anyhow, the volume is more a PERSON than a book. And for testimony to all (and good measure), I here with pen and ink append my name.
WALT WHITMAN.

     The edition is limited to 300 copies only, and the volumes, which are sold at $5 each, may be obtained by sending direct to the poet, 328 Mickle street, Camden, N.J. The autograph, together with [missing] number of copies make them particularly valuable to bibliophiles as well as the friends of Whitman.

     Gave it to W. who said, "Will you leave this with me, or do you wish me to read it now?" He read it at once, putting on his glasses and saying when done, in answer to my question, "Yes—it is wonderfully accurate—every word of it—a marvel of newspapery. Baxter certainly typifies the ideal reporter. I have been very fond of saying that Emerson redeems the whole literary guild—the man himself—out of the fact of what he was; and so I may say of Baxter, he redeems the whole tribe of reporters. I read his article on Edward Bellamy in the New England Magazine there. He is very radical—progressive, he is enthusiastic over Bellamy's book, I knew this in fact when he was here—he was warm to espouse it. But no—no—no—we are not going to be reformed in this way, by parcels—not by Henry Georgian Socialism, Anarchism, Schools—any one agency. Our human nature is like the weather—it comes from all quarters—and while all these suggestions, reforms, doctrines, may help, certainly belong, no one of them can do the business for us. It is too long a story. The great feature is, everybody is occupied with it nowadays—even the millionaires, who if they have a few millions at death, leave a little of it—a million or so for ameliorative

 
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purposes." May expressed some surprise that W. read the newspaper clippings so easily. But W. himself said: "My sight, like my hearing, is gradually going: I feel it from time to time markedly."

     He turned to me suddenly: "Your article, Horace, if it fills 10 pages in the Magazine, will have to be 8500 words—I counted a page today—got at it that way." I laughed at the idea and he added—"That is an old habit—I have done it before—it is the only absolute measurement." Then he continued—"I freely give my consent to the use of the Gutekunst portrait if you care to use that. I would suggest that you have it printed on a sheet by itself." He also had a photograph of the house he said I might use. "I shall doubtless have a little piece in the next number of the Century—a few lines," he remarked, "and so we appear to be booming everywhere in unexpected ways."

     May said something about reading W.'s book—W. asking him then curiously—"Well—could you take hold of it? Was it clear sailing? Could you make anything of it?" Said he had read Coquelin's Century paper on Molière and Shakespeare. "It is very interesting—very smart—but there's an end: it is not profound—he does not send his plummet very deep."

     Ed told me he finally had decided to go to Canada. Saw Huidekoper, but was not satisfied, also fears uncertainty of tenure here.

 
Monday, October 7, 1889

     7.30 P.M. W. in his own room—the wood-fire burning lustily, and the air one of comfort. He asked me immediately—"Is it too warm? How is it out-of-doors?" Had been reading the Century. Did not look, nor was he, well. Some Boston girl writes me a long letter for W.'s autograph—almost pathetic in its exhortation. I gave it to W., with the return stamped envelope. He addressed it mock-seriously—"Mr. Stamp—I am very much afraid I shall confiscate you and consign

 
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the rest of you to the fire." I said—"I'm afraid you will, too." W. then—"How well—how good a hand—Miss Lady writes! It is a relief to look at the like"—and carefully put the stamp away. Ed came in for mail as we talked there. W. wrote Rhys today.

     McKay has bound up all the "After All, Not to Create Only"—sheets. Gave me a copy—sent one over for W. to sign for him. W. took and regarded the book with an evident affection. But he laughed about signing it. "I do not think I need to sign it: it does not need signing. There is the name on the title page—then here it is inside again. I do not like to triplicate it—then triplicate the triplicate." He turned it over and over. "It has been a long, long time since I saw it—a long long time." Then he read the Washington Chronicle extract towards the end. "Who wrote it?" I asked, as I read with him over his shoulder. His answer was, "I wonder?"—adding—"It is very good, anyhow," and saying further of the book as a whole—"It is wonderful neat—wonderful! How healthy the print!—the big clean type! Why, yes, it is a revelation to me, also—a new book to me. How many did you say Dave had? Several hundred? It did not sell—did not sell at all. Roberts must have issued about a thousand." And turning to the pictorial cover—"This is my design—I conceived it—it has a good familiar look, after a long absence. The whole book as it is here commends itself to me." I remarked that I suppose Dave got possession of these at auction. This seemed to arouse some latent intention in him, for he instantly addressed me: "I have been thinking, Horace, I should myself like to sell out bag and baggage to Dave—sell him all I have here, copyrights, everything—with permission, at any rate, to publish, ad libitum, to the year 1900. The time has come for me to unload. I shall kick the bucket soon—very soon—then something will have to be done, and what is done might just as well, or better, be done by me here and now." His voice was quite strong, though the tone rather more sad than

 
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I had known it for a long time. "I should like you to get at Dave on the subject: don't push it—try him only, some day—not hurriedly—he will have to be felt at the start. I don't know that he would care to do it—perhaps not—but I think he would. After the preliminaries, if he consents, we may tell him what we have and ask an offer of him. As it is now he is in my power: I could clap down on him in an hour—stop him outright. It is a serious turn for me all around." Gloomily he talked. Whereas heretofore he has fought all notion of making even a 5-year's contract with McKay, now comes this. Unless he urges it again, I shall say nothing to Dave. My personal feeling is strong against a precipitate step, as this would be.

     Ed says W. woke up in just such a dubious mood. There have been no visitors nor outward events which could have induced the humor. I asked him if he had been ill. He answered—"Yes and no—not more so than yesterday, but that sick." Was it the digestion? "Yes—that and something more—a great deal more. I am generally ailing—broken up—breaking." Attributes part of it to confinement—yet fears to risk the chilliness out of doors—is so extremely sensitive. Said yesterday to Ed, "We must make a start again." But the start remains unmade. I advised Ed to talk with W. about his departure and he promised he would. When I entered I had found W. struggling with the disadvantages of the dirty chimney of his gas-jet by the aid of a candle, he attempting so to read. It was a suggestive picture, and funny, too. Is disinclined for business affairs. Having matters done about the house, he always solicits others to do them. Repairs on back shed he appealed to Mrs. Davis to attend to. "Don't send them to me," he pleaded.

 
Tuesday, October 8, 1889

     7.45 P.M. W. in his room, reading. Had just been down stairs. While "not of much account anyhow," he "felt better"

 
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than the day before. I took him a fine proof of the Morse bust. He was greatly moved by it—contemplated it long—held it at a distance, then took it near, "Well," he exclaimed, "there's something in Sidney after all, something in this nowhere else, in no other picture, to be found. And this is no doubt the best rendering of the bust so far—the best—I like it a great deal." And after a pause—"Here it is, and you, Sidney—in spite of what the fellows say—you have done it!" He turned to me: "We must send the Doctor a copy at once—or as soon as we can. And with it a loose copy of the book if you can get the sheets for me. And I'll tell you what I want—I want the sheets stitched, if you can—and you can?" Returned me the copy of the New England Magazine. To my question, said: "You will find Bucke's book in the statistical, geneological way—as far as that goes—reliable, confirmed: all the first part of his book must hold its own. And then I can verify him and you both when your article is together. Burroughs' book may throw some side lights, too—be useful: I have always found it so." And on the score of illustration—"I will furnish you with whatever you desire."

     Some one arranged his room in something like order today. "I am experiencing rather a bad time all through," he said in answer to question as to health—then asked—"Is it too warm here? How is the weather out?" Again said—"Here is something I thought might do for Morris"—picking up from a pile of books a pink-covered pamphlet. "It is a supplement to La Vogue—a French paper"—but here he paused—"On second thought I will not give this to Morris. It would most properly—with most advantage—go to Bucke, who saves all such curios. I have myself sent him numberless such things. He collects them—so the stream may just as well continue that way." W.'s mood altogether more cheerful than last night.

 
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Wednesday, October 9, 1889

     7.30 P.M. In his room, reading paper—light on full, and wood in stove burning bright. Very warm with his "Horace—Ah! how do you do?" And his, "Take a seat." Frank Williams in to see me today. Spoke of his desire occasionally to see W., yet hesitation about intruding. But W. said:"Frank should come—he is very considerate—I always like him there. I love him, his wife, his family. They have been very kind to me in ways that provoke sweet memories. Then Frank is a generous, fine fellow, on the right track, too. I don't know about Protection—I suppose he is a Protectionist—all Pennsylvanians are, perforce. What do you learn of it? Is Frank counted the other side for that?""But otherwise he was always genuine, hearty." I spoke of Williams' curiosity to see Symonds' note, of which he had heard from Morris. W. thereupon: "He does well to be curious: it is the highest utterance of all—it is the most decisive, defiant trumpet-note of all: not a quaver—not a sign of doubt in it: not a word to detract from, to weaken, it. And we must think who it comes from if we want truly to measure its significance: Symonds, of the literati a distinguished member—among the most distinguished—a man who has made his title clear—labored, succeeded, got a hearing, credited with authority by the London Times, the reviews, big quarterlies, men of distinct literary note: a man of books, about whom it cannot be said, 'he don't know what he's talking about.'"

     W. said, "Dave was over today." I asked, "Don't you feel richer than when I was here last night?" And answered with a laugh: "Yes—he paid me a matter of 88 dollars." For how long? "I don't know—the bill is here—" yet he could not find it, so continued—"Never mind—I probably would not understand it better if I had it. I suppose if I set right out to do it—had to do it—it might be made clear. They say, figures can't lie. I would suggest the saying without the 'can't.' That has

 
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been my experience." I suggested—"Figures can't lie, but figurers can"—and he laughed heartily. "This is better—and they do!"—instancing statisticians; Atkinson and others. Could not get sheets of book today—not yet at Oldach's. Left word for W.'s stitched copy. Nor could I get bust prints; printed, but not sufficiently dry.

     Ed has finally decided to go. Has spoken to W. about it. W. is "adverse to a change"—greatly likes Ed—but would not advise him to risk his future, if it was risked, as it seemed to be, by staying. Ed hopes to go on the 20th, but will stay over a few days if we cannot get a new man in time.

     I asked W. if he really had any idea Boulanger would enter France, raise his standard there, go to Paris? He answered: "No—I don't think he's going—do you? I know he has got started—has got as far as Jersey—which is on the way—but it will amount to nothing. He is either crazy or a fool or both—probably both. Boulanger is a sort of lay-figure—the essence of all the parties of reaction in France. Yet the wonder is, how small the Monarchists turned up after all at the election—hardly making a respectable minority—President Carnot and his men clearly and easily and assuringly ahead.""Yet," W. continued, "unhappy the country without a party of the opposition—though there are oppositions and oppositions. Even Washington is examined—needs to be examined. I do not mean by a party of the opposition such parties as we have today—but a party!" Then turning the talk: "Herbert was here last night for awhile after you left. He had nothing new to tell—only to speak of his departure, which he has set for February. He pegs away at his picture—his Cleopatra—seems to be in a very complacent mood about it." Here W. broke out in a louder tone—"He does not like the picture—this"—reaching forward toward the chair but not finding what he wished, then explaining—"I mean Morse's picture—the picture of the bust. But I do—I have been looking at it by daylight—it satisfies me greatly—more than I could have

 
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supposed. I like it, irrespective of what others may think about it—there's something to it, noble, pure, severe—a beautiful something—who could say what? That last truth—the quality we know in friends, in persons—yet cannot measure in words, or begin to." W. said: "The best biographical material of all—if you wished it for your article—is in Specimen Days: there is no mistake about that—no 'interpretation': what is there is confession."
 
Thursday, October 10, 1889

     7.10 P.M. W. reading. Looked extremely well, and said he had greatly "raised" his "mood." He talked with me for half an hour—tone, eye, emphasis, all marking an improvement over the week past. W. handed me a letter of Bucke's. "It came today. He has quite a spasm there. Doctor gets 'em now and then—gets 'em with me sometimes." I opened it as if to read, he then: "No—take it along—read it as you go. Doctor is there in the Asylum, much harried, I should say, by cares and cares, some of them very petty—hence this impatience."

     Remarked that Tom had just been in. On the table a basket of fruit. "That is from my Marlton friend, who was also here today." And still again—"You see, I have been visited. Johnson, from New York, was here also. Johnson was on his way from or to the Knights Templar celebration at Washington—was in high spirits." I asked W. if he had ever been in secret societies? "Oh! no—I should say not—I never believed in them: their damnable nomenclature if nothing else would have been enough to scare me off. As Mrs. Gamp would say, I despige secret societies—nomenclature and all—particularly the nomenclature. Sir Knight this, Sir Knight that—imported sounds, with no significance except to excite contempt. Every man you meet is one of them. I have no doubt the fellow who takes away our slops, our ashes—who is dusty at his work sweeping the streets—belongs to a couple such

 
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societies, has his dignities, is duly named. The best fellows at this—the best of all—were the niggers in Washington. I remember my old washerwoman—a good woman—who told me about it—had membership in three or four societies—insurance societies, I think—one of them, anyhow, which guaranteed a decent burial—a good send-off. It was quite the thing for the niggers to go into these shows." Then spoke of Johnson again. "He looks very well—very bright. His store, the new store, has been a great success—he has made money out of it. Johnson is never a small potato—is a keen business man—a man who sees enough to send 15 cents after 5 dollars. Don't always get his dollars, but enough times to pay. A typical American. And Johnson is a radical—has great notions of reforming the world—contributes his share towards it—whatever is advised—money or whatnot, and is glad of the chance. I don't know about the reforms but I do know about Johnson."

     W. started in another strain by way of acquainting me with the news. "I had a letter from Kennedy today, too. He writes from Belmont still—says he is working away at his Whittier—confesses it is great drudgery—does not seem much inspired by the task. I can see that Whittier should not move him greatly. Kennedy asked me if I had any word, thought, to give him on the subject, I should send it on—it would help boost him up to continue. His letter came in the noon mail—delivered about 2—and I was sitting here—felt particularly in the mood—had a pencil in my hand, a pad near—so wrote him a page, just out of mind." Here W. paused, twisted his chair about—reached towards the round table—taking a sheet therefrom. "This is the paper—a copy of it: I thought I would read it to you—it will take but a minute." Putting on his glasses then and reading as follows:

     Whittier's poetry stands for morality (not its ensemble or in any true philosophic sense) but as filter'd through a Puritanical and Quaker filter—is very valuable as a genuine utterance and fine one—with

 
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many local and yankee and genre bits—all hued wih zealous anti-slavery coloring. All the genre contributions are precious—all help. Whittier is rather a grand figure—but pretty lean and ascetic—no Greek—not composite and universal enough (don't try to be don't wish to be) for ideal Americanism. Ideal Americanism would take the Greek spirit and law for application to the whole, the globe, all history, all ranks, the 19/20th called evil just as well as the 1/20th call'd moral

     At the sentence "Ideal Americanism would take" etc. he said: "This may sound very egotistical, but it is not meant so." At its finish I asked, "Will Kennedy print it?""I am sure I haven't the least idea—that was not in my mind at all—not till you mention it now." I put in—"I thought, if not, I should like to take a copy of this." Whereupon he said: "Take this itself, if you want it. I don't know whether this would be my elaborate opinion, made up of malice prepense for print, but it expresses in some sort of way what I felt this afternoon when Kennedy's letter came. I feel that not Whittier, not Longfellow, not any of them, are to be sounded lightly, in an hour, for all they are. That not only is one great test of power, greatness, in what men stir up in others, but that in order to rightly—largely—measure men, we must consider the whole story—what went before—what adhered to them. That is to say, the great fact is, what a man takes along with him, all that he takes along he is entitled to. It is so with Christianity, with the Bible: they are greatest, not for what they contain of themselves, but for what they imply, what they take along with them, cause. We have had many such books, institutions—perhaps almost as good—now forgotten, buried, utterly obscured. As I often say, we must not consider one limb, one organ, but the whole body, the entire man.""Considered in such a way, it would be hard to say Whittier has been stated yet. I do not see my idea spoken of at all: yet it seems to me the first necessity of judgment."

     W. added at another moment: "Kennedy also says in his

 
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letter that Brinton, our Dr. Brinton, writes in the last number of Folk-Lore that he had asked an Indian he had met some question about the actual meaning of word Mannahatta, and that the Indian had told him it was a word used to signify where bows were bought—bows and arrows, you know. But that seems to me improbable: according to the definition I got of it, it meant some center point about which the waters whirl and storm with great vehemence. As I have told you, I feel confident I have the highest authority for that explanation. Judge Forman and the Dutchman, Jeremiah Johnston—were great men in their day in such matters. Oh! how Brinton would have feasted upon their conversation! When I was a young man, these men were interested with others in educating Indians. They reasoned: we will select samples out of the tribes, put them in the schools, colleges,—inform them—use them to our ways—then send them forth among their people, to enlighten, to reform them. And so they persevered—sent out many men in this way—with the usual result: one out of a dozen would come to a little something, the others almost totally relapse.""I am sure, now, of these men—authorities: they came much in contact with chiefs of the Six Nations—there were five of them first, then another asked permission to come in—hence the name, Six Nations. Mannahatta meant to these, a point of land surrounded by rushing, tempestuous, demonic waters: it is so I have used it—and shall continue."

     I called his attention to the fact—in re Indian missionaries—that Pepper, of the University, was having much to do with a project to place Hindu young men in factories in Philadelphia to get an idea of our industries, with the end in view of modernizing the industries of India. W. at once said: "That is a fine notion—the very finest—has my entire commendation, it makes for demoncracy, solidarity—therefore is good—at least, good from our standpoint. I remember the talk with Dudley that time: he said, 'No, I have not got so far that I

 
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consider the pauper population of Europe.' But that is not Leaves of Grass: if we have not got that far we have indeed gone a short ways. Leaves of Grass considers the whole earth—not a soul left out, poor, king, any. If I were young I would preach this with a loud voice: but I am not young—yet I can give this to you as a starter."

     Spoke of the Morse picture again—how it grew on him. Asked me to send Bucke a copy of the New England Magazine. He was very much disappointed because I had not been able to secure him sheets of the book. Made some amusing comment on "the disinclination of some men—even the printer boys, usually so good—to accommodate." He seemed if anything unwontedly affectionate tonight.

     Till I had gone and was on the boat I did not know what Bucke's letter was all about—then read this:

     ASYLUM FOR THE INSANE
LONDON
ONTARIO


8 Oct 1889




     Yours of 5th enclosing Kennedy's of a year ago came to hand last evening. Was glad to have the latter—in fact am always glad to get anything on that subject. So the presswork on "Dinner Book" is done—that being so Horace ought to have sent me a copy without waiting for the binding—he promised to do that and I am disappointed he did not. Tell him if he has not mailed a copy to please to do so right away. If you or H. have a spare copy of that "New England Monthly" please send it me. Want to see what the magazine looks like. I am real glad to hear that H. will write on you in it he ought to (and I guess will) get up a first-class paper. He ought to know his subject pretty well by this time!

     No, I was not much interested in the Pan-American business though it is worth interest—do not see why Canada is not represented—she ought to be. It will all come right in the end only it takes time—good heavens! what a group of nationalities there will be in the Americas some day. Shall you and I see the show, standing together perhaps on Alcyone?

 
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     By that time you will be feeling better but I wish you could be a little more comfortable meanwhile I fear you are not having a good time


I am your friend


R M Bucke

     Tell H. to send the book sure at once if not sent already R M B

 
Friday, October 11, 1889

     7.45 P.M. W. in his room. Reading Burns. Seemed in a very happy mood, and talked more freely than I had known for a long time, except perhaps last night. I brought him several of Scott's novels from McKay. He had asked for them when Dave was over the other day, and had written a postal afterwards to jog his memory. Three volumes—"Rob Roy"—"Woodstock"—two of them—the third I forget. W. looked at them affectionately—"Yes—Rob Roy—Woodstock"—two of them—the third I forget. W. looked at them affectionately—"Yes—Rob Roy—Woodstock"—mentioning also the third—"all welcome—and for all, thanks to Dave, and thanks to you for bringing them." Adding—"Oh! these will ease my days here!" Brought him also a copy of "Gems of Walt Whitman," Miss Gould's book—which he regarded favorably for its appearance. "For looks, it starts out very well," he said, pointing to the cover, "and the title-page—it is good, too, though I never did believe any in the book and don't now." One of the headlines "Gems from Whitman" omitting the "Walt"—I remarked its peculiarity and W. said: "You are right—I like it better 'Walt Whitman' myself: that is one of the points on which I agree with Dr. Bucke—with Dr. Bucke it is always 'Walt' Whitman, never 'Whitman' alone. The 'Walt' has come to seem almost essential." Then laughed a little when I spoke of the Bucke letter he had given me last night. "Yes—Doctor was excited—is apt to get that way at times—it is a part of his nature. Of course I know it is not your fault that the book has been slow to turn up." Explaining: "The letter he speaks of there of Kennedy's was an

 
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old one—sometimes in writing little myself I enclose some word from another to make amends."

     I spoke of a letter I had this evening in re the fund. W. expressed his liking for B. and described him: "You know our man Sam Grey? Mostly his figure—just such a body—florid—quite gray. He is a man of fine presence—erect—straight—noble. In some respects a man like Arnold—very articulate, warm, enthusiastic—fond of saying his say—not offensively so—the contrary, in fact—but articulate in a sense that offsets extreme reticence, quiet, on the other side, as we see it sometimes." Sheets of book not available yet to-day—W. again disappointed, but laughing it off. I wrote B. last night advising him not to be impatient. Left a copy of October New England Magazine with W. to read. Picture of Wm. T. Harris among others arrested his eye. I said, "That looks a good deal like our Corning here" and he—"It does indeed— is him!" Going on after a pause, "So it is meant for Harris? Somehow it don't strike me as much like, yet it is a first rate piece of engraving. I know Harris—have met him—like him. Of course, he's entirely too metaphysical for me—entirely—but as a man he recommends himself. When I was in St. Louis years ago he was very attentive, kind, to me—came to see me—counselled me. I remember he brought me a great stack of metaphysical documents which I made a heroic effort to understand: but it was no go—I could not take the least hold—it was beyond me. Yet I feel the man is very cute, profound, in such things, himself."

     W. said at another moment: "Clifford was here today—and the baby, too, and Mrs. Clifford. What a wonderful institution that baby is! and so beautiful!—it was a joy to look at her merely. How the children are great beyond our conception, rules, of power, greatness! baffle us!—shame us! And I notice a difference in children—how great the difference between the parlor children and the children you meet on the streets, in the country, on boats, in the open air anyhow. And they

 
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will always resist having their likingnesses forced—will like this person or that, or not, for reasons their own—will not be dictated to, too closely guided." He said of Clifford: "Clifford is quite Greek, isn't he? Even decidedly, markedly, Greek?—what I call gay-hearted, buoyant—especially gay-hearted. I am fond of calling Leaves of Grass gay-hearted—I wonder if it is? Clifford has it in him to be all that—has its complexion, voice, port." He advised me: "Go to work on the article—it is time you were at it: if there's anything at all I can do in connection with it, I stand willing." Remarked the constant odor of the grapes in the room. Said he liked it very much. Had caught a glimpse of the light of the full moon, and asked me—"How does it seem? Oh! to be on the water such a night!" Is having repairs made on the house. Advises Ed to oversee it "just as if it was your own."

     Clifford wrote me thus of his visit:

     Oct. 11, '89, J.H.C., Mrs. C. and Hilda—three and a half years—paid to W.W. a visit which, for the child's sake chiefly, had been contemplated for a full year. The three arrived at the Mickle Street house just before 12 o'clock, to learn from the housekeeper who cautiously guarded the door that W. had only a moment before "gone upstairs." Learning who the visitors were she consented to take up information of their arrival, and presently returned to say that W. would come down directly. In a minute or two the slow-moving form bent upon the stairs entered the lower room with hearty greetings for all three, and words of special welcome to the child so often reported to him with her "dear old Walt" inspired by love of his various portraits. He spoke of her "wealth of hair" and made some gentle endeavor to remove the shyness with which she, in spite of affectionate prepossession, could not quite help shrinking from the presence which must have seemed to her so massive and mighty. A few minutes talk, then the little group rose to leave, and W. said: "Hearing the little girl had come to see me, I put this big apple in my

 
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pocket for her." The great red apple was accepted, and as soon as the child was out of doors its quality was tested with more assurance than that of the giver had been, who nevertheless had declared himself better for the call.
 
Saturday, October 12, 1889

     8 P.M. W. sat in his room, with "Woodstock" turned down on his knee, ruminating. Had rather a fresh, good look. A fire burned in the stove, though it was very mild out of doors. Asked me, "Is it not cooler this evening?" seeming surprised when I said I thought not. He noticed I came empty-handed, so at once exclaimed—"And no sheets tonight again? Well! Well!" I saw design for stamp on cover today. Dave goes away next week, to N.Y. and Boston, but will leave instructions with binder to proceed. W. saw note in today's Critic ("The Lounger")—

     Walt Whitman went over in a carriage from Camden to Philadelphia on Tuesday, August 6, and sat to Gutekunst for a photograph. It was a fine day—a perfect day, indeed—and he much enjoyed the sunshine, the exercise, and even the excitement of his three hours' trip. He felt well and looked well, and the natural result was a capital portrait, representing the old poet as he appears, when at his best, in his seventy-first year. Of this I have been so fortunate as to receive a copy. The picture is a large one—nine and a half by twelve and a half inches,—and shows "the good gray" seated in an armchair, his head bared, his left hand thrust into a pocket of his familiar gray coat, and the right loosely grasping a large walking stick. The wide, turned-down linen collar, and the loose cuffs rolled back over the sleeves, are edged with a narrow border of lace. From its framework of thin white hair and flowing beard, the face of the venerable bard peers out, not with the vigorous serenity of his prime, but a look rather of inquiry and expectation.

     "It was I sent him the photo," he explained, "I sent him the copy we had here—the one I had written upon. The paper

 
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came early—probably a copy sent by the Lounger himself. I probably shall get another. I noticed that he said of my expression—but that does not worry me."

     Read him the following from [Harper's] Bazaar this week, written by Higginson:

     Foreign nations are sometimes attracted by what is most like themselves, sometimes by what is unlike them. Napoleon and his admirers used to read Ossian; and the Englishmen of today, yearning for some Buffalo Bill at literature, convince themselves that they find it in Whitman."

     He laughed: "Oh! how O'Connor used to go for Higginson—go for him wih almost a rancor: pierce him, worry him, spear him. Did it several times in the literary way, but often among his friends. Higginson is of the Willie Winter group—belongs with the literary crowd of which Winter, Stoddard, Bayard Taylor, were centers, lights. The good fellows who had an awful belief in respectability—an awful hunger to be gentlemen." Asked: "Did I tell you Weda Cook was in to see me yesterday? She looks very bad—she has lost her lover—mourns for him very much." I asked, "What was his name? W. then: "That is just what I was about to ask you: I thought you knew. He has been here with her." "Gems of Walt Whitman" already on the floor. I trod on it first thing tonight. Mailed Morse a little package of pictures.

     W. spoke of the Pan-American delegates: "They go today from Albany—go West, to Niagara—then beyond." As to the comment of some of the English papers that the Congress was in the interest of protection, W. said: "Still I am in favor of it—though it is, I know. But insofar as it means friendship, comity, cooperation, it means free trade, democracy, freedom, too—real free trade. These things transpire so, whether they wish it or no—don't wait to ask if they designed them—""Not that I weaken on free trade at all. What is valuable but free trade?" Adding: "Protection—high duty—has no

 
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justification but on the line marked out by Thiers in France, by us in this country after the war—no justification but in this—that it may give a big immediate revenue, to serve a crisis. And there and here we have had such high duty—they got their big fund, we got ours—we got too much by much—now has the time come to cut it off—to cut it in the direction—to the end—of the most absolute freedom."

     Speaking of Morse's bust again, W. said: "I like it and like it: no criticism can shake me. For one thing, see the eye" taking up the card—"open, looking forward—not as I am usually shown, but as I spiritually am. It is exceedingly fine—a revelation of what art can do at its best, when it becomes nature!" Showed me a photo of a ship at sea. "One of the boys brought it in for me. Isn't it wonderful fine? It seems to me astonishing, the vividness of such a portrayal." He put on his glasses. "See the water—the waves—crested—breaking—up and down—I can feel them lift me. Oh! it is a great art, to take hold of the spirit of a scene this way!" Spoke of "the constitution and nomenclature" of secret societies as "utterly and damnably feudalistic."

 
Sunday, October 13, 1889

     Did not get to W.'s today. Was out of town most of the day. Saw several persons in the course of the day about a nurse for W.—, two doctors, S. Solis Cohen among these—but as yet unavailingly.

 
Monday, October 14, 1889

     5.45 P.M. W. sat in his room—in the dark—alone. Evidently recognized my step, for no sooner than had I opened the door but he exclaimed—"Ah! Horace! Is it you?" And he asked me instantly—"And you have the sheets tonight? That is the most important question of all!" And as I had the sheets

 
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and handed them to him—"Here at last! I wished them a great deal for myself, of course, but mainly for the Doctor." I put in, "I have already mailed the Doctor's copy—with it a note, explaining the delay." W., "Good! Good! So the Doctor's is under way? I am glad. I had another note from him today. He is in a devil of a mood—evidently thinks he is neglected, forgotten, passed by. But that is a mistake. I never remarked before that the Doctor was choleric, but there are times when evidence of it is thick. I always knew him to be impatient—all that—but choleric? hardly!" Then added, "I shall read the book myself—never fear." The room was dark. "I shall look at it first thing"—meaning, when the light was up.

     "I had a letter from Charles Eldridge today. He is still out there in California in the Internal Revenue service—collecting revenue—managing affairs. He speaks of the brandy they make out there—they seem to make a fine brand of it—and of the difficulty the government has, collecting its revenue—the tendency of people being to evade its payment wherever possible. Indeed, that is one of the arguments for free trade. It seems that in every land, every time, people have thought it little if any harm to smuggle goods—shirk tariff duties. Even I myself—though I have never been in a position to have it tested—even I should probably take the same course should it open to me. We somehow assume at the start there's a wrong in it—in the very imposition of revenue. Our government, in spite of all that is not paid, deserves a great fund from the drinkables." W. said again: "I received today a book from Edward Carpenter—a book discussing the meaning of civilization—a most tremendous and fearful theme! But he handles it well, though gloomily: seems to come to the conclusion that we are in a fair way to go to the dogs anyway. It is singular and interesting, how Edward,—democrat, progressist, reformer,—in this way puts himself on record in almost Carlyle's exact words—coming to his conclusion by other processes. Carlyle—not the democrat—thinking our

 
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civilization a bent stick." He added—"But Edward comes to the task equipped: he is a college man, knows history, is intensely sympathetic. I think the book would interest you: I want you to read it. It probably would interest you and some others a great deal more than it would me."

     I had a postal today from Mead about the Whitman article. W. said: I should suggest that you do not make it so much a discussion of Leaves of Grass as anecdotal—making up a sort of narrative—descriptive: making it concrete, every-day—typical, as for instance, of you and me sitting here now, talking." Mead wanted a picture of W.'s "study." W. laughed. "I have no objection to having this room taken, though I should not advise it, and for several reasons. In the first place, it is not characteristic—then, it would be difficult to make—and I think anyhow a written description of it would best meet the case. You must do as you choose." Mead was satisfied wih my suggestion of the Gutekunst portrait. Wished also a picture of the house. "I have that," W. said, "somewhere about here—Lord knows where—but it will turn up." Asked me: "Before I forget it, Horace—I want to ask you to make for me a copy of that page I gave you about Whittier. I don't know of any immediate place for it, but I may want to use it, and would like to have it there. A copy will do, and when you can." Referred to printing—hoped book "well in that respect." Then referred to the birthday book: "Ferguson spoiled it for us, without a doubt. I get mad every time I think of it—sometimes furious, even. It had a wanton air, almost: we had prepared the way for one of the best effects and got the worst—the whole business turned wrong and botched." W. said again of Bucke: "He is greatly mistaken—he is never overlooked, neglected. I do not blame you at all. I do not understand his excitement, anyhow. I had no such feeling myself about the book, even at the very first. The Doctor is extremely, unnecessarily vehement." He did not offer to show me B.'s letter. Have not got on track of a nurse yet.

 
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Tuesday, October 15, 1889

     7.15 P.M. Found W. in his room reading Scott. He made a reference to the books—"though the form in which they are produced is cheap in the extreme, the print is excellent—even superior—and I read it with the greatest ease, enjoyment." Asked me about the news. I said, "You sit here all day and read it, don't you? While we are out making it?" He laughed and said, "Hardly the reading—just these last days there's nothing to read. There are many things up, considered the things of the day, to which I give no attention at all. There is the Cronin trial: I never touch it—avoid, of set purpose: and so with many matters." Had he looked into the much-advertised Ebers novel running in Sunday's Press? "No—I very rarely read continued stories." Talking, though, quite fully, of Ebers. "He is a great Egyptian Nile man—of that sort—isn't he? I remember a book of his I came upon years ago,—grandly illustrated—superbly. I looked into that with a great deal of attention." He spoke of the book sheets I had left with him last evening. "I looked at them carefully. It seemed to me a wonderfully satisfactory piece of work all through—printing, all. I wrote the Doctor about it today." He picked the book up, remarked that "it must have been made up in peculiar forms"—etc, as Dave told me it had been—showing W.'s keen eye. I left with him a copy of the Whittier piece, as he had wished. "Yes—I may make some use of it."

     Returned me the New England Magazine for October. Said, "I suppose, however, it is the German magazine which give us the best wood-engraving of the world? That has always been my impression." I had a little volume with me containing Socrates' "Phaedo." W. looked at it with admiration. "It is a book one would have to love"—handled it tenderly—"a heart-book and handy for the pocket—and such printing, too!" I said: "I shall never be set at rest till we have Leaves of

 
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Grass in such little volumes—Song of Myself in one—and so on." He asked, "Won't Miss Gould's book supply such a want?" And on my response, "I don't like it—I don't think it supplies any want," he laughed. "Well—have it your own way. I don't think that book a success myself."

     Asked me: "Did you see the news item in the papers, about the desecration of Emerson's tomb? It seems to me inexplicable, mysterious—I do not at all feel I can explain it, even to myself.""They evidently effected nothing—were frightened off." He spoke of the stone at the grave. "No—it is not very rare—but it is beautiful, a pure white—white as alum. Did you ever read that in the old days, sixty years or more ago, Elias Hicks was the rallying-point of such an incident? It was very like, it was in the very week that Hicks died. A party of men—I think artists,—dug him up—took a cast of the face. That was their purpose—not to vandalize but to get such an impression. Hicks was a widely-known man in those days—much argued about—the center of a great fight. A fight not only spiritual but over property. The Quakers were very rich, even then.""Oh! Hicks was famous in those times—I should say, more so than Tennyson, Gladstone, Whittier in our own time. But this cast, taken in such a way, came to nothing. There arose a quarrel among the men, in which the bust suffered entire destruction. I did not write of this in the November Boughs piece, but was always aware of it."

     Has been putting a new poem together. Slips, with detached lines, pinned together into quite a bunch on the table. I gave Ed a letter to Gould about a new nurse. Hard to secure! W. said, when I asked him if he intended selling any of the Gutekunst pictures—I having a customer for one: "It never struck me to do it, but now it is mentioned I can respond by saying I will sell you one for your friend and autograph it for $2.50, though not wishing to make a habit of this. I wish most of the pictures myself, to give away."

 
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Wednesday, October 16, 1889

     7.49 P.M. W. in his room reading a copy of the Boston Transcript sent him by Kennedy. I remarked his rare good look, and he acknowledged he "felt very well." Then asked, "How is the weather out of doors? Mildened? I supposed so—felt it in my bones. It is too warm here now?" Remarked how the Pan-American Congress had dropped out of sight. "I read the accounts as long as they were to be had. They were some of the things I was sure to read at once and enjoy." He had had a letter from Bucke today. "He said your note was there."B. had "quieted down on the book question"—probably from feeling his book was on the road.

     W. described Ed's trip to town. "He was out to see Tom Donaldson. Tom has had quite a serious accident: fell down and broke his arm. He is building a house somewhere—as I understand it, was up on the scaffold—in some way a board broke or slipped under him, and down he went. His arm appears to be paralyzed. This happened in the summer. He seems to have taken quite a fancy for Ed and Ed for him." This led to talk of Ed's going away. W. spoke more on the subject than heretofore: "Ed has not said anything to me about when he was going away. So it is so soon as next week, if he can? I wanted him to stay—wanted him badly. I have made no endeavor to persuade him, but have felt he was making a mistake. It would have been a great deal better for him to make up that little matter of the money, the fee—for that appears to have been, to be, the prime stumbling-block. Ed is young—it would pay him—the experience would be inestimable. I have had other ideas, plans, for him, too. It was my idea that he should make this his headquarters—then stretch out some—see more of the States,—before he went back. Stretch to the North—take in New York—and go South to Washington, Baltimore, other places. Oh! it is all of life to a young man to look the world face to face at many points! I

 
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have never said anything of this to Ed himself—and now, of course, it is too late—it is overruled." As to a new nurse, W., "We're all hoping it will be the right man." And when I spoke of the virtues of the young negro at Harned's—"Well—I have not the slightest objection in the world to a darky—not the slightest." To my notion that we must not have a reader of books, W. laughed out an "amen!" I had a letter from Brinton today assuring me he would do what was possible, and Ed, I learned, had consulted with Gould,—at first without success, but is to go tomorrow again.

     Weston will have in his Ethical lecture course the coming winter Percival Chubb—who he informs me has a lecture on Walt Whitman. He is a young traveling Englishman. W. said—"God help him!" ending with a laugh.

 
Thursday, October 17, 1889

     7.55 P.M. W. in his room, reading Scott. Appeared quite well—talked with some energy. "A letter from Bucke," he said, "but no word about the book. It probably had not come yet, though has now." Fire in the stove—kept stirring it occasionally. On the chair a new poem he had carefully transcribed in ink—"For Remembrance." Said he had "received Poet-Lore. Indefatigable for Browning and Shakespeare" but had not read much in it. We discussed judgment by impression—whether reliable, and W. contended:"It is part of the long search of the soul after adjustment—adjustimenta—not necessarily a conscious search, but a going-towards. We do because we do—believe because we believe—and though not explained by any thought of the moment, something that has gone before does explain it." His own judgment came much in this way and he never attempted to disregard it, because "in the main" it was "justified."

     Mills delivered a tariff reform speech in Philadelphia last evening. W. asked where a report of it was to be found. Had

 
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passed it in the Press. Then laughed: "Anyhow, the Press is not to be trusted. Has the Record reported it at all? I did not read it—did not see it, in fact." And as to cheers at every mention of Cleveland's name—"Yes—it proves what I have always said—that he is yet afloat." Had also read Cleveland's speech at Sunset Cox's funeral, and liked it. "I noted another fact—or called fact—in the paper this morning—did you see it?—The story that Boulanger has been invited to take up his abode in Canada?"

     Renan has delivered himself thus as to Papal temporal power:

     (Dated, Paris, Oct. 16)—"He said that he considers that the ultimate departure of the Pope from Rome is inevitable, but that the status quo will be maintained as long as possible. The reason he gives for the delay of the abandonment of the Eternal City is that the cardinals are conscious that such a step would be the signal for the breaking up of the hold which the Papacy has upon the Roman Catholic world, and that the certain result would be springing up of schisms in the Church.

     "Italy," says M. Renan, "would not indorse the idea of receiving directions from a Pope dwelling abroad, and the fealty of the Italians would soon weaken and die out when the Supreme Pontiff is no longer one of themselves and the old traditions of the Vatican have ceased to be a present fact. The Italian Catholics would, in this predicament, sooner or later elect an Italian Pope, resident in Italy and one of their own people" [quoted here only in part].

     W. had "read it with curious and minute attention.""It seems to have some curious meaning. What is the bottom significance of the position—attitude, of the Pope, of Rome, baffles me to say—I could not say. It has a meaning but I cannot get at it. The poor Pope and his nest of cardinals—how they must live in suspense! The horoscope of the future, of the stars, is altogether adverse. I wonder if they realize it? They are men of sense—no fools—must see a thing or two—see that the modern world is all against them."

 
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     I left shortly, having to say something to Ed and then go to Phila. Down stairs found Ed talking wtih Gilchrist. We started mutual questions—in the midst of which there was a ring at the bell. Ed went to the door and ushered in two men—evidently Hibernians: one tall, wearing glasses—the other short and with sandy head. Both strong—the tall man quite voluble, the other markedly reticent. Ed introduced the latter as the man Gould had secured as his successor—the other his friend, a professional nurse. I questioned considerable. Gilchrist went up stairs. My impression not strongly favorable. I advised Ed to take them to Walt and let him question. He did so—Ed and I then going out together, he explaining to me the result of his quest for Gould etc.—leaving me at the Ferry with promise to take the men up to Harned's before they went back to Philadelphia. I find myself very anxious on this point of the nurse. This man may do as a makeshift, Ed insisting on going at once. General Hartranft died today. W. said: "I find it so stated in the evening papers. I never knew much about Hartranft—did you? Tell me for what he is mostly famous.""Knowledge," he said—"that true basic knowledge—comes of long reaches, waitings, not by a push or a tumble." Had not seen the personal paragraph in the Press about Gilchrist, to which I referred.

 
Friday, October 18, 1889

     6 P.M. In his room—twilight—had just finished his dinner. Was in very good humor and voice. "The past 3 or 4 days," he said, "have not been my worst, I have not been in my worst condition: so that I can say I live in a sort of comfort." Had had a letter from Bucke, "but no word anent the book. The mail is subject to capers; we must bide its time!" Said—"Herbert was here last night, after you left. No—nothing new with him." Had he shown him sheets of the book? "No—I did not do so—did not think it worth while." Alys Smith has got over

 
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all right: she was here to see me today: looks well—oh! very well. It was a great joy to have her beam on an old fellow again!"

     Showed me a copy of the Transatlantic that had come in the mail today. "I suppose Kennedy sent it. It has a fine look: that is the way it starts out. Not that I noticed anything significant in it—though the typography itself is beautiful, a lesson in itself, a significance in itself—especially after some of our experience." He remarked the picture of Ibsen, which "greatly commended itself." I asked him after a bit what was the result of his talk with the young men last night. He entered into the subject at once, laughing somewhat—raising his voice, talking with great zest, evidently. "We got into a great snarl here together—a great snarl—and the longer they stayed, the worse the snarl. Ed brought them in, not saying what they had come for. I noticed they were Irishmen, strangers, not literary critters: I supposed they were waifs, strays, out of the great sea, come for a look and a word, then to be off again—hardly knowing distinctly themselves what they came for. Instead of that they were the Doctor Gould men. I must have appeared either all gone crazy or a damned fool, or both," he said this several times. "It was ridiculous beyond belief, and stupid of Ed to have brought 'em in that way. After considerable talk, it developed what they had come for. I did not have a chance to talk much with the man himself—his friend kept me busily engaged—but I discovered he was pretty green—had never nursed, in fact. I had it in mind to ask you to make some inquiries about him"—but thought he would not insist upon that—"because I see we can do nothing better than try the man, there is no other way practically to reach his measure. I cannot say I was unfavorably impressed—it was in a rather dim light here, and I don't think I would know him again if I saw him. The proof of a pudding's in the eating. The main thing is, is he square? A good deal of such a man's work

 
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here would consist in tact—that nameless something by which to discriminate between visitors—know whom to turn off, who not. Three or four days will tell the tale—I shall soon know my man. He will have to learn the ways—my ways, the ways of the place, people. We'll see, we'll see!" As to the man's capacity to fit the place—"It is hard to predict. Ed fell as naturally into the place as a bird in its nest." I said the subject had caused me a good deal of anxiety. W. responded: "I am sorry for that: I am not in the least anxious. I take the matter coolly—rest in the faith that it will properly adjust itself to the way that is best.""Happily, I am spending one of my good periods now—until the man, any man—he or any other—gets into the necessary points, I may be able to post him, watch him. No—no—boy—we must not let ourselves be greatly concerned." I told him we expected he would speak out the minute he was convinced the new man would not do, and he promised"I shall do so—do not fear—you will know it at once." I told him the young man proposed coming over for a while Sunday. W. said: "That is a good idea—he may in that way get some hints from Ed, while we may get some notions of him—very necessary—both."

 
Saturday, October 19, 1889

     7.55 P.M. W. in his room reading Scott. Fire burning. Rather sweaty. He asked, "How about the weather? It is too warm in here? I thought so myself." He had thrown the door wide open. Looked bright and spoke with considerable cheer. Asked after the news. I had brought him The Magazine of Art—called his attention to a wonderful piece of engraving—Lady Hamilton as Miranda. He regarded it with an affectionate eye. "It appears to be all in the way of power and beauty you could hope for." At another point a picture of Millet—the middle age picture by himself. "That is the best yet—that is

 
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the most satisfactory picture I have yet seen—and so quiet and simple the means!—the very antithesis of all that went to make up—was necessary to—a portrait of N. P. Willis, for instance—the other extreme. Willis, you know, was very particular about all his curls, linen, all—what not." As Millet was here "So he was, I know. Oh! this is genuine of genuines!"

     I alluded to an enthusiastic notice in The Critic of Salvini's "Samson." He said: "It was not written by Billy Winter, then—that is sure. I suppose Billy has not much of a fling there anyhow." Adding—"However—he has his clientage—probably a pretty good one for size, too—there's no getting away from that: a clientage of the orthodox fellows—the regulation literary men—the men of the Richard Grant White stripe that used to be, as I say." Then he laughed over the literary formalists. Speaking again of Willis: "There is a picture of him in Stedman's book—one of the most approved of them, I suppose." This led to talk of the 11th volume of Stedman's book—W. describing it as "mainly biographical, indexical"—asking me—"Do you think it necessary to sum up what has gone before?" Adding that for his "own part" he would "prefer an interim now before the issue of such a volume—say, two years—or even 10 would be better—though I suppose that is impossible, or unlikely. It will be well as it is, but would be better if not hurried out: hurry is at a great discount in such a thing—at least, is to me."

     Called my attention to a postal from The Epoch office reading—"Your attention is called to an item in The Epoch of Oct. 18, '89, in which your name is mentioned." They seemingly had sent no paper. I said I thought they had or would but W.—"No, I don't think so." Asked me to look it up if I "had means to do so." Said also: "I had this letter today—Arnold has written of the visit here to the London Telegraph—someone sends me a copy, and writes a letter along with it. Take both—read them—then we'll send them to Bucke for him to get his look." The letter was as follows:

 
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"THE CHELSEA

"222 WEST 23 STREET

"NEW YORK


"Dear Mr. Whitman.

     In case you have not seen it, I send you Sir Edwin Arnold's letter describing his recent visit to you. With it accept the tribute of one who supremely admires your poems' national spirit, and who regards your 'Bravest of All' as the grandest of war-lyrics.


"Very truly yours


"Laura Daintrey."


"England


October 8/89"


     This had been mailed in England little stamped, and W. had therefore to pay 10 cents on it. Said—"See what you can make of it, Horace—what, if anything."

 
Sunday, October 20, 1889

     In forenoon, 9.20. W. had just been dressed. Sat in chair opening The Press. His breakfast—egg, bread, potatoes, etc.—on the table before him. Asked me if I had learned any news. He was "just looking to see what was up, if anything." I had gone in, simply by the way, ere going to Germantown, where I was to tarry most of the day. W. spoke of the day—"how beautiful—how auspiciously started!" Inquired if I had yet read the Arnold letter? And on my "no,""Well—it is not much—not a positive quality—a sort of after-dinner letter, for reading when a fellow don't feel intense." I read aloud to him this paragraph from The Press about Gilchrist:

     "The quiet, artistic-looking man with a quick, swinging walk, dressed in a cape coat and wearing a turban hat, who is frequently seen on Chestnut Street, is Mr. Herbert Gilchrist, of England, whose portrait of Walt Whitman was so highly commended at the London Exhibition.

 
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     Mr. Gilchrist is a profound admirer of Mr. Whitman and he comes by his admiration honestly, for his mother, Mrs. Anne Gilchrist, was one of the few women who dared to say that she liked the Gray Poet's songs, and, indeed, she once made a pilgrimage from England to visit him."

     He exclaimed—"That's Talcott Williams!" Thought he would "make an effort to get out today." I did not continue talk—went down stairs—saw Ed a while—then off to town. W. said he "woke up in very good condition—started the day well."

     Referring to the matter of the nurse, W. said laughingly: "It is with that as with the getting a husband or wife: our proper mate no doubt exists some-where, but the grave point with us is to find that place, that person."

 
Monday, October 21, 1889

     8 P.M. W. in his room. Greeted me with an unusual cheer, and admitted: "Yes—I am passing through a period of ease—almost enjoyment. I got out yesterday—out and to the river. It was a rare treat." Spoke of visitors: "They came yesterday—Lincoln Eyre, his brother—Wilson, isn't it?—and a gentleman named Macaulay. What do you know about Macaulay? They were here half an hour. I was pleased with their coming—I like Lincoln—his brother, too. They said they had stopped by the way to find you but you were not home." Then laughed over the fact that the new nurse had not turned up today—made no sign. "He must have thought I was a damned lunatic—very evidently was frightened off by the aspect of things—did not like our democratic ways here." I had today engaged Warren Fritzinger to take Ed's place. They had come into the Bank together to talk about it. Warren had resisted me last week when I proposed it, but had thought better of it. W. "well pleased" and asked me—"It will do, won't it?" expressing his desire that "Warren should take care of me"—etc. "Ed is gone—no doubt is already a good stretch in New

 
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York State. He must go that way—by what is called the Lehigh route."

     Told him I learned from Dave that Hunter thought of returning to Camden. W. said: "That's good news: I hope he'll come near me—come in often to see me." Dave sold one copy of the big book on his Boston-New York trip last week. Says buyers complain of the cover of the book. W. thereupon: "Let 'em complain! That is my arcanum! If they want to put five dollars or 50 dollars into a cover, let them: the book invites it or helps it. If they kick they must kick: kicking is good exercise!"

     He gave me Bucke's letter of the 18th—also read mine of same date, in part. B.'s suggestion as to the book were these:


London, Ont., 18 Oct 1889

     I wrote a note this morning and this evening have received yours of 16th enclosing Fanny M. Gr[whole name illegible] quite affecting little letter and Mrs. Spaulding's card. You ask me whether there is anything I desire Ed. to bring me from Camden. I do not know that there is except the pictures wh I mentioned in mine of this morning. I mean the little collection of Photo's and engravings which you are about issuing. I suppose you do not want to send me that 1872 L. of G.? And I do not want you to send it untill you are quite ready—but do not let somebody else carry it off! I suppose you never found that copy of Harrington? I have never been able to get a copy and it seems as if I never should get one. Yes, I think we may flatter ourselves that L. of G. has got a locus standi at last. No one now (unless inspired by ignorance as well as stupidity) can hoot at the book as the unco guid thought well to do awhile ago. L. of G. has come to stay and must be seriously considered by all serious men henceforth whether they like it or whether they don't—what the outcome of the consideration will be (on the whole) I for one have no fear. I asked you this morning whether you had a man engaged in Ed's place—I hope you will tell me this as I am anxious about it


Love to you


R M Bucke—

 
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     W. said: "That is his notion: another notion is another man's: we all have our notions. We like title pages as we like women: we can't tell why—only that we do!" And as to B.'s idea about giving it general circulation: "I have no doubt it will get about, have its influence: have no doubt it will do us a great good—me, Leaves of Grass, the cause. The book will have to take its fate, whatever that may be." And he added: "I had a paper here—a San Francisco paper—California—in which they said that Wagner, Salvini, Walt Whitman, were the burst-forthers of our time. Did not use that word—burst-forther"—W. laughed at himself—"but words of that import." He said he had not read The Critic notice of Salvini fully—"but I have looked at it—it is very fine—full of suggestion." I spoke in my usual strain of Salvini, and W. listened and questioned as if it were all new to him, evidently enjoying it. "Yes he's our man—I can see him—hear him. The Othello is not the written Othello, but the Othello as the actor makes it. Little Billie Winter, little damned fool, says, 'take Othello to the closet: there he comes most nearly to you,' but that's all he knows." I instanced "the Outlaw" as acted by Salvini as enforcing W.'s argument, and he said—"I can understand"—and when I described S., W. asked—"And on that, that—and on all the great voice? I saw a fine complimentary notice of Salvini in some other paper today."

     "I had," he said again—"another paper here to show you." He looked about for some time, finally saying: "It seems to be gone—perhaps I unknowingly sent it away somewhere with other papers. I wanted you to see it. In it was a reprint of Tennyson's new piece 'The Throstle,' and with it a parody—oh! very good! As a rule I would not encourage, enjoy, parodies, but this thoroughly took hold of me—I had a hearty laugh over it before dinner. It seems to me in the poem itself I notice for the first time in Tennyson—the very first time—a trembling, a change, a weakening. I am not certain that this is so—not certain that I believe it so—but sort of suspect it is: which suspicion, or uncertainty, is itself fatal, I suppose. I

 
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have heard much, as everyone has the last year about the old man's senility, weakness, going-down-hill-ness, but until this I had no evidence of it in his work." I returned Edwin Arnold's London Telegraph letter with some stricture upon the many absurd inaccuracies, not only of his visit to W. but of Philadelphia matters. W. laughed: "It is so. Dr. Johnson would say even in his time—in his own way—that if you wished really to appreciate the value of history—its reliability—you should carefully watch the reports that go forth of your own friends—what is written—how truth is fallen short of, long, long, even by contemporaries." Clifford had asked me yesterday, anent this report of Arnold's: "Why is it, the people who go to see Walt, in writing about it, seem to try to do their worst—in getting as far from the truth as possible." W. thought "That is so: and why is it so? It is a thing for us to inquire into." He laughed highly over Arnold's description (high-drawn) of their reading passages from L. of G. together. He asked: "Well—what about the Epoch paragraph?" H.L.T: "I haven't seen the Epoch—but I have had half a dozen people ask me the last two days who the young man is who, according to the Epoch, drives W. out, has taken down every word he spoke, and will lecture on him when he is dead?" W. laughed—"Why—that must be Billy Duckett—who else?" It amused him into great laughter.

     I heard Herne, the actor, last evening at St. George's Hall, read Garland's story "Under the Lion's Paw." W., after asking me if it "was worth while" asked further—"What was the drift of the story?" And when I had got along in the explanation to the point, he was quick to see, and exclaimed—"So that was the lion's paw!" Adding thereupon: "I don't know—I should not like to state it for an actual resemblance—but this seems to me much like the case of a man who goes off to a high ledge—to the very brink of a precipice—or to a coping—a housetop somewhere—leans over and over and over till his balance is lost—falls to the earth—then makes a devil of a fuss about the accident. But was not the accident one with

 
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the fact that keeps the earth in its place—us on the earth—life in us? Just today I read a paragraph from Bob Ingersoll—it was in the editorial corner of one of the papers—I think a Camden paper—about so much"—measuring about 2 inches on his fingers—"it was on this very point." Adding—"and I think Bob hit the nail on the head." He said of the book tonight: "I feel thoroughly at rest about it now: a day or two more or less with Oldach now will not worry me. The book is a palpable fact—it is printed—we have had it in our hands—our eyes have seen it—pored over it: the evidence is complete! So, let the Doctor worry—we will not!" He speaks of his "poemet" in the next Century. "It is only a few lines—6 or 7—and those of very little importance you will think."

     I showed him a crayon of Morse my father had made for me. He regarded it with great and long attention. "What wonderful fine work the fellows do nowadays: it is a skill that baffles explanation with some of us." And he said of Morse—"How handsome he is, anyhow: how chiselled and strong! It is a face to conjure with." Speaking again of what makes players great, W. said: "To Salvini—the great body, the great head you tell me about,—add the voice! the voice!" Then: "I remember a New York experience—a long time ago: an antic that seemed funny at first thought—funny is not just the word, but the only word that comes to me now—it was too profound in its lesson for 'funny.' They would run along the line of the alphabet, pronouncing the letters—nothing else—but doing this so infinitely—in such countless ways—one would now, if never before begin to comprehend the range of human expression." I spoke of Janaushek, in this connection, and he said—"I believe I have heard of her."

 
Tuesday, October 22, 1889

     7.20 P.M. W. in his room, reading—again Scott. Looks well. Does not venture out of doors. Still speaks of Sunday's

 
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experience, "so pleasant, so benefiting." Returned me The Magazine of Art, expressing enjoyment of the Millet piece. "That portrait of Millet—the one by him—I took huge pleasure in, looked at long and long, and always with more satisfaction."

     "I found the papers I was looking for last night," he said. "The San Francisco paper, with an Arnold interview, and the other, with Tennyson's poem and the parody, which I enjoyed so much. Take them along and after we're done with them, we'll send them to Bucke." He had "read somewhere" that Arnold had written a sonnet about America. "I should like to see it—have not seen it—have you?" Reference hereupon to the Epoch paragraph. W.: "I came across it Sunday, in the Times: and infinitely silly and ridiculous it is, too. If it was a paragraph of importance, it would be stranded, lost—no paper would give heed to it—but being what it is, it is in every newspaper, in everybody's mouth. I am given a chance again to quote my phrase from Dr. Johnson about the credibility of history. I have done so often enough to you—to others. Every newspaper in particular seems nowadays to hire a man whose sole duty it is to get up funny paragraphs—to start out for effect, not truth." And "as a rule these men do what they are bought to do—they get off their paragraphs—innocent—not innocent—mostly, not only not with the shadow of truth, but scarcely with the shadow of a shadow of a shadow!"

     Spoke of a letter from Bucke. "I am hearing from him every day now." Had Warren rub him this afternoon as well as last night. I am glad this problem was so happily solved.

     "Ed," he remarked, "must be at home by this time—before, even: perhaps this minute is the center of an admiring group—at the Asylum, most likely. The Asylum is about three miles distant from his home." Then he added after a thoughtful pause—"Ed's going seems to me inexplicable, anyhow, I cannot understand why he should have gone at all. I don't think he gave us all his reasons for going. He was not

 
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very communicative, not about his own affairs, not about others. He probably never told us the whole story. When you think of Ed's make-up—his years—a young man—popular among the folks,—liked—that this was America—Washington, Baltimore, New York, near—Philadelphia at the door—every freedom to make this his headquarters—the college (veterinary), the great opportunities: finally, his return to that one-horse town—less than that—less than a quarter of a horse town, it is inexplicable—I cannot explain it." I remarked: "When I saw he was positively bent on returning, I did not try to dissuade him." To which W.: "Nor did I. I told him we were glad he was here—would like to have him stay—to that effect—that was all. I suppose, now, Doctor will have a long talk with him—a good talk. I sent by him to the Doctor, a set of the pictures we have been getting out." Spoke of the fact, noted greatly by Bucke, that usually Canadian young men of the stronger class, coming to the States, never returned. W. said: "That answers to my own observation, I have known a number of cases. I have noticed also in certain calibre of Englishmen, the same tendency, having been here once, even though going back, to visit, that America was always the final allurement, that they always—again and again, it may be—make America, our civilization, their cherished object—their worship, we might say. It is a significant, a benign influence, so thrown out—so embracing them."
 
Wednesday, October 23, 1889

     7.30 P.M. Found W. as usual, sitting up and reading. His "currying-brush" as he calls it, lay on the bed. Had been used this afternoon, much—as W. thought—to his benefit. I asked him how he got along with Warren and he responded quickly: "Oh! very well indeed, Warrie and I come to understand each other pretty well— very well. I like his touch and he is strong, a font of bodily power." I said: "Yes, he was telling me you

 
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told him as he rubbed yesterday, 'I see you are noways weak!'" W. answering, "Yes, I did use such an expression—nor is he. As I was saying, I liked his touch—like to have him around—he has that wonderful indescribable combination—rarely found, precious when found—which, with great manly strength, unites sweet delicacy, soft as a woman's, gentle enough to nurse a child." And so on. This has all relieved me hugely.

     Said: "I sent a pocket-edition Leaves of Grass to Harvard College today. A young man there wanted it—sent me the 5 dollars—so I at once dispatched the book. I have sold 3 or 4 copies to students there!" Returned him the papers he had given me last night. I asked, "Which is the more ridiculous—Tennyson's poem or the parody?" He laughed, but grew at once serious again when I asked further—"Did Tennyson really write the poem?"—looking at me scanningly and remarking—"You mean to hint that you think it is a humbug? a sell? Do you know, I never thought of that and yet I can very well see how that should be an explanation of it. My own explanation was, that somebody or other plagued him for a piece—offered him 50 pounds, guineas, for it—and he said, 'Well, as you insist—as you won't let me alone—take this'—thereon bunching a couple or more discarded verses and pocketing his 50 guineas, pounds, forthwith. Who is Law, the Camden man, who wrote the parody? I never met the name before." Continued, that he was "curious about the origin of that poem—where it was first printed," etc.

     We then discussed Arnold's California interview. To my idea, "Arnold is not discriminate' W. returned, "I don't know—I should hardly say it that way: he is demonstrative—demonstrative is the word—perhaps more demonstrative than the average Englishman. He is florid—florid: but then, as meeting this, what may seem, defect, I particularly observed when he was here—it was markedly true of him—that his floridness became him—seemed to belong to him—to be

 
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an integer." Here W. laughed merrily: "I was going to give as one reason in excuse of him, that I was the object of some of his demonstrations—his praises; perhaps the fact that I was so addressed tended to excuse him in my eyes. But no—it was more than that. I know we all have spots, if only they can be touched, at which flattery is pleasant, but the story of Edwin Arnold is a bigger story than this. And whatever—he is surely not fearsome—has the courage of what he believes—he talks Walt Whitman from Boston to San Francisco. This is important evidence in point." And he said again: "I see by that piece that he proposes to return to America next year—but who knows? much may happen in a year. I suppose at this very minute Arnold is somewhere off at sea, there on the Pacific. That demonstrativeness is not peculiar alone to him—Lord Houghton was in that much the same sort of a man. I remember he used to say, vehemently, to Americans—(you know he was here in the Centennial Year)—he would say—'God damn you! What's the use going off to Greece, 3000 miles, or into 20 dead centuries to get what you have right here, within your own doors!' He would say it in almost those same words—blunt—to the point—emphatic. Houghton, as you know, was here to see me—spent 3 or 4 hours with us there on Stevens Street. He was an exceedingly plain, old-school sort of a fellow—his manners altogether simple, unaffected. He expressed some wish while he was with me to see the folks, so I took him down. My brother George was there, and they sat together and had quite a chat. After awhile we broke some wine—I had some Virginia wine"—I smiled and he said at once very defensively—"Oh! and it was very good, too—very genuine in its flavor. It was sent me by Jesse Baker, from Norfolk. I don't know if I have mentioned Jesse in Specimen Days or not—there were 2 brothers of them—Frank and Jesse—both ardent friends of mine, of Leaves of Grass—readers. I had many such espousers in Washington [some] time ago—perhaps have still—these fellows belonged among my
 
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friends. Frank studied surgery, pathology, everything else connected with the medical profession—got quite a headway. I don't know what has come of Jesse—I must write to someone—find out: he was always one of the true fellows—plain but firm."

     I had entered the room this evening rather silently, and W. said, when he saw me: "Well—you are my ghostly visitor! If I was in the theatrical business and needed a ghost, I would hire you." I asked—"Do I look like one?" to which he said—"No indeed: it's all in the footstep!"

 
Thursday, October 24, 1889

     7.40 P.M. Warren gets excellently into W.'s ways, and W. highly felicitates himself thereon. I left with W. "Yesterdays with Authors," by Fields. W.: "I shall enjoy that, I have no doubt—I do not remember that I ever saw the book before—surely never read it. I have met Fields—his wife particularly was, is, my friend—Anne Fields. I have dined at their house. It was there I met Celia Thaxter, the poetess."

     Had laid aside for me The Camden Courier, June 1, 1883, containing 2-column notice of Bucke's Whitman, then just appearing. "It may help you along some with your piece," he said. I did not ask who wrote it, but shall. Speaks of "writing some these days" but always "poemets, slight attempts, moderabilities" etc. But as he is passing through an "unusually good period," his "faculty—old habit,—tempts" him.

     On a chair a copy of the new November Lippincott's, which I picked up to scan the table of contents. W. said: "Why should you not take it along? Take it." And when I asked, "But are you done with it?""Oh yes! I am near enough done with it. Take it along." And then as to Stoddard's essay on Bryant therein: "I read it all through—partly because I knew Stoddard, knew Bryant—partly because it has a certain sort of interest. But it is a pot-boiler—made up—gossipy—a good

 
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deal of it the kind of talk that makes up the gossip of neighborhoods. But one thing: it is not venomous—not as peppery as Stoddard's usual style. Oh! not at all like the Poe piece—in that sense a relief—not like that, which was dirty and dirty and dirty—the meanest lowest thing I know among all the biographical, essayical, notices of the time. He deals gently by the good Bryant."

     Asked again—"Did I tell you? I have had another scraggly letter from Kennedy—sent it off to Bucke tonight. I find that he really wants to print the paragraph I sent him about Whittier. The question with me is, do I want him to print it? I certainly did not write it for print. What do you think about it?" I questioned—Was that, pertinent though it might be, all he wished to say about Whittier—Would he like it to go out standing thus alone? Between us, who knew all the rest, it was understood, but how with the public? He responded: "And that is a great deal my own feeling—is to be considered—considered carefully. What do you think? Do you think more might be said of Whittier—more in his favor? If I felt thoroughly convinced on the point, I should tell him to use it, but I do not. It presents to me just the aspect you have spoken of. But I suppose I shall let the matter drop—say nothing more about it—let Kennedy pursue his pleasure. As I told you, I liked his letter at the time—paper and pencils were handy—too devilishly handy here—and so the thing was done. My disposition towards it now is, to say—if he uses it, well; if not, well again. And I suppose I can have proof, so that when the matter comes up that way I can suggest changes—in fact, put my foot down on the whole thing, if I choose."

     Spoke of Sunday horse cars in Camden as "a slap in the face of the parsons." Asked me about the boats—electric lights on them. "I suppose the steam is turned on by this time? I don't like the electric lights—I am an enemy of the steam also. In the Brooklyn boats they used gas, like this in the room

 
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here"—(God help 'em! I thought) "and it was good, too." He did not like the light off at the corner from his house. Several times said so to me, and this evening again.
 
Friday, October 25, 1889

     6 P.M. W. in semi-darkness—had just finished his dinner—fire burning merrily, through the half-open stove-door throwing outward upon the wall its dancing, flickering light. To Warren, who came in and proposed lighting the gas, W. said, "No, Warrie—we will like it this way—to sit in the pleasant twilight—Horace and I." I was there nearly half an hour. He sat part of the time looking out the window—then turned around, stirred the fire, and sat directly facing me. In this position the light of the fire played in his beard and upon his face, with a revelation and an effect very beautiful.

     I returned him the Lippincott's Magazine with some frank expression of dislike of Stoddard's paper therein. W. said: "I do not wonder: it is thin gossip and thinner garrulity, and he has the bad taste to lug in more of his personal considerations. There is very little worse writing than that in the magazines." Here his voice assumed a tone of mockery—"And let me tell you, boy—if you don't make your paper more interesting than this—more pithy, to the point—it'll fare hard with you!" A letter from Bucke. "He describes some more of their merry-making. He has been off to a place called Delaware, where they always seem to have a good time—went with one or more of his children."

     Announced that he had "already read all your book—the Hawthorne part of it"—and "with much interest." Then added: "Fields was a very good fellow anyhow: I knew him. I think a man of means—a man who never wanted for money. He always had to make a fight for health—I think was not strong. He was not an old man, as I knew him—at least, not a man who threw out the sense of age—made you remark it."

 
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To my remark, "I do not think Hawthorne could take Lincoln's measure," W. assented: "No indeed—it is clear he could not. We would be very like to say that, too—Horace. To our fellows—to those insisting upon, so to call them, our standards, Hawthorne's method would never be satisfactory though to the literary craft—to the men who look upon literature as a thing in itself—clear-cut writing—phrasing—mastery of expression an end—Hawthorne would have to be an eminent figure—among the best, consummate. But these are to some of us things of the past. We have had men in our century who have taken the wind out of all theories of literature that confine it, restrict it, belittle it: for literature in its deepest sense defies measurement, rules, standards. Victor Hugo was one of these men—daring with the daring. Oh! who could say, doing how much good!"

     I have just been reading Burroughs' essay, "A Malformed Giant," that giant being Hugo—and now said, "John Burroughs would probably not fall in with such an estimate." To which W.: "No—looking at it as John does, it would be impossible for him to do so. He examines it from a single standpoint, that does not wholly display the man. I have no doubt but Hugo is eligible to many strictures—lays himself open to severe criticism—on one score, for his theatricality, his choice of matter, subjects, scenes. But O'Connor, who often enough met this charge against Hugo, was accustomed to complaining, that we judged Hugo as Americans, not as world-men, not as Frenchmen. That to rightly know him, we had to enter upon the subject of his times, circumstances,—the French people—what was exacted of him in the nature of things—the arena, in fact, of his life. Then again, as I know, John has the misfortune to come upon Hugo only through—not second or third or fourth or fifth rate translations—but the worst translations ever suffered by a writer. I myself am inclined to believe that Hugo shines most truly himself—is really the most sublime figure—in his poems—the grand, grand, poems, many of them." And so W. went on, referring again as

 
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so often before to the French friend who "in the old times translated for me as I sat—sitting with him as I now sit with you—and added to the text, the light of a living eye, the tone of an actual voice—a palpitating expression"—etc. And the consideration of this aroused "other reflections" in him. "In our own life here, see how our writers travel and travel and travel for subjects, go into the great west—into forbidden places—or forbidding—lug in hard cases, crimes, criminals, desperadoes—seek out, as I so often say, the delirium tremens of our national life—display that as the essence of it all—us all—passing by in the act all the natural, unheralded heroisms—the nobility of our every-day life—the romance of the streets, courts, palaces, hovels, by-ways, cities, farms, mines. Not but that our actual life has its hard ends to show—its pimps, panders, thieves, bums, whores,—diseases, dirt, smutch, syphilis—enough to answer for all accusations. Though these to me, in the ensemble, the whole, of our life, are small specks: for we need not go into Greece to know the gods—heroes,—Hercules,—all the great figures: here they are, all of them—the equal of the best—waiting at our doors." I put in—"Could we but open to them." And he "Yes—a noble thought: could we but open to them, but how often we do not!" And he declared: "Bret Harte and John Hay are fond of the Western types, so-called—the delirium tremens type—as I signify them. And the magazines lately have been exploiting various developments of that character. But beyond this—above it, below it, around it—how much more runs on, how much that is different, how much that is disregarded, because it is commonplace, yet is greatest because it is commonplace, too!"

 
Saturday, October 26, 1889

     7.55 P.M. W. in his room, Mrs. Davis with him. She rose at once to go—he resisting her going—but go she did. Has not been quite so well today—yet not ill, either. Looked less easy

 
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than for several weeks. Said he and Warrie "are getting adjusted" to each other. I had a couple of pears in my pocket for him, from my sister Agnes. Appeared to be very grateful—smelled them—exclaimed, "The dear girl! so Aggie sent 'em! And how is the good girl nowadays?" I said, "She sent them for breakfast!""And I shall use them—at least, one of them—for breakfast, to be sure!" Commented on their "pure, fine color"—and handled them affectionately.

     Laughed at McKay's monogram. "The object of all monogramists seems to be, to hide away the letters so that no mortal can find them. In that aspect Dave's monogram is a great success." Spoke of a visit from Alice [Alys] Smith today. Had gone downstairs to see her. She did not stay long. "She is going to the college out here—the woman's college. Oh! yes! it is Bryn Mawr. She is here alone—Pearsall, the mother, Mary Costelloe—none of them came on." Reported, "No letter from Bucke and no word about Ed." Had Ed promised to write to him? He did not remember. "Ed was not much of a talker, promiser, anyhow. Rather weak on that point, I think. I have felt he did not come by any natural gifts in the way of description: on a farm, in his veterinary, what-not, he would be an important man, but in the affairs that come to us in the big cities, he avails little."

     Spoke of Harned's visit this evening. "He has been over to see 'Der Freischutz'—and seemed to get much enjoyment of it—took Mrs. Harned with him."

     I inquired if he had yet written Kennedy about the Whittier paragraph, and he answered: "Not a word—about that or any other matter. As I told you, nothing positive appearing on the subject, I have not delivered myself. It has been a puzzle to me: not knowing whether to say no, not knowing to say yes, I have said nothing at all. But," he asked, with something like vehemence, "isn't it rather cool of the good Kennedy to write me, 'I am going to use it'—never so much as asking me whether I had any desire on the subject, or would

 
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rather not? I had no intention of making up a paragraph for print—it came in a moment of vacancy, like the present. It is seriously a question, whether I want that given to the world as my estimate, summing up, of Whittier. But I obey the demon—as Socrates so wisely held of it,—to do or not to do as the demon, the spirit, dictated. And the demon so far, in this, has deterred from any word whatever. I do not know but it may yet put in a question—a positive demurrer—such a question as might settle the whole business at short order, and against printing, even!"

     Had been reading a copy of the Boston Pilot. Someone sent him a copy containing matter about Columbus, marked. Calls it, not the Pilot, but, "Boyle O'Reilly's paper."

     I had met with reminiscences of actors, in the Press—by Heyward—a reference in one place in high terms to Henry Placide. Asked W. if he had seen it. First said, thought he had—then, "No—I guess it escaped me." Left it with him. Was that his Placide? "Yes. There were two of them—brothers—Harry the great one. Harry, I should say, was one of the greatest actors ever was—not tragic, but in such characters as Sir Peter Teazle he was even elegant—his manner inimitable. He played in 'London Assurance'—Oh! what is the character there? A Sir something Dozzle—what not—nobly done. Harry had the Greek principle closely observed—never overstepped—always considered, to do the thing up to the mark, yet never to overdo it. That was Harry—and so he never offended. A piece called 'One Hundred and Two' was much accepted then, and others of a like tendency. I put in—"Many of them all passed off now," and he—"Yes, all passed off—and their constituency passed off, too. There were fine touches then, wit—flashes of satire—delicate ironies, the vivid effects peculiar to the time, the play, audience—which would not be what it was to the modern play-goers. I doubt if they would appreciate them—though they are very cute, to be sure. But whatever, different tastes, a new generation, fill

 
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the stage today." He had been "much interested today in the column and more of the Press" extracting from Joe Jefferson's coming memoirs. "It will take a strong hold on me—does already,"—he admitted. I remarked: "This week I have read in Harper's Weekly an article on Jefferson by William Winter." W. laughed—"He is a Jefferson man, I suppose?" And when I assented— "Yes, but Jefferson can stand it," W. followed—"Oh that is true enough. I think Jefferson one of the greatest." Greater than Booth? "I do not say that—but great—and both are important."
 
Sunday, October 27, 1889

     Did not see W. this day, which I spent in Germantown. But before going was assured all was well with him.

 
Monday, October 28, 1889

     7 P.M. W. reading paper. Room warm, the wood-fire cheerily burning. Received copies of "Camden's Compliment" from binder at last. One for W. who took it—scanned it keenly and was "much pleased." Thought it "looks well—rather formidable—achieving the purpose of a monogram, which is to tell a thing nobody can find out!" And Morse's picture struck his eye—"How well it looks here, too!"—seemingly very happy over it.

     I gave W. some account of Hilda Clifford's baby description of her visit to W.: that "he came down stairs with his long white beard all on," that she was "afraid of him," that he appeared to her "a bogy," but was still "dear old Walt," for he had given her the most wonderful apple, though she "would not kiss him for it." W. laughed—exclaimed—"How sweet! And what a dear child it is, too! We shall become close friends

 
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yet—that is always the end of it with the children. When you see her again, tell her Walt Whitman sends his best love—says that we are going to become the closest friends in the world—tell each other all our secrets!" He had noticed that I came rather early, and said, "Why is it? Where are you going?" I was on my way to the opening meeting of the Unitarian Conference in Philadelphia. I told him Clifford was going to speak. At this his face lighted and he wittily and laughingly remarked: "When you told me you were going to the Conference, I was starting to say, God help you! But now you tell me Clifford is to speak, I see there is no need." Then he added, "Should anything like a report of the speech turn up anywhere in the papers, don't forget to show it to me."

     Reported a letter from Bucke today. "But there's not a word in it about Ed—except to say he has not turned up yet—that was on the 26th. But we must wait—it will be all right—probably is by this time. There are reasons and reasons. The only thing is, I sent Doctor a package of the pictures—which of course he has not yet got." He spoke of "obvious things to do" yet "how often those obvious things were the very things we did not do." Spoke about addresses, etc.—on packages. "It is obvious enough we ought to exercise the utmost care—yet, do we?" Spoke of Washington experiences. "I fell in with Adams express men there—I always had a sneaking notion for transportation men, anyhow. They had a building off in Georgetown for the storage of strayed, lost, packages, freight, and it was a sight to behold. Not an ordinary display, not a poor or small building, but space—capaciousness—measure—and such a mass of material there! And yet the men told me nine-tenths of what was there—fully nine-tenths, even barring the necessarily lost goods in the army, would have got to their proper journey's end with a little more particularity in addressing. It was a lesson to me—I have never forgotten it. It taught me my own definiteness of address—what my friends call my superfluity. I thought of the ignorant, the

 
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foreigners, the illiterate, the careless, the forgetful, all representatively gathered in that Georgetown building particularly to lesson me—and I did not fail to learn." And he continued: "People have more conscience in such things than is known, believed,—even having in those cases made efforts to find the owners. It was so in the departments, too—the chiefs were very accommodating for instance, in the answering of letters, some of them verging on idiocy—yet all conscientiously consulted, replied to. I have known this not in the case of the clerks alone, but have known heads of departments with whom it was a principle. They made no such arbitrary rule with the letters as I should and do. When I get a letter that seems to have no importance, I reach right over and put it in the box there, or the stove." Warren came in for the mail as we sat there. W. laughingly admonished him—"There are three papers and a letter—yes: now do your best to bring me a letter back!"

     Spoke of Fields' book. "I have been reading it—have read it now nearly all through—all the essays. I wrote Dr. Bucke that I was reading it and I said to him that hereafter when I met as I had in the past with those who accused his book of extravagance, I should turn them over to this volume of Fields'. He plasters it on awful thick. Whatever the measure with which Doctor plastered it on, I might say, this is plastereder. It is absolute, overwhelming. The Doctor, extreme as he may be accused of being, at least preserves the attitude, the fact, of giving the other side. Yet I can see for Jim Fields, too, that as he wrote, so it was necessary he should write. The best essays in the book are those on Dickens and Hawthorne—Dickens one queer fellow, Hawthorne another, a queerer. They give a good picture of these men—some points not touched upon elsewhere." I interjected something about Fields' modesty—that he did not push his own part forward, whereupon W. again: "No indeed—the book is modest to the last degree. One of the singular felicities—unusual—is the

 
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way he reproduces the letters—prints whole letters—don't stop with passages. Today I was reading the piece on Miss Mitford, here are page after page of letters—garrulous—gossippy—yet wonderfully to one's liking. The whole book has that simple pleasing air. And Fields himself was just such a man. I don't know if I have told you, but he has been truly a friend to Walt Whitman. When I was in Boston, working over the new edition of Leaves of Grass, Fields and his wife came up one day—drove up, I think—said they had set out to have me for dinner. If my memory serves me, I went that day. It was before that—money had come to Fields some way—he felt embarrassed, or something, by it—sent some of it to me. At that time he had never met me." Here, after a pause, W. counselled me in a deepened voice: "So you see, we, you, must not forget to bear witness that Fields was one of us—was manly, generous, noble—for, boy, they have not all been so. Oh! many, many not so. Some have been venomous, mean, lying, cowardly, dirty, malignant—Lowell, for one—I count him the most malignant of all." Even than Higginson? "Oh! I take no note of Higginson—he amounts to nothing, anyhow—is a lady's man—there an end!" I happened to mention Higginson's "Buffalo Bill" sentence in Harper's Bazaar, and W., at the name Harper's exclaimed—"That reminds me—did I tell you that I got my piece back from Harper's? Well—I did! They write that it is too much of an improvisation! As if all Leaves of Grass was not improvisation!" Who had written the note? "Alden—H. B. Alden, who is a formalist—a stickler—yet a bright man—even brilliant, after a fashion—at least for his place there, which he must fill to contentment."

 
Tuesday, October 29, 1889

     7.55 P.M. W. sat in his room, handling over quite a formidable roll of newspaper clippings. Some of them looked like

 
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proofsheets. I asked, "Are they proofs?" to which: "No—they are one out of the many applications of authors I get. They have just come—Warrie just brought them in—from England. Oh! no one who is not here all the time can know what a center I am of the fancies of young and old—poets, writers, beggars, what-not." He folded up the scraps, looked up and put on them a rubber-band, but just as he was about to put the bundle down on table, a new thought seemed to strike him and he offered it over to me. "Here you take it. I don't know of any better way to dispose of it. The unexpected meal is always the blessed meal. It is not always the thing we crave most, look forward to most, that we most enjoy, but the thing the girl, the housewife, puts on unsuspected—brings in at an unusual moment. So—take this package—see what you can make of it—it may be the blessed meal!" The package of poems, I discovered, was from John Ryley Robinson, evidently of Yorkshire. I have not yet read them.

     Referred now to the birthday book: "I like it more and more—it fulfils all expectations. The last few days, as I have gone through it again, the balance of the book impresses me as it had not before—its entire, I might say, singular, balance. I have thought of Herbert's speech there—how well it enters into its place—and of Bonsall's. Bonsall's is a great deal better than I thought it would be—and in fact, all of them. Tom's, too: and they pass on and on—letters, speeches—without interfering, one with the other." As to Morse's bust: "It pleases me more and more—is a constant new revelation—opening singularly to me"—gesturing—"part by part, like the several lays of the telescope.""I wrote Doctor today, that last night you brought me palpable evidence of the book's completion—that I held it in my hand—a bound book—the consummated deed at last!" He commented on the fact that Sanborn had ordered 10 copies from Harned. "The good Frank! And no doubt they'll be profitably distributed—he'll put them into good hands!"

 
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     Quite a noise on the streets tonight—brass bands, drums, etc. Not knowing for what, I remarked it to him, and he said: "Oh! it is for Grubb—the Republican candidate for Governor—he speaks right up the street tonight"—proving better informed than I of local currents. And he asked: "Do you take no interest whatever in the fight? I notice you seem quiet about it, as if it held none of your stock. Tom astonished me the other night by saying he intended voting for Abbett. I suppose he is disgusted with the family aspect of the management of politics in this county." On the chair a local paper containing a picture of Grubb. I picked it up. Grubb looked badly blurred, and W. made merry over it. "He looks like a Nubian," he said, "we might believe that was intended that way—to get hold of the nigger vote—to show Grubb up as a blackamoor. For my own part, I would not rise out of my chair here to go into the fight—to cast a vote."

     He asked me about the Conference. "I read the Ledger account, read Clifford's speech there—thought big of it—of the speech. It seemed to me the report was a very good one." Then after asking, "What is it? A Conference only?" and having my "yes"—he quizzed, "What is it all about? What is it all for?" Following this up with the laughing comment, "It reminds me of a story—you have read it, no doubt—Southey's, a story—poem—used in the readers—at least, used when I was a boy, the Peterkin story. There is an old man—with him a child—a boy, Peterkin: the man is telling of some battle—colors borne high, din, powder, shot, havoc, charges, retreats, wounds, blood flowing like water. And as he goes along enthusiastically in the story, the boy asks—but what was it all about? what was it all about?—the man only replying, no matter, no matter—we had a terrific tussle—and then he goes on with his story—and tells and tells—and again the boy asks him, but what was it for? what was it for? the other still replying, no matter—no matter: we had a big fight—we gained a big victory! But the boy was not satisfied: in the

 
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midst of the story—carnage, hell-to-pay—the boy still asked—but what was it for? and the man still replying, I don't know—but we had a devil of a fight and gained a big victory, the poem ending with the boy's question, What was it all for?" W. laughed out his application: "So what is all the Conference for?" Took an absorbed interest in my account of Clifford's noble speech—its unwelcome—its courage. "That," he said, "is the making of Clifford—that is Clifford."

     I spoke of the general interest in W.'s religious opinions, of the number of people who inquired of me. So markedly was this so, I thought I should like to give at least a paragraph to them in the New England Magazine article. W. laughingly said: "So they want to know if I think the human race is to be damned?" I returned: "No—not that: the people who ask me are themselves mainly not orthodox." He responded: "Well—I do not know, but if something comes to me to say I shall write it down with my pencil here and give to you." But he jocularly turned the matter off by a story. "Did I never tell you the Long Island story? It is a good one—I heard it first when I was a boy." And then went on with a narration, the humor of which as he told it was superb. I lost some of the preliminaries, but from one point on I retained all. "The old lady—the mother—had been converted—taken the Methodist turn, what-not. And her friends were taking good care of her, lest the devil should get her in his clutches again. One night though he came home—it was late—towards midnight, he expected to be received as usual—get bed, eatables, comfort. He knocked at the door—knocked louder. By and bye the old lady's head was thrust out of an upper window. 'Who's there?'

     "'It's me—Sam.'
"'Well—what do you want here?'
"I want to get in: it's late—I'm tired, hungry, sleepy, wet.'
"Well, go 'way—you can't come in here.'
"'God damn it, I must! Don't act the fool: come down and open the door for me.'

 
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     "But the old lady stuck it out. 'No—no—you can't come in here.'" He asks then, 'What's the matter with you, anyhow: what makes you act so foolish?' Then she tells him, she has got religion and he replies—'Well, what does that matter—what's that to do with letting me in?' She informs him, 'A good deal, you don't believe in hell—don't believe men are going to be damned. No man who turns his back on that can come in here!' And he admitted that he didn't quite believe in damnation. Then the story goes on—oh! I must make it short—it is very funny—goes on in this way, the two arguing together, she relenting a little by and bye by asking, 'Well, don't you believe some folks are to be damned?' And he rather inclined to say some deserved to be if they weren't. And she asking again, 'Well—tell me, how many?' 'I don't know—I would be willing to allow, say 200 thousand' which broke the ice—for she said that would do, and admitted him." W. went over this with a thorough laughing spirit—asking me at the end, "I wonder if I am expected to admit the 200,000?" Saying further: "I thought it a happy illustration—that story. I don't think I have repeated it strictly, but that is that marrow of it."

     He spoke of the Press article about actors I had left with him the other day, that it was "interesting—and accurate in the main"—saying as to Harry Placide—"he was a great actor—in his way a man whose like I never saw.""People have an idea Jefferson made the stage Rip Van Winkle—but that is a great mistake. That original Rip was Hackett, who was in his prime in my early life—who was a grand man, standing to Jefferson as the old Booth does to our Edwin. A vastly bigger man than Jefferson. The opinion of theatre-goers of those times [of him] was very high, and what I realized myself in Hackett's presence—my emotional, mental, sympathetic self—goes altogether in the way of confirmation—convinces me the public judgment was correct. But I notice in these modern writers a tendency to bring some to the fore who were not thought great at that time and really were not great, and a corresponding tendency to forget others who should be

 
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mentioned. I can vividly realize those old stage-settings, characters—the audiences—houses. Harry Placide, Hackett, Mrs. Vernon and a man named Reiner." W. spelled for me, saying, "not Raynor but" etc.—"these were the giants—and giants of real stature." After awhile noticing my interest, he asked: "You find it attractive, do you? I suppose it is: I live graphically in it, sometimes: a touch brings up scenes and scenes." Spoke specifically of all—"the noble, gentle Harry Placide: elegant, yet acting the rough coachman to the letter—with an exquisite skill—the very coarseness of it," and Mrs. Vernon—"English,—a truly gracious gift to our stage." And Hackett "a Long Islander—had a home off near Babylon. I knew his son—met him often." He spoke of Polonius: "It is a great character—a big opportunity—never realized: yet I have known Hackett to realize it—nobly and highly. It was noticeable of Hackett, too, that he did not emphasize the farcical Rip—did not lay stress upon the humor—made rather more account of its seriosity—and here touched bed-rock—was delicately grand." And then: "There were touches in there which would hardly pass current on the stage of this day." Spoke further of "costumes: oh! Mrs. Vernon had what would even now be acknowledged a great wardrobe." Qualifying it however—"but the acting that was the thing—that was what made her great!"
 
Wednesday, October 30, 1889

     7.45 P.M. W. looking over some papers. Had received invitation to Contemporary Club meeting—first of the season—Prof. Fullerton on Hypnotism this evening. But "No letter from Bucke, nor from Ed—not a word, singular as it may seem." Yet—"I can know how the Doctor must want to see Ed—will question him." Adding: "And I am anxious to have Doctor get his books. I hope Tom will send them—has sent them. I am growing into the book. I want to tell Harry Bonsall

 
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that I like his speech—indeed, you can tell him for me some day when you meet. I like the book—like it all. It is remarkable in the first place—if for nothing else—as a curio, and then it is meaty—there is a great deal more meat in it than one would be apt to expect. For myself, I can say I am impressed beyond words. Here is the history of Leaves of Grass—here is the whole struggle told—the long years—all. I never expected to live to see this—never. To see such an event, such a book—to see such opinions stated—men deliberately going on record in this way—willing to have the world hear, note. It means vast, vast change of front somewhere." I said I believed Darwin had somewhere said something of similar purport. "Ah! that cuts the line still more deep—makes it shuddering!" Referred then to the picture: "It has a curious fitness, right in its place—tells its own story." He thought: "Even Herbert will come around to it—will see that it does not ruin the book, rather inheres to it. They say of the Devil, that something or other made him of another mind. Herbert will be made of another mind." Alluded then to printing of the book, asking: "What did you say was the name of the foreman up there at Bennerman's?" Saying he thought he remembered the man—"strong, lithe, a pleasant face and manner."

     Giving me a copy of the Boston Transcript done up in a rubber, he said, "I don't know why I put this up for you, but I know I did." Handing it to me, "And on the principle that a mouthful out of your neighbor's pudding outweighs the choicest gifts of your own kitchen cook, this may interest you." Thought the book well-printed. "The Bucke life, done there by the Shermans, seems to me with the best. I always placed it with the best samples from abroad."

     Harned had been in "looking fat and hearty," but no member of the Conference had been over. "To My Seventy-First Year" he said, "is the name of the Century piece to appear next month. And this," showing me another, in a Curtz slip,

 
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"is still a second in their hands, which they have paid for and will print when they choose." Alluded to "the pears you brought me from Aggie. Oh! they were fair as they looked—in that respect unlike some people we know. Tell Aggie I enjoyed them bite by bite—even the memory of them now."

     Spoke then of the Theodore Thomas benefit concert Saturday night. "It will no doubt be a true deliverance. I can hear its ring, sitting here, by mere thinking of it. And benefit? I think Thomas deserves all that can be done for him." Asked after routine of the bank work—especially after "its system against fraud." Then adding: "Mr. Odenheimer up the street—now made nearly blind by his financial work—figures, paper, pens—gave me once quite a circumstantial account of the defences put up by the Pennsylvania Railroad. He was with the road many years. He showed, for instance, that, say out of every thousand hands, a third, 333 of them, were practically to check the others. But I understood at one time that it was seriously considered whether it would not pay to do without these hands—run the risk—whether the loss would not be less than the hire. Just as I have been told the Astors do not insure their property in New York, preferring to risk fire. Though I don't believe this, for they are cute men. The point however being that insurance money must in any event be paid, fire money perhaps not." He thinks the business world "an almost infinite bit of machinery" beautifully constructed out of all the past experiences of man.

     "I have sent Kennedy no word yet, adopting the principle, when in doubt, do nothing, though this is often argued against as fatuous, which to me it is not." Referring to the Conference again: "What does it all mean? Peterkin still questions; 'What is it all about father?—a great fuss, bloodshed—but what for?' It seems to me, if it means anything, it means evolution—the evolution of Protestantism—the witness of the fact that every 20 years or so some of the fellows step out of bounds and declare, we are not satisfied with the state of

 
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things—they do not speak for us, they must move on. Now, if Unitarianism has any mission, it must be this,—to receive any man who has caught the new light—every brave thinker—outcast poet—humanity in all its aspects of the changer, the improver—every seeker—every one who has glimpsed the larger vista. Doing this, it does nothing—is no more than the other sects—is only one more added to the theological clamor. But I know well there are the 20-year's men—there are also the Conservative Unitarians—orthodox—who believe the message is all delivered, signed, sealed, we may say—who protest that you cannot go forward when you have reached the end."
 
Thursday, October 31, 1889

     7.45 P.M. W. reading papers—several on his lap. Not greatly well. "My head has been in a queer chaotic condition—as though in a whirl of phlegm." Said Clifford and DeLong had been in to see him today. "I am afraid I was very stupid—they must have felt it so. I was not in my best condition—this trouble was on me—and so we did not say much." Said Clifford had left a copy of The Germantown Independent containing his speech in full. "I have only so far looked at it—not read it. I have laid it by for a more propitious moment." Afterwards: "DeLong tells me there is a copy of the big book there at Medford, in the library." I exclaimed, "I wonder who put it there?" And he, "I wonder! That would be something worth inquiring about: some daring radical—some outrageous violator of the proprieties." Adding in his laughter: "I have been told that in the Boston Public Library they have a copy of Leaves of Grass, but keep it under lock and key, afraid that it may get out and be read!" But whatever his "dullness with the visitors" he took it "as an honor—as it is: a compliment for the fellows to come over—all this way." I was on the way tonight to the meeting at which Curtis was

 
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to speak. W. said: "The best thing I know of him is, that William O'Connor, who was a man not easily satisfied, thought there was something in him—that he stood for something."

     Gave me slip copies of the poems "Bravo, Paris Exposition!" and "My 71st Year." with his own written corrections.

     "I had another visitor today—a man, Hawley—from Syracuse or Rochester—a doctor, medical doctor. He bought 2 copies L. of G.: one for himself, one for a friend in the city—Kent, was his name, I think. He says he told Kent he was going to devote this afternoon to this visit, and then Kent, who knew nothing about me, gave him money for the book—probably from a curiosity to know how the wild beast looked at close quarters. O yes! Hawley was a medical doctor—a homeopathist. He even started to talk about me—discuss me physically—but I would have none of it—told him I was not open to discussion at that point."

     The tree in front of the house has been cut down. W. said: "It was an event—the old dead tree is gone: it seemed to me a public danger. Ed told me at one time he thought he could push it over—so I thought it my duty to get rid of it—remove it." Has been doing considerable repairing about the house, and papering the vestibule. Said a letter had "come at last from Ed to Warrie. Ed has an appointment with Bucke, to go tell him about us. It seems Ed went to work right off on his arrival—that accounts for his delay." W. said again—"There was a slight notice—a paragraph,—of the book in today's Post—but it comes to nothing. Probably Bonsall will follow it up with something more satisfactory." He took from me a list of names I knew Harned had sent books to. "It is to avoid sending duplicates," he explained. And he said later: "I should like one to go to Whittier." As to those to go abroad, I said I thought they should come from me, and he, "Yes—that would be most happy." And he mentioned copies for Rolleston, Carpenter, Symonds, Rhys—"and Tennyson—I should approve of that."

 
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Friday, November 1, 1889

     7.30 P.M. W. reading The Century when I came. Referred to it: "Yes—my piece appeared today—and today came the proof of the other piece, too—'Old Age's Ship and Crafty Death's.' I suppose it, too, will now shortly appear—probably not next month, but the month after. I hesitated a great sight over it—whether not to make a change—to make the headline read, Old Age's War or Old Age's Fight—wishing a word of one syllable. But finally I let it go just as it was." I objected to the change, especially towards the new lines mentioned. W. then: "The idea is, these ships—Old Age's, Crafty Death's—stealing upon mine. It is a very definite—some will think a very cheap—idea—as perhaps it is." Said further of The Century: "It has plenty of poetry this month." I asked, "Do you call it poetry?" And he laughed—"Well—butterflies—are poor enough, all, to be sure. But"—lifting the magazine—"see this: this is a picture I have been feasting upon for a long time" opening at the frontispiece—a Head of Aesop, by Velasquez. "Talk about simplicity and breadth!—there it is." It was indeed a striking piece of work, and on my remark that it was the best Century page for a long time, he assented. "Yes, you are right—it surpasses them all—the engraving itself is grand. Who is T. Johnson?" And as we looked further—"How vitalizing! how throbbing with life! Yet it ought to be—it is from Velasquez—the best of them all. Who of us have not seen just such types going about our ways—especially in the great west. I have not for a long time enjoyed an engraving as I have this." Pointed then to the Jefferson article on the first page. "I tried to get interested in that, but it was no go—it is dry as dry. Why! he knows less about them than I do." I said, "Jefferson ought to know!" W. however—"But he don't! It is not in him to know—the living currents have passed him by. What he writes here has no heartbeat whatever." There was W.'s own poem, spread in broad

 
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beautiful lines. "Yes, I like it—it looks handsome. The noble breadth of page seems to lend itself to my lines." Further, of the Spanish article by Susan Carter: "It is quite good—and the pictures with it. But as I read I pictured the dilemma of the writer—pictured her as if trying to walk in water this deep"—indicating a line above the knee "and getting there, to be sure but the labor of it wore her out soon."

     Again he drifted into another strain. "Ingram was in here today: he went to the Conference meeting last night—heard Curtis, Savage, Hale—liked them all, but thought Savage the best. From what he says I think Savage was the most animated—he gave me that impression." I called Curtis' oratory "Ciceronian, with the Ciceronian penalty of oversustainedness and of being often dull." W., "I can see—that is a true touch." Blake said to me at the meeting last evening, applauding Curtis—"but if only his fancy were imagination," etc. W. taking my repetition of this thus: "I feel it is true. After all, Ingersoll is the man of men—in America, our days, reaching highest, surmounting all the difficulties of speech—the most marked man, yet made so by means of a most astonishing simplicity. He is never passionate in the outward sense, yet every sentence is a thrust in itself—a dagger—a gleam—a fire—a torch, vital and vitalizing—full of pulse, power, magnificent potencies."

     I had letters from Mark Twain and Gilder.



Dear Gilder—

     I shall not need to answer this letter, I suppose, since I can answer it through you. It seems to be an application for a contribution of from one to five dollars per month. I am quite willing to be put on the list of two-dollar contributors, and I enclose five months contribution in advance herewith.


Yours sincerely,


S L Clemens

     Hartford

     Oct 30th '89

 
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55 Clinton Place.

Oct 31, 1889,


My dear Mr Traubel,

     Enclosed please find $10 from me, & $10 from Mark Twain—(S. L. Clemens) for Walt Whitman.

     I write from my bed. Where's the book?


Sincerely


R. W. Gilder.

     W. exclaimed: "The good Clemens! And that reminds me—I must send him that big book—I have long intended it: now I must make it a particular point." And: "I am anxious Gilder should have the books—give Tom a nudge." Also letter from Weir Mitchell.


S. Weir Mitchell, M.D.

1524 Walnut Street,

Philadelphia, Pa.

Dictated.

November 1st 1889

Mr. Horace L. Traubel;—


Dear Sir;—

     Of course I am interested in the matter. Kindly tell me how you are arranging the thing, what the expense of a nurse is and how you are collecting subscriptions. It is needless to say that you may count on me.


Yours truly,


Weir Mitchell.

     "That is like the Doctor—I know him and know of him—his goodness."

     Said he had a letter from Pearsall Smith today containing 25 dollars. Also letter from Bucke, which he gave to me. "It tells the tale of Ed. Ed turns up at last—much, I suppose, to Doctor's relief. I guess they did not have it out this time, however. Doctor was in a hurry to keep an engagement—Ed

 
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in a hurry to go off—so between the two little was done." Questioned me if it was raining, and learning it was not: "It is one of the peculiar fancies of my hearing. I hear what I should not and do not hear what I should."
 
Saturday, November 2, 1889

     6.45 P.M. W. in his room—light on—reading paper. Said: "Herbert was over last night—he saw the book—liked it all—thought it fine, handsome, all except the picture—holding to his old objection just as firmly as ever." I read him a letter I had today from Kennedy—this:


Belmont

Mass

Nov 1, '89


Dear Traubel

     Thank you very much for the beautiful souvenir. I enclose 50 cts. It is surely a great honor to appear in such fine company. I yield now that it was a good thing to bring out this booklet. I had no idea you could elicit so many gems of thought.

     The "get-up" is capital. I am delighted with the whole thing.

     I sh'd like to talk over with you the many remarkable confessions. Let me personally congratulate you on this little ticket to immortality you have secured, dear friend.

      Please give my regards to Mr. Gilchrist, & ask him to come & see me.

     Love to all. I feel ennobled after reading the "Camden's Compliment"




W S Kennedy—

     to which W. remarked: "That is exceedingly significant for the book—a criticism from one who writes from the very head-center of bookishness, or, rather books. The best profit of a

 
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dinner is in this,—that food is there, that I like it, another likes it, it answers our ends. And so, if the book answers the end, it must be counted a success, whatever some may say of it." Read him also, then, letter from Frank Sanborn:

Concord, Mass Oct. 31

1889


Dear Sir:

     I think I subscribed $5 to the publication of the "Camden Compliment," and I enclose my draft for that sum. But it seems too small to pay for ten copies of the beautiful book which I received by express tonight. If there's more to pay, please let me know.

     You have made a fine tribute to the dear old man, to whom please give my best wishes


Yours truly


F. B. Sanborn

     Mr. Traubel

     which struck him forcibly. "The noble Sanborn! true, just as he has been!" Gilder had written me yesterday, "Where is the book?" and W. was anxious I should stir Harned up to sending G.'s copies if not already gone. The American reviews book today. Have not yet seen it. W. thought: "From my point of view, aside entirely from what is said on it, the book is a success from a printerial, artistic point of view—well conceived and as well executed. I do not get over my astonishment, however, that this is for us—that I have lived to see it."

     Said he had "another red-ink postal from the Epoch person, directing my attention to The Epoch of Nov. 1st—or 2d. If you are in the way of a paper—look—but go to no trouble about it. This is a way editors have at times of extending their circulation. The average critter will tear mad round the town if he knows his name has been printed in the papers."

     Referred to The Century again. "The Velasquez head—Aesop—misled me. On a first look at the magazine, seeing that, I thought—here now is a brilliant number, but I was never

 
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more deceived—rarely a number more stupid. As for Jefferson, he knows nothing at all—nothing. The Spanish article—by a woman—a Miss or Mrs. [Susan W. C.] Carter is very good—passable—readable, in a way, though labored enough, too. My own poem looks well: there is a noble breadth given it there—in the mere printerial aspect of it." To The Critic's remark this week on Stoddard's Lippincott Bryant, which "no lover of the foregoing poet should forego reading," W. laughingly remarked, "That must have been another by Dick himself. I don't believe there was a person on the list of its readers who competently thought of it otherwise than as utterly dull and worthless." Spoke of absence of further word from Bucke.
 
Sunday, November 3, 1889

     Did not see W. this day, but he kept well, though not getting out at all. Has been watching for sunshine but the rain today was severe. Sent to Harned for one volume of the Encyclopaedia Brittanica "for a particular purpose."

     Also "swopped" with T. one copy of his big book for 12 of "Camden's Compliment." "The only other copy of Camden's Compliment I had I sent to my sister," he said.

 
Monday, November 4, 1889

     8 P.M. W. reading papers, as usual. I had just mailed several books—among them one abroad, to Rhys. W. expressed gladness. Then produced a sheet. "Have you enough to supply these?" he asked. The names were there.

     Edward Bertz

     Holzmarkt str 18 Potsdam Prussia

     Prof: Dowden

     Winstead Temple Road Rathmines Dublin Ireland

 
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     Gabriel Sarrizin

     10 Rue Troyon Paris France

     T W Rolleston

     Fairview Delgany Co: Wicklow Ireland

     Wm M Rossetti

     5 Endsleigh Gardens London n w England

     Edw'd Carpenter

     Millthorpe near Chesterfield England

     John Addington Symonds

     Davos Switzerland

     Rudolf Schmidt

     Baggesensgade 3 N Copenhagen Denmark

     I mention, "And not Tennyson?" and he at once exclaimed—"Oh! I had forgotten him." So he sent me across the room for his candle, which he lighted and placed on the middle table, then opening his note-book, hunting up T.'s address—which he put on my sheet, he wrote plain "Alfred Tennyson" saying meanwhile: "I drop the Lord: I understand his wife and children are very punctilious in regard to that—but I don't know. I am sure, at least, that Alfred himself puts no moment upon it. It is usually the second and third parties who make much of the proprieties, decorum. I know it was so at Washington—in the Armies, departments. When I had anything I wished particularly to have done, I went to headquarters—up to the very throne. I remember now, several cases with Stanton. And I can say this, that I never had anything promised me by the big guns that was not accomplished to the letter." He spoke definitely of some of the parties he had thus come in contact with. "There were many of the old fellows—thoroughly democratic—approachable. There was old Zach Taylor—General Taylor—afterwards the President. In New Orleans—forty years ago—about the close of the Mexican War—I came to know him there. A plain man—without the first sign of airishness—yet a man with his entourage of slaves—a man used to being served—military—a disciplinarian,

 
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yet a jolly man—fond of a good story—living well—realizing life. As plain as Grant, yet more frank and outspoken." I objected, "But Grant was a man of larger mental parts." W. rejoining: "Taylor was a great man, too—a greater man than is sometimes believed. Grant was far more reserved—more self-contained. He seemed to see the necessity of it—both as General and President. He was grandly non-commital—resolved at all hazards, temptations, not to give himself, his cause, away." Referred also to Randolph of Roanoke: "The anti-slavery men have made too little of the significant democracy of some of the great Virginians—of Jefferson, Washington, others—owners of slaves—slavery men so-called. Think of John Randolph—the poor, horrible physical specimen that he was, yet with a power within that no informed man can doubt. There was a clause in his will freeing his nigger valet. Oh! what a preciousness about these niggers, when once they are loyal—valeting you through life! This one of Randolph's had stuck to him from boyhood. Now was Randolph's time to prove himself—and he did. When he was on his deathbed—several gathered around him—a group—lawyers—others: fearing the clause in his will with regard to this nigger would be lightly carried out, he said: 'Gentlemen, I charge you to bear witness that I put this clause into its place with all solemnity—and I charge you further to see personally that this man'—putting his hand on the nigger's head—'is duly given his freedom.'—That is authentic, I know all about it—had the means of knowing—and though little is made of it in the histories, to me it has a profound significance." This led to some mention of Conway's recent piece on Edmund Randolph, W. saying: "Yes—that is Conway's forte—getting into curios of investigation—discovering mare's nests—that there is no devil, for instance. A surprising discovery this, to be sure or, rather, more of a discovery to discover there was one. I remember once with me, he sat full an hour, arguing
 
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about the existence of the Presidency—that it had survived its right and its usefulness."

 
Tuesday, November 5, 1889

     7.40 P.M. W. sitting up—reading—looking ruddier than usual. "I have been out of my chair today—had a delicious trip—the day fine beyond words. It is a great day to move about in. I went up to Tom's—knocked at the office door with my cane—but evidently nobody was in." Alex. Cattell had spoken of the portrait in the book as "a daub" but W. insisted, "Many men—many minds—we must not forget. Jim Scovel was over today. He didn't like the picture either. But no matter—we do—and that for us conclusive." Referred to Gosse's high estimate of Tennyson's "Throstle" with a shake of the head. "I sent the paper to Bucke, knowing it would interest him."

     Laughingly said: "I can't picture Tom in a dress coat. His stovepipe hat seemed to me the steepest descent possible for him to make, but this would beat the steepest steep!" Directed my attention to a French paper in the chair. "It comes from Bartlett's son, now in France. See the postmark there—isn't that Millet's place?" It was marked Barbizon. "The paper contains a translation of my 'Bravo Exposition' piece, whether good or bad I do not know. And this"—picking up a square canary envelope—"is from a Frenchman who writes me a poem—a long poem—in numbered verses—all in French—which, however good, is not good enough for me to understand—is all Greek to me!" Speaking of a certain qualifying book review W. said: "Some men find it impossible to give a straightforward compliment, an 'if' or a 'but' is always planted in the way."

     W. said: "While out in the chair I remembered it was election

 
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day—still did not vote. Did you? I always refrain—yet advise everybody else not to forget."
 
Wednesday, November 6, 1889

     7.45 P.M. Seemingly ruminating. Mrs. Davis had admitted me down stairs, the dog giving forth his usual dismal howl. W. now inquired, "Was it you the dog was howling at that way?" Adding after my nod of assent, "Well, if there's anyone in the world he ought to know by this time—would know, if he had any sense at all, as he has not—it is you. He is the nastiest, noisiest, silliest, stupidest, horriblest dog that was ever born—a pest, a continual sore in my side!" Adding still again, "Any useful dog—any manly dog—gets to know his friends, betters—but this dog, never!"

     W. inquired which of the books I had sent off: as proved, all but Bertz's and Schmidt's. Read him a letter I had from Garland.



My Dear Traubel:

     You have done yourself and all others credit in your editorial work on the Memorial of the Banquet. I shall try to sell a number of the volumes because I think they will sell other of Whitman's volumes. I am always aiding in the spread of the Great poets fame. I am still too poor to do anything in money. I hope soon to send you a little something. A genuine lover of W. W. is Kenneth Cranford painter and teacher in the Cowles Art School. I also made a partial convert in one [of] the Conservatory faculty—I saw some excellent poems from your pen in the New Ideal. You should write more. You have the right ring in your words. Did you go to hear my good friend Herne read while he was in Philadelphia. He is my convert to the Single Tax. By the way does W. W. indicate interest in it still?

     Give him my love. And as for yourself—put your shoulder to the Single Tax chariot when ever you can. We have their big meeting projected for November and December.


Fraternally


Hamlin Garland

 
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     He laughed over the single tax. "Interested in it still? I do not know what it is! I asked Garland himself, and either because of my stupidity, which is very likely, or of his way of telling it, or of the intrinsic difficulties of the case itself—for one of these reasons—probably the first, I was left entirely in the dark. The good Garland! But however the single tax, there's all the rest!"

     Edelheim in today—gave me 20 dollars for the fund. I remarked it to W. as from a man he had never seen, and he said, "And noble it is too! Who is he?" And when I explained, he—"A noble baker, to be sure! A noble baker!" Adding: "I think I must right soon get up a little poemet, about so long"—indicating two inches on his hand—"'To My Unknown Friends'—aiming to take in these men you have with you in this undertaking." I took up with the suggestion at once, "Yes,—and give me copies to send to each one of them." W. then: "That would be my idea: to get them in such a way that I could sign them and have each person have a personal copy."

     W. "stirred to rejoicing" as he said, by the result of the elections towards Democracy: "It shows a turn in the tide—the Harrisonian Republican on the downflow." Talked of protection. "I can see how it appeals to some people—how it must appeal to them. I can even see how protection protects. As they say in the story—whiskey makes a man strong: put a glass, or two glasses, of whiskey, in him, and he is a giant—he can do tremendous things—lift great weights, heave, draw, energize—the transformation is marvellous.""But how about tomorrow?" I put in. And W. at once: "That's it! How about tomorrow! It is the tomorrow people don't see: protection protects—today!—but tomorrow, whose ox is gored? I never knew the time when I could be led to the slaughter that way; in my earliest years—even as a boy—I saw the tomorrow of this humbug—the day of reckoning. I was never deceived—and experience does no more than confirm me.

 
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But it is in this—in politics—just as it is in religion—some people get an idea of the necessity of believing certain things, not so much from weight of evidence, out or in,—but from mere mental and emotional set-ness: they intend believing—and that all there is about it!"

     A copy of Trübner's periodical on a chair. I picked it up, W. remarking: "I have not examined it myself yet. It came today among a lot of other things. I have a friend there—Josiah Childs, who sends it along, issue after issue, faithfully. Did I ever tell you about the Trübners? You know, there was an old man—the original Trübner, who is dead now. The present Trübner is a young man—at least, in the sense of being the first Trübner's son. The old man was quite a friend of Leaves of Grass—sold it for me—and Specimen Days, at a time when every book sold was an important event to me. At that time sent me over several hundred dollars. But this son, ascending the throne, beheaded me at short notice—quickly concluded that Leaves of Grass was not the book for him to handle. Josiah Child—sort of confidential man there—himself very friendly towards me, was not satisfied to have the book driven out in that style, so looked about and secured agents for it there and several of them. And as he is of a financial turn, kept the accounts strictly straight for me—made remittances from time to time. The last one—the closing one—just the last year—in this room—since my sickness. I never saw Childs—nor Trübner either. This, you see, is part of the history of Leaves of Grass—I have been driven from post to pillar, yet by virtue of these things, a man gets the pick of his friends, to be sure—they come near and near—are indissoluble."

     I spoke of somebody who remarked the "religiousness" of "My 71st Year"—W. smilingly replying: "I suppose they must have had in mind that last line. The general view of what constitutes religion is very cheap—not only confusing theology with it, but making of religion—Methodism to the Methodist,

 
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—what-not, and that only. As if religion had not its wide readings—readings wide as worlds to a grand world-wide man." There was Adler in New York—"serving the people—and for what? His devotion superb—yet in what but this is devotion—religious faith—faith that counts—embodied? All but this can be spared." I mentioned Abou Ben Adhem and W., "Oh! the noble little poem! What is there to surpass it? It is in place today—the standard—at the forefront—nobly stating all that indicates moral advance. This the world knows—or will know—must know in time."

     Had made up my bundle of portraits, endorsed as follows:

     Portraits of Walt Whitman

     from life at different ages

      Horace L Traubel

     from his friend W. W.

     Nov: 6 1889

     Had sent French paper to Dr. Bucke but the manuscript poem still here. Did he wish Morris to translate it? I suggested letting M. see it. So, if worth while, to translate and print translation. W. was willing—would "hunt it up"—already buried in a heap of things.

     Picture of Symonds on mantel—cabinet. W. said: "I think Mary unearthed it, cleaning here. I did not know I had it. Every now and then something turns up that way. I don't think this picture anyway near as good as the big one."

 
Thursday, November 7, 1889

     7.40 P.M. In his room, as usual. Looked pretty well, though tired. Said: "I have been spending one of my usual unrelieved monotonous days—feeling very well, except for this strange, palling weight in my head, which wears down, a constant pressure upon me." And there was "nothing new. A letter from Doctor, sans news, and something from the society of

 
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Old Brooklynites"—this with a laugh. We laughed at Bucke's vehement ridicule of the title-page of the book, I saying—"His opinion is relieved of much of its pith by his violence in uttering it." W. laughing: "Yes—no doubt. I remember, however, that that is what John Burroughs would say, has said, of O'Connor, though"—shaking his head, an dropping into a serious tone—"I don't think that is true of O'Connor."

     Elections still attracted him. "I see as the returns come in, it looks more and more a likely result for the Democrats. Harrisonism is on the move—is getting found out. And among the most comical things is the struggle of the Republican papers to account for it. Why—it is accounted for in the very nature of things! What more is necessary?"

     I received from Frank R. Stockton a note today about the fund, etc., thus:


Convent Station

New Jersey

Nov. 4: 1889


Mr Horace L. Traubel,


Dear Sir,

     I am in receipt of your well-put and considerate note; and, in answer, will say that I will join you in your good work in regard to Walt. Whitman thusfar: I will give ten dollars for a plain copy of "Leaves of Grass" with the author's autograph in it. This much I can do, and it may be there are others who would do the same.

     I do not know that Walt. Whitman ever heard of me, or that he would care to hear, but he has my sympathy, and best wishes for a happy remainder of life.


Very sincerely


Frank R. Stockton

     :

     Dictated:

     :

     W. exclaimed—"Indeed I do care—all those things are touching—go straight to my heart. Tell him so—tell him so." Promised

 
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to send book tomorrow without fail—$2.00 edition. The rest of the money I will put in with the fund.

     W. much interested in American notice of book—this:

     Mr. Horace L. Traubel has edited, and David McKay, (Philadelphia; 23 S. 9th St.), has published in good style, with the title "Camden's Compliment to Walt Whitman," the record of the testimonial meeting and dinner at Camden, N.J., May 31, last, in honor of the seventieth birthday of the poet. Mr. Traubel's work is so well done, and the material for the volume is so substantial, that he has made an appreciable addition to the Whitman literature. This results from the character of the addresses on the occasion, the letters of response and compliment, and the excellent historical and descriptive sketch which the editor prefixes. All of this, with rare exceptions, has more than a temporary or perfunctory character, and much of it, by suggestiveness, by critical judgment or by other quality, helps to an appreciation and an estimate of Whitman's work. There are letters, for example, from Wm. M. Rossetti, Edward Dowden, John Burroughs, Stedman, F.B. Sanborn, and John Addington Symonds, and there are briefer ones which are notable, also. We congratulate the Camden friends of the poet on their spirit in devising and conducting the testimonial, and on having it so worthily put on record.

     American. Phila. Nov. 2, '89.

     Exclaiming as he finished reading: "Well—that fellow has read the book, anyhow!—which is a point gained with a critic anyway—so few of 'em do—or appear to!"

     Gilchrist came in as we sat there talking. Did not stay long—we going finally off together. Gilchrist spoke of seeing Mansfield's Richard the 3d—W. thereupon curiously full of questions. "What is he trying to do with it?" and others. "The last forty years, all the actors have taken to experimenting with it—half doing, half undoing, its legitimate powers, beauties, wonders. It gives play of itself, naturally, without interpretation so-called, to grandest, most vital forces, passions, emotionalities. It is always the actor's opportunity." Then

 
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voiced talk of Gilchrist's goings-about—of his departure in February. Talking of American art in the wider sense, the question arose, had we yet produced in music a great composer? No—not indeed! W. however interposed: "Our best work so far seems to be in the direction of nigger songs, some of these are superb—'Old Folks at Home'—'Old Black Joe' and such. Exquisite specimens, some of them, out of the heart of nature—hitting off nigger life South there with wonderful expression."

     Also reference to the Kendals, now in town. G. having seen them—W.'s first question was: "Is the woman the best?"

     Gilchrist having asked if W. had seen any other London Telegraph letters from Edwin Arnold, W. exclaimed, among other things: "Oh! we have captured him—there's no doubt! America has captured him!"

 
Friday, November 8, 1889

     7.45 P.M. W. in his room, reading Scott—laying the volume face down, on my entrance. Conversed then for full half an hour together, he seeming to be much freeer in feeling than last night. In going over the news of the day he said: "Things are always very quiet here, I depend on you generally to bring the outside world in. I got a wholly unimportant letter from Dr. Bucke today, and I wrote Mrs. O'Connor—addressing her still in Massachusetts. But I have sent Frank Stockton his book—his autographed book. I found I still had a copy of the Osgood autographed edition, which I sent him."

     I said I had been rather surprised last night by Herbert's remark that he liked my introduction in the book very much. W., amid his raillery of me, exclaimed—"That was praise from St. Hubert indeed—from veriest St. Hubert!" Adding then: "The book is the book, whatever the boys may say of it: and it is not only a force as it stands, but a greater force in the sense that the acorn is a force, or Hercules a force—for their

 
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potentialities—their high promise—future. I remember O'Connor's great touch—the baby Hercules in the cradle—strangling." W. ending in this strange way—assuming I knew the rest, and saying: "O'Connor rarely indulged in a figure [of speech] but when he did so, he did it with a trip-hammer effectiveness." I quoted Emerson's description of Carlyle: "A trip-hammer with an Aeolian attachment." W. saying—"Yes—it is very great—very Emersonian: I would have recognized it." Going on reflectively: "In the big metal works, with their trip-hammers—I have spent many a long, fascinated, informing hour!—many!"

     Writing to Sanborn last week acknowledging his letter about the book, I had asked what he knew of the Whitman footnote in Edward Emerson's book. To this today the following reply came:

Seventeenth National Conference
of
Charities and Correction

Concord Nov 6, 1889


Dear Sir:

     I had forgotten the allusion to Whitman in Dr. Emerson's life of his father until someone in your book cited it. Doubtless it expresses one view taken by Emerson of the poetic form in which Whitman chose to write. Emerson took views of his subject, whatever it might be, from more than one point; and that which he expressed to Whitman himself in 1855 was his more constant way of looking at Whitman's genius. He thought less highly of Whitman's War verses than I did or than he did of Leaves of Grass, which he told me in 1855 was "a combination of the Bhagavat Ghita and the New York Herald." His son never took much interest in Whitman, and was perhaps not unwilling to cite an utterance which seemed to agree with his own opinion. The whole note is too much in the de haut en bas style, and does not represent the real feeling of Emerson towards Whitman, as I have heard him express it often. He was, in fact, greatly annoyed by W's printing his letter of commendation, and he disliked the too frequent mention of the organs

 
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of generation. But he had a much higher estimate of Whitman than of a "healthy and vigorous young mechanic" and he would never have used that tone in mentioning him.

     I do not suppose you will need to show this letter to Whitman, but you may communicate its substance freely to him as something you have learned from me, but not to be published anywhere. There are good reasons why I should not appear as the critic of Edward Emerson, however much I may differ with him.


Yours truly


F. B. Sanborn

     I read this to W., knowing no better way to give him its "substance." He listened with great attention—had me re-read certain passages. I said: "That is a valuable letter, for me carefully to hold." W.: "Yes indeed—like the cards held in reserve by the great Emperors, Kings, premiers: a power unknown, but great. I think Edward Emerson is constitutionally my enemy. Power strangely goes by alternations—now great strength, now great weakness: first Oliver Cromwell, then Richard—an ass! First Emerson père, then Edward and Ellen. It only goes to say again what I said to you more fully a couple of weeks ago. Now do you still persist in your notion of writing to Edward Emerson?" And to my yes, "What?" And to my explanation what, "Let me predict, then, that it will be of no avail. Edward Emerson is a determined liar—determined. Those children—Edward, Ellen—are a bad lot—bad. Two successive generations of a family are rarely alike—of equal power, nobility. He will not satisfy you." I confessed, probably not, but he would answer—and be forced to give extracts from his father's journal if there were any. W., "He will invent them." I objected—"I do not think he would do it." W. then: "No—not deliberately. But invention is as much in the air of an utterance as it is in its words. Take the very paragraph there in the book—as dirty and lying a paragraph as ever was written." I remarked, "Clifford will be gratified with this letter." And W.: "Yes—he will and ought. I may be

 
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a little mad in talking of this thing, Horace, but I know, as no one of my friends know—not one—the bitterness of attack—the virus of these past years—the story of Leaves of Grass." He spoke of Sanborn's "temperate statement—a native caution in him which holds ` him slow to confess himself and moderate in his tone." I said: "Well—we'll speak of him in this way then, to the critical world: 'Look you now, we admit we are extremists—Whitmaniacs—but here is a man—poised, deliberate, sane: what have you got to say of his opinion?" W. laughed. "That is well put." And when I added—"It is as natural for Sanborn to be that as for others to be radical, and he is just as firm in that as others in their Radicalism." He exclaimed—"That hits the nail on the head! I feel that to be true!" Likewise, when I held—"This letter of Sanborn's is just for Emerson's sake rather than yours" he at first looked incredulous—then said: "Yes—I see: it never occurred to me to look at it that way before, but now you point the way, I allow it to the full. But then," he added—"for my sake too—for all our sakes!"

 
Saturday, November 9, 1889

     7.55 P.M. W. had a book in his hands as I came in (bedroom, as usual)—laying it down and remarking: "I am at Fields' book again, you see." I said: "I thought you were done with it?" And he then: "Well—I pick it up again and again. I have been reading about Hawthorne tonight. What a devil of a Copperhead he was! I always more or less despise the Copperheads, irrespective of who they are, their fame—what-not: but aside from that, all my tendencies about Hawthorne are towards him—even affectionate, I may say—for his work, what he represented. I never saw him—no. My impression of Julian as I met him here at the dinner was a good one—very good." Had never read Lathrop's "Study of Hawthorne"—though "might like to." I quoted a paragraph about Williamson's Hawthorne

 
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collection from the "Lounger" in The Critic this week. "That's the way the fellows do—get their kink—work it. I know a lawyer in New York, MacKee is his name—who is after relics of John Howard Payne—has been collecting and collecting for about 30 years. So, you see, one man has this, one the other, notion—person—to attend to—attends to it—and the matter is done.""I have enjoyed the book immensely—have repeatedly gone back to it. I like the way in which Fields put it together—the letters, for instance—put in there entire—just as I would have desired." And when I spoke of Fields' modesty: "Yes, that too. There's no doubt Fields is one of the scarce good and true men—Emerson, Frank Sanborn, Jim Fields—these, anyway—and others I cannot remember now—a sterling and modest man."

     Had he had new thoughts of the Sanborn letter today? "No new thoughts—but some thoughts. I wrote of it in my letter to Doctor—that you had such a letter—that it was not to be publicated, at least now—that you would undoubtedly talk with him about it some of these days."

     Apropos of Williamson's Hawthorne collection I said: "He would much like some Whitman manuscript—wrote me once that he would pay a good price for it." W. thereupon: "Well—why should we not give him a bundle—a good bundle,—without pay? I would be willing—in fact, would be anxious—to give it him—give it anybody who had staked on us—stood up for us especially when putting up the actual cash, as he has done."

     I received today a letter from Mrs. O'Connor. I read it to W.


South Weymouth, Mass.

Nov. 8, 1889.

Care Mrs. E. T. Joy.


My dear Mr. Traubel,

     Your kind letter of a month ago, Oct. 6, came duly, & I have only waited to answer it till I should know what to say in regard to

 
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the stopping to see Walt on my return. I was on the point of asking you if on the whole it would be more a pain or a pleasure to him in case I could arrange it, when yours came. Of course it involved my staying over night some where, as I could not return from Camden & get back so as to reach Washington before night, & I could not return to the lonely & shut up house alone at night. The staying over involved a Hotel bill unless I could stay with a friend, & I think now that I have been able to arrange it. It is humiliating to have to confess that the question of a few dollars could stand between one & a dear friend. I think sometimes that it IS a disgrace & crime to be poor! I am very sure that William never foresaw where his lavish generosity would land me, & in his last years, after he was himself disabled he could hardly refuse any one in need. I also feel sure that he also felt that my home would be with my dear sister Mrs. Channing, now of Cal. where William spent some six months; but they are now in such pecuniary trouble that I could not add to their burdens.

     As I said, however, I think I have arranged it. My plan is to leave here on Monday next, the 11th & go by Fall River, & stop over in Phila with a friend.

     From there I will send you a line;—or is it not necessary;—to say when I will go Camden. I wish you would send me a line as soon as you get this, & tell me what cars to take, & how to reach Walt's house. I am wholly deficient in locality, & always go the wrong way unless I have plain directions. My dear Jeannie used to say that when I should be an old lady she should never let me go out alone.

     I don't know who will be my guardian now!

     I have not been very well, my head, which seems to be the great trouble, giving out at all times, in the most unexpected fashion. I have lingered long, & must own that some cowardice has mingled in my feeling; the dread of returning to that lonely house, that has been shut up since I left. I have not heard from Mr. Kimball, he was to send if he had any good news in the way of getting a position for me.


Give my dear love to Walt, & be sure that I am ever truly and cordially yours—


Ellen M. O'Connor

 
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     W.: "Then I am to see her probably in a very few days! Good! Yes—I think it may have—is likely to have—the good effect both ways—to her, to me." I wrote to her at once this evening instructing her how to get to W.'s.

     W. said: "The worst piece of news in the papers today to get over is the defeat of the Tilden will.

     [Samuel Jones Tilden, a distinguished American statesman, died in New York in 1886. The bulk of his fortune, which consisted of several million dollars, was bequeathed to trustees to be used for establishing a great public library in New York City, but his will was contested successfully. An heir relinquished her share of the estate and this was the nucleus of the Tilden Foundation of the New York Public Library.]

     "It comes of the damned pettifogging of lawyers. What we need is something of the definiteness of Baconian principles. It was Bacon who, as the story goes, sitting in a contested case, cried out"—W.'s whole manner vigorous—head thrown back—finger raised admonitorially—voice strong—"cried out to the big wigs, who were fighting like fury over unimportant technicalities, statutes—'Gentlemen, Gentlemen: we are not here, that this statute or that statute should be proven true, but that justice may be done!' Our lawyers never seem to think that—do not seek the manifest integrity of a case, but the trifling lapses—the weak points—the little indefinitenesses here and there that are bound to occur, whatever the caution: for no more is a law perfect than lawyers—than any being, fact, that ever existed: Socrates, Aristides—the best land, nation, age, person, theory—nothing but what ever legitimately has weak and failing purposes—much more failing purposes if pecked at—turned over—inspected for such! The great lawyer is the sun—shining to illuminate, not to distract. I sometimes think that this is the dark and damned spot of our national character: pettiness, prettiness, quibbling, finery. We have everything—we are big, heroic, grand, smart—

 
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oh! as for smartness, damned smart! too damned smart: but after our heroism, this. And what will come of it? that is the question. I called it "Agnes-Repplierism," and he: "Yes! a good word! It often occurs to me, escaping all other dangers, will not this finally engulf us? We seem afraid of the natural forces. John Burroughs puts it well, says, if the American is only dry, he is not content to take a drink of pure cold water, but must put sugar into it, or a flavor. To me, these things—the things of which these are the type—are the prominent dangers in the future of our America. The Greek character was not without them—without smartness, for one thing but then the Greeks had something more—something beyond that—which was its master, a sublime surpassing idealism—its saving quality—possessing the whole race— giving it its immortality." He discussed this in the most earnest way. "Even in the French," he continued, "with its finesse, dress, ribbons, delicacy, persiflage, is, at the spine, strong, pure, whole-serious: indeed, I do not know but it can be said of all the European nations, that they possess this final reserve force, fund, on which to draw. Our America has her many serious problems." And he said again: "If anything were wanting to make Bacon's immortality sure, I think his definiteness, rare justice, would be that straw. Our big-wigs seem never to wake up to the truth that the law should render justice—justice always—justice alone. What case under heaven but in the hands of a cute lawyer may not evidence white black and black white. But that is not justice—not America—cannot secure our future. The damnedest, pettiest technicality outweighs the most palpable facts. In this case, there's not a man in America who does not know what Tilden wished done with his money—not one: yet here are the big-wigs—the medieval quibblers—who do their utmost to confuse the issue—defeat the noble purpose—out of the lowest instincts of their craft. I could not tell from the papers this morning if this ends the matter, but it is lamentable for us all." And once more: "After
 
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America's grandeur, promise, breadth—then this drop of poison."

     I asked him if he had yet prepared me the religious statement for my New England Magazine paper. "No—but I will: I will put together a budget of opinions: then you can quote what you elect from 'em! In the meantime whack away—scrawl notes on all the odd bits of paper you come across—they'll all find a place when the time for construction arrives."

     Alluding to the "Tilden pettifoggers" again: "They are like our romancers—you remember what I said the other night about Bret Harte—men of that stamp: how they take up a single phase of our life—lay such stress on it that it would be supposed all was concentrated there—there was no other life—when in reality this is but a drop in the sea."

 
Sunday, November 10, 1889

     Did not see W. today. Out of town. But he got his trip out of doors—the day exceedingly beautiful and mild.

 
Monday, November 11, 1889

     5.15 P.M. W. sitting in twilight. Had just finished dinner. Greeted me with his wonted cordiality. I said: "Having a quiet time all by yourself?" And he responding: "Yes—I always do. There is no other way about it. What a glum sort of a day, too! I have been sitting here looking at the clouded, misty, sky for a long time." Talked then very freely of various matters till nearly 6. I alluded to the sermon from Clifford last evening on the Sunday question and C.'s quotation of Taine's satirical picture of a London Sunday. W. affirmed: "I can see it—see it all. I was out in my chair yesterday—Warrie took me and we went up towards the city hall. Generally, on weekdays, there are boys playing base ball—a fine air of activity, life, but yesterday everything was glum—neither boy nor ball

 
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to be seen. I thought then—told Warrie, too—how much better it would be for the boys to be in the place—how much better the play, the open air, the beautiful sky, the active movement, than restriction, Sabbathism." As to his own trip: "I enjoyed the fine day beyond the measure of telling—oh! far! It did me a great good."

     I had met Dr. Reeder, who broached W. W.—I thereupon explaining to him W.'s philosophy of the body, Reeder instinctively declaring: "Every doctor will affirm that—every one." W. said: "It is so, too: the real doctor, the genuine scientist—he is my man—he every time. He will say to all of Leaves of Grass 'Aye'—and then 'Aye' again. But the followers of the colleges, the churches, the schools, the tradition—these will never know." And to the general position of science now—Huxley's 'working hypothesis' for instance—"It is the superbest issue out of time: I know no higher gospel." As to Reeder's finding even his Hicksite Quakerism bigoted, squeezing him practically out of meeting, etc. W. said: "The invariable, inevitable tendency—however liberal the organization, finally restrictions, limitation, revolution." Of L. of G. again: "Leaves of Grass is evolution—evolution in its most varied, freest, largest sense." Referred here once more to Bucke: "He has the best combination—physio-spiritual combination—I know, using institutions as he finds them today, yet ready for anything that may turn up."

     A copy of The Boston Herald had come to me in his care, containing a notice of the birthday book, evidently written by Baxter. W. said: "We have some of our best friends in Boston—friends of thorough-going reliability—Baxter, Kennedy, Garland. And by the way, I came across a poem of Garland's today—extracted from the Youth's Companion—very pretty, nice—I enjoyed it—I want you to read it." Kept The Herald to read.

     W. had a letter from Mrs. O'Connor today. "She goes over mostly the same ground as in your letter. Says she fears to go

 
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into the lonely house alone, at night, with all its cluster of sweet memories—sad. She promises to send me word of her coming—will probably be here in a day or two."

     The cashier of the bank brought me a catalogue of rare books today—one book L. of G., edition 1871, marked at $8.50. W. said: "I can see how it occurs—most of that edition went abroad—two-thirds of it anyhow. I would get them 100 at a time. Dillingham at that time sold for me in New York and I want to say for him that he was the only one of the publishers there who did not gouge me. All his actions towards me were of a manly character, he was straightforward, honest, made genuine returns. I have always respected him. At that time, 20 years ago nearly, he was still a young man.""But," continued W., "except as curios, these old editions are by no means as good as the new. The '71 edition was nice, I know, but the Boston book is so full of changes, so liberally interspersed with additions, it should not be given up for any old one. I consider this pocket edition—with 'A Backward Glance' and 'Sands at Seventy,' the cream of all—if I may be allowed to use that word." Then he told me of a new project—of "a new edition of Leaves of Grass—much like the pocket edition, yet without the flap, and bound plainly in cloth." He is still "a little mad at Ferguson," he said laughingly, so is not certain if he will not have Sherman print for him. "Still I am not mad at him only, but fond of him too—and my sneaking notion is, to go there again." Until he decided, I should do nothing in the matter. I asked if he thought a popular edition of L. of G. would go. "I do not know. I feel sure, however, that if a hustler got hold of Leaves of Grass the book would make the fur fly in many places it don't touch at all. And Dave is not a hustler—I know that well enough." But "I am fully determined upon getting out a small edition—say of two hundred; no, 3—3 is better—for my own use." As to the pocket edition: "I stick to my liking. I had it in my earliest years—that to put a book in your pocket and off to the seashore

 
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or the forest—that is an ideal pleasure. I was on the point of getting out a pocket edition of Leaves of Grass many years ago. A woman—and a very cute one, too—objected. There's not one in ten—one in a hundred—wants it so. People as a rule like to open books on center tables, in parlors, and so on and so on. I took entirely too much notice of it at the time—let the matter slide then—now return to it."

     Asked me if I could tell him anything about George Chainey—"Where is he now? what doing?" Adding descriptively—what I well knew: "Chainey proved a good friend of Leaves of Grass. He was there in Boston for awhile: ran the gauntlet of the faiths—all of 'em—was orthodox—Ingersollian—everything by turns. At the last I heard was a howling spiritualist. I have been wondering if he has taken the full leap back yet? I expect to hear of him back in orthodoxy. He was a wonderfully fluent man—had something of William O'Connor's fluency—something of his very figure, too. I have met him—was favorably impressed indeed."

     Remarked: "I have just sent up to Tom some scraps, debris, quite a bundle for his Philadelphia lawyer-friend"—and noticing my look of not knowing: "Oh! you don't know about it. Tom was here yesterday, with Mrs. Harned—a glad visit, to me, it was, too! He asked about it then—just after Mr. Corning and his daughter came in." I spoke of C.'s "soft-soap"—and W. then laughingly: "I see what you mean. And Warrie who has quite a curious nature at taking instant instinctive likes and dislikes—he takes our view—and Ed's too, for that matter. But we must not be too sure—not too sure. I remember a case in the army. Unconsciously—altogether—I too was affected by the opinion of one of the army corps that a certain member of the staff, who was truly a dandy, delicate, dressy, shirty, tie-y—all that—was only a dandy. But never was there a greater mistake, for we found afterwards that he was the bravest man on the staff. I know there is no rule for that—perhaps not for anything. I don't in fact think nature after all

 
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works by rule—at least, by any rule we know." Alluded to Kennedy as "a good fellow to brisk us up in that Emerson matter: he is cute, instinctive, in the Boston swim, yet not of it—knowing men, means, everything related."
 
Tuesday, November 12, 1889

     7.15 P.M. W. reading the paper. Laid it down—then talked readily. Said at once that he had been out today. "And we had a breakdown—one of the springs of the chair gave way. We had to stop in the blacksmith shop and have it fixed. The fellow hammered and fussed a great while and we had to wait. I sat down—enjoyed it. We seemed to be an object of curiosity." This led to reference to trades generally. "I sat there—learned a few new words—words of trades and they are poems to me—a word is a poem of poems! In my early years I had a great fondness for names in trade—names among carpenters, bricklayers, transportation men—always learned, always retained them. If I knew one and forgot it, I would be much worried. But as time wore on, while my curiosity remained, its direction changed somewhat. Instead of minor names—names of objects—I now hungered for names of trades themselves, occupations: so much so that Dr. Bucke now vaunts that he knows no trade or occupation that is not in some way mentioned in Leaves of Grass—though I do—many of them. But Bucke declares he has tried to detect one, but never found it." Of course, it was this which had led to what so many of W.'s critics called his cataloguing. "But I am not in the least disturbed by that. Do you know, of all the charges that have been laid at my door, this has affected me least—has not affected me at all, in fact. I have gone right on—my bent has remained my bent,—everything remained as it would have remained otherwise. In Doctor Bucke, all this—this peculiarity of mine—falls like seed on good ground—he has caught the significance of it. Bucke is a Doctor himself, a scientist, free, exuberant—and he has happily comprehended

 
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(and this is essential, the crowning requisite) the physiological Leaves of Grass—the Leaves of Grass nursed in these native occurrences, facts—the occupations, habits, habitats, of men.""For instance, Doctor would never stumble over the word diarrhoea, to which the Saturday Review so objected. Doctor would see it naturally falls into its place, a part of the sequence of affairs—would see it as a necessary factor—while the Review came to the word as a word—came from traditions, stock rules, and contended that poetic it could not be, was not, and no man but at his peril would dare to stake it as poetry." Talked on thus interestingly of his own practice.

     On the table was a brown-grey sheet pencilled with notes of Aaron Burr. I asked: "So you have found the lost Burr piece?" But he shook his head: "No—I have not—that is new to me. I have for a couple of days been trying to get my hand down to the work of jotting my impressions—my childish impressions—of some of the men I met in our early New York—of Burr and Lafayette, at least. I don't know what will come of it—how well the memories will revive and my pencil stay them. But the work is begun, as you see. What will come of it is altogether in the air—is like next year's weather." I put in laughingly: "But we know there will be weather next year!" W. responding: "That's so! And perhaps the article—but what of the article, who can tell?"

     At this instant Warrie came in, saying: "There was no mail for you at the Post Office, Mr. Whitman!" W. asking him merrily: "Oh! and are you certain you did not bring me bad luck?" Warrie retiring with a laugh and W. explaining to me: "That was a touch you did not understand—Warrie did. Last night I had him here telling me sailor-stories—stories of the big steamers. He has served on 'em—on the Adriatic, the Etruria. He was describing to me the manner of diversion—what the passengers occupied themselves with—gambling among other matters. There was a game going on one day, the sailors, working about, could see it through a window—some of

 
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them gathered there, interested—gazed through. There was a man inside losing bravely—getting rapidly mad: suddenly he spies the boys up at the window, seizes a bottle of wine, hands it up this way"—indicating—"and says, 'Here you fellows—you give me bad luck: take this—away with you—drink to my good fortune!' That was in substance what Warrie told me—only told it better than that—and that is why he laughed at my question."

     Asked me to be sure to send a copy of the dinner book to Stedman. Said he had sent one to his brother Jeff. "On my trip out today, I stopped and left a copy of the leather book for Sam Grey. I wanted to give him one." And here I reminded him: "Would it not be a happy thing to give a book of some sort to Harrison Morris?" W. then: "Yes indeed—I intended to—you are right—I consider that in the translation he did us quite a decided friendship. Which shall it be—the leather book, the big book?" Would endorse one for me to deliver. "It seems sometimes as if the spirit of professions led to noble developments—the doing of positive generosities—like this in Morris." Had a letter from Bucke. "Not significant."

     Thinks he still weighs his 200 lbs.: "My 200 lbs. helped break down the vehicle today—and the jolting together." Said too: "If any friends at the club tonight enquire after me, tell them I am not yet utterly broken down, though our chair was. Like the chair, a bit mended—but for how long?" I received a letter from Weir Mitchell sending 25 dollars for the fund. W. in handing me some string said: "It is genuine flax and I have trouble in getting it—Ed always had a siege. The world is bent on shoddy, in string and [everything] else!"

 
Wednesday, November 13, 1889

     7.30 P.M. W. reading papers. Mrs. O'Connor had been over today. Mrs. Justice told me at the club last evening that Mrs.

 
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O'C. had come on. Was staying with the Lewises, and wished to see me there. W. spoke variously of her. "William O'Connor and Nellie O'Connor occupy a large place in my memory—not in my memory alone, but in that larger life—my emotional, sympathetic, poetic, life—which has most importantly commanded me. And now that William is no more—now that William is gone—gone forever, from physical sight—the great, surpassing William!—all my feeling, once divided, seems to flow out to Ellen alone. I am quite surprised at it myself—at its extent. I did not suppose I could be so summoned, so moved, so appealed to. But there it is—revealed to me today if never before. She was here a long time—paid me quite a long visit—even now is not long gone. I was surprised to see how well she looked. I supposed the long trial—the wear and tear of watching, waiting would have bedraggled her—but it appears not—time has clawed her but little. That worst dragger-down of people—mental worry—she has survived. Oh! we had a long fine talk! She told me many things about the funeral—about William's death—the last days—which it was only possible to get from her, and from her lips, at that—not from notes (always insufficient, thin). It has been, I guess, 15 years since I saw her. I went back to Washington after the paralysis—stayed with them—stayed several months there. How much I owe them!—not alone for scriptural hospitality—for Oriental food and raiment—but for that other force, accretion, gift, effulgence— soul-force, let us call it, for want of a better word: the making of my poetic self, such as it is! Brave woman!—and cheery! She told me about Kimball's promise to get her what is called a position at Washington. He talks something about having to wait a year or two to get it! That's a hell of a note, ain't it?" And then he asked: "You are going over to see her?" W. had noted her address for me, not knowing I knew the Lewises well. When I spoke of them he inquired: "Radical, abolition, anti-theological, all that?—and Friends, besides? I love to
 
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hear it. I have always felt, what my mother often said to me, that these old folk of the grand type were made for me or I for them. I have always had a craving to be near them—to affiliate—draw of their treasures!"

     Said again: "I am quite decided about the book—to have the new edition of Leaves of Grass printed. And I am decided, too, in the notion to give Ferguson another chance." W. told Warren, who happened in, to be up promptly at nine to give him his rubbing. Corning, who came in while we sat there, inquired after W.'s health—asked him if he did not feel better than a year ago—W. only responding: "I have a good nurse, good friends—I am under what they call a sort of massage treatment—Warrie rubs me every day—or twice a day—pummels me—and here I am! Perhaps I'm like the New York fellow they used to tell about, who was very sick and was told he must die. He did not take to the notion at all—exclaimed"—here W. put up his right fist and set his eyes to a mock fire, laughter almost preventing him telling the rest of the story—"exclaimed—'God damn it! I'm not going to die—I don't want to die and here now, you,' to the doctor—'You—I want you to save me—you must save me—you are paid for it and must do it!'" The manner in which he told this was convulsing, but he added more seriously: "Of course that's a story—will do to go along with other stories. For after all, the best attitude for man to be in is, of willingness to die—to be resigned to it." Corning subsequently asked him if he was doing much writing: "No—very little nowadays."

     Hypnotism had been discussed at the Contemporary Club last night. W. read accounts in the papers—thought "special sort of agents required in hypnotic subjects"—asked curiously after the subjects last night. When I said Dr. Hammel, the tractable patient, was a minister, he exclaimed quickly—"I see: that explains it." He was not "disposed to ridicule investigation of the sort," but for his own part he was "staggered by facts rather more impressive than these." He doubted if any

 
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one can be hypnotized—there is a quality in some that would invite it."
 
Thursday, November 14, 1889

     7.40 P.M. W. reading as usual. Said at once that he had been out in the chair today. "Left a card at Harned's." The dog made a terrific howl as I entered—never learns to know me. I said to W. jokingly: "I'll shoot him some night, if he don't get over that." W. at once responding: "And I'll not complain of the deed in the least! He howls a hundred times a day, at all hours. In the night too, generally about one o'clock when the rest of the world wants to keep quiet."

     I had spent a part of last evening with Mrs. O'Connor at the Lewis'. Now it was her turn to say she was surprised to see W. look so well! I laughed to W. over their mutual fears that the other was a wreck—and he laughed too—saying however: "Externals cannot always be trusted. I looked wonderful well, no doubt, as she said: but you know how it is with one who meets the friend he has long desired to see—he is exhilarated—his heart hastens—his blood flows increasingly—and this explains me as she saw me. As they say in the story, man was but a lump of clay—God breathed the breath of life in him at once he was a living, palpitating, aspiring throbbing soul. And so I was breathed upon by her presence, what the sight of her recalled—the grand days—William." Out of the envelope of pictures W. gave Mrs. O'C. Mrs. Lewis had been attracted to four—the butterfly, Lear, Gutekunst phototype and the Sarony hatted picture. Could I get them for her? I inquired of W. who said he would gladly give them. Then, in speaking of the Lewises: "Of course, anything I think or say of them would be in the nature of a guess, yet I conceive of them as hospitable, but more than hospitable—a soul-hospitality." I described Mr. Lewis as a man who never rushed in with his opinion, yet came in later on, and was always given

 
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weight etc. Subsequently—when I had given W. a little message received for him by letter from Mrs. Fairchild today—W., picturing her—said: "She is what you say of Mr. Lewis—rather reserved than otherwise—never obtrusive, demonstrative. I know some such persons—wonderful cute—who wait, as it were, till all the evidence is in before speaking—then speak with great effect. I know there is a danger in this—danger of having no opinions at all, or of feeling as if opinion was not worth having—certain enough. Here in my own case I go even to the extreme of hesitation, so to call it but I suppose I am saved by a native vigor, pulse, animality, that will never be betrayed. Mrs. Fairchild is, as you say, vigorous, direct but she is a little woman. Handsome, too—oh! very handsome!—not, perhaps, what you would picture her, however. Have you read Mrs. Siddons' book about actors, plays? In it she speaks of Lady Macbeth—the Lady of the plays—insists that she was not what the world conceives her—not the large, masculine, powerful woman, but probably a delicate creature, refined, beautiful, subtle. I have read that with some interest though it does not convince me at all."

     I said to W.: "Nine people out of ten dislike the Morse head." But he responded: "Never mind, they'll come round to it after awhile." As to copies of the book I had sent away: "It is bread cast upon the waters—and good bread, too—and that it will have its good result I do not doubt." I read him a piece by [Henry] George in this week's Standard denouncing the Copyright League for its compromising spirit in favoring a bill giving copyright to foreign authors who had their printing and binding done in this country. W. listened with the greatest interest to the vigorous paragraphs—then said: "I felt as I heard you read along that there was something that gibed perfectly with my own conviction—that I could say amen to it all—not only to its substance, but to the way of saying it. I suppose the retort would be, that is as much as we can get

 
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now, so let's take this step! It is not an answer, but I can see how it comes up that way to others, and leads to the result it does. The average man—even the authors, for that matter,—look at it entirely from the standpoint of the pocket—America's pocket: whereas I should say, if pockets at all are to be considered, let it be the world's pocket, not America's alone, for America now should stand for the world—should bear witness not only to her own success, but human solidarity, universal union, the largest possible circle of comradeship." And then: "But whatever the current view, it is a great fact to have a man stand as George does, unhesitatingly, uncompromisingly, for simple justice—simple freedom."

     The Contemporary Club card he signed the other night for Anne Montgomerie was his first espousal of anybody for entrance to the meetings.

 
Friday, November 15, 1889

     7.38 P.M. W. talking with Warren as I entered. Gave him injunction to come back sharply at 9. As to his mail (Warren had just been to the Post Office): "This whole week my mail has been small, and what has been has been of an unsatisfactory nature. Autograph letters in plenty—and these of no value except in the return stamp, which I confiscate." They have added a delivery to the mail routes in Camden, and W. is disturbed: "I suppose I will get adjusted to it, but now the mail seems to come all hours of the day." He ridiculed the idea of its necessity—especially someone's suggestion that it was done for Camden's business men. "Where are Camden's business men? Where is Camden's business?"

     Has been writing some today—a new verse, and some few paragraphs about the New York Exposition of 1853. He said: "It has been a long and draggy day." At which I asked: "Haven't you been well?""Oh yes! As well as usual,—all days are draggy, monotonous, to one penned up, confined—some

 
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more so, some less—but all dreary. I envy you fellows who can go about, who have something to do—who cross the river, work, see the sunsets—free, unhemmed-in, untrammelled." I suggested his age—that he had had his own long period of activity ere this confinement of recent years. "That is true—that is to be considered—I do consider it. But then one's life is not always the thing it is supposed to be—has its periods and periods—dark, light, dark again—spots, errors, damned foolishnesses. Looking back over my own time—looking into the period starting with '61—'62—I have nothing to regret, nothing to wish reversed. But then, it might be asked—why is it, just when a man gets his height, his purpose, begins to live, comes the thwarting signs, the hedging-ins, the breakups, the ending? Why is it?" I mentioned that as a question that occurred to Samuel Johnson and was one of his drifts to immortality. "Yes, I can see—and Johnson was right." And there was Johnson's own work, left undone. W.—saying thereto: "Yes—wanting the crown—pursuing his game—almost upon it—light in his eyes—then the sudden dissipation! It is a vivid touch out of life—I see it as if physical phenomena, this moment before my eyes. And not of this life alone—all lives!" In all of this not complainingly—his tone one of seriousness, only.

     On another line, spoke thus: "I have had a picture sent over by George Childs—a Gutekunst picture. It was for Mrs. Kendal, the actor. He said she was anxious to have a copy—wished me to sign it—which I did." She had been reported present at the Ethical meeting last Sunday. "She must be radical," I said, telling this to W. "Yes—and I was about to ask what you know about her—I have a great curiosity to have somebody tell me. Sometimes the conviction is quite strong that the women on the stage are after all way above the men. I say this of malice prepense: I have seen a good deal of both. There was Macready among the men—a great figure in his day—famous—I could never enter into the enthusiasm over

 
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him—never. He never seemed to address himself to me. And so with many of the men. But I have seen Ristori in her prime—on her first coming—and then in Washington, again, and always with the same admiration. And Ellen Terry—from all I can hear far exceeds Irving. Irving himself I do not think would appeal to me. He is polished, intellectual—yet could never arouse me. I demand that my whole emotional nature be powerfully stirred. I can believe Salvini to be the greatest of all. There is a testimony to that effect which carries conviction along. I have seen Janauschek and liked her—saw her in Maria Stuart—she took the part of Mary—but the other woman, who was the Elizabeth, pleased me quite as well. I always felt myself attracted to Mary Wainwright—she didn't stir me like the devil, but she stirred me." And he drifted along in his desultory reminiscence and criticism. "How could the little critics say more than they do of Salvini? When an unusual power appears, they are baffled utterly." The great Kean? "Oh no! I never saw him—but in my early years, in Brooklyn, when I loafed a good part of my spare time on the ferryboats, I learned about him. It was in a peculiar way. The companies hired a sort of major-domo to take charge of the cabins—the ladies' cabin, chiefly. The fellow I have in mind was odd, fanciful, fat, took violent likes and dislikes—gossippy—would sit down by the hour and chat, narrate. I was luckily among his likes. A Dickensey character—told me many interesting things. It appears he had once been headdresser for Kean. One of Kean's fancies—he was a man of fancies—was his fancy for this man. The man told me he got in the habit, after Kean was dressed, of leaving the room in charge of his assistant and slipping into the pit, to see and hear—how this became almost necessary to him. He thought Kean the greatest actor that ever was—a man of tremendous flashes." W. remarked again: "It is singular, in connection with Forrest—actor as he was—that he has waited till future generations to be know for what he was." And "What could Willie
 
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Winter know of the real big fellows?—he, the most miserable little whelp of all!"
And yet—"Winter has his place—take his company, and he fits to it." But as to power"I never heard it mentioned in the same breath with him."

     I referred to Sam Johnson's respect for Grant to the end—Morse's letters to me describing it—how Johnson had regarded Grant as possessed of certain solid qualities—reserve power etc.—not common in America. W. thereupon: "And Johnson was cute enough to see it, naturally. I know Grant—you remember in your book, in John Burroughs' letter—where John speaks of the prime defect of the American character—that it lacks inertia? He uses the word inertia. It is very good as so used. Now that you speak of Grant—telling me of Johnson, I realize that there was Grant's power—he had this inertia—had it in marked degree." The world often attributed Grant's successes to pertinacity rather than mental force. But W.: "That is a mistake—Grant had all the more power from his care not to show it. He had inertia, with all that it implies. I don't know if Lincoln had it, but Grant, certainly." I said: "And John seems to think you are the only man in our literature that exemplifies him." W.—"It is a high word: one would wish he were the man even if he were not!"

 
Saturday, November 16, 1889

     8 P.M. W. in his room, reading. Spoke of Alice [Alys] Smith as having been over, and Mrs. O'Connor again. Flowers from both on the table. "Nellie is evidently having a good time in Philadelphia. Goes home Monday morning." Left with W. November Scribner's. Article therein on Goethe's home at Weimar. W. "sure it will greatly interest" him. He held the magazine stretched before him. "How fine it looks!—and the type inside, too!" Had he ever sent anything to them? "No." Would he not? "Who knows?" And then he inquired: "Can you tell me the editor's name?" And as I could not, "Well,

 
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find it out for me" adding: "Some little piece some day may tempt me their way." Mrs. O'Connor had not said anything today about William's stories, but he was "in favor of having them put into book form." He had not given Mrs. O'C. Mrs. Lewis' pictures because she said I knew better what were wanted. Hunted and found all but the Gutekunst portraits while I was there. Gave me a copy of the Lear for Aggie, who projected having a big charcoal copy made by my father. "I might send her a number." W. said, "but she would no doubt select this one anyhow."

     Little heard so far from those to whom books were sent, but W. said: "They will yet come straying in, one after another." And he remarked about the book, when I said Clifford thought a good deal of Forman's letter: "It is remarkable how men's views differ. Out of the dozen and more who have spoken to me critically of the book, no two have the same preferences. A number have spoken to me of Tom's speech—Tom himself thinks Clifford's speech the best—but the Symonds and Sarrazin letters—undoubtedly and far ahead the best things in the book—go without mention: no one appears to discover them." I remarked that the world at large knew little of Symonds himself—that in order to realize his letter, its background needed to be known. "Yes, that is true—that is an answer—I don't know but a final one. But the diction of Symonds' letter itself—isn't it superb—simple, direct, like the elementary laws?" And further: "But the grand feature of the book is its power to grow—its ever better and better aspect—and its remarkable continuity—no one man stepping in another's bailiwick."

     When he learned Howells had sent me some money in Whitman fund: "The good fellow! the good fellow!" Alluded to Hilda Clifford's description of him. "The opinions are very interesting—tell her that back of their mere words is a profound metaphysical something. We will become acquainted yet. When we were out the other day in our chair up at Lee's,

 
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the stationers, near the Post Office, was a little girl. It has been years now since I saw her. In the old times I held her, dandled her. Now I said: 'Come here little girl, and kiss me' but she ran at that into the store shocked, evidently. She little knew that her shock was her shame—that here, in this, was worked out the prudery of a false society—its influence in the growing child—the kiss, the public, what-not, feared,—its natural impulse lost." As he tied up a bundle: "There's a talent in knots. Warrie has been giving me lessons: I thought I knew some—but I had no idea how many there were—the mystery of 'em: every true sailor has his deft control of the secret."

     Wondered "if this is a good latitude for people to live in? such violent changes," etc. Boston, however, "is damp, raw—and the Bostonee by no means takes commensurate care of himself. The great features of the typical Bostonee are intellectuality, consumption, dyspepsia." I laughed: "Shall I quote that in the New England Magazine?" He laughed, too, saying, however, neither yes nor no. But asked, "What has become of the magazine? Have you seen its last number? A new one is out." This brought up a matter which had evidently moved him: "Over in town the other day, evening, Kennan spoke: and after he was done, a man in the audience, a preacher, got up and proposed that our government be called on to present a protest to Russia. But no—no—no. My advice would be in the words of Punch in its picture—the little word of four letters, printed as big, said as loud, as could be—d-o-n'-t! And had I been there, I should have in the moment spelled the word and so advised. We have enough ills of our own to rectify: let us stick to them. There are two sides to all these matters. I glory in Kennan's pluck, grit, brains, indeed, if occasion should ever offer, I want you to say so for me—but these things are not properly for government interference. I applaud all he has done—I say with the moral plowman: God damn it! let this earth be ploughed up and up—let it be turned—let it be given to the light of day—let us see what it

 
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has hidden—what comes, atrocities, blessings, the worst, the best—let nothing escape! But all this can best be done apart from the state. It seems to me the part of noble enterprise for a great magazine like The Century to set apart 15 or 20 thousand dollars and to say, this—whatever else—is left to be devoted to the investigation of Siberia. I know no better deed."

     W. greatly attracted by reports (vague still) of revolution in Brazil, Dom Pedro's abdication, the declaration of a Republic. "Losing Dom Pedro, they're lucky if they do as well with a Republic." To Howells as to all other friends W. counselled me to say, "Walt Whitman's not yet sunk—still has his head above water." As to Percival Chubb's lecture on Walt Whitman (Chubb expected in Philadelphia in Dec.): "If you get a look at the essay you can without a doubt set him right where he is wrong about us—knowing more," etc.

     W. said then: "I got the Transcript from Kennedy again today. In it there was a great display line—head line 'Daniel Dougherty's Eloquent Bosh"'—in relation to speech at opening of Catholic University—W. adding—"I was certain of the 'bosh' but about the eloquence, not so certain." Advised me to tell Howells if I wrote—"Walt Whitman is still on this earth, head-up, sorto"'—and he laughingly spelled "sorto" saying—"It is a word I often use—one of my words—a trace of dialect."

 
Sunday, November 17, 1889

     Did not see W. today. Weather bleak, and he did not get out. But maintains good physical cheer.

 
Monday, November 18, 1889

     7.15 P.M. Greeted me as "a stranger"—for having been absent yesterday altogether. Had laid out a copy of Leaves of Grass for Morris—pocket edition. I dipped his pen in the ink

 
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and looked over his shoulder as he transcribed it to M. "from his friend the author"—he saying—"Morris is good—he has been kind to us—and kindness is a thing we must not forget, whatever else must go." Had also laid aside pictures for Mrs. Lewis—transcribing these, also—but regretting he could not write her down "Mary or What-not"—Lewis instead of "Mrs. Enoch Lewis"—not knowing her first name, nor do I.

     Warren came in and reported "no letters"—had been to the Post Office. W. expressed as usual his childlike regret. Warren putting in then—"Well, it's all right—you got a lot this morning." W. then, with a laugh: "Don't say it's 'all right' Warrie—though I admit it is well to remember the morning." But after Warren had gone out W. said to me: "While I got a good many letters, the mail was of little weight except the note from Buxton Forman. I had a note in the mail—and he sends a poem—a manuscript poem—which I have not read yet—have laid aside. You shall have it." Morris' piece on the Sarrazin Whitman in this week's American. M. brought me papers—2 for Whitman. W. said he would send these to Sarrazin and Bucke. Did not read while I waited.

     He "wondered" if Mrs. O'Connor had gone home. Asked me, too, if I had seen her last evening, and learning I had, inquired and commented. Mrs. O'Connor had given me an expression of W.'s to her the other day: "You and Dr. Bucke strengthen my faith in immortality." I asked W. about it and he talked quite freely on the subject. "I don't know—it is a tinge of the leaf—a season we are going through: perhaps the truth is, we are not so sure we are sure—not any of us—it is our age, in which the tendency of belief is, not to be so damned certain we are certain." Mrs. O'C. had remarked that Burroughs' faith in immortality was by no means strong, if existing at all. W. to this: "John's temperament to that extent is the scientific: he is not so sure he is sure and as long as this is the case, he will not say he is sure. There are many men of that mind in our day—perhaps the best men. There is a name

 
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by which to signify it—oh! I have forgotten it. John is naturally—or by philosophy—a heretic, though that is hardly the word. This spirit—the not-too-damned sure spirit—is the glory of our age—I do not know but it's also [?], but with all its drawbacks a wonderful growth out of time—the most wonderful, I sometimes think, so far given the nature of man—a modesty, humanity beyond hint or word." I remarked, whatever science taught of personal immortality, its revelation of life—the whole universe (not man alone) vivified and throbbing—was great and inspiring. "It is indeed," he said, "I know nothing that better satisfies my own feeling, conviction."

     Spoke about his work in the Attorney General's office at Washington. "I was the Attorney General's clerk there," he said, "and did a good deal of writing. He seemed to like my opinions, judgment. So a good part of my work was to spare him work—to go over the correspondence,—give him the juice, substance of affairs—avoiding all else. Stanberry was the man—and a real noble fellow he was, too—Western—not graceful in carriage, but with a fine face—a Lincolnish sort of man, though not Lincoln by any manner of means. He had much to do in the Johnson trial, and the big wigs valued his counsel highly. A quiet, unobtrusive, but ready, man—good at rebuttal—re-rebuttal—almost loggish in some of his ways." And digressing somewhat: "Johnson was not a foul man—I knew all about him and I knew that. All hands now see that the trial was a mistake—that he had done nothing impeachable—had done his best, according to his integrity: a real integrity, too, of his own order—an inherent integrity." And he added: "You know, Horace, the tendency was then—and it is a tendency that is still strengthening—towards the aggrandizement of Congress—of both houses—of the Senate particularly, the giving of higher and higher powers—and to curb that, Johnson's victory was a happy lift." I had remarked that probably some day, his department books would be curiously examined. He only laughed.

 
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     Said of the "Compliment": "It is like the flower—ever unfolding and unfolding out its new beauties. A significant revelation to me as well as to others." The report of revolution in Brazil confirmed. W. asked: "What will Castelar say to it? I see he was recepted in Paris just yesterday."

 
Tuesday, November 19, 1889

     5.40 P.M. W. in his room—which was utterly dark. Having finished his dinner, "siestaed," as he said. Asked me, "Can you see anything at all here?—my figure?" And when knowing I could, rested satisfied, and so we talked without striking a light.

     Knew I was going over to the Thomas concert. "I can almost say I envy you," he remarked, "but then, I have no place for envy." Still had not read Forman's poem. "It lay quite untouched there all day." But had read Morris' article. "It interested me very much. Morris seems to aim above all to set forth Sarrazin,—to relegate Morris. And he has well done that—and well done the other matters, too—the paragraphs, connecting the extracts. I think I see in Morris that he is getting quite a glib pen. The time seems to come with the writer when expression is easy, flows on without break—and then he can attend to his thought and let the language take care of itself, as it will. Morris gives signs of having reached—being near—that stage." Asked me if I had delivered the book to Morris. Morris was "profoundly appreciative."

     Touched upon slang. W. laughed over the word "gentleman"—said—"America knocked spots out of 'gentleman' and out of other words, too." The subject had been started by my use of the word "dive"—an oyster "dive.""I like the word," he said, "like it a great deal. How much better it is than parlor, or saloon—of all, saloon is the worst. The word saloon came into use first to my knowledge in this country fifty years or so ago through a novel, by some one celebrated in that

 
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day—probably now forgotten—a novel treating of the Salons of Paris. It was a novel of the gentleman class—the Disraeli stamp. Some critic or other said of one of Disraeli's novels, that there was not a character in it with an income of less than five thousand pounds a year. This novel was the like."

     And then: "I have been making a supper of stewed oysters, stewed peaches, a mug of coffee. I like the oysters simple—simple—a delicious dish it is, under all simple circumstances." Gets a letter from Doctor "nearly every day, these days": "Doctor very industriously keeps me lettered—though he is not writing marvels."

     I received a cordial letter from Brinton about the book today. Gave substance to W., who said: "It warms me up, to sit here and know that such men think such thoughts." Often his hand is cold when I feel it. I remarked today's warmth. He thought it was from the warm room "keeping things at a high temperature here."

 
Wednesday, November 20, 1889

     7.15 P.M. When I entered, W.—head leaning on hands—dozing—the sight fine—the light of the gas illuminating the hair and face—I stood for several minutes, unheard then by some instinct he raised his head "Oh! it is Horace! How did you come here?—I did not hear you enter. How long have you been here?" I asked if he had slept and he answered: "No only dozed"—waving his hand along above his head—"floated along in the mist—just floated along in the mist." Tone fine—and he adding explanatorily: "You remember the expression? Have you read 'Dombey and Son'? it is there—I don't know whether with Paul or his mother. It is the death of one—Dickens, with his inexpressibly fine touch, pictures the soul—its departure—its floating off in the mist—oh! beautiful! A trick, perhaps, yet how fine!" And then: "Dickens is full of that—a delicate, sweet flavor."

 
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     I read him Dr. Brinton's letter, of which yesterday I only gave him the substance.


2041 Chestnut Street,

Philadelphia.

Nov. 19, 1889.


My dear Mr. Traubel:

     I have received and read over with admiration the book about Walt Whitman which you have so felicitously edited. It will stand to, who can say how many generations? as a testimony to the "honor, love, respect," in which the poet was held by the men and women of his own generations; and as a refutation of those prejudiced charges against the spirit of his writings which have been levelled against them by those who could not or would not understand their deeper meaning, nor recognize their subtler beauties

     Repeating my thanks and congratulations. I remain


Very cordially yours


D. G. Brinton.

     He exclaimed: "How penetrating and sweet! Certainly that is so far the best, simplest, most significant word you have received. And the best point about it is, that we can feel it is representative—that the Doctor speaks for others as well as for himself." As to the little book: "I put it down as a success. First of all a writer likes to know—to carry with him the consciousness that he has pleased himself—has in a measure accomplished what he started out to do. After [being] assured on that point, then the understanding of his friends is welcome—oh! how welcome!".

     He had a great bundle of mail to send off by Warren—papers to go right and left. "I make that a practice. I know no better way to help along the smaller hours of life. Some of the folks way off that way are wonderfully cute—more cute than city people. I send papers to friends and friends of my friends—often to people I have never met. I had one experience, however, which shocked me—halted me for awhile—

 
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though" with a laugh—"I survived and recovered from it." Detailed the incident: "It was my old Alabama admirer, who came up here several years ago—was talked of in the papers. I thought after he had gone back—back into remote parts—I could do him no better kindness than by sending papers from time to time, which I did—bundle after bundle. But by and by I got a protest from him, in substance—don't send any more papers—I don't want your papers. Just as if he shook his fist at me—or the papers—and declared: 'God damn it! I don't want your damned papers! Please hold off in the future till I signal you!'" W. laughed and added: "That staggered me for awhile. I wondered if I had not made a mistake sending any papers anywhere. But finally I realized that this was a case in which the exception proved the rule and so have continued my habit. My old friend did not cease his admiration, so far as I know. I still hear from him—sometimes in quite long letters."

     Had saved me a copy of The Boston Transcript containing notice of the banquet volume. Referring to use of words, W. remarked: "In my abolition days, some of my friends were furious at my allusions to the blacks: as if colored people were nearly so definite— colored, which might mean red or green as well as black. It is a violence we do the use of words."

 
Thursday, November 21, 1889

     8 P.M. W. reading papers. Was very cordial. "Tom Donaldson has just left," he said, "Tom was here for quite a while—we had a good talk. Tom is a better fellow than you think for. I consider him one of my true friends. He looked well and fat—his arm nearly recovered. Tom is himself: like all of us—and that is the worst you can say of him. He brought me over the money six weeks ago.""I had a note from Mrs. O'Connor today. She is in Washington again so I suppose I shall turn the stream of papers that way, as I have in the past. I know she

 
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appreciates them—thinks they have a place with her." And he added: "I have sent both the Americans off—one to Bucke, the other to Sarrazin."

     Suddenly he looked at me and laughed: "I got my poem back from Harper's Weekly," he remarked. I asked, "What poem? I knew of none.""Oh! I thought I had told you. 'The welcome to Brazil.' They returned it with a letter—very vague." I asked humorously—"It did not worry you to get it back?""No indeed—I am used to having pieces rejected—it is no new sensation. Then besides, a man at my years and condition must not worry about anything." But what of the poem? "It was only a glimpse—a hint—a sort of handshake and hug, to show them we were here, met them in the democratic spirit, warmed to something more than mere formality. It is a trifle, put together in that sense—no other. The editor of the Weekly is John Ford." And then he added: "Tom Donaldson thinks the priests are at the bottom of the matter—that after Dom Pedro, in the order of succession, comes a daughter—unpopular—absolutely in the hands of the priest gang: that it was to avoid this daughter, this gang, that the people got rid of the whole family." And in this connection he added: "Sarrazin has the prophet-eye, he says, it is not here that the ideals of democracy will be tried, but in America, in the Australias"—though W. shook his head somewhat—"True—true: but a civilization that can produce a man like Sarrazin has not all gone out by any means."

     Returned me Scribner's. "I not only read the Goethe article—read the whole magazine through. It is wonderful interesting—the print itself an enticement." Was much amused by a note brought in by Warren—written by Foster Coates, from New York—asking W. two questions (as he asked other prominent men). 1st—What was the happiest moment of his life? 2d—In what he thought happiness consisted? W. read the note aloud to me, laughing very heartily. "Poor fellow—out on such a search! I suppose he'll have to wait a long time before I tell him to find out what happiness is."

 
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     Finally got up instructions for a new edition [of]—Leaves of Grass. Intends to insert the autobiographic page out of my book—also a new advertising page, which he wrote today. Otherwise there will be no changes or additions. We will probably have the work done at Ferguson's—at least the composition. Left that in my hands. Gilchrist in for a time this evening after I left, but told me afterwards he did not stay but 5 minutes or so, W. looking so wearied. Harned's lawyer-friend, for whom W. left the "debris" as he called it, was Hampton L. Carson, of Philadelphia. W. could not remember his name, Harned informing me.

 
Friday, November 22, 1889

     7.45 P.M. W. gave me his customary cordial greeting. Sat in his room, reading a paper. "I have had Horace Howard Furness here with me today. He had his trumpet,—we got along very well. His own speech is to me just the thing—his voice just the right pitch for my ears." And he added: "Horace is a noble fellow—a right royal man, truly among the rare characters in literature."

     He handed me a postal enclosed by Kennedy in a letter received today. Sanborn had written K. on another matter, and at the foot of the postal added—"What a good volume that about Whitman!" W. thought: "That outweighs all that can be said to the detriment of the book." And as to notes of dissatisfaction heard locally: "I do not see what they are for. The book is full, noble. I don't see what more could have been said. There were speeches enough."

     Gilchrist said at Harned's last evening, upon hearing that Mr. Coates had retired from the fund—that there may have been some connection between that and the poem "To the Year 1889" which had in some quarters excited criticism. W. said now, upon my questioning if there could have been the least idea there of resenting the aid of his friends: "I am not conscious that I thought at all on the matter—every man

 
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must give his own interpretation. If anybody is determined to think that, he will think it no matter what may be said to the contrary." I said my explanation of it as only of general meaning—having rather to do with the abstract view of his condition and the needs it aroused had easily been accepted by Morris long ago. W. then: "I think Morris' basic quality, soil, measure, is human kindness, generosity, sympathy. He is open to statement, open to candor and he is eligible to see right, to grow, build up—at least in on the way."

     I left with him the current North American Review. He "wished to read Ingersoll and Burroughs"—articles from both therein—Ingersoll on Divorce, Burroughs on "The Corroboration of Prof. Huxley." "I see there is a new fortnightly—The Arena. Its appearance would seem to signify that the public is in for heavier matter—wants it. This"—tapping the Review, on his lap—"then The Forum—now The Arena. They have had many reviews—this or that—in England, abroad. In the early part of this century they were much for literary explication, examination." And as to Keats' sacrifice under criticism: "That is what is said of it, though it is vehemently denied too. But I have no doubt that had something to do with it. Keats' whole being seemed absorbed in what is called beauty—the sense of the beautiful—perfection of form—polish—aesthetic beauty. It was on him, on this, the criticism fell. It was vitriol. On Keats, Byron, Kirke White, others, this scurrility, abuse, contempt, was bestowed. Byron prospered under it—indeed, I don't know but that was the greatest factor in his development. He published his first book at 19 or 20 or 21, thereabouts—Hours of Idleness—and very good ones, some, too. But it was left for the later experience to make him what he is now known to have been." I asked W. if the old reviewers had ever been more bitter in discussion than their followers in what was said of L. of G.? And he at once said: "No—I think our treatment was almost beyond precedent. No one can know it as I know it—not my nearest

 
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friends of the old days—not even William O'Connor, not even John Burroughs."

     He spoke of the Mrs. Kendal interview, over which, as Harned puts it: "Walt came up to my house and drank with me a glass of champagne.""The interviewer seemed to get hold of her just as she was leaving—putting her coat on—and she was very free to confess. I have always seemed to have a good clientage among the actors—clientele—women, men—irrespectively. That abroad is at least as emphatic as that at home, the fact is one I deeply respond to."

     He "wondered" at the accuracy of the mails. "I have a young man friend down in Mexico—a place called Jesus Maria—something of that ridiculous sort. I sent him a package of these photos awhile ago—sent them doubtingly: and yet here today a letter comes from him—an effusive, gushing letter—saying the pictures had arrived, intact—not a break—not a damage. Think of the distance—the facility—the integrity with which the mails are handled: even on the way to Jesus Maria—to Mexico—to the land of priests, theology!"

 
Saturday, November 23, 1889

     7.15 P.M. W. said quickly, after our greeting (he in his room as usual reading): "I was out today, for a while—enjoyed it very much. It did not seem to me cold, but Warrie seemed to be afraid it was, and hurried me back. We went as far as the bank—went about a little—then home. I did not get out of my chair." Said he had had letters "but nothing significant"—even Dr. Bucke's letter "only cheery, not newsy."

     Had read Burroughs' article in the Review. "Much to my surprise, I became interested in it—greatly interested. I think it the best thing John has lately done—the best thing of that sort he has ever done. He cuts way below the crust of the Christmas pie—cuts way into the Christian pudding down deep and deep—to the very vitals, with a penetrating

 
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blade. If it is true—if John is right, then it's all up with Christianity—then Christianity had better emigrate." Had also read the divorce articles: "Read all of them—the Cardinal's" [Gibbons']—"the Bishop's" [Potter's]—"and Ingersoll's. But it struck me none of them—not even Ingersoll—got near the heart of the matter. Divorce is not to be argued of as a thing in itself—unrelated—a flower of today. It is like the French Revolution, a result of results—the growth of soil on soil on soil on soil—layer after layer: and looking at it as that, we find it is counter to restraint—that it is the rebound against restriction—that the human critter seizes this with other modes of escape from false entanglements. We know that marriage as it is today justifies itself for today—but for the future—who shall say?" And as to Prof. Adler's proposed discussion of it in Philadelphia tomorrow: "I doubt if even he will have anything to contribute in the matter. Marriage is an affair having ways of its own—coming, going, growing—defying prophecy or statement."

     Asked quizzically: "You did not bring me proof?" But I had—this reminding me. I gave the sheet to him out of my pocket. The printer had not followed his instructions, as I knew, and his laughing condemnation amused me. "Why, he has in no sense followed me out. Has he eyes? Can he read? He could not have done worse if he had set out to do everything the opposite of my instructions. Damn him! I'd say it to his face if he was here!" And where the word "enveloped" appeared as I have it rather than with W.'s "'d", and we looked it up and found W. had inadvertently placed it so on the copy, W. laughed again. "Yes—I'll be bound! If there's a mistake you make, that goes in—but the rest, they suit their own pleasure with!" Adding then: "The printers are determined to have their way whatever abides." And laying the proof aside: "I'll look over it tomorrow—perhaps accommodate myself to their ideas, as they won't to mine!"

     Referred to a letter from Alys Smith at Bryn Mawr. "She is 19 or 20 or so—is not studying with reference to anything in

 
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particular—neither medicine nor anything else—simply going to school." And then of her merriness and buoyancy—continuing: "She is most Greek, I believe, of any girl in America—Greek from top to toe. That is what Sam Longfellow said of Leaves of Grass a long time ago—that it was Greek from top to toe." I wondered if Longfellow still adhered to that view—W. simply quietly repeating—"I wonder," but arguing upon my comment on Longfellow's conservative temper, "That seems to run in the blood—is hereditary. Henry was extremely cautious—as he lived along he dipped more and more in European literature—German, Italian, Scandinavian"—I put in with a laugh—"Especially Scandinavian"—W. echoing me with his own laugh and words—"Yes, especially Scandinavian!" Was H. W. Longfellow ever known to give an opinion of Leaves of Grass? "The only authentic utterance—and that about a specific piece—was about the little song, 'A Child Went Forth.' I learn from several quarters that he put a generous estimate on that—quoted it sometimes." He had told me this before, only as referring to Whittier. This I told him. "Did I? I did not mean it for him, to be sure. It was Longfellow—I know all about it.""Sometimes that piece is much talked up: I do not understand it: it is the most innocent thing I ever did. Yet while some take the Longfellow view, there are as many—in fact, many more—who take the opposite view—deny. There was one critic who quoted from Wordsworth to prove that my picture was not only not new, but was deficient—was neither rich nor strong. He brought forth certain lines of Wordsworth's—conventional lines, I was going to say, but I hold that back—the subject could hardly be treated conventionally." I referred to Clifford's reading it from his pulpit—not mentioning W.'s name—and his amusement over the surprise of some people when they learned who had written it. W. then: "I think Clifford has a fine vein of irony, among his other strong qualities. That seems to be characteristic of the true-born Yankee, anyhow. It was in Emerson though I don't know but a better word
 
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might be found—ought not be found. Ingersoll has the quality, too—only in him it is extraordinary in its power—deeper—subtler—more penetrating."

 
Sunday, November 24, 1889

     W. spent a quiet day. Went out in his chair a little after the noon hour. Enjoyed the trip—but regrets that the cold season threatens to keep him at home altogether. I did not see him today.

     W. left proof of advertising page at the house for me—himself in chair.

 
Monday, November 25, 1889

     8 P.M. W. in his room, reading. I could not get him his fresh proof of advertisement, but he did not seem disappointed.

     Had a letter there from Bucke today (written Saturday) on which he had written "send to Morris." Called my attention to a passage within—this: "The article in 'American' by H.S. Morris on Sarrazin's 'Walt Whitman' was of course especially welcome. Morris seems to be a genuine reader and understander of L. of G., and has made a capital exposition of Sarrazin in a short space." W. said to me: "I like to do as I am done by—so I send this to Morris, even though it amounts to little." Notice of banquet volume in the Ledger this morning. Non-committal as to W., who remarked: "I consider Thomas McKean, who has charge of the Ledger—as not only not my friend, but one of the strongest foes of Leaves of Grass—of me. And it is through McKean the whole paper is colored." Has been writing up some poetic lines—"The Unexpress'd," but "all work is slow—this, for instance, has been a horribly dull day all through—damp, cold."

     Remarked the dullness of the papers—then: "I see that Dr. Talmage is abroad—that he has been orating, sermoning, on Mars Hill"—laughing heartily. I happened to say at one moment:

 
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"It is not always the musician who catches the heart of the symphony" and he responded: "That is a fine way to say it. I can see how a man with the musicianly nature—the real inward receptivity, response—should easily measure the symphony where the technical musician, perfect in his art, should be completely foiled." A letter came from Ed Wilkins today—the first W. had received. He says he wishes to forward it to Mrs. Mapes, who is now in Kansas. Described its contents. Spoke of the world at large—its doings, etc. "I suppose nothing startling is going on—yet the countless rills run on, the rivers, the seas flow and flow—incessantly the stir, incessantly the growth, developments!" Said of Sarrazin again, apropos of Morris' paper: "He will stand a good deal of explication: he needs to be taken in large measure—there is no other way."

     I read him a letter from Mrs. Charlotte E. Stevens, North Andover, Mass., cousin of Oliver Stevens—written to Clifford on receipt from him of a copy of the birthday book. Was much taken—thinks good women "anyhow, very often likely to penetrate the heart of Leaves of Grass." Rather amused to learn that Ed Lindell had taken a fancy for Clifford's speech in the book. Lindell a ferryman—not a reader of books, though a thinking man. "I should not have expected that: Clifford is right there, to be sure—but he is transcendental of the transcendental." Talking of literature W. quoted Margaret Fuller: "She says somewhere—and it is a deep, deep cut—that a country may be full of newspapers, books, and yet not have a literature. Oh! that is a deep, deep cut!—not the less deep for being to all appearance innocent and yet how true—how irrefragably buttressed!"

 
Tuesday, November 26, 1889

     7.40 P.M. W. said to me as I entered his bedroom (he extending his hand): "I have been reading again, Coquelin's piece here on Molière and Shakespere. It is wonderful full

 
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and deep." I had brought him proof sheets, revised. He wished to hold them over till tomorrow. Handed me a copy of the London Spectator. "There is an article in there about Emma Lazarus—nearly a page—interesting. I thought there was some one of you who took a great interest in her—Mrs. Baldwin or some other."

     I had received a letter from Dowden, dated the 16th. Read to W., who commented at some length. "Yes, I have no doubt all of them, especially Rudolph Schmidt, Symonds and Rolleston—will stick to it—turn it over—turn it over again—view it in all lights. It will be to them a revelation of the critter—a revelation from those who knew him in flesh and blood—the walking, talking, acting, man—as a man who drinks wine, takes a good dinner, shakes hands, among men is a man. Heretofore I have been known to them as the author of Leaves of Grass—the man himself unknown, untold of." I said it was in this line I projected my magazine article. He assented: "That is a very good determination—adhere to it—there could be no better way, no better course; give them the concrete narrative—the rest will take care of itself." I put in: "Yes—my purpose is, to start off with Symonds' passage, elevating L. of G. above any single book so far known—then to go on—here is the man, so thought of, long in our midst—what do I, as one of his intimates, make of him?" And I added: "Such matter must be put down as it is seen if at all." W. then: "That is so—that is Dr. Bucke's principle—that is the principle of all men who aim to get at life itself—yet, though the critics will admit it, they start out invariably to do the other things—to make up their estimates from an opposite—a formal, an artificial, basis. The little book will do more than anything else to bring us together—writer, friend, all, face to face." As to Dowden's letter itself: "That is Dowden—conservative—you might almost say, non-committal. In many respects Dowden may be called a duplicate of Sanborn: though the fires inside burn like the devil, like a volcano, they endeavor

 
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to keep the exterior, the facade, cool, calm, contained. They are, in a sense, personal Vesuviuses. It is the Spartan story over again—the youth who stole the fox, of which, though it gnawed at his vitals, he gave no sign." Entered into details of the story: "It was a principle with the Spartans that there was, for instance, no particular harm in stealing—in theft—though it argued inherent vice to get caught in such theft—and so, suffer anything and give no sign. Some cute critic has instituted a comparison between this and the Athenian ideal—the ideal of candor, of expression—if to weep, weep; if to laugh, laugh—men, women—and has said, here they are—you are at liberty to choose as you choose—but if you wish a frank opinion, which commends itself to me,—the principle of suppression, the principle of candor, certainly the Athenian is everyway ahead and that is Greece in a nutshell—Greek art, Greek literature, Greek philosophy—better than these, Greek life, the highest of all: if you are base, act basely,—if noble, nobly stand forth for what you are." But he added with a laugh: "Sanborn and Dowden can't fool us—we know them."

     W. said then: "What a grand idea, that of your father's—the last bard! He was in—showed me a photograph of his picture—today. I am going to stop in some time to see it." Expressed his pleasure to learn Hunter was back in Camden.

     And W. said further: "The key to the Greek character is this—freedom, expression, candor, passion, weeping, laughing—yet all these reined in, reason prevailing over all, reason, understanding, the last, the preserving, the balancing, the governing, quality."

 
Wednesday, November 27, 1889

     7.55 P.M. Went down with Morris Lychenheim. W. in bathroom. We sat waiting for him and chatted. Finally heard him coming: I sprang to the doorway—and dim as the light was,

 
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he recognized me from the distance. On his arm his coat. "I will ask you to take it," he said. "I know the way well—I can get along—and then the railing here is very strong," he added. Once in the room, he thought he would put on his coat, which I held for him. I remarked his size and weight. "I am noted for neither," I said, "I could not even get on the police force." He took laughing exception: "Never mind that—I remember the doctors at Washington—and the Generals—especially the Generals—telling me that the greatest heroism, the best marching, the most enduringness, was among men who were under-size—not only under-size, but underweight. The doctors made that report to me in the hospitals: how they liked best, the fellows who would yell, indescribably growl out, moan, fuss, over their wounds—to these there seemed more hope. The quiet men—these the doctors feared for. I remember one man—he was a small man—for whom one of the doctors had serious doubt. The doctor confided to me that the man was a marvel of quiet—was too quiet—had settled into a sort of sweet resignation—though suffering undoubtedly the greatest agony, never made a sign of it—evidently facing the worst undismayed. I can sort of feel how this justifies itself—this growling, howling, yelling—this giving vent to the sensation of the moment: like the opposite of constipation, a sort of clearance, at least for the time being. Yet this is not all—we cannot set out rules: there is one man—there is a second man—a third—so on—all to go by their own impulses, unconstrained."

     This led to discussion of oratory—"great public speaking," as W. called it. I thought Ingersoll's speeches undoubtedly prepared. W. said: "I do not know—I heard him several times—once in full, and his great force then seemed to be in his spontaneity—in his marvellous, indescribable bubbling up. After other men, a refreshment of the first order. There seems to come a time with the speaker when he reasons, that what he is to say the public will print, retain—so instead of

 
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waiting for the impulse of the moment, he sets down beforehand and primes himself—marks his whole path out with deliberation. But then he is done for. I remember Beecher said—said to me—that he fell into such a danger himself—realized it, however and henceforth trusted to the moment, his hearing, his own impulse to carry him through—only using a few notes on a slip of paper."

     On the floor was an advertisement circular which I picked up—the Magazine of Truth. I laughingly asked W.: "Are they not all magazines of truth?" W. then: "The better question would be, is there one of them that is? or newspaper, either?" Remarked: "The world seems agog over Tom Aldrich's new poem—'Wyndham Towers'—what have you seen of it?" I said it seemed to me an "elegant poem" from what I had read. And he: "Yes—that is just the word, 'elegant'—an elegant poem: that is Tom!" And to my remark that Aldrich however was much more likable than Stoddard, except for some of S.'s early poems, W. said: "Stoddard at the start, read Hood—modelled himself on Hood—unconsciously, perhaps, but did it—showed the influence."

     I touched upon a point in one of Bucke's recent letters, that he was reading Sydney Luska [?], and with interest. W. said laughingly: "That's not the whole of it, either—he has been taking to Rider Haggard—reading him—liking"—, but W. added: "Doctor is like the lover—who sees charms in his mistress because he is eligible to see them—not so much because they are in her as because they are in him." I remarked—"I used to say sometimes, half of Shakespeare's greatness is in his reader, which startled people." W. then: "That is the same idea." Returned me the North American Review—remarking: "John's article is fine—the best he has ever written in that direction. John has that great quality shared now by the greatest men—the faculty that is the mark of the their greatness—not to be too damned sure about anything." I spoke of some I had met who questioned me about W.'s spiritual condition—

 
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what did he believe about immortality—were not satisfied with anything less than cock-sureness. W. laughed. "Yes—I know the critter—I have met him—he is plenty; they want a categorical explanation."

     W.'s phrase, "The Last Bard," describing my father's picture—had attracted me. "It is a great subject," said W., "would make a great poem—your father's little piece itself is fine—I liked it a good deal." Then discussion of the word "bard"—I saying I had noted a recent tendency to confer that word on him, as including poet, but covering more, something else. W.: "Yes, I have noticed it, too: though it hardly forced my attention. But I can see we ought to look into it—see to its subtler meanings. I suppose, even if it had not that broader meaning, it might be justified in having it at the hands of those who use it. We should look into the Century dictionary—see what is said of it there." I spoke of a man in the city—a scholar—who told me he thought the dictionary a failure. W. said: "I do not think so"—quoted Dr. Bucke's enthusiasm—yet finally said:—"I wish, however, you would inquire of your man in what way it fails. It would be well to know—we ought to know!" And then: "I sent my own word in to Whitney: not to him direct, because I do not know him—but to Dick Gilder, enclosing it on a card and asking that it be forwarded. I don't know that it'll go in, but if Whitney knows himself, it will. Presidentiad! There is no word like it in our language and it has all the authority of its root—is rooted in the soil—has parentage. To describe for instance the term in which Jefferson, Adams, Monroe, was President—what other word is there?" I asked if there were not other such words in Leaves of Grass, and he admitted there were, only this appealed to his fondness. "This not only has its origin—but is native, too, autochthonous—smacks of the soil—belongs to America." Lychenheim spoke of the word Sesame, and W.: "We have no equivalent—yet are adopting that. We come in all this under the protecting consideration that the

 
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English anyhow is a composite tongue—is made up of world-contributions—the Century dictionary having 200,000 words. In this last hour or so in which we three have been talking together, I suppose 9 out of every 10 of the words we used are derived—and this applies especially with respect to America, for America may well be—must be—in her language what she is in her physiological composition—a complex of agencies from all quarters of the globe—a mosaic—the most remarkable natural combination of time."

     In leaving with him a copy of Current Literature I tried to point out an extract from Ingersoll, but could not find it. W. said: "Never mind—I shall not miss it: I always keep my eyes open for Bob." Talking of persistence of the functions W. said his "sense for fragrance has lasted almost if not quite unimpaired." I told him that Foxy, a deckhand, had sent him good wishes for Thanksgiving. He exclaimed: "What! Foxy, that fat deck-hand? The good fellow!"

     Said among other things about immortality that "only the tyros" were "certain" either way. Alluded to "that damnable combination that is sold in the saloons as whiskey." Gilchrist walked in the front door just as we were leaving. I had a few words with him.

 
Thursday, November 28, 1889

     10.45 A.M. W. reading papers. Had just finished breakfast. Looked well, and said that, for him, he was well. Referred to prognostications from the weather department. "I see we are to have a blizzard or something of the sort—at least, that the weather men announce it. It makes me think of the fellow in the play: he says to some other—'I can invoke spirits from the deep'—to which the other says, 'True enough, you can invoke them—but will they come?'—and so with the blizzard: will it come?" I did not stay long. He spoke of his mail as having been "scarce."

 
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     Agnes designs a big charcoal reproduction of the Gutekunst picture by my father. W. likes the idea, and proposes to send her a picture from which my father can work.

     The day cool. "I doubt if I will get out—not for the coolness alone, but because all the folks are going away—even Warrie." On the floor were several boxes of fruit—one pasteboard—one wood—the latter from New York. Wished me to partake, but I did not. Later in the day he sent proof up to my home. Added to it his Rossetti letter.

 
Friday, November 29, 1889

     7.30 P.M. W. in his room. The night cold. He kept his fire burning at a great rate. The Current Literature he said he had read. "I found Bob. How wonderful fine it is, too! How grandly he can do that!" Adding—"I notice by the paper that he has received what is thought a great honor—has been invited to deliver the annual address before the American Bar Association on 'The Imperfections of the Modern Law' or what not."

     I spoke of Chubb—and questioned: "After all, are you not best understood abroad? or accepted more widely?" To which W.: "I wonder? And if I am I am—I must stand it! Often, the rule in our offices—not the rule so much of the editors as the publishers—is delicateness—delicateness—everything sacrificed for that—everything." He had noticed the snarling of the dog on my entrance down stairs, and remarked: "There are good dogs and bad dogs, like there are good Irishmen and bad. A good Irishman is a tip-top fellow—you want no better: but a bad?—Oh! there's hell to pay!" He laughed. As to influence of whiskey in the Irish character, W. thought: "I feel the philosophy which says—whiskey—drink—whatever, is the truth: that what inheres to a man mainly, the drink will bring forth—reveal. This might not be a general rule, but it is a rule."

 
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     I laughed with him over the Current Literature personal (already much met with in papers) that a young man of 12 who drives him out, likes and will lecture on him after he is dead, having taken notes of all he has said. A blundering passage, probably originating in Billy Duckett. W. said: "Billy was here to see me the other day, but they would not let him in—the people downstairs." Expressed no regret that it was so. "The personal has most of all, lie in big, big type—flaring, flaming then underneath, in the smallest possible compass, the most diminutive proportions—the type of truth—almost not to be seen at all!"

     Referring to the proof I said—"I suppose there will be no change in the autobiographic note?" He asked: "Is there anything in it which you think ought to be changed?—I should like to hear. I have a sort of remembrance that at the time it first went into type, you felt so. I don't know that there's any point at which it can be attacked, except perhaps this—about the New Orleans trip—passing over Lake Huron"—he quoted the line. "Strictly speaking, that is not true—I see now that I did not at that time cross Huron—at least, I do not think I did. Now, what is your opinion? Should I change it?"—I said—"I suppose the man after origins, would insist upon the change." W. then: "That's so—I can understand"—and with a laugh—"That's Dr. Bucke—he gets as mad as the devil over the least doubt. I very vividly recall one of his catechisms: he would ask vehemently—'You were not there? That's enough! Out with it then!' and so, out it went. I might in that way do something for him which I might not do for other reasons. Tom will come in—want an autograph, a scrap of manuscript,— debris—what-not—perhaps for a lawyer-friend. I may not care a damn for the man—may not know him,—yet I would do anything for Tom—do this.""Then," he added, laughing again, "I always have the printers in mind—in heart—I have been a printer myself—I know what it means to make such a correction."

 
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     Some one writes McKay that he has come in possession of the manuscript of "Carol Harvest." What idea could McKay give of its value? W. laughed: "How could Dave tell him— any-one tell him? That's a merely as-it-may-happen price, anyhow—up or down. There is a story about that manuscript. Do you remember The Galaxy? There were two brothers had it. One of them, passing through Washington after the war, asked me to write such a carol, which I did. They took it and paid me for it—paid me well—I think 50 or 60 dollars, 60 probably. Before they printed it, they entered into some arrangement with a London publisher—sold the poem to him—for more than he paid me. It was schemed to have it appear contemporaneously there and here. At a conference some of us held at that time, the question was brought up—the moral question involved. I thoroughly felt—O'Connor was very clear—that the Galaxy men were honor bound to me for a least half that sale price—but they did not think so, evidently. I was at first disposed to make a point of it, but thought differently—decided not—in the end. They wrote me very complimentarily about the piece—and they were rather nice men. It must be that manuscript which has fallen into these new hands—caught up out of the remains of the Galaxy possessions."

     I had with me the Parker manuscript from the hands of Samuel Johnson. W. looked at it curiously—thought it "fine manuscript"—suggesting: "When you print it, call it 'Theodore Parker'—that alone—don't give it more. I suppose it is in the line of my piece on Hicks?" Then dwelt upon the "little currency of Parker and Hicks"—adding: "Hicks was a Carlylean man—a forceful personality. Carlyle cared nothing for theories, principles, abstractions—sent them all to hell—but a forceful personality—a flesh-and-blood personality—appealed to him—like his Frederick. To me Frederick appears only half-good: he was half bad if not more—but he was forceful—had certain powerful and impressive characteristics."

 
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And after further inspecting the manuscript—remarking Johnson's "fullness and care"—he exclaimed: "Oh! those notes—materials!—they pile up on a man—pile him under! How much of a relief it is to come upon a work which gives out the air of unpreparedness!"

     W. had laid aside for me a letter from Rolleston (written at Wiesbaden) enclosing an extract from Piccadilly emphatically and favorably reviewing the German edition of L. of G. Also put with it a letter from Caroline Sherman (Chicago) containing a printed article of hers on Edward Carpenter. She spoke of the latter as having "a great deal of interest."

 
Saturday, November 30, 1889

     7.30 P.M. W. in room—light down—not reading. Called my attention to the Century. "Morris has a poemet there," he said. Mrs. Coates represented there, too—and he spoke of her "readiness." Then: "The Lincoln piece this month is extremely taking—at least for me: not as much in what it may say in the way of summing up, but for its documentary evidence. This is not the picture of the time—the teller of that story has not come yet—could not in the nature of things have come: the theme is too tremendous: we cannot measure it at so short a distance. This book itself, like other books—all, so far—Southern, Northern—is but material, soil, out of which to make up the history. The historian will come. When,—who knows? Not in our day, certainly."

     Speaks of his "phlegm" as his "saving quality." Referred to his Brazil poem, manuscript of which was on the table—saying he had not sent it to any other publisher after the Harpers refused it. But "perhaps would."

     W. looked with interest at the list of Chubb's lectures sent me by Weston. Two of these, under the general head—"Two American Literary Influences in England"—are about Thoreau and Whitman. Instead of speaking at Toynbee Hall Monday

 
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night the 18th, as proposed, I shall suggest that he give these two lectures—bring them together, if possible. W. thought my suggestion a good one.
 
Sunday, December 1, l889

     9.30 A.M. Stopped in for an instant only, to leave with him the Sherman and Rolleston letters. Just up and Warren gone to get him hot water for washing. Said he woke "feeling very well"—and that his "days nowadays" were of "a better cast." Promised to send proof up to the house later in the day by Warren.

     I saw Adler later on (he spoke in Philadelphia today) and he asked if W. would give him a word of introduction to John Burroughs. Weather rather cold, and W. "somewhat afraid to venture out in the chair."

 
Monday, December 2, l889

     Detained in city—could not get to W.'s, even with proof I had secured from Ferguson.

 
Tuesday, December 3, l889

     7.40 P.M. W. accosted me as "the stranger," but reached forward his hand and cordially pressed mine. I had left proof for him this morning, though not seeing him. This he had looked over and enveloped for me. Had decided to issue a circular first, advertisement on one side, autobiographical note on the other—both subsequently to go in L. of G."I had half a notion to send it over to you, but a day or two really makes no difference." And added, "I had the greatest difficulty in getting it just as I wanted it—you knowing disappointment at first. The printers all have their own ideas, too. I think some men are marked out from all eternity to be printers.

 
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That would have been Fourier's idea, and wonderful good it is, too—justified, in a sense, by all that we know of human nature, and so, the printer is born"—saying this with a laugh—"to contradict us—to have his own way—at least, sometimes. One man is born to be a printer, one a bookbinder, and so on and so on. I never felt this so much as with nurses—how some have the nurse's gift. I knew one man, a Tennesseean—it was wonderful, his power to uplift, to spread cheer, light. It was good merely to be near him—yet no one could tell why. I myself, felt the contagion—the inspiration—and what of the poor sick boys, then, do you think?"

     Called my attention to a copy of The Illustrated London News sent by Pearsall Smith. "See," he said, "that is the way we are done up again." I exclaiming at once, disappointed in the portrait, "Yes, done up!" W. thereupon laughing and saying: "Dr. Bucke has seen it and damns it as a failure—in which opinion I can fairly say I concur. Is it necessary for the engraver to see the critter in order to reach an effect? Yet I suppose, not." And he "wondered" if, sending the Gutekunst pictures to Paris or Berlin, "it would turn out well—adhering to the truthfulness of the original"—for the original, people said was good. "And of course," he said merrily, "I consider them wise in that." And then further: "The Lounger [in The Critic] thinks he sees something in the eye that arrests him—a peering, inquisitive, inquiring look. And I don't know but there is a point that will bear looking into." He pointed to the Symonds picture against the wall: "That, for instance—how beyond measure that seems. Doctor's there" on the mantel "I always liked extremely, but when I turn to this other, Doctor's must take a second place."

     He said the Hall life of Lincoln "did not appeal" to him. "It has parts of which I have my doubts. There are places, occasions, when a man's postwar bitterness might show to advantage, be as it should be—asserted, made known. But I do not think that is the place. When Tom Donaldson was over last,

 
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he spoke of Herndon's Lincoln. Do you know anything about it? Tom seemed to think it contained credible stories, interesting, throwing many happy side lights. We do not seem to realize, even at this late day, how many loyal men there were at the South—were too of the most tenacious patriotism. And there was New York halved, too—the very rich and the very poor allied strangely together in Southern sympathies."

     I saw Salvini in The Gladiator last evening. W. speaking of S.: "It is the objection of Billy Winter—and of him alone—that Salvini lacks intellectuality. But what does that signify? I suppose that nature lacks intellectuality, too, for that matter."

     Developed some talk of adulteration, W. saying: "If there's anything that will destroy our American people, our States, it will be fraud—the element of fraud. It is the poison, the danger, of our civilization." Instanced the buildings going up "in Philadelphia—in Camden—rows of shells—not a genuine house among them. Mr. Smith and his wife come along—see a house—it has a neat, dainty facade—all is fair without. Here then is what we want—and they take it. But a year passes—now they see their bargain. It gapes, yawns, strains—not a joint secure. That is one side of our life—a side that makes American boasts farcical. Yet I don't know but we are now paying the penalty, that at last we will safely issue." Adding: "Kirkbride, water engineer in Brooklyn, many a time told me of it. He went abroad—reported the old Roman masonry, aqueducts, as sound, apparently, as when new. My brother George knows the fraud. He was a pipe inspector there in New York. The henchmen thought his place, salary, belonged to democratical purses, so he was removed. But finally they had to re-engage him. Everything for politics—for the principles nothing."

     W. called my attention to a curious circular issued by his painter, Curtz. "Patronize him," he urged, "if you have any little jobs, take them there. I do, I have given him many. He is old, poor, sometimes ridiculed."

 
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Wednesday, December 4, 1889

     6.55 P.M. I went down with Agnes, staying about 15 minutes myself, and leaving her with him when I left. I went upstairs first and told him she was there, at which he instantly said: "Why certainly, let her come up!" So I went downstairs and had her follow me up, W. crying without waiting for her entrance, "Come right in, Aggie, you are very welcome!" And as she came near, took her hand and kissed her. Had been out today, but the weather was too cool, so they soon repaired homeward.

     I was on the way to Othello. "I almost envy you," he said, "but the next best thing to going yourself, is to have a good next fellow tell you. So I rely upon a good account from you to make up for my loss." And then to Agnes—"Are you going too?" And learning not, he said, "Well—Othello is a man's piece, anyhow." Agnes demurring, but W. insisting—"It is a man's piece, nevertheless." Then, as if this reminded him of something: "The best thing I have heard about Herbert's picture there" pointing to the table where a photograph of it stood "is a little story Herbert brings me from London. You know about Lord Elgin—his treasures. Among them is a piece representing a horse rising out of the sea, shaking his mane, as if to throw off the water—so"—indicating—his hair flying wildly as he did so. "And someone told Herbert that he never looked at that picture, or that old, old piece of art, but that one reminded him of the other! It is a capital story. I was almost saying the story was better than the picture." And then he added to my remonstrance that the picture did not satisfy me—"I am not always sure but you fellows do Herbert injustice—at least, fail to do him justice. Certainly the London fellows like the picture. The opinions of it from England, he tells me, are high in their praise. The opinion of the man who has not seen the actual critter—seen him as you see me here—is to be considered, too. I was myself too much inclined—

 
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am yet inclined—your way. Which is perhaps the reason I am putting up this defense now. It is true Herbert was and is a good deal more conventional than we like—than we could be—than consists with an entire rapport: gave me, for instance, the Romeo curls, while certainly knowing I did not have them. Yet he and the drawing-rooms no doubt, thought I should have 'em if I haven't, and that was enough." I put in: "Look out! I am not always sure that you fellows do justice to Herbert!"—and he laughed heartily, then going on: "I was about to say, we ought not to be so certain of our own notions, seeing how they are crossed at their most sacred junctures. Horace Howard Furness was here the other day—he won't hear either to the Eakins picture or the bust. Yet to me it seems almost incredible that anybody can look at either and fail to see their immense power, vitality, vivification.""But then, with Herbert's as with another's work, we must apply Heine's method faithfully: What did he start out to do?—has he done that? If he has done that, then it's a bee—whatever our feeling that the aim was wrong." Then, however: "And yet my friend Arnold would say to all this: You would not talk so if you were a reader of Leaves of Grass as I am!" W. saw my sister's inquiring look and knew what it meant. "No, not Edwin Arnold, another Arnold, a friend whom I knew well."

     "I have been reading 'The Merry Chanter,'" he said, before I went. "Frank Stockton's story here in The Century. It is very interesting. I very rarely read these things."

 
Thursday, December 5, 1889

     7.45 P.M. W. at his usual spot—but not alone—Mrs. Davis sitting there conversing with him. She rose to go when I entered, but W. said: "No, sit still Mary, there are other chairs here, and that is what the chairs are for anyhow." But she withdrew. Had been reading Current Literature, now on his lap. I saw Brown today about circular. Asking me about it, W.

 
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said: "After having delayed things as much as I could myself, now I am impatient about the least delay in others. That's human-like!"

     Asked me about Othello. "I read the piece in the Press. It was in the main favorable—very favorable—but it had a bone to pick, the amount of it being, this Othello is brutal." I followed with, "Yes, as an average reader would think Children of Adam brutal—naked, bare, natural, but brutal. Or think anything brutal, that impresses them direct out of nature." W. thereupon: "Yes, I could read as much between the lines. I know the signs of it well. It is the Willie Winter criticism, a thousandth time, a millionth, repeated." There were lines in the play last night in which Salvini's magnificent voice and passion forced a close resemblance to O'Connor. W. listened to my detail of this with apparently intense interest. Of the play itself he questioned me closely. "What was the Iago like?" and so on. "I have seen many Othellos—Forrest's for one. Then there was an actor named Adams [Gus—or Edwin?]—about forty years ago—who was very fine, strong. The greatest Iago of all was the elder Booth. After him nobody can play that part." Mrs. Bowers had been in yesterday's cast. W., who had known her in old theatrical days, asked me questions as to her vigor, port, voice—how all had lasted. "I saw her Emilia long ago. Emilia is not a great part. I think anyhow, if Shakespeare had any weakness, it was in his women. All his women are fashioned so: in King John, in Richard—everywhere—the product of feudalism—daintily, delicately fashioned. Yet I suppose all right, occupying a fit position—in themselves a reflex of their times, though to us, to our eyes, open to criticism."

     He said afterwards: "It has been a dull day," but attaching to that a qualification in the shape of an exceedingly comical account of one of the day's incidents. "I have had a visitor from Harleigh Cemetery. We had quite a talk. He wishes to give me a lot in the Cemetery, I to write a poem on it." I called it "a curious bargain" and W. assented merrily. "I know

 
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it is, but I promised to consider it favorably. So you folks had better be prepared now for the worst!" I inquired, "Haven't you a lot at West Laurel Hill?""Very likely. I am very careless of my possessions. I have a farm somewhere which I have never seen—and lots, the Lord knows where. A more possessing man, you see, than you thought I was!"

     I read him a letter from Blake, received today, acknowledging the birthday book, and going on in this strain about an old promise and his remorse.


21 Laflin St.

Chicago, Ill.

Dec. 3 1889.


My dear Traubel,

     I must thank you warmly and gratefully though rather tardily, for your book, the Whitman testimonial. It is very good. Your work in it is excellent collecting and editing and warm earnest writing. I am displeased with myself for not having my name in that company as you kindly gave me ample opportunity to do. The fact is the subject was so august to my mind that I never got courage or time to sit down to it. If I had supposed I could lift myself into that company by such a shabby little note as some of them sent, I would have done much better than many of them I assure you.

     Now about my obligation on November Boughs, I despair of doing what I wish to do. But an idea has occurred to me. I like once a year, when I can, to give my people a good thorough dose of some noble works. Last year I took the Kalwala [Kalewala?] and gave three lectures in one week, 2 hours long each. Now I have bethought me of doing so this year with Whitman, studying him slowly all winter and then in May giving three or four long critical sympathetic lectures. I get 100 people to listen. Now if shortly I send you the money—$6.00, I believe—for Whitman's entire works and then give those lectures, will you not call it square on November Boughs?


Heartily yours,


J. V. Blake.


Grateful remembrance and homage to Whitman.

 
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     W. was considerably taken with the note and thought it "a good exchange—one we ought to rejoice in." Adding that he "could well see" that Blake's work would again be, as it had been, "solid and colorful—we might say authoritative."

     As to someone's taunt that in a poetical compendium W. W.'s portrait had been conspicuously omitted he only said: "It's not the first time, Horace, I have been left out—nor likely to be the last! Leaves of Grass and I have had a great many leavings-out in our day."

 
Friday, December 6, 1889

     W. went to Harned's to tea. The first such outing since June '88. I had to hurry to Philadelphia—to Salvini—so did not see him. Professor Cope there at Harned's—Cope lecturing later in the evening at Unity Church on evolution. Got W. some few sheets of circular.

 
Saturday, December 7, 1889

     7.45 P.M. W. in his room reading a volume of Stedman's cyclopedia which he laid down. I had in my hands a package of his circulars, from Ferguson. "What's that?" he asked. And on my rendering over, said: "It looks well—and on good paper, too!"—so was quite satisfied.

     "I was out to supper last night—evening—" he said, "up to Tom's. Tom had there Mr. Corning and his daughter, Professor Cope, Frank and me—and of course Mrs. Harned. After the meal was over, all the rest of them went off together to discuss the gay and festive subject of the descent of man—of which I doubt if anybody knows anything at all: but not any of that for me, you can be sure. I was in New York some years ago, attended a meeting of the Liberal Club there. It was at the time of the blue glass craze and they were discussing blue glass. Some of them wished to hear from me on the subject

 
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and I refused by saying that I did not wish to add to the misinformation on the subject." In today's papers were notes of McCosh's debate with Griggs on Presbyterian doctrines. W. referred to it heartily: "I hope they become mutually informed"—and adding, "There was a conference of which some word [was] in the papers the other day, adopting a resolution in connection with the damnation of little babies in their little-babyhood. How rich all that!—making nuts for Bob to crack—and he'll crack 'em!"

     "Professor Cope appears to be a lively, interesting man," W. said further. "Do you know much about William Kingdon Clifford, the English scientist? He is said to have been a man brimming over with human kindliness—would go to parties, dance, joke, prove himself a generous, expansive man. But that consumption! He tried to fight it off—went to Italy—but it was of no avail. It was an hereditary case." Referred again to his enjoyment of last evening. "And coming home, the fine transparent moon! I stopped a while to look at it—and the whole air so sweet and mild. I doubt if the Mediterranean—the north shore—the south—can show a better. And how is it tonight?—just as mild? All last night—all today—we seem possessed of a spirit of peace—of purity." And then he told me he had been out today. "I went along, in a carriage, to Harleigh Cemetery. Mr. Wood, the superintendant, stopped here for me, then we went up to Tom's—took Tom and Mrs. Harned with us—all went out together, were gone about an hour and a half. I gained some quite new views of the country. Tom and Mrs. Harned and I sat inside—the rest out. They said nothing to me about a lot, nor did I broach the subject."

     "I see the papers are full of the death of Jefferson Davis"—which expression [his] led to some discussion. I set up a mild defense of Davis, W. then: "I don't know—I don't see it that way. I noticed in one of the papers this morning an expression of admiration for the old man's inflexibility, which I suppose has a sort of nobility—admirability—in itself. But Davis was

 
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absolutely without lubricity. Was like a general, having made a mistake, with time for retrieval—but was too proud to unbend, to acknowledge his mistake. If you grant that, then goodby science—to the devil with progress! The top-most glory of science, our science, today—is its spirit of tolerance—its broad human spirit of acceptance—its admission equally of every view—making dogma of none. Davis was of a damned bad type—of the type which, liking cabbage (to give a homely instance) or onions, would damn anybody who does not. But that is not modern—that is not up to us—we have reached beyond and beyond. The South has had some of the best samples and some of the meanest. I have seen Davis often—we measured him long ago. It would not be well to have an America of such men. He was a venerable looking man—a little like our carpenter over here at the corner, do you know him? Slender and tall. I saw in the papers that he was tall and straight. He was tall—but straight I doubt—was rather round-shouldered as I knew him."

     Adler had asked me last Sunday for a note from W. introducing him to Burroughs. W. said: "I will gladly give you such a letter for the Professor. Tell him so." I had word from Chubb this morning that he had a letter to W. from Edward Carpenter. W. remarked, "It was not necessary." We talked over Salvini's Gladiator, which I saw last night. I detailed the story to W., who then went over the sketch of Bird's Gladiator, saying at the end: "The plot turns on such points, small points, as I think them." And then—"Salvini must have given you a glorious performance last night."

     Turning again to Jefferson Davis—"No, he is not our man. There was Carlyle: there was something genuine in Carlyle—we always feel that he stood for something—if not our something, still something." I left with him a copy of the New Ideal in which there was a review of the banquet book. He returned me Current Literature—"which I have taken up again and again." Gave me also a copy of the Photographic Journal

 
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containing a piece on the Gutekunst portrait—a picture of bathers there reproduced had "struck" him "favorably."

     Warren got off a good thing tonight. He does not much like Corning—therefore said: "It's all very nice in them Unitarians—but their Unitarity ends with the church: outside the church they're anything you choose!"

 
Sunday, December 8, 1889

     Not in Camden today. But learned from W. that he did not get out, the day being slightly inclement. Read his Press, "the books, what-not—took things easily and dully, as usual such days." Getting out or not, he seems much impressed with murky atmospheric influences.

 
Monday, December 9, 1889

     7.15 P.M. W. reading Stedman's big cyclopedia. After he had shaken hands with me, he said: "The McClure syndicate has taken my Brazil piece—may use it as a little Christmas bit." He had finally decided to send it there, overcoming his inclination to make no use of it at all. He spoke of it as "the Harper rejected poem." Asked me of the night. "And is it true the stars are out? I could not have believed the shift possible. I have spent a dull day. No—not sick—but sluggish, dull." Said he had sent off nearly all the circulars I had brought Saturday. Was not able to get the rest today. Shall tomorrow.

     Gave me back the copy of The New Ideal: advised sending it to Bucke. "Oh yes! I have read your piece—every word of it—you may be sure of that. Doctor would be interested: he has a big net—puts forth his net into many seas. He reads copiously—has a maw—oh! what a maw! Gets into all roads and by-roads."

     Reference in this morning's Press to the popular and artistic disappointment at Millet's "Angelus," now on exhibition in

 
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New York. W. said: "I am not surprised." And then spoke of Col. Shaw's collection, as he often had done before. He said of Shaw himself: "He has a home full of treasures: Japanese ware—laces—decorations—the most incredible mass—the finest, rarest. Shaw is a good specimen combination of the Bostonee and the travelled man. I don't know that he has any deep artistic, aesthetic appreciation of the things he has collected there—doubt very much if he has. The Angelus was like the Sower—there were several versions of it. Col. Shaw has what is called the first version of the Sower: I liked it profoundly—was much more deeply moved by it than by the later versions. There was in it what, for the want of a better word, I should call a wild fury. That was a great day for me at Shaw's: I went with quite a party—encouraged the others away, so that I might be alone—and was alone there, gazing, gazing, thinking, for an hour—for several hours."

     Morris informed me today that he had been written to by someone from Canada who had seen his article in The American, asking for advice as to the translation of the Sarrazin book entire. W. said: "Let him do it—it is a big mouthful to chew. To ask a man to translate such a book is to say to him what was said to the man in the Roman excavation who had unearthed—and broken in unearthing—an antique statue: 'Having broken it, I shall expect you to restore it as good as new.' That is a big statue to restore, after all the breaks, tumbles, of translation! But of course it is public property—he must do as he chooses with it." As to such a translation making the publication of ours unnecessary—"Not necessarily—we may feel that there are reasons and reasons!" Robert Louis Stevenson said in his sketch "The Lantern Bearers"— "—or he would not be average. It was Whitman who stamped a kind of Birmingham sacredness upon the latter phrase; but Whitman knew very well, and showed very nobly, that the average man was full of joys, and full of a poetry of his own." I quoted this to W. (having first read it today)—whereupon

 
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he said: "Stevenson commenced by being, as I understand it, overwhelmed by Leaves of Grass. Oh! there was no word for it, it was so great! Then a year passed—then another year—then another—and now he got the suspicion that he had better be more cautious, had better not commit himself too far in that direction—had better, in fact, recall some of his gush—and this he did—writing a vile and silly essay—which was published in the book, you know. Then again time passed—and with passing time passing views—and this time a return to the original applause. He questioned himself if after all he was not right in his first instincts. But he did not withdraw the piece—evidently feeling,—well, that was what I felt at the time I wrote it, so let it go as part of the record. There was a book published some years ago called 'The Night Side of Nature'—I have often thought, if there was not a night side of human character, too—of literature—of personality—a sort of phantasmagoric delirium tremens." I had used the word night-marey as describing "The Lantern Bearers" and W. exclaimed—"Good! it is an apt word!" Again when I spoke of Stevenson as "of Hawthornesque tendencies, without Hawthorne's body," he assented: "That is profoundly true. In Stevenson it is opium—I know the sign of it well—the opium nature." And then back after a pause: "Mrs. Stevenson has been here to see me—I like her much." He thought despite "the morbid delirium of his nature""Stevenson has his audience—I don't know but a large one. Scribner's gives him a great welcome—an abounding welcome, and he is paid well, without a doubt." He desired that I read the Whitman essay spoken of (I had not so far). "I have the book here—within hands-reach, no doubt—and I'll find it, lay it aside, for you."

     I picked up from the floor a Mss. in pencil of an early draft of the Exposition (Paris) poem. He said I should "put it in my pocket" if it was of interest— "though how can it be?" Had further to say: "Today I found the Forman [?] poem at last—it turned up out of the mass and ruin of things here"—and advised me to "see what could be made of it."

 
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Tuesday, December 10, 1889

     7.40 P.M. W. reading again in Stedman's book—"a perpetual resource" he calls it. Room very warm and he noted it. I had scarcely entered and been greeted (passing over to him the bundle of advertising circulars, now all here from Ferguson's) before he said: "Here," offering me a cup from the table—"Here is some cider. I want you to drink it with me—it tastes very genuine—is very much apple-y." And on my protestation of having just come from supper—"Oh! this will do you good even if you have!"—and then passing me a plate of cakes, insisting that these would "help the cider down." This led to talk of odors, in general. He instanced Schiller and his penchant for rotten apples. "That story," he said, "has a long—a very long—tale." Then of "the wonder—almost the majesty, of odor." His own sensibility to odor had always been great.

     The personal quality in literature discussed. I alluded to Mrs. [Annie Adams?] Fields' Scribner paper on Leigh Hunt, and he expressed a desire to read it. "The freshness, attractiveness, of biography is perennial." I said: "That confirms to me Leaves of Grass"—and he then—"It is good doctrine—and yet dangerous, too: though I do not know that I should say that, having myself exampled it in the freest way. But there is Lockhart's Scott—it has an endless charm—I come back to it again and again. Scott was a great talker—almost garrulous—yet a talker in the sense with which talk delights most the man who hears." I referred to poems in magazines: "I doubt," I said, "if a flaw can be pointed out in them—in rhythm, rhyme, syntax, everything, they are absolutely correct in all modes of art—" W. finished for me—"And yet they do not move you? That is what you were going to say?" And when I added—"Tom Paine—never elegant or correct according to the schools, today is throbbing and life-giving." W. then: "True to the bone! And what better illustrates the case than letters? Subject to all the defects, yet full of heart and

 
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movement. Warrie sometimes brings me his letters—letters from sailors—stumbling, tumbling: yet full to the full of expression and force."

     Had been out today. "I spent a fine hour and a half about in the chair." He gave me a copy of Book News: notice of the dinner book therein. Called my attention to some of the illustrations. "They are exceedingly fine," he said, "they reveal great progress"—adding his faith in newspaper illustration "ultimately"—instancing— "The Sunday Times had the best samples of that I have so far seen."

     Expressed pleasure to have Hunter come to see him—"spend several hours here—take a meal—his ease." Also so spoke of Brinton. He is working up his new poem: "The Endless Catalogue Divine"—about 30 lines or so as standing now. I read him Mrs. Baldwin's letter containing an extract from The Boston Advertiser (received today). He much pleased with her comments thereon and amused at the exception to the "oblong" shape of Miss Gould's book. "Of course—they could not let it go without some dissent!"

 
Wednesday, December 11,1889

     7.45 P.M. W. again reading the Stedman book. I left with him the Scribner's containing Stevenson's "The Lantern Bearers." As to Stevenson's "Birmingham Sacredness," W. was "not sure" that he "at first look" touched near its meaning. Asked me about the Contemporary Club meeting last night. "Were you informed on that Eastern question?" And when I said—"No, I gained very little indeed"—he went on—"I thought not—I read what was in the Press there this morning, and it seemed entirely empty. I have long wished to come upon somebody who could enlighten me—give me a good general idea of affairs there. But so far I have had to go ignorant." Had been out today—briefly but enjoyably.

 
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     Gilchrist said to several who were in a group discussing Eakins' Agnew picture in the Haseltine Art Gallery last evening—the Contemporary Club meeting being held in the next room—that while it was true a certain thing in it was natural, was as it appeared no doubt in nature, still the putting it there was an artistic defect—some way should have been taken to overcome it. W. said, having listened all ears, as I could see: "That is very significant—I don't know but there—open there, lies the whole question—the question of art. To us it seems very obviously not true as Herbert put it. Yet there is an interest to that view not easily ignored. I should like much to get at a full statement of reasons on the other side—for that side obtains, without a doubt—is dominant, in fact." But his own "love, affection, penchant," was for the "simply, grandly natural—not a line readjusted in the interest merely of art."

     Asked me: "What of the evening? Is it clear—beautiful—moonlighty—out of doors? I suppose the world moves on equably. Are the waters stirred? Is the world at peace? The Bible has it, the spirit of God moving upon the waters." I said: "The spirit of God surely has moved upon the waters this evening." And proceeded to tell him of the river as I came across tonight: the cold and early moon—the full-sailed sloop—the cutter swinging in the tide—the tug puffing its way up the river—multiplied beauties that much impressed me. W. further as I paused: "It is almost incredible what a little stretch of nature will do to arouse a fellow—convert him, so to speak. I cannot think of a rarer experience than one I met on the river Saguenay, up there in Canada. The river's water is an inky black—a curious study, I believe, to this day to the scientific men: take it up in a bucket, and it is still unmistakably black—the color of the stream. Oh! that great day! Down the stream a boat—sails open—wing-a-wing—one one side, one the other—patched, stained, heavy—but oh! how beautiful! It was a curious revelation out of little

 
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means. Wing-a-wing is rarely fine anyhow—I have not known it much in pictures—but few artists can accomplish it. See then, the large result of what may seem a small impulse. Why should we go hunt beauty then—I should rather ask—where can you go to get away from it?"

     He thought "ministers and professors" anyhow the last men to impart really vitalizing truth. "I once told Collyer, years ago, in New York, in a company of people—they had been talking with a great flourish of the mediatorial office of preachers—to me a ridiculous pretense. I said then, that I could not allow an importance to that view. To me the time propounded other questions—indeed, I wondered if the time had not arrived for the entire abolition of ministers and churches; I said I could conceive how five centuries ago or so the pulpit could have had a function—but today, all and more than the pulpit did then, is better done by other forces. There were several of my friends present there—vehement friends—and they thought I had made a great mistake to talk so—and perhaps it was uncalled for—I am not prepared to say not—but it is a long-held notion with me. It seems to me that in these days ministers exist as in the nature of things, obstructions. I should ask of them, why cumbereth ye the ground?" And while most men might disagree [?] to this—"yet in the realm of thinking, nine-tenths of men amount to nothing, anyhow."

     "Even the Unitarians have an orthodox respectability," he said again, and as to a newspaper that seemed statedly to avoid mentioning Walt Whitman—"I can understand the newspaper index expurgatorious: so much the worse for them if they can't stand me." And he laughingly narrated an experience. "There was one of the department heads at Washington who conceived a great dislike for the word virile—gave out orders that it should not be used in any of the documents issuing from that department. I was very curious about it, and asked him once how his antipathy (and it was a virile antipathy!)

 
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arose. He said that he hated the word—that it called up in him images of everything filthy, nasty, vile. It was very amusing. I remarked to him: 'Did it never occur to you that the fault is in you and not in the word? I use the word—like it—am never once brought by it into touch with the images you speak of.' But he was obdurate—remarking only: 'Well—whatever: I won't have it! I hate the word!' And yet he was a man of force, filled his place well, in all the usual ways was sound and sensible."

     Referring to the current N[orth] A[merican] Review which I had with me W. said: "To me the important thing is, to know what the fellows are talking about rather than to read in detail all that is said." Called my attention to a letter from McKay. "He enclosed me payment for the three books. One of his questions was about the Carol of Harvest—now printed as 'The Return of the Heroes'—I answered that question at once. But then further along he writes that some one has left with him a poem for me—which he did not include—why I don't know. He suggests that you stop in for it." This I promised to do.

     Then—as I was about to go: "And that reminds me—now the point is on: I am going to do something again that you did well for me last year. I want you to go to the mint—bring me along 5 three-dollar gold-pieces: you got me three last year." And as he took out his pocket-book and from it a 10 and a 5-dollar gold-piece: "There's a history connected with that ten. When Horace Howard Furness was here a few days ago, he told me of a man off in Australia—a devoted friend of Leaves of Grass—who, writing to him, the said Furness, sent along ten dollars, as testimony, and all that." I remarked: "Your friends are at the ends of the earth." And he: "I am not surprised to have friends in Australia—I am a sort of Pacific, Oceanic, Californian critter, anyway." And to my remark: "Australia is more American than English, anyway—" he said: "Yes, it is so: see how well Sarrazin confirms you in that."

 
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Thursday, December 12, 1889

     7.55 P.M. Went to W.'s with Morris Lychenheim. Stayed full 45 minutes. W. quite willing to talk. Said: "I have had a visitor—a young Mitchell—not Weir, nor the Doctor-son who has been here to see me, but another—a younger. I sent a copy of the leather book through him to his father." At this I alluded to the 25 dollars recently sent me by Weir, this being a considerable recognition. "I liked the boy," W. said, "it was his first visit—he seemed bright, intelligent." I said then: "I have another of my contributors who has given me 80 dollars so far" &c.—meaning Edelheim. W. at this suggesting: "We ought to give him a book, too—it is the least we can do"—and questioned me, whether this should be a complete Whitman or a leather volume. I finally advised him to make it what he thought best. He ruminated—then: "Probably the morocco book is more appropriate than the other: for what it starts out to be, it is complete—though not all, as the other is." He laughed that Tom had called the cover of the Complete Works "damned shabby," and interposed—"Others—who have handled old books—old-book-men—would say, it is well—most well—just as it is."

     I had brought him the 3-dollar gold pieces. Also the poem from McKay, elegantly done-up, type-written—Dave not wishing to risk it in the mail. W. did not read it while we were there—only remarked: "It is finely type-written, if not other-written, anyway." Returned me the Scribner's. Had not read the Stevenson piece entire. "I read what applies to me. The piece seems forced—as if he set out 3 or 4 big sheets before him and declared—these will I fill." As to the "Birmingham" reference—"I hardly know what to make of it except to say what you do yourself. I have been much criticised for my use of the term—'divine average.'" I reminded him of the man who had said of Cleveland—"We love him for the enemies he has made"—so of L. of G. Then further, me: "I always tell the

 
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new reader of L. of G., who comes to me: you will be shocked and staggered at two points at the outset—you will stagger at W.'s disregard for literary form and tradition—you will stagger at his spiritual attitude towards the body: but if you can stand up after these, you are all right—you will know L. of G." W. exclaimed: "That is very fine—inclusive: I know no better." As to Morris' exclamation to me in a discussion today—"If you were to see those Corots you would see an art that is better than nature"—W. said: "All I can say is, if a man starts out for an instant to get something better than nature, then I say, God help him!" Lychenheim quoted from Ruskin about the impossibility that young people could be critics—but W. said: "That is easy to say, but hard to justify. Criticism has no rules—you cannot predict it. As a rule it is a humbug anyhow: it means only this—that Jones' digestion is good or is not, or, if the critic is a woman, that perhaps she has not been invited out to the party at Mrs. Johnson's. The most minute, the most personal, factors color the criticism. I had a friend who had always to ask—well, how shall I write, adversely or to applaud? And the young? Oh! the young hold the stage after all. There are things in young lives, young critics—imaginative quality, elasticity, vehemence, power, which years cannot supply—only dim. These are treasures after a high kind. As some one told me once, in a comfortable old age—'yet for all I have there is one great gap—one avenue closed. What now can make me happy as in those days when I was content with my dinner-pail—the bread, pork, sip of coffee out of a pot—and digestion was good, and mid-day brought me rest.' That is past, irretrievably!"

     Said he had not been out today—"I suppose for the main reason, that Mary was out—leaving Warren and me to keep house." And then of his meals: "I don't know—for a good, strong, healthy man three meals a day are none too many, but to an old, broken-down, badly digesting [one]—the digestive apparatus very shaky indeed—two meals will do. I get my

 
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dinner about 4 or 5—and my appetite keeps up amazingly—I don't flunk one meal out of 20: I have a very ready appetite even for breakfast." And he asked then: "Don't you see how fat I keep?"

     On the table an old German paper (1883) in which were 4 portraits, Whitman's with Lindau's, Heyse's and one other. Of its kind the portrait really very good. W. said: "I recovered that from the debris here for Dr. Bucke. You are right—that is altogether satisfactory—a good picture. The Germans anyhow excel in that line. I have hoped our fellows would capture the burin as well as other instruments—but so far they have not." And he pointed out Lindau's head to me: "It is fine—strong and fine: I have had a long look at it today."

     Gave me a copy of the big Gutekunst portrait for Agnes, who means to have it reproduced large, in charcoal, by my father.

 
Friday, December 13, 1889

     7.30 P.M. W. in his room, but not reading. Hands folded—meditative. Said: "We had a good outing today—two hours, fully—went up and into the ship-yard. Oh! the incredible inspiration of it to me!" He was positive he had much benefited by the trip. I left with him a copy of the N. A. Review, the contents of which he at once proceeded to look over.

     Immediately on my entrance, almost, he spoke of a volume he took up in his hands—Roden Noel's "Essays on Poetry and Poets." "I laid it out for you—it probably will interest you—maybe more than it does me, though I don't know that I should say that, for I find myself going back to it, from time to time, which is one test, and a good one." I spoke of the letter I had addressed to Noel, anent the celebration—that was returned to me (though addressed care of The London Times, with request to "forward")—with inscription—"person unknown," or to that effect. W. much enjoyed my story, exclaiming:

 
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"That's John Bull—that's the bull of him—supercilious, disdainful—thinks his character is in danger of being misunderstood if that is not made very patent. This trait will hang on to him yet for a long while. Of course they know who Roden Noel is: but then, it would not become their reputation to admit it. I usually take all risks in a case like that—send with a simple town address, perhaps in care of the P. O.—and as a general thing they go right: though it goes against my grain to send off a letter or what not with an insufficient or doubtful address."

     He read today a poem sent to him through McKay. "It is quite good," he remarked, "I am very much done up that way of late." There was a New Yorker, W. J. O'Reardon, who sent him a "greeting" about the time of his birthday, which still remains intact.

     Again he spoke: "And so Browning is dead! Who now, except Tennyson and Whittier, is to be talked of? Although some would object, I think Whittier distinctive, typical of something, striking a pure note that lifts him up and up, I think very high—with the great. Some would say, Holmes, too—but I should not say Holmes." And although there were manifest ways in which Whittier obviously lacked world-mind, "yet after that is said, more remains to be said—the best yet, to be said in his favor." But as to Browning: "He died suddenly—has created much—yet I know little about him, in reality. I ought in fact to take him up—weigh him—make sure of myself—but I doubt if I should in any way tie to him. 'The Ring and the Book' I have read pretty thoroughly, but that is all."

     The morning papers announced by cabled dispatch, Tennyson's new volume. W. had seen the notice and it excited his interest. "I should not wonder but the New York Herald or some other paper would have the whole book or a part of it, cabled tomorrow. If it does, I am going to ask you to get me a copy. It would be a feast! If men only knew that they were

 
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to become great—as they never do—how well they might prepare for it! Start in youth, fill the table drawers with poems, stories, whatever: then, when fame is on, and the editors will take most of anything a man writes, bring 'em out!"

     Some one had brought him in some fruits—bananas, dates—and cakes: and another, flowers. He spoke affectionately of the visitors who so remembered him. I brought him back the Sarrazin book with a little letter enclosed from Morris.

 
Saturday, December 14, 1889

     7.35 P.M. W. lying on the bed—the first time in weeks I have found him so. But getting up and slowly making his way to the chair he explained: "I laid down, rather because I had nothing else to do than because I wanted to sleep." Returned me the N. A. Review. Had "looked through" most of the articles, though "Gladstone's on divorce, was one I skipped altogether—did not read at all."

     While we sat there talking, Hicks came in. W. asked the question at one moment: "What did Jesus mean when he said a rich man could no more enter Heaven than a camel go through the eye of a needle?" Hicks volunteered to give his view, viz.—that Jesus meant that riches could only be accumulated on the misery of our fellow-men, W. then saying: "Yes, that is one explanation, but that does not satisfy me—it seems to me necessary to say more if you say that much." But he did not follow the question up. W. not especially talkative, though cordial. Referred to St. Gaudens, whom "Watson Gilder and some other bulked high up"—but who to W. was "not a man of greatest calibre, though Morse thinks something of him, and Sidney's judgment in sculpt work was always very cute—very much to be relied upon."

 
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     Commenting upon The Critic's applause for Dr. Brinton's pamphlet on a world-language, W. said: "I doubt the world-language very much—yet if it must be, the English will be that language. Oh! I thought that was all settled! There are profound reasons for it: the English is more naturally the world-language because of its composite character—its absorption—gathering from all quarters, elements that give it strength, variety, vitality" etc.

 
Sunday, December 15, 1889

     I met Clifford and Chubb at Broad Street Station at 3:15, and we went to Camden together, reaching W.'s house at about 4 or a little after. Learning from Mrs. Davis that W.'s dinner had just gone up, I put the visitors in the parlor and went and talked with W. a few minutes in his room. Urged him not to hurry. We would wait, etc. and he then: "Well—do so then: and I will come down when I am ready—and shall not hurry—shall quietly finish my meal here."

     So we sat downstairs and talked some 20 minutes, after which I up again and W. now willing to repair to the parlor, as he did, laboriously, sitting there by the window. And we then talking with him fully an hour, his power unmistakable and unusually positive for these days. Indeed, he said to us at the close,—"I don't know what has started me to chatter so." He had hardly got seated and put his cane in the corner before remarking towards Chubb (who had greeted him with ready words)—"I always used to flatter myself that I could always and easily tell an Englishman in his talk—but lately one or two instances have come up which completely stagger my faith"—meaning Chubb, for one, who, for his own part, remarked the resemblance in the speech of New and Old Englander, W. however insisting—"The New Englander I can detect with the greatest ease. The typical Bostonee, the travelled man—the travelled Southerner, the Englishman,—are

 
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remarkably alike; but the average New England man is not hard to point out.""Even Emerson had it, though in Emerson later on it was all flattened out" etc.

     Chubb gave W. a card he had had from Edward Carpenter, and then W. inquired curiously after Carpenter's recent days. Impelled by questioning on Chubb's part, W. talked with considerable vehemence, and at length, about American literature and life. What was the prime defect? He responded: "Its gentility—the disposition everywhere to be genteel—to have houses, goods, ten thousand what-not a year, all that." And this, he said, "affected our poetry, as well as the general life of America.""Our people want their cake—their sugared cake—with all the delicate traceries of the confectioner's art." He asked if we had ever seen "the delicate pipes" with which this work was done—Clifford interpolating that in the factory they were not the pipes of Pan. "The old Biblical fellows did not make the cake," W. declared—Clifford wittily suggesting, "but they take the cake," and W. after laughingly saying—"Yes, but they did not make it"—and he spoke of their "aboriginal force, so to speak"—over men "pursuing elegance as the first quality"—Longfellow instanced as typical "yet a man who must be read—may be read long and long, perhaps for all time""the truth being, the confectioners supply what will sell—the writers what the current public want." But he did not despair of America: "There were years in my life—years there in New York—when I wondered if all was not going to the bad with America—the tendency downwards—but the war saved me: what I saw in the war set up my hope for all time—the days in the hospitals." And these convincing "rather by what they revealed of the common people than by other agents"—and "these not chiefly the facts of battles, marches, what-not—but the social being-ness of the soldiers—the revelation of an exquisite courtesy—man to man—rubbing up there together: I could say in the highest sense, propriety—propriety, as in the doing of necessary unnamable things, always done with exquisite delicacy. And in

 
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the hospitals, illustrated in extreme considerate-ness, generosity—as in this case: one man will have a dozen oranges sent him; he will not hoard them—he will keep one—give eleven to eleven others."

     When Chubb inquired of the big cities—whether they did not militate against America, W. responded: "I think I can say without hesitating about that— no: I accept all the cities—all that America so is—then ask for more," that America were "less going wrong in what she has than what she has not.""Sometimes I fear that the mass of the people may become venerated, honeycombed—then something grand occurs to reassure me—to make the issue clear." He did not think the years since the war had known a decadence of the heroic virtues—"for in the war itself, it was not the war that was great, but the deportment of the actors," and that had lasted. I joked with him that he liked cake and candy too and he admitted—"Yes, I have quite a sweet tooth, but I look upon this as a cultivated, not the bottom taste—for after all the cake is only incidental, while for my daily food I must have bread and butter and coffee and mutton broth, and what-not, to sustain life and keep it pure."

     He alluded to Browning. "You asked me upstairs about Browning, Horace, and in today's Press there is an editorial much better than common, about Browning: written, I should say, by Talcott Williams." And then of Browning: "I don't know whether he is for me—I really know very little about him. He is a man who needs to be studied out, and that I can't do, even if I were inclined to. And yet the best readers seem in our time to take most delight in just such writing." Clifford asked, why "the best readers?" And W. added: "Perhaps that is not an admirable—the best—word: I might put it, those who seem the weightiest readers. And I do not know that it is a drawback or a lapse to be as Browning is—I do not know that he ever set up to be anything himself—the world has been left to its own conclusions—and the future may make much of him—much. He is not a man to be read as you

 
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go along, but what of that? Is a strip of sky to be seen or penetrated as you go along, or the river, or a boat, or the men on the street?" And on this bent he passed into rapid review—with poetic expressiveness—his voice at its sweetest—(to the comment of both the visitors when we left)—"For what after all do we know of nature—of a tree,—of anything? There are a thousand convolutions—a thousand circles—one upon another—on and on—and what we see—what we grasp—is about the quarter of one circle." His expression that he had "no doubt America would evolute" to higher things: "America individuated, leading all by representing all, rather than by a system of exclusion." When speaking of Browning's obscurity, Clifford had asked W. if he had been taxed for meanings, and he admitted with a laugh—"Oh yes! often!" Then added with a funny gesture: "There is something irritating in the question."

     Chubb speaking of some who questioned Darwinism—rather, evolution— but—and W. said: "It sounds funny to hear that said: it seems like questioning the tides." But he was greatly interested in Chubb's statement. It was in such vigor he seemed. Inquired of Clifford after his family: assured Chubb that a call any later time before the return to Europe would be welcome. A message brought from Stedman coming in connection with facts pointing to S.'s own nervous prostration, greatly touched W. In return he wished his affection particularly sent to Sanborn (who also had sent a message by Chubb) and Stedman. Reference having been made to Cleveland's Boston speech, W. inquired of it—"Is it good? Worth my while to look up?"—and assenting with a "do—be sure to do it then" when I suggested bringing my own paper down.

 
Monday, December 16, 1889

     8.35 P. M. Detained late in town. When I entered W.'s room, he was resting his feet in a basin of water, saying to me

 
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about it: "This is one respect in which I follow the Biblical counsels—I do not always do that, but here is one case."

     Asked me about the night. "Do the stars shine?" And "how is the air?" I supposed "it was his bed-time, nearly," but he responded: "No—I have no bed-time: I go when I get tired, irrespective of the hour." Harned, he said, had just left the house. Had I not met him? "He brought me down a dozen copies of your book. It seems Judge Garrison is to take them, and wants my signature. Oh yes! I shall sign them—sign them for Tom and for the Judge, both—for their sakes." Referred to Tennyson's book again. "I see it is called 'Demeter'"—spelling it—"and from what the papers say, these poems—most of them little poems—are as good as ever. I read something to that effect in The Transcript." Adding—"I have several papers here on the table for you—the Press, The Transcript, another"—handing them to me—I at the same time handing him yesterday's New York Times.

     Said he: "I have been laying the timbers of a new piece. I have called it this: 'Old Poets,' then, dash, and in parenthesis 'and other things.' I am not quite sure about the title—it may be defective, misleading—I have not absolutely adopted it yet. A literalist would object to it and say 'Poets and other things'—how could that be,—poets are not things—but after all that would be a narrow construction to tie to." I laughed slightly and said I had no fear of his head-lines, under any circumstance, and W. to that: "Which would be all the more reason for us to look out now that we keep up our standard—though the pitcher was taken to the well a thousand times unharmed, now last comes the hour of ruin! There was 'Leaves of Grass': what a fight I had for that name"—and to my interposed idea that time had settled in its favor,—"Well—for 15 or 20 years, everybody objected to it—even my friends." Even O'Connor? "No—not William—but about all the rest. I remember one ardent friend I had—Theodore something or other—a poet, a man of parts. He asked, 'Who

 
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ever knew of a Leaf of Grass? There were spears of grass—but leaves?—Oh! no!' There was one night the question came up: a very erudite—a scientific man—a botanist, in fact,—having stood it as long as he could—spoke out—set me quite up—said that, whatever was the case in literature, in science leaves of grass there were and doubtless would be." And he added: "My critic gave all the intellectual reasons in the calendar, but of the emotional, the sympathetic, he could say nothing—nothing!" And further—"A headline should be large—capacious—expansive—should cover its subject, explicitly—then something more."

     I had Roden Noel's book with me, under my arm—and he asking me "How do you get along with it?" I responded, "It does not fascinate me." W. laughing: "It does not gripe you, eh? I should rather say, grip you—nor does it me. That is sad news indeed," he said, of that which had been brought from Stedman, "but now that I have had time to think over it, I can see that it is just Stedman—men of his nervous makeup—whom such a thing would attack. . . . A good deal of it all, I reckon, comes of the damnability of possessions—of houses, carpets, 2 or 3 thousand a year—these to be kept up, whatever goes—even if health goes. Poor Ed! A noble, affectionate fellow, too!"

 
Tuesday, December 17, 1889

     7.30 P.M. Not at W.'s more than ten minutes. He was taking his evening bath—I loafing in the bed-room meanwhile. Left with him Herbert Aldrich's book on Alaska, copy of Scribner's with Mrs. Fields' article, Cleveland's Boston speech. He took all—"a feast for tomorrow"—thought—"this book will interest me: it starts well—the print itself is a temptation." I had a note from Morse this evening, but no time to stop and read it. W. smiled—"It will do tomorrow!" Has been reading Oliver Twist. Day inclement—no outing.

 
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     Giving me a copy of The Transcript for the 14th, he said: "Something further about Browning—and it may appeal to you—as it did to me." Adding—"But the marks are Kennedy's—not mine." Afterwards I found why he was particular to say the last—that Kennedy had noted an item headed "A wife-beater thrashed by the Justice instead of being sent to prison"—exclaiming with red pencil inserts by—"Good! Ha! Ha!"

 
Wednesday, December 18, 1889

     7.05 P.M. W. in his room, the light down—ruminating. He raised his head, ensplendored in light at the tips of the fine grey hair. "Oh! Horace—is it you?" The night stormy—the day such as had kept him at home. "You look as if you had come in out of the mists," he said—as I had—the fog strong—my coat collar up—moistened on moustache and hair.

     Called my attention to Herbert Aldrich's book, turned—open—face down—on a pile of papers. "I am nearly half through it," he remarked. "It is singularly non-literary—very non-literary, indeed—I was going to say, happily non-literary—and why not? And yet, as is apt to be the case, it is—at least to me—wonderfully attractive, fascinating. I wonder if we are ever to get emancipated from the literary tyrannies—to get out to freedom, nature. We certainly are not emancipated now—are bound hand and foot—sugared, prettied!"

     Read him Morse's letter, in which he was deeply interested. Then in turn discussed his letter received from Burroughs today. The street address W. "gave up" laughingly. Burroughs now in Poughkeepsie. W. promised again to write a letter of introduction for Adler to Burroughs. "I had completely forgotten it." Questioned me, what had Chubb said of his meeting with Sanborn. Sanborn had assured Chubb much as he had me in the recent letter, in perhaps even more emphatic language—in the Emerson matter. W. said: "That is

 
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very significant—I don't know but the most significant." But as to my proposed letter quizzing Edward Emerson he was still doubtful. "I predict that you will get nothing from him—or getting something, will find that something itself a mystery, ambiguous. In the courts they have a sort of witness who baffles all prediction—passes all off with an air of uncertainty—an I-do-not-know or am-not-sure attitude: and I think you will find Edward Emerson such a witness."
 
Thursday, December 19, 1889

     7 P.M. W. sitting in his room, but not reading. Very cordial and spoke of my birthday, this day. "Thirty-one! You would pass for twenty-one, you are so quick, so spry—so alive!" He spoke of his watch—asking me the time. "I have a good deal of trouble with this piece, now-a-times—it don't go by method any longer." And when Warren came in shortly, he commissioned him to get off to a watch-maker with it.

     I had a copy of The Standard in my pocket. Read him from it an editorial on Browning, in which the writer went off at a great rate about the poetic "artifices" of our time, W. laughing and assenting with considerable vehemence—at the end asking, "And who is it is saying all that?"—remarking that somehow the agents of truth arrive and have voice—"here and there—and often in the most unexpected place." At this calling my attention to a copy of Poet Lore, "Do you see it?" Adding: "What a host of papers, magazines, seem to exist now for no other purpose than to expound, exploit, poets—Shakespeare, Browning, Shelley. I can see they may have an importance, too, of their kind—recondite, curioish"—W. laughing over the "exercise" of "some of the fellows" in Poet Lore (Morris, Williams and others) in imitations of early English balladry. A letter therein, too, from Donnelly, in applause of O'Connor. "My first impulse was, to have you read it, then pass it on to Dr. Bucke; but on second thought, I saw that

 
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Nellie O'Connor has the first right to anything that concerns William—so I shall send it to Washington."

     The other evening I picked a copy of the Boston Transcript from the floor—found in it Emerson's letter to [?] Wheeler, recently in print for the first time. W. now referred to it: "I have read it. It is interesting, as all Emerson's letters are, but not what would be called notable." Going on then to Sanborn's letter in a later Transcript (17th): "It aims to set somebody right who says Thoreau did not go to Staten Island tutoring. I know that Frank was right in what he says, because it was in one of those periods Thoreau called on me. I think that Sanborn has Thoreau on the brain: I mean that in a high sense, of course. It is not a matter of our affection for Frank, or again no-affection—but a matter only of judicial opinion—how far he is right, wrong. The great vice in Thoreau's composition was his disdain of the universe—his disdain of cities, companions, civilization. I have very little room for the man who disdains the universe. One of my first questions is always that—not always spoken—not methodically thought, even—but in a way taking its measure: do you, or you, accept the universe and all that is in it? It is an important question." I laughingly queried at this point: "Can't you leave it with the universe to settle with the man who disdains the universe?" W. responded seriously: "O yes! that is to be said, too—indeed, I think if Frank was here with us now, and I should say to him what I have been saying to you, he would warmly take it up and remind me that the universe contains and sustains the man who disdains it as well as the man who accepts. But yet I think there is a damnable disposition sometimes to deny, to affront, the substance, the spirit, the life, the joy, of things." And he continued with amusing vigor, referring to "the women across the street—eight of them—who will come out instantly after a storm with their stinking buckets, to drive all the neighborhood crazy, to wipe out all vestige of the storm—as if nature had been about a bad business." This was

 
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rather occult to me, the point of the reference—though he followed with saying: "That is typically damnable. I know it is severe to take such ground with Thoreau, nor do I, only measurably—but Thoreau does not at every point show the marks of the greatest nature." He appreciated "Frank's loyalty,""say what I have to say qualifyingly of Thoreau nevertheless." Gave me The Transcript that I might read Sanborn's letter therein.

 
Friday, December 20, 1889

     7.35 P.M. W.'s room. Asked after his health. He pleasantly shook his head. "Pretty good—for me!" and proceeded after a little silence: "I must always put it, for me—qualify it. In these days I must be thankful for negative blessings—be thankful I have what I have. There was an oriental tale—I always thought it a profound one—about a man who had no shoes to wear—was too damned poor for anything—and so for a long time had to stay at home. Till one day, somehow, shoes came and he was a free man again. So out he goes, and the first person he meets is a man who has no feet. It seems to me"—with a laugh—"the moral of that is sufficiently obvious!" W. had got out, to be sure—"to Vine Street and back again."

     The papers today speak of Whittier rather doubtingly. W. now: "Yes—he is 82, and quite feeble at that, too. It is quite wonderful how some of those weak fellows live on and on, into many years. Lord Brougham there in England, was a good sample." I called Brougham "an important man in his time," and W.: "I can believe that is in a way so—yet not wholly so: he was rather penetrating than imaginative—of the intellectual type." And anyhow—"the highest type personalities—I do not look for, do not find, in the literary class. Emerson shines as a superb example—exception. As I have been more and more confirmed in believing, Emerson, by his striking personality, suffices to redeem the whole literary

 
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class. This is his greatest fruit—his best result—showing after all, the infinite literary possibilities—certainly a rare gift—rare for any age." I said, when it is asked what America has done for literature and art and so on—I point to Emerson, Lincoln and Whitman, and ask what could be more propitiating?—a trinity of giants, etc. W. said: "I should make a better reply: I should say, the glory of America is in its possession of 40 million high average persons, the brightest, cutest, healthiest, most moral, hitherto." I explained: "But in what I say of the particular persons, I imply all that. America produces them—they come of her soil. As if we spoke of a tree—of its grandeur and exceptional beauty—keeping constant remembrance of the air and the rain and the soil out of which and through which it came. In these men America is vocal." W. thereupon: "I see—and that's the point, exactly—a point to insist upon. America is not so great in what she has done as in what she is doing, as great, as I am fond of saying, because of her intestinal ebullitions—her cleansingness, so to speak—or tendency thereto." And as to the three men being what I thought them: "I see, you are right in your logic: I hope they are what you think they are."

     He had finished Herbert Aldrich's book—"Arctic Alaska and Siberia." When I asked about his interest—"I was not desperately, vehemently, so. Yet it is a book of the sort not to be denied, dismissed." Discussing German "tendential" novels: "I think Bulwer's 'What Will He Do With It?' must have been written on that method." And as to the wordiness and ornateness of Bulwer: "I always realize that those for whose critical judgment in general I have the most respect, would say what you have just said. Yet, after all, with Bulwer as with others, I come back to the question how it strikes me! which has an importance—a first importance—to me. I have never yet fully made up my mind whether I should most like to have that fine balance of critical judgment—dispassion—or not: it seems enviable to me: Emerson had it—had it to the full."

 
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Saturday, December 21, 1889

     8 P.M. W.'s bed-room. Said he had been out today. "We stopped at Tom's office on the way, but he was not there." Enjoyed it much. Alluded to "the forthcoming number of Lippincott's.""It contains a piece by Stoddard on N. P. Willis. Strange to say, this is marked by the entire absence of Stoddard's usual sourness, asperity. I don't know how close he came to Willis. Willis was evidently kindly-disposed—indeed was anyhow the best of men that way—a polite man, a proper man, in a sense I have never known in any other, and to an extent, almost brusque, entirely free of soft-soaping, yet never giving out the impression of offense. This piece of Stoddard's amounts to nothing at all—I could write more myself, though my knowledge of Willis was not ever intimate."

     Another matter: "The Press this morning printed quite a liberal culling from Tennyson's book. Oh yes! it was good—yet not remarkable, either—very soft, sweet, very Tennysonian. Demeter is another name for Ceres, and Tennyson gave that story over again—a story often done, and well done, by men of the past—this may be called the Tennysonian version." I quoted Harper's Weekly, that Browning "alone in his generation has contested the palm with Tennyson," and W. said: "I suppose that Time must settle all this about Browning—Time, which may be said to settle all things. Browning may be the man for 200 years hence: that remains to be developed. I do not think all this investigation of our time goes for nothing." But when I said, "contemporary fame is chance," he assented—"Yes, nothing more so"—but Browning "seemed to have a quality which defied his envious contemporaries, too—and this it might be which by and bye would most largely persevere."

     Spoke hereupon of Mrs. Fields' Scribner article on Leigh Hunt, returning the magazine to me: "Fields had his possessions in plenty—I saw them, in a way—books, pictures,

 
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china, bric-a-brac—I don't know what all. Yet in his models he was the most orthodox of men—afraid of individuality—planting himself on the old forms, literary traditions"—but a man "of first-class quality of its kind." He was "not surprised" that Stevenson should not understand Scott. "How could he? the antipodes of Scott in all things! Scott was too simple, too natural, for him. Scott had a great love for the medieval—persons, equipage, what-not—a real love, running in him deep: yet was as free as a child—loved to get out in the air, breathe, grow, commune with nature—a splendid, healthy personality,"—Stevenson "morbidly of another type."

     Speaking of his health he said: "There is an old man comes to see Mrs. Davis, and when she asks him how he is, he replies curiously—'still doing my old business—still making baskets.'" And W. then laughing: "I am still at my own business—still making baskets and baskets." He thought "we have a good friend in Judge Garrison here in Camden: I think he must have distributed as many as 30 copies of your book—I should say he has had almost that number from Tom." Of the London Illustrated News picture he said: "If you don't mind, let me give it to Herbert: I wish particularly for him to have it." I suggesting, "He is welcome—I have no desire to keep it"—W. then: "Nor do I: I do not want it about," but thought "there are particular reasons why Herbert should have it."

     While sitting there we heard the play of the whistling buoy down the river at one of the ship-yards at the foot of Camden. It has a rising inflection—sings on for a minute or so, then dies by gradation away. W. put up his hand—we were silent—"Did you hear it?" he asked. Then: "Sometimes when I sit here and the wind is south, it is extreme in its power, music. It has a large and liberal—an expansive—tone." Then of steam-whistle-tones in general: "Some are incredibly fine—as in the case of boats, often. I never realized a demonstration of the sort that was as striking as on the Saguenay river, up in Canada. I heard it—it was distant—a sound, as I thought, of

 
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a band—insisted that it was a band—though they tried to persuade me not. Yet it was a boat leaving off steam—that was the whole mystery. I had a hard job to believe it."
 
Sunday, December 22, 1889

     Did not see W. The day clouded in the forenoon—clear in the afternoon. W. did not get out, the clouds not passing off till it was too late for him to venture—the evenings growing so chill. I had written to Mead asking another month for my Whitman article, and he proves content, to that or even more. Can more satisfactorily work if not under pressure.

 
Monday, December 23, 1889

     7.40 P.M. W. reading a little red book, which I found to be "The Awful Disclosures of Maria Monk"—property of Warren.

     Left with him a copy of The American containing Browning Symposium—Morris, Williams, Wayland, Thompson, Appleton, Miss Bennett and others concerned. "I was going to use rather a harsh word—to say, we can learn almost as much from promiscuous babblings about a man as from the sympathetic careful statements of critics—but that is hardly just. I have no doubt of Morris and Frank Williams at any time—they are both in the right drift—particularly Morris—Morris is going there without question. Mrs. Gilchrist's favorite saying about humanity was, "I don't know where we are going—what port bound for—but that we are going somewhere I no more doubt than that we exist at all.' And Morris is going somewhere—it is in him to go—and Frank too: Frank's trend is superb. We must give them all room and time to grow, expand."

     Alluded to his outing today. "We took quite a trip. In a shop-window up town there were a couple of pictures of Goethe and Schiller—fine—they possessed me—evidently

 
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by your father—lithographs." He was no doubt right in this. Spoke of enjoyment, the release of these days—we now passing through a season of propitious weather.

     The Critic this week—in The Lounger—discusses W. briefly—W. asking me: "Who is the Lounger? I wish you would try to find out definitely who the Lounger is—I never really knew. Sometimes I have thought it Joe Gilder—sometimes De Kay—then again—as now—neither—some other. The notions would come and vanish." Perhaps it was no "intended secret" and I could inquire. He would rather not personally. As to The Critic: "It is never vehemently interesting—yet a paper we all feel rather as if we could not go on without." Gave me Lippincott's, advising me to read Stoddard's paper on Willis. "I know it has no weight, yet we seem to need to know what clever fellows have to say." This paper had some unwonted virtues, considering it had "none of Stoddard's usual sourness," etc.

     I read him a letter which I had received today from Stuttgart, from our friend Bush, now wandered far off.


Blumenstrasse 27¹

Stuttgart, Germany, Dec. 8th 89

Horace L. Traubel, Esq.

Camden, New Jersey U.S.A.


Dear Mr. Traubel:

     I had already decided to write you to day, for, during the past week, I have been making a list of letters that must be written, and this morning I rec'd yours of the 18th ult. again enforcing my obligation.

     I remember that I hoped to get to Philadelphia and to see you, but I could not do so.

     I have been working very hard in the past year and, in addition to my work in Lachine, have had 2 patents (in which I am only part inventor) on my mind, with much writing and drawing to do in all my spare moments. I had much to see to in Springfield & New York before leaving, and left with some things undone and without going to Philadelphia, as I had hoped to do

 
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     We sailed Sept. 25th. on the Germanic of the White Star Line. If you are not rich, and ever come over, this and her sister ships have some inside cabins, forward, which are perfectly ventilated, and, unless it is so calm that port holes can be opened, just as pleasant as outer and as cheap as accommodations on much inferior lines.

     We had a rather rough passage, but with favorable winds, and the quickest one this ship ever made coming this way. We saw only a little of Liverpool and then went direct to Glasgow where a friend showed me steel-works &c, and where we saw the Cathedral—not well known, but having the finest crypt in Gt. Britain. We could give only 2 days to romantic Edinboro town and 1 of these I gave to the Forth bridge, most stupendous and hideously ugly of bridges, having 2 spans each of 1600 ft (same as Brooklyn) and many smaller spans and probably costing nearly $50.000.000. We were fortified by the Century articles on Cathedrals and saw Durham of Norman and York of Gothic architecture. At London we also saw the old Norman church—St Bartholomew's the Great. We spent 8 days in London and then went to Paris—arriving as we had planned before the close of the Exposition. As a fellow Eng'r. I had been able to show a little courtesy to M. Eiffel's son, lately in U.S.A. and Canada and the card he gave me to his father was enough for the latter to take us to the top of "La Tour Eiffel," not only to his private room—above the highest point tourists reach, but also up the small tube until we stood just under the electric light, which, every night flashes the tri-color over the surrounding country. The Exposition grounds and buildings are beautiful. The show itself is like all others very wearisome. The wonderful exhibition of French art interested us much, for we had not seen much of it before.

     Coming on to Stuttgart, we came to live in this house where we found a young Canadian musician to whom we had letters. He had just had a hemorrhage, but everyone thought he would soon be up. However after 5 weeks (since we came) he has died and is buried to-day. This, as much as any one thing, is why my time has been broken into and why I have not written sooner.

     I am studying German daily and wish I could stay long enough to master it. Mrs. Bush is studying harmony and musical composition with a Prof. Goetschius from Paterson N.J. He has been here 15 years, written two books and done such remarkable work as to

 
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earn the king's apppointment as "professor." This title means something here and can not be assumed by any 3d. rate musician as in America. In fact our own government might learn much here. The German gov't is working not only for this generation but the next, and the land and the forests and all the natural resources are sacredly guarded. Mrs. Bush (I see I have digressed) is studying piano with a very talented woman here, Frau Hauptmann Hoerner. She is a friend of Rubinstein and Leschetizky and was of Liszt and Kullak. She takes only those pupils who give her pleasure and she says Mrs. Bush does. However, though Mrs. Bush has so much talent, she had not the best instruction early enough to make her a great public player, and she has little taste for much of such a life.

     Yes, I remembered that my payments were only up to Nov. 1st (through Oct.) and as I had expected to start for home before this I thought I should not be much behind-hand, and so made no provision for same. However, as I shall not now start, until after New Years I will ask a friend in New York to send you the am't for 2 or 3 months and shall then be able to attend to it myself.

     I am sorry I have delayed writing you so long—but I have been having such a good rest, you will, I know, forgive me. We both send a great deal of affection and Christmas greetings and best wishes for the New Year to Mr. Whitman and yourself.

     Please keep the little book for me.


Sincerely yrs.


H. D. Bush

     You did not answer about the Leaves of Grass. Shall hope to get them of you.

     He was extremely interested: "His resume is extremely taking—it sounds as if given intimately—as if from one chum to another—stating the most definite particulars. After all, our men—men of men—are the scientific men—men having a basis in sublime common sense—an exalting common sense. I know of nothing developed in history to exceed the value of this." And he wished me to "message" his love to Mr. and Mrs. Bush "at the first writing."

     Today had brought me likewise from Rudolf Schmidt—5 pp. notice of the banquet book from the periodical (Copenhagen)

 
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"Literatur og Kritic.." Much to W.'s curiosity (as mine, since neither of us could read it). "We are always curious to know what is being said of us—particularly by the man who views us from the outside. Even if we realize that he don't grasp us, we see an importance in his statement. We must certainly get some translation of this."
 
Tuesday, December 24, 1889

     7.35 P.M. Stopped in but briefly. W. reading. Was in bright, cheery humor—color good. Had been out. "I went to the Cemetery with Mr. Moore—selected a lot there." And as to removal of his mother and father to that spot—"That all depends—I do not know yet whether that can be."

     Asked me: "There is a question I wished to put to you—this: did I ever tell you that Schmidt—Rudolf Schmidt—got his book? I feel that I did—yet I am not certain." I thought it probable—I had an indistinct remembrance of a postal of acknowledgement. "That is probably the case, then. I have marked in my note book 'rec'd'"—spelling it out—"and no doubt for good reason." Adding then: "Symonds has his copy of the big book, too—safely arrived, written about. Here is a letter from him today—a marvellous letter—which I have laid aside for you to read"—taking it up and handing to me. "It perhaps surpasses all he has so far said about us." Reflecting then as to the mails: "How wonderful the delivery of our packages—the great distance no obstacle at all! It all draws in the direction of solidarity—that is its best lesson, its best hope. I have told you about my Chihuahua experience. The wonder is, that they go at all—particularly that book—a big, lumbersome, clumsy book—only going through at all by a stretch of conditions—because its more than 4 pounds is in one volume instead of more."

     Asked me if I thought Morris knew that his Sarrazin piece in The American was partly quoted in The Critic. Returned

 
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me The American. Several Christmas presents have been sent in to him. He keeps them there and refers to them appreciatively.
 
Wednesday, December 25, 1889 Christmas

     11.30 A.M. W. in his room, making up a package of portraits—ribboning it—autographing—etc. On the chair a sprig of holly, which he called my attention to. The little things—so-understood—which make up man's life!

     Left with him The London Illustrated News containing the portrait. As I returned to him Symonds' letter, I called it "a great letter." And W.: "You think it is? I should not wonder." Saying further after a pause: "Coming from Great Britain—from a man of books, a world of books, it has a quality highly significant." I remarked: "But it is a letter you never could have written, however much your love or reverence for another." W.: "You think so? That it will not do for democratic America? It is gushing?" I responded: "I don't like that word—but it is not a letter you would have written Emerson, or Emerson you: it is too much in the spirit of discipleship." At this his face lighted up. "Oh! I see! and that's very penetrating, too—very good—I don't know but the final truth.""And now," I put in, "what becomes of Kennedy's saying last year that Symonds was too timid to avow himself?" W. argued: "I remember—but that was written from another base, coming of Symonds' letter at the time of Swinburne's—shall I call it?—diatribe of me in the English magazine. But after the letter in your book—and now this confirmation—this clinch to that—I think no more need be said on the other ground." He afterwards asked me: "After all, do you not think this letter better than the one you printed in your book? It is more intimate, more personal, more throbbing. I have been speculating what to do with the letter—whether to send it on

 
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one of my combination trips—to Burroughs, through him to Kennedy, through Kennedy to Bucke. At any rate I want to read it again, and carefully, myself." As to the missing line or poem spoken of by Symonds, W. declared: "I am not clear about that line—are you? If it was dropped, it must have been for some good reason—for I have my reasons—to me the best of reasons—for such changes as I make. Yet I do not in the least remember the line, though it was no doubt there and may come back to me when I start to look it up, as I shall." And then he asked me about Symonds' Greek books—advised me to read. "Take my books! Long ago I first came across them—cherished them: they have been part of my household for many years—a lasting refreshment."

     Went further into experiences. "Did I tell you I went out to the Cemetery yesterday? I selected a beautiful lot—to me the most beautiful in the place—the land slopes down to Cooper's Creek. I think there must be fifty or more buried there already." I asked: "Do you intend it for a burial lot—do you wish to be buried there?" He at once assented: "Yes! that is the intention. I know about the lot in Laurel Hill—Pearsall Smith's—but this I deliberately select, with a serious end in view." And as to the man who wished to know "if W.W. was content to be buried in such a damned place as Camden"—he said: "What comes then is not to be worried over. I wish you would go out to see this lot sometime—go tell Mr. Moore you want to—I should like to know what you think of it."

     Gilchrist was in last evening after I left.

 
Thursday, December 26, 1889

     8 P.M. W. reading Stedman's big book. Commented on it to me. "I think that some of the best features of this book is in the pictures—some of them, not all; for on the other hand there are execrable samples. Look at this"—turning the pages over and showing me the Channing page. "What do you think of that? I have no doubt it is a caricature—a caricature of the

 
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worst kind. I don't think Channing ever developed such an appearance." And at this, laughing—I having picked up from the table the Illustrated London News version [of W. W.]—"And that! What a libel that is! Tom Donaldson—he was here last night—said he had seen it: What! that a picture of me? Psha! why that's foxy—foxy! It's no picture of me—not the slightest! I have no doubt the London artists of the lower orders, and the engravers, are a damned supercilious class, without the sense to know what is owing to fidelity, truth, nature. Artists there or anywhere are some of them eligible to be what they say the Parisian is—the typical Parisian—Paris to him is the center of the world, his coterie the heart of Paris! Resolved, that the elect shall put their stamp on the world—Resolved, that we are the elect! Something in that spirit."

     My father has been making a large copy of the Gutekunst picture and W. said: "I shall probably stop in to see it tomorrow if I get out. I passed the house the other day." I laughed—"And there are no Romeo Italian curls on it!" He then—"I hope not! I hope not!" Adding, "I was out yesterday—out today—for brief stretches. Yesterday I had a Christmas dinner, ate it home here—ate of it too heartily, I'm afraid—I am not over it yet." But Christmas had brought him friends. "See here"—lifting up one foot and showing me a new slipper—the other in a box near by—"this was one of them—nor anything more fit! And Tom Donaldson paid me quite a visit—brought along this bottle of whisky"—taking it up and reading the label to me. "He cracked it up high—according to that propensity in men which makes for the individual his minister, his doctor, his lawyer, his champagne— his what-not—the center of all world-importance. That is one of the great charges foreigners bring against America—against typical Americans—but I doubt very much if it is especially marked here—if it cannot well be found in other countries."

     I asked him if he had not found a rather sad strain in Symonds'

 
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letter, and he responded: "You mean a pensiveness? I don't know. That hardly struck me. The thing that most impressed me was its almost passionate utterance—an almost abandon of passion—a marked, a remarkable, effusion of color—power—glow."

     When I came in he had asked me, "And have you news?" And on my negative merrily exclaiming, "Nor have I bite!"—explaining afterwards: "Two fishermen are together, and one asks the other, have you bite? and the response is, Nor have I bite! Tonight, bite is not yours, not mine!" Referring to Henry Grady, the brilliant young Southerner now dead: "I don't know as much about him as I should—but he is a man—or was—of distinct parts—as I imagined, a sort of John Boyle O'Reilly of the South."

     "I have had quite a curiosity," he said once more, "to fall on the track of my Brazilian poemetta—I looked for it to appear yesterday, but there is no sign of it." Referred to the Philadelphia Press as "specially well printed—even the illustrations—not remarkable in themselves—showing to advantage."

     "Did I tll you," he asked, "that I had an order today from a lady—for the pocket-book edition?—And there was the big book I sent off the other day to Sag Harbor—also to a woman."

     Promised to write me out a check for Billstein.

 
Friday, December 27, 1889

     5.40 P.M. W. had finished his meal—sat there in the twilight, looking out to the north-west. He knew my step—and of course knew my voice. "Shall I strike a light?" he asked—and when I objected that I could see enough—"I suppose—but it is unlighted here, and a light may be had." However, no light was had, and I stayed till 6.30. He was in excellent mood. "I stopped in at your house today—saw your father—

 
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your mother—the picture. And this picture I should take to be quite a work—I don't know but the most effective extant of me. Who knows but that 20 years from now Aggie may find herself possessed of a valuable curio. How broadly your father has treated it!—making of it an almost perfect piece of art. And you say he loves it, eh? perhaps that explains a good deal—to be con amore with your work—your duty—signifies a world of advantage to start with. This picture struck me because it impresses without calling in any adventitious aids—no color, no tricks—a pure specimen of black and white work. One thing"—laughing heartily—"Tom Donaldson, if he saw it, would not feel called upon to dub it foxy. That London News man's!—why, damn 'im!—that's no portrait at all: that's a bite, a wart, an excrescence." It was true he could imagine the News man's environment—"put myself in his place—in some measure realize his position—see his work as he does: a skilled man, after the world's approved manner—up in his art—maybe even in the good grace of the crown—with art ideals, tyrannies, of his to uphold, see to." Back to my father's picture: "When you go home, take another look at the eyes for me—see if they are not a bit dark—if they do not in some measure convey the impression of black eyes. I don't know that this is absolutely so—I know that with artists some emphasis of this sort is required and allowable. But the question is, if, 20 years from now, anyone seeing that picture would not think I had dark eyes—which you know is not the case. I had no other suggestions to make—even this I was inclined to brush away at first—but it has followed me home here—stayed—so I concluded to speak to you about it. How different this portrait from London!—in which I am dressed up as a tailor would dress a puppet—not as fits me, but as seems the mode to him. Tom Donaldson said someone who knew he was quite friendly towards me had brought him that picture—he looked at it a long time. It was then his 'foxy' came into his mind as the only word that would apply—and that is very
 
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good—very. Tom is very happy, often—misses sometimes, but is curiously apt in the main. Your father seems to possess particular faculty in this line, and this picture, I think, is his chef d'oeuvre. Noble works of art—fastened, clinched, held close to nature—are rare, rare, rare. In portraits anyhow I think I see curiously stereotyped forms. In what is averagely done in England, on the continent, among the painters, they make a man barbered, combed, after an emperorish fashion—a rule we must all conform to"
etc.

     Afterward we were turned upon another theme. "I had a letter from Doctor today—he ran to speculating—said he had been weary, overworked—would he ever get relief from this pressure? If the meter brought him lots of money, would peace then come? or would that simply augment his trouble? or all this failing, then would the life to come, our immortality, supply the defect of this—diffuse joy and rest—or would that life, too, be but the round of labor, duty, this one is. I turned the letter over in my mind a good deal today, and this evening, as I ate my dinner, the light dying in the west, the letter before me, arresting me again, I thought to myself—'Ah! Doctor—what boots this inquiry after the uses of immortality: better be certain first of the immortality itself!' Doctor is a very busy man—has many cares, many irons in the fire—not the least of them this worrisome, if not wearisome meter—and he is sensitive to the high performance of anything in the way of duty—I know him well on that side!" I alluded to the Doctor's remark to me that physically he could no longer work with impunity and stand unweariedly what was a light task of old—insensibly a change had come. W. at this: "Ah! yes! I know it well!" and then: "The English, men abroad generally, have unerring circumspection in some respects—they take care of themselves—often, rather, are taken care of—have wives, sisters, mothers—veritable and abiding providences. Incomparable, however, the valets on the continent." He well remembered Brougham, Gladstone,

 
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Disraeli, Palmerston—"What a wealth of performance even in their old age made possible" by the "watchful valet—an almost sacred instinct his.""In America we have no such person—no girl, no valet, no wife—expecting it—to do it—fortunately, few needing to be so taken care of. I remember a little incident with Herbert [Gilchrist] when he was here several summers ago—Morse was here at the same time. Sidney was one day blacking his shoes—an Irish woman was here—working, at the time, assisting Mrs. Davis. Herbert remarked to Sidney, that he should have let this woman attend to the shoes. I put in, that if we dared do such a thing the woman would probably up and curse us and leave the house. And yet Herbert explained, that what he touched upon would not have appeared strange in England—that in fact, the girl they had would feel hurt if not allowed to shine his boots. I could only say in reply to that, that this was democratic America—another state of society—in respects, another age." etc. I spoke of my preference, rather for the independent instinct of the Irish woman. W. then: "Yes—so do I: I abate nothing of my democratic sympathies. The self-reliantness of America, brightness, cuteness, remain to me what they have been, the top of the heap." But the valet service I said was consistent with democracy—might be cooperative, and W. then: "Yes, entirely consistent—the doing of all I have spoken of consists entirely with the most profound democracy." But our living was false, too often—not gauged by circumstances—"as the Arab, in his spare sand—living on a crust—no stomach, belly—yet adapted to his place—defying all our wonder how he can subsist on such means. You catch what I am driving at?—I seem sometimes to speak in enigmas."

     Advised me to go out to Harleigh Cemetery. "Doctor has written me for fuller particulars. Do you go out there sometime soon—ask for Mr. Moore—the superintendent—tell him I sent you. I think it promises to be a fine place by and bye. It is a mere walk—you can easily go it—why, two or

 
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three years ago I should not myself have thought it much of a walk."

     I left with him the Bazaar in which was a Rembrandt—"Rembrandt as officer." "He is one of my prime favorites—the earliest of all." Would send with me a banana for my mother—handed me one—hesitated—then brought forth another from the bag. "One looks mean," he said.

 
Saturday, December 28, 1889

     7.55 P.M. W. in his room. Welcomed me and said: "I am reading a story here of Amelia Barr's—in the November Century." Adding—"And it is quite interesting, too." It was "one thing" to "while away the time." Had he been out today? "No," he said—"I was not permitted today. Warrie, boy, there, has been quite sick—he lies in the next room there now. Yes, I suppose it is the grippe—" now rampant in Philadelphia. Asked me therefore curiously about the weather. Said he had not yet sent the Symonds letter to Dr. Bucke—"though I have told him I had it"—wishing to read it still himself.

     "And now," he said, "the year draws to a close—again and again, draws, draws." I asked, "And 1890—is it to have a greeting from you?" He "hardly" thought so. I said: "The last year's, to some, was savage."—And he: "I don't know but it was sort of that way—it must have been if it affected so good a friend as Mr. Coates—which is Herbert's version, isn't it?" His Brazilian poem has not yet turned up. "Have you come across it anywhere in your travels?" he inquired. Returned me the Bazaar—remarking of "Rembrandt as an officer"—"That picture is wonderful fine—yet not so good, I should say, as his Burgomaster—the best I know from him. Not the least part of that is the engraving, which is superb." W. had seen a reference in The Critic—"The final chapter on 'Toward the Subjective' reminds me of Walt Whitman's prose, without

 
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the brilliant flashes of genius found in the writer across the Delaware." This in treating of a book of John Darby's: W. thinking it "generous and kindly" though dubious about that word "brilliant" and the "flash," which "hardly apply."

     I read to W. the letter from Stockley [the proposed translator of Sarrazin recently spoke of]—of which extracts are given below—written to [Harrison] Morris and left by M. with me today.

      It is very kind of you to say you would like to see my translation and that Walt Whitman himself would or might. Your advice I should only be too glad of. If it is not accepting too roughly your generous offer of advice, may I ask if I could in writing to M. Sarrazin be in any way introduced? He would naturally be more disposed to listen to his would-be translator. . . . You kindly said you thought you could get M. Sarrazin's address. Might I have it? [etc.] . . . Do you know of any publisher in whose special line such a translation would be?

     W. listened and remarked: "If he is but about to translate, then I wish him good luck—if he wishes Sarrazin's address, that we can give him; if he asks advice about a publisher—no, no name occurs to me—I have nothing to say on that point; if he means to hint for an introduction from me, there emphatically no—emphatically no. He will have to go his own risks, letting come what may upon the event. Much will depend upon his own work." The Sarrazin book "is public property: let him get his book out—abide the result."

     Alluded to Symonds' "exquisitely fine nature." I called his passage very strong in which, as I said, "After questioning about the missing poem, he pulls himself up suddenly by saying in substance—but here now, this is not Leaves of Grass—this is detail and L. of G. demands the mass." —W. exclaiming—"Good! good! So you think that's the way it sounded?"

     I told him the Haydn story (I think Haydn)—the K?nfurst[?] or Duke or somebody, patron of his band, who for economy's sake was to dispense with the band finally—how Haydn

 
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composed a farewell piece, for a performance, in which one instrument after another could be dispensed with, each man putting his instrument away etc., and passing off as it was done. W. exclaimed: "That is a poem—exquisite—grand and fine—high among the best I know!"
 
Sunday, December 29, 1889

     9.45 A. M. W. in his room—had just finished breakfast—reading The Press. I took him down the new issue of Current Literature, which last night he said he would like to read. "I shall get feasts of feasts out of it," he said, "it is an organ of and for many tastes." He had "woke well"—and "eaten a hearty breakfast," and now was "comfortable and serene, as you see."

     Referring to the Illustrated London News picture, which lay on the table before him: "It is not worth talking about: it departs so from all that is true and fine, I have no patience with it."

     His "Christmas Greeting" not yet published. Did not know if he would feel moved the next few days to "address the year 1890" or not. "I had better not, I guess, if there is to be any such result as last year's"—referring to the surprise and sensitiveness of some of his friends. Curious about the weather, but as Warren is still sick, "I hardly expect to get out today."

 
Monday, December 30, 1889

     7.15 P.M. W. sitting in room reading in Current Literature. "I am looking into Waldorf Astor's story," he said—a chapter there from "Sforza"—and he added, "You see, I keep on reading this magazine as long as it is here." Was quite well—"comfortable, in my sense." Had looked carefully in all the papers for his "syndicate" poem, but so far it had not "showed up."

     I told him the Charles T. Brook story of "the great I am and the great I ain't"—and he was much amused, laughing a long

 
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while, and saying—"It is the best thing I have heard in a long while—entirely new to me""with a pith and point quite obvious." We talked very freely for full half an hour, W.'s voice and whole manner easy, however deliberate. When I left, knowing I would not visit him tomorrow evening (work at the bank to be urgent and detaining me) I kissed him my New Year's wish—he holding my hand and exclaiming—"Good boy! good boy! And we will hope together for best things—the very best."

     I read Clifford Symonds' letter yesterday. Clifford had said: "It is good he is 3000 miles off: it saves him the disappointment of putting his questions to Walt and having them avoided."—And then he inimitably mimicked what would be W.'s manner of avoiding the dangerous ground. W. asked—"So Clifford has heard I dislike to be asked questions?" Not heard of, I said, but has observed it himself. W. thereupon: "Ah! and that is the truth, too! Some years ago there was a young Englishman came here—he was introduced by Mrs. Gilchrist—I liked him well. He told me that Mrs. Gilchrist had warned him before he came that if he wished to be at his best with Walt Whitman, he had beyond all things to avoid asking questions—that she had met many men in her time but no man more markedly set against the inquiries of the curious. And he wished to make a good impression. "Walt Whitman and I," she said, "have been the profoundest of friends, but even between us my inevitable questions have badly cracked the rope." Hicks had told me he always found W. so "reticent" when he came, and I suggested—"Perhaps you ask him too many questions?" But he was "not aware" of any marked reticence, say of Mr. Hicks—"I shouldn't wonder but that was the case! William O'Connor was probably the prince of conversationalists—in the high sense brilliant—not tawdrily so, as brilliancy is apt to be—but brilliant nobly, profoundly. He needed to be free, to have the right person with him—then all went well—probably just as he was that time you saw him." Then: "I laid Symonds' book out for you" but

 
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he could not find it in the "debris" as he calls the litter. "It has been to me a great resource—a great reservoir—time and time again, for years and years, it has afforded me wonders of release."

     Observing my interest in a copy of The Critic I picked up, he remarked: "It don't amount to much: once in a while there is a piece, a paragraph, of some interest—but as a rule, it don't amount to much—puffs, scissorings, pot-boilers, to little effect—weak, often, puerile—a review now and then by somebody who knows what he is talking about. There are several fellows connected with it, probably, of the Joe Gilder stripe. At the start Jennie Gilder had much to do with it, and she was the life of the paper—but she probably finds now that it don't pay her well enough, and she has withdrawn mainly to other quarters. Mind you, I don't tell this to you as a thing I know—it is only my guess." Had he thought there was a change of feeling towards him? Was the applause not fainter than of old? "Yes, I can say I have, but of that I do not absolutely know, and certainly do not care."

     Why did Emerson leave W. W. out of "Parnassus"? "I never knew why. All we can say to such a case is, if the fellows can afford not to do it, we can afford not to have it done. Bryant issued such a book, too—in the first edition omitting Leaves of Grass—but it seems—so I have been told—that in editions since Bryant's death—I have been represented." I quoted against this my own edition (1876)—which W. had not seen—in which W. appeared. At this he said: "Well—that accuses me—that makes me see it may have been rectified by Bryant himself. [C. A.] Dana, in his 'Household Book of Poetry' quotes me rather copiously." [Not in Eleventh edition of 1868.] Mention of R. H. Dana's "The Buccaneer"—which I had never read—I asking W. —"Do you think it would be worth my while to hunt it up?""I certainly do—if you have not read it, it would certainly repay your search highly. It is a really noble poem in its class—has more the ring of Scott than any poem I know in English. Scott's is so free, so high—

 
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has itself so grandly the ring of balladry—is perennial. I did not know that side [of] Dana's at all." But he had read "Two Years Before the Mast." "This Dana was a young man of consumptive tendencies—seems to have concluded that the thing for him to do to save himself was to go to sea—to ship before the mast—which he did, with the result that that book was written."

     I spoke of reading Noel's "Byron." W. then inquired: "Have you ever had occasion to read Macaulay's essay on Byron? I always liked that very much. And there, too, is Arnold's essay on Heine, on the same order—to me the best thing Arnold has written—the only thing among the essays having for me a deep and lasting influence, interest. It is here somewhere and I have looked into it more times than I could give account of."

 
Tuesday, December 31, 1889

     Did not see W. today, as I had told him would be the case. At the bank till 12.15.—Weather cooler and good.

 
Wednesday, January 1, 1890

     1.30 P.M. W. in his room reading The Ledger. Said there was no sign of his poem yet. "Have you caught it?" he asked. He had read the Gladstone-Blaine controversy in The North American Review about the tariff. "Gladstone does not appear to great advantage as a controversialist. I can see that Blaine might knock him out on that line. Yet the arguments for protection are mainly special pleading. I see some one wants a duty put on bananas: that seems laughable, but I see in it the gist of the whole matter." Then referred to Gladstone's age—"Eighty! Oh! a great age! And Whittier 82—and Tennyson 80!"

     Spoke of the New Year's noises. "That's the average nigger's,

 
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average man's, boy's, idea of amusement, to make a big howl—and they succeed in doing it, generally." Asked about the appearance of the Philadelphia streets, and was much amused with what I saw of the midnight orgies, so to speak, on Chestnut Street.

     I asked him for Sarrazin's exact number for Stockley. W. thereupon, as he took up his memorandum book and looked for it: "Did you know that Troyon was the name of an artist?—a famous artist?—as famous as any? They have a way there in France"—evidently having Millet in mind—"of ignoring their men till they are dead—then making a devil of a noise about them." I asked: "But do they not do this everywhere?""Oh yes! and being done is well done, too: it is a consuming force—gets rid of the fellow who puts his foot in it!"

     Today he had received his copy of The Century. "Who is Bryce?" he asked, as I looked at the frontispiece—and on my saying what he was, fully—"Oh yes! I remember: I had forgotten all about the name—how it was connected. I have never read the book: an Englishman and writing as such—I see!" And of Henry James' article on Daumier, the caricaturist, W. said he liked the illustrations "very much." The Camden Post yesterday contained a poem by James Law (of Camden) on W. W. W. had secured a number of copies. Written in Scotch dialect—W. had "no opinion to deliver" on it. In giving me Johnston's address (N. Y.) which I had asked for: "The best typical American of the business class I know—a man of ventures, losing in some, but in the main coming out profitably—a man warm for good causes—cute, alert—not afraid to send 5 dollars after what another man might call a chimera."

     I stayed but briefly, having to get a train. W. looked well and said he felt well. Weather drizzly—would not, of course, get out—nor had he been yesterday. Asked after my work last night—seemed and said he was "pleased that you got out so well."

 
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Thursday, January 2, 1890

     Detained in Philadelphia in the Bank—with a meeting to attend late in the evening—therefore could not see W.

 
Friday, January 3, 1890

     7.30 P.M. W. in his room reading a book which proved to be Hedge's "Prose Writers of Germany." When we commenced talking he laid it down, but by and bye took hold of it again and said to me: "Do you know anything about this book? It seems to me a great, a teeming book. I have had it about me for a full thirty years, and from time to time gone through it again." And he asked me about Hedge himself—"Alive still?" as he is—calling my attention to some of the portraits—particularly Schiller's—saying of this—"What a beautiful man he must have been!"—and being very curious about Jean Paul. "There is no mention of Heine, but I wish there was." His copy is an edition of 1848. "I guess I have had it nearly from that date." I read and translated for him the German text on the title page, signifying the profundity of the German nature rather than its delicacy etc.—and he thought that "a profound reflection itself."

     "I have a letter from Doctor today. Yes indeed, he speaks of your note—seems to be in great glee about it—about me. Says you give him glowing good accounts." I laughed at the glow, but told W. what had been the substance of my letter: then asking him: "Don't you really feel yourself more comfortable than last winter?""Yes indeed"—adding—"I was out today—enjoyed myself to the full—it seemed a little cold—did it to you? but it was fresh and fine." And he acknowledged that these were "the saving of" him.

     "Tom was here last night," he said, "and he brought along a big bottle of whisky—the best you ever saw." Then adding,

 
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after some reflection: "I think I shall mix a pitcher of toddy tomorrow." Asking me then amusedly: "Are you fully and irrevocably determined against it?"—adding—"Well—if you are, then I won't save you any." I put in—"No—keep mine for your own profit." And he laughed—"Profit? No—I shall drink very little myself—it would not do—only enough to taste—to be satisfied it is right—that my cunning has not left me." This day's papers much given to accounts of the death of George H. Boker yesterday. W. said: "Boker seems to have been a genuine man, a good liver,—genial,—eating, drinking. He is Elizabethan, I should say—one with the men of the Elizabethan time—with Shakespeare, with Marlowe, with Johnson: brilliant, versatile, alert." He admitted "Francesca da Rimini" was "much of a play"—adding—"I knew Boker—met him: he had the look of a man with the best to drink; the best to eat; warm, florid, almost effusive in his ways." And—"He seems to have suffered a good deal toward the last. Poor fellow—poor fellow!"

     Said he had not yet sent Symonds' letter to Bucke. Gave me a check to settle up with Billstein. I had a letter from Brinton in which he gave me the names of several Danish scholars. W. said: "To a man understanding us, our ways—taking an interest in us—such a reading and translation, pencil in hand, would be an hour's pleasant diversion."

     That Mrs. Fairchild signed herself "Elizabeth Fairchild" in the letter I received today seemed to awaken a curious line of reasoning in him. "Is it some sudden new development of woman's-rights-ism?" he asked—some [?] of independence?"

 
Saturday, January 4, 1890

     7.50 P.M. In his room. Was out and at the shipyards today. I asked on entrance (he sitting there reading one of his old Customs diaries)—"And did you have your trip out of doors today?"—he replying, amused: "And here he enters with a

 
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question, knowing that of all abominations, that is the worst to me." And asking after a slight pause—"And how is the weather now?" I saying—"Another question"—and he—"To give one question for another! I have heard of a man who said, I take treats but never give them. I did not know the man, but have heard of him."

     After all, he had "not inclined to make the whisky toddy today." Called my attention to the book in his hand. "This is one of my countless memorandum books—I have had hundreds of them—this is a Washington one—now 20 or 25 years old. I do not know by what combination of circumstances it has been preserved—but here it is, turned up after many days—old, grimed. Every name, every date in it, recalls a thousand scenes, multifold memories—persons, events—army incidents—those fruitful years. The written record but a drop in the bucket—I may say, a drop in the sea—to the whole story." And even the glimpses in "Specimen Days" were "but the most fugitive—the most slight—most brief." Bucke made some suggestions as to head-line for my Whitman essay thus:

     I hope great things from your Whitman paper. Yes, make it personal by all means, and put it in as simple a narrative form as possible. Yes, nothing could be better (as an illustration) than the last Aug. photo. (which looks across the room at me as I write). A photo of the "den" too (if it could be well done) wd. be most interesting (wonderfully so to those who have been in it more or less often).
"Walt Whitman at date" would do:
how would you like:
"W. W. as I know him"
But (after some hundreds of them) I am a little tired of papers, paragraphs, sonnets, &c. &c. &c. called "Walt Whitman" in any shape. How would something like one of the following titles do? (of course I have no pretention to name a paper I have not even seen):
"The Poet of the Modern"
"The First American Poet"
"The Avatar of Democracy"
"The Bard of the Dawning Era"

 
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     I read to W. who exclaimed: "No! no! I can say without hesitation, that, as far as I am concerned these would all be promptly rejected." I explained that they would not fall in line with the personal flavor of my paper. I had initial paragraphs of this with me, and read them to W.—who said when I had done: "Yes—that is good: but too eulogistic—too eulogistic! I should suggest—make it very concrete—even statistical—and then a close. But I ought to add of this, as I would of my own writing—you are the man who is writing it, or I am, as the case may be, and it is for you or for me, therefore, to follow our own bent, please oneselves, whatever the other fellow may believe."

     "And so poor George Boker is buried!" W. said at another juncture. "Come—gone—a true high man. And the years—oh! how they go and go! I am amazed: this little book here—this bunch of memorandums—already a quarter of a century old! It is hard to realize lapse after lapse the slipping away of time."

     "The papers appear to be full of society news, gossip, controversy—just now, the solid things all ignored, unheralded." I referred to the Thoreau-ish Herbert, gone out on Long Island from professional life in New York, to live as a recluse and farm an acre or two—having already written a book about it. —W. explaining the topographical and other character of Long Island—its "very jagged coasts at some points" and its "salt-marshiness," especially towards the east. "I know the whole shore well and well—have wandered it, I can almost say afoot."

 
Sunday morning, January 5, 1890

     9.45. W. in his room reading The Press. "The papers are full of stuff, and yet one keeps on asking, what is there? What is there? Nothing, that I see."

     He has a great way of asking, if you have a bundle in your

 
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hands—"What have you there?" This time it was [J. Vila] Blake's essays. "That is good—the paper label—not but that the label itself could be better, but the label because a label is a good idea—is not amiss. I remember a farce, when I was a young man, theatre-going—'The Captain's not a-Miss'—not a bad pun, as puns go, on the word—seized from some point in the play. Yes, it is quite dead now, I suppose. At that time it was the custom to close an evening—even a tragedy evening—with a one-act farce. There were always two sets of theatre-goers—one that came late, one that came early: by the insertion of the farce, both ends were pleased." And then he went back to the book. "So this book is by the preacher-man. It is well printed—goes back to the old style—not that the old style is good or bad, but that it is old, is the significance."

     I asked W. about the Booth pictures in Jefferson's Century article. "They are quite good—have merit. I don't think anyone who ever saw the elder Booth in his prime—at his best—could believe our present man to hold a candle to him. In fact, to one who has seen [James Henry] Hackett's Rip Van Winkle, Jefferson seems very much smaller and narrower. Hackett did not play it often. Jefferson's is modelled a good deal on the formal theatrical rules—he makes too much of the farcicality of the play—like Byron, who was said to like the rum that cut his throat as it went down. Not but that it was good and I have enjoyed it, for I have. I have seen him many times—liked him best in the plays he plays least, or now not at all—did play in his early days—as Noggs, for instance, in the little piece from Dickens."—And then he commented directly on Jefferson's article. "These fellows do not seem to know as much as is supposed—if I had it in mind to write an article about the acting of those early days, I should certainly get nearer the heart of the matter than Jefferson does—of the marrow, what-not, he knows little or nothing." I told him I was glad to see a picture there of Harry Placide, of whom I

 
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had heard so much. "The picture is pretty good but not very good. Placide was not what would be called facially a handsome man—he was a man of the old style—by that I do not mean that the old style is to be preferred to the new—only, that the man of the old style—say, Zachary Taylor—with whom I one time rode north from New Orleans—or Henry Clay—or Abraham Lincoln—men who on the Greek principle would be considered ugly—had yet a positive magnetism, attractiveness not to be gainsaid. Placide had this power, if not the gift of beauty." Jefferson lacked the highest touch by being "to inclined not to reserve anything." W. knew Salvini was intense—"but to Italians, the Spanish, the French,—to Oriental natures—this is the necessary and fit thing."

 
Monday, January 6, 1890

     6.20 P.M. W. in his room, just lighting up. Gave me a cordial welcome. I picked a cracker up from a full plate on the table. He laughed. "Hungry? Take more—take half a dozen—and take some cheese with it—there is cheese there. If I did not know it was useless I should ask you to take some toddy. All the ingredients are about me,"—pointing to stove and table. I was just on my way home from work. He added: "I can easily make a good plain meal out of bread and crackers—have often done so."

     "The world," he afterward said, "appears to be going on its own pace, nothing in the daily records to move us greatly." He hardly ever knew "a more placid" era "so to speak." Had not yet read Blake's book. "It is one of the good things to come."

     I was reading today the Hay "Lincoln"—now at the point of L.'s assassination. I referred to it as "a lost opportunity." W. thereupon: "Yes—it is absolutely without the vivid touches that belong to the event. One is hardly excused for writing of it at all if not better than that. Beside, as you say, it lacks

 
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entirely in perspective—is partisan—full of blackguardism, so to speak." I had put it: "The writers seem utterly unable to protect themselves—to get in other hearts but their own. They cannot get over the idea that Booth was a scoundrel—any other notion seems impossible to them." At which W.—"You hit the nail on the head there. They are not in the least Greek, Homeric. Old Homer, as long ago as that, had the good sense to make Hector a great man—to fill him out—make him expansive—indeed, so markedly so, as to incline some to demur. But it was a true instinct, necessary as well at this time as that. I think I see all through this life of Lincoln a tendency to blackguard the South—the Southern men—this is a spirit that ought to be altogether gone."

     He had "heard somewhere that Stedman has come into a fortune"—adding—"What do you know about it? Somebody was here—told me: I was going to say it was Tom Donaldson, but it was not—it was some New Yorker, I am sure. How good that would be for Stedman! I hope it may all be true! How it comes—of all that—I know nothing."

     Said Boyle, the sculptor, had been over today. I knew him slightly, and knew of him from various quarters. W. inquired very specifically. "I was wonderfully taken with him—he was so plain, so hearty. He came about the cemetery lot. When Donaldson was here he spoke very enthusiastically of Boyle—said he was just the man I wanted. I was very favorably disposed to hearing him. But I don't know—all is in the nebulous condition—I have no ideas on the subject at all." Speaking of Boyle's work—"I should think the danger of his work—as of the work of all sculptors (and others, too, for the matter of that) is in the temptation to make their work genteel—to bow before the gentility of the world—and you know there's no one in the world more despises all that. I am a confirmed enemy to gentility, respectability—yet, as I often say, more respectful to both than their own advocates—finding a place in the scheme undoubtedly belonging to them—insisting,

 
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indeed, they shall have it. How much the artists, writers, surrender to gentility! It is astonishing—the extent of the sacrifice.""I am so opposed to respectability, they think I'm not respectable!"

     Referred to my father's big charcoal Whitman. "I hope he has not touched it since I saw him—it seemed to me on the whole there was nothing more to be done. The devil in artists is to keep pegging away at a thing after it really is all done—pegging away at it done, till it is undone." I happened to say Tom Harned did not like that version of W. "That surprises me some, because that is so obviously to me among the best if not the very best."—I objected—"Of all but mine on the wall there at home!" W. then—"Well—I know: Tom Eakins always would say to me—'that is the chef-d'oeuvre—that has the indescribable something called magnetism in highest degree.' And I know O'Connor liked it immensely."—I put in—"And saw resemblance to Hugo (or Hugo to it) in it.""Yes—so I believe. And I can see why you fellows like it—its power, its mid-age immensity""as all pictures of an able-bodied in his prime ought to be."

     I picked up a large blue envelope laying loosely with other matters on the floor, and asked him whose it was. He put on his glasses. "Ah! Bertz! I think you will find it worth while to take that along with you." It was a letter of last July, containing an extended account of B.'s American experiences and how he came to know Leaves of Grass.

 
Tuesday, January 7, 1890

     7.45 P.M. W. very well, though the damp weather keeps him indoors. He has not been affected by "La Grippe," the prevalence of which is great. Warm days still prevailing, he expressing his regret. Wonderfully frank about his graveyard preparations. Is considering whether or not to put his mother and father there in the lot. The question raised by some of his

 
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friends that he should spend his last years in other cities—Washington, New York, Brooklyn—he has quietly settled by this act. "It is all nebulously conditioned," he says, "but we shall know, in time." And as to the poem he was to write in consideration, he laughed—"Oh that!"—and that was, "if anything," more "dubious than the rest."

     Said he had been reading Amelia Barr's Century story today. "It is called 'O'Hara' and is very well done, too—brilliantly, but well." And "I have been reading, also, Tennyson's little poem—I found it here in The Critic—'Across [Crossing?] the Bar'—and ever so good, too." He handed me a little volume—12mo—gilt stamping—rough edge—"See this—there is a new poet risen—this came today."—A Putnam volume—written by Wm. T. Washburn, of whom neither of us had ever heard. W. said: "He makes a big dash there—several hundreds of pages." The book had been sent without an inscription, and W. had cut none of the pages except a half-dozen at the end. But the typographical setting[?] of the book, and its cover, had "struck" him—and this he dwelt upon. I went about a good deal. "When do you get time to read and write?" I answered, "On cars, boats, &c." W. then—"I don't know but that's best of all. People think it distracting, but it is not: there's everything in getting used to it."

     Seeing something that glistened under the stove, I leaned over—found it was his mammoth pen-holder. He laughed. "Ah! the long-missing pen! My pens are very elusive, like my handkerchiefs—I have uncountable dozens of them somewhere about the house—but when I want one, it is not to be found." Gave me Contemporary Club tickets for Clifford and Mrs. Baldwin.

 
Wednesday, January 8, 1890

     7.20 P.M. W. reading—in his room. Growing much colder this evening. Had been out today, in South Camden, but only

 
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briefly. He admits: "Out-of-doors is my savior this winter." Sets it off contrastingly against the entire confinement last winter. I met Donaldson—big, stalwart, ruddy—on the steps of the Custom House today. He commented on W.'s condition—his selection of the cemetery lot—calm disposal of affairs for the end.

     Left with him Harper's Weekly containing Winter's article "Shakespeare in New York"—and joked with W. about his "friend the enemy," as the journalists put it. He would only say in his laughter: "Never mind—we must welcome Winter and a thousand others. Besides, it is well, as I say, to read it, to be satisfied that you know what you talked about when you predicted it was empty." And turning the pages of the Weekly—"This is my despair—all this sumptuousness, elegance. I remember in Washington, when I was in the Treasury Department—and some great dinner was preparing at the White House—some powwow of the chiefs—there was a fellow would come for me—take me up there. I was greatly impressed—thought to myself—it's a vast muchness to have seen all this, if without a bite, or even an assurance there's anything to eat—the decorations, plate, everything, elaborate past imagination." He had never been himself a partaker of these dinners—"they were for the big guns exclusively. And these papers, magazines—Harper's, the Century—impress me, though there be no fruit in them all—no meat, no nothing to satisfy an appetite. Certainly the world of our time achieves richness, magnificence, if no more."

     There was a picture of Boker in Harper's. I asked how it struck him. "Yes—I knew Boker,—this is reasonably good—you would know it. I met Boker a number of times—dined with him two or three times. He was good company—a man you might want to be with—a good man for neighbor, to stop in to see you once in a while—good brain, good heart, good many things—yet I would not say without irritability, though the irritable side of him I never saw." Clifford had wondered

 
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how much of B.'s life was wasted?—given up to easy living &c. W. insisted: "I should hardly say his life was wasted—his life will bear deeper looking into than that. He was Elizabethan—polished to the core—like the Elizabethans, seeing to it to have a thing handsomely done, a piece of art, irreproachable from that standpoint." Boker had once written some sort of pasquinade—"Yes, I have heard of a volume of that import. Boker had that too in common with the Elizabethans—lugging his personal quarrels into even his poetry, his art. Shakespeare had it—putting his enemies into verse—into a play, what-not. They tell a story of Michael Angelo—that he had an enemy—that he was painting some sort of an apostolic picture and gave to his Judas the face of this man. But that afterward it came forcibly to him, this was not wise, not large—this was a weakness—and that finally he erased the portrait—put in some other face. It has been many years since I learned that—read it—but I have given you its substance. I doubt if the greatest, biggest, fellows ever gave way to such temptation. Boker was a fine sample of the physiological man; a good diner—and yet more than that, too, just as we know that often-times the biggest body is consistent with the biggest other things—soul—spirit. Boker at bottom—the base of him—as was true of Burns, too—was hypochondriac—not that he was altogether that, without higher, other moods."

     He spoke rather curiously on another matter—laughing the while: "I got a letter today from a man in New York named File—the envelope was marked Editorial Rooms New York Sun: he asked for a piece—enclosed me a check for 10 dollars—but what it was all for, Lord only knows—the letter itself gives no sign of a purpose, except the general one that he wants something for print." Hunted the letter up—it had already got badly confused with the rest of things in that corner. Finally, however, he fished it out. "Here it is—judge for yourself—read it." Letter extracted was a short communication from the Tribune from someone who parallels recent

 
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resembling verses from Whittier and Tennyson. File wished from W. 5 or 6 hundred words on the subject. W. asked, "How do you interpret that—is it verse he wants or prose?" It was easily prose, for he suggested to W. "it might be happy to quote in your matter some extract from your own poems.""Ah!" said W. "Then you think that concludes it? I guess it does—I proceeded on that basis." Then—on my asking what he had clipped from the Tribune extract (I noticed it was cut): "There were two verses quoted—one from Tennyson's poem 'Across [Crossing?] the Bar' and the other from Whittier's 'Burning Driftwood'—I thought the last a fine touch." I asked: "So you acted upon the man's proposition at once?""Yes. Wrote the matter—sent it off forthwith. How it will hit him is another thing. Do you know anything about File? Never heard of him? Neither did I." Then he inquired: "What do you take to be the meaning of the word verse? O'Connor used to insist that one line was a verse; but that is not the general understanding, however generically correct." And he supposed there was no longer any way back to O'Connor's meaning, when the whole world had set upon another.

 
Thursday, January 9, 1890

     7.30 P.M. W. in his room, reading the Boston Transcript. Asked me if I had heard "the good news about Kennedy." That K. had "got a place on the Transcript—is proof-reading there." Advised me to write K.—"You ought to write often—he would enjoy the notes.""If you must, write short notes—little touches—Kennedy himself does—then lets 'em go." He started out today—"but we stayed only a few minutes—I am very sensitive to the cold: but Warry thought we ought to go, if it was only round the block."

     I received today the following note from Adler, which I now read to W.

 
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The Society for Ethical Culture

Address

1025 Park Avenue New York, Jan. 8'th, 1890.


Dear Mr. Traubel:

     Thanks for your lines. If there is any reluctance on Whitman's part, or if he has any scruples, no matter what they may be, please do not urge him in the least.


Yours sincerely,


Felix Adler

     W. said: "No—no—that is wrong—I have no such scruple. On the contrary I want to give it to him." So, as if to prove it, he took up a writing pad and pencil and on his knee wrote the following:


Mickle St Camden

Jan: 9 '90


Dear J B

     This will be given you by my friend Felix Adler & I hope you will have a good talk & good time anyhow. Nothing very new or different with me—all is going on the same, & fairly— Write, & when you do tell me your P. address & any proposed movements


Walt Whitman

     "Send that to him," he said when it was done, "let him have that—and welcome, too."

     Returned me Harper's Weekly. Had read Winter's piece—"but it did not impress me—is absolutely wanting in content, as they say. There are very pretty pictures going along with it. But there is Mansfield—I am more and more certain that Mansfield amounts to little—is in no way our man. Indeed, when I look around—think of the men that have been on our stage—Booth the elder, Forrest, others—I am in a sort of despair—for we have no men to keep up the high standard of their work. There are some who believe, that among other qualifications to be one day assured, America has a dramatic future—a glorious play-future."But"—shaking his head—"I

 
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don't know—I doubt it seriously. I have a young friend—oh! I forget his name now—an actor, a New Yorker—and a handsome man, too—who is quite eloquent to that effect—quite. But I can't share his enthusiasm—I see nothing just now to warrant it.""Yet the little flies like Willie Winter go buzzing about that it is already accomplished—is already here."

     I showed W. a card the President of the Bank had given me today. He had passed 25 dollars each to the bookkeepers, and when one started to thank him drew this forth and said: "No, don't say anything about it: I believe this."

     THINK OF THIS
"I expect to pass through this world but once. Any good thing, therefore, that I can do, or any kindness that I can show, to any fellow being, let me do it NOW. Let me not defer it or neglect it, for I SHALL NOT PASS THIS WAY AGAIN."

     Upon hearing it W. remarked: "There's a spice of humor in it—I'll bet it's Dutch in origin—and it has a kernel."

     Prof. Richey, writing to Dr. Thackeray about his book on the land question, said among other things: "I have to congratulate you on the accuracy with which it is printed, a thing not ordinarily met with in American books." W. insisted: "This is not wisely said: there may be said to be certain inevitable errors of typography, but these may be expected, and found, in other as well as American books. Now if he had said something about the printing of our books, he would have had more point."

     As I left he insisted on giving me three doughnuts to take along. "One for Tillie, one for your mother, one for Aggie—one for each. Mary Davis has been making them today—and they take my time—and we like to share a good thing when we have it." I did not go directly home—gave Aggie her doughnut in the city, at a meeting, when refreshment time came—she slicing it into 15 pieces and passing it around as W. W.'s doughnut—a muncher thereupon saying, "Here goes to Walt Whitman—may he live long" etc.

 
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Friday, January 10, 1890

     6.40 P.M. Though not severely cold, it was too raw and moist for W.'s getting out today. When I came into the room, he had a lap full of papers etc. "I am reading the Spectator," he remarked, "some thoughtful person keeps on sending it to me." And nearby was the Pall Mall Gazette—full of Browning—with a curious portrait—of which W. declared: "That is a study in engraving—strangely lined, outside of the usual—but on the whole very effectively done."

     I told him the episode of the doughnut. "Oh! that was interesting—and how good of 'em!—Thanks—thanks!" And after a pause: "I say 'thanks' for the want of a word more expressive." I put in—"Bucke says you do not say 'thank you,' except rarely." W. hereupon—"Oh! but I guess I do—plenty often enough, for all practical purposes—or other!"

     He never was able to decipher Burroughs' Poughkeepsie address as given in the last note. In sending the introductory note on to Adler I had to advise him of our ignornance. W.: "Correspondents have the strangest and most persistent idiosyncrasies—a sort of hate of being explicit. They are very fond of beating the devil around the stump. You will not credit it, but I once sent some money to someone who was in need of it—but there came no acknowledgment. I had letters, but never a word about this—not a word. I wrote a second, a third, would you believe, a fourth time—in no way the word I wished!" Even at the last, when an answer was given to my question, it was still so indefinite I could not make it out—do not know to this day if my 8 dollars were actually received. I don't suppose I have a big correspondence at all, but I suppose one-sixth of the letters I receive are of the worrisome kind—letters for autographs, letters begging for money (they have heard I am a kindly old man!)—letters for literary advice—not the fewest, these—letters without number from men—famous men, as the world goes, who write bad hands. Just today I got a letter from Mrs.

 
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Mapes, who, as you know, has gone west. She has a poor old aunt or somebody out there, and I sent a little money for her. I think the letter must be very interesting, but it is written in the palest of pale ink—ink all watered out. I wrestled with it some 15 minutes, then gave it up—handed it over to Mary."

     The papers this morning extensively announced the death of Judge W. D. Kelly. I asked W. if he knew the Judge? "Oh yes! I knew the Judge quite well—had many a talk with him—not a bad fellow; but a man from head to toe—from the crown of the crown of his head, to the sole of the sole of his feet, the henchman of the protection interests—a man who is like a preacher: he preaches his creed so often, so long, he believes it must be true. Our man Dudley here is much the same kind of a man. They believe America could not be, could not last, but for this particular dogma. Yet Kelly was not all of this sort—in most things (I don't know about religion)—he was radical: a plain man in his ways, much of a democrat."

     I happened to say tonight in one of our discussions: "The most important lessons of history are of avoidance—avoidance rather than guidance, except as avoidance is guidance." W. exclaiming, "Why how profound, how fine, this is! I have often struggled to say that, in my own way, but a less way."

 
Saturday, January 11, 1890

     7.45 P.M. W. sits sometimes, as a shepherd with his crook—his cane in his lap—ruminating—not reading: often, with the stove door open, the embers therein flashing warmth into his face—playing with his great head and hair. So it was tonight, the eye unwontedly calm, the whole attitude, very wakeful but very soul-dwelling. When I came in I stood a moment—he did not see me: then seemed to wake to my presence with a start, shook hands cordially and heightened the gas somewhat. He asked me, as he usually does—"Well, what news? What do you hear?"—and when I said I had no news for one

 
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who so industriously read the papers as he did, he laughed, and retorted—"Well, no news is good news, they used to say, and I don't know but they hit the nail squarely on the head in saying so."

     He was very curious and querying about a phrase I used—"The average miscellaneous unsuspected reader of L. of G.""Who are they? Do you actually think there is such an audience? Who knows, to be sure?"—adding that "It is true all sorts of good greetings—unexpected greetings, endorsements, what-not—turn up from time to time."

     He spoke of Gilchrist's dislike for the London News picture. "He would not accept it at all—he thoroughly embraced Tom Donaldson's criticism—that it was foxy—foxy. Tom is a keen, good fellow—has the faults of the politician—yet is more than the politician at the last. I consider him a true friend of mine. Five years ago or so, in the nick of time—when I needed, as perhaps no one knew, could have known, I needed—he was the fellow, with Talcott Williams, who came in at the pinch, engineered the escape. Tom of course, is a fellow who cares too much for the stamp on the coin—thinks less of the silver—the quality of the silver—than of the stamp that is put upon it; not that he don't think of the metal, too—but the fact that the United States has consented to put its face upon the coin weighs heavily with him."

     I asked him if he yet had the book for Edelheim? He said—"No—but I can get it any time for you—tomorrow—tonight—anytime."—Hereupon leaning forward, picked up a copy of "Two Rivulets" (1876)—"Why not take this to him? Wouldn't this do?" At my assent, writing therein. I described Edelheim to W.: the bustling business man, active, talkative—but openhanded, to be depended upon for all promises, etc.—W. exclaiming: "I know the class—I have met them—Johnson is one of them: sometimes I think them the justification of America—of that part of America which we are so fond of decrying—the explication of the mystery—the assurance

 
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of our future!" Adding: "Well—somehow I warm to your man: he has been generous to us, and we must show him we are not wanting in the power to reciprocate—or the wish."
 
Sunday, January 12, 1890

     10 A.M. In but a few minutes. W. reading the Press—the Record on his knee. The day beautiful—and he "calculated on getting out" by and bye. The temperature high, almost to a spring figure.

     He had found me volume 1 of Symonds' "Greek Poets"—"though volume 2 is yet somewhere in the haystack, unseen." The volume endorsed "From the Author." by Symonds himself, with W. W.'s Stevens Street label pasted therein, and W.'s inscription.

     Sent me by Symonds himself—must have been 1881. For years—1882-'89—I dip and drink from the two volumes. They and Walter Scott's Border Minstrelsy are feasts never exhausted.
W W

     and pointing this out to me, he said: "I still stand by this—Walter Scott first, for many early years—the initial predilection—O! the joy and wonder! and what it has done for me! Then this book of Symonds'—then both—both, as now: they have been a constant, unvarying resource."

     I delivered Edelheim his book today—much to his surprise and gratification at the gift.

 
Monday, January 13, 1890

     5.30 P.M. Stopped in at W.'s on my way home—stayed till six: twilight: he sitting by the fire, the door of the stove open an inch or two, letting out a flaring, flickering light, darting up into his face, from which he fended himself from time to time by intercepting his hand. "It is not colder? There seems

 
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to be a high wind blowing?" I talked of the great sunset, and he was all ears: "I think I see—yes, I do see it—the river there—the boats—the open-way to all that is pictorially grand." He had not been out today: the moist cloudiness had persisted.

     I referred to the curious Bible metaphor "as the waters cover the sea" and W. said of it, as if it had been a subject of his thought: "Yes—it is used several times—I think in both the Old and New Testaments: it can be said for the translation, that it is perhaps the best they can do: though I feel persuaded that the original explicates itself—that there all would be found rightly adjusted—the word right-valued—in its place. I can remember a figure O'Connor liked to use—I think it must have been Elizabethan: 'it fits like a cup'—'it fits your head like a cup'—very suggestive—powerful—Baconian." And then, in discussing O'Connor's gift of speech: "It was a rare bestowal—those of us who knew him well, knew how rare. He was in the highest sense what is called a born orator. I never heard him in a public meeting, but have had vivid accounts from those who did; and it appears he was in that situation just what he was in any other—grand, high, impassioned. Impassioned, truly: a sort of Greek passion—the driver of a dozen steeds, all mad for freedom, but all easily reined by his circumspection, judgment, certainty. That would typify him. Did you ever read William's piece on John Burroughs' book, printed at that day, in the New York Times? It was thoroughly strong—characteristic. No, I do not think O'Connor ever did much such work. Raymond was exceedingly warm towards him—invited him to come over—to take a position as editor on the Times staff. But O'Connor was doubtful about it, afraid, feared he could not get along, and so decided against—and wisely, for he could not have got along—would have fallen out at short order. He was the last man in the world to submit to emendation—would not hear to the displacement of a comma."

 
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     Brinton speaks tomorrow evening on Bruno at the Contemporary Club. W. "taken," as he said, with the prospect, though he could not hear the address himself. "Someone has sent me a piece on Bruno which may turn out to have some pertinency. I will look it up tomorrow. Bruno was the salt of the earth. All the men who are worth tying to—whose good judgment we respect—place Bruno high—with the highest. To me that is very significant—though in the way of details I really know very little about Bruno." He thought "Symonds probably the best man in all Europe to report on Bruno"—and it was for [from?] such judgments he "imbibed the highest respect" and for Bruno "they are many."

     We discussed a question—involving religious orthodoxy—how far orthodoxy limited great men. W.: "I suppose there is a way in which that can be, should be, said"—that greatest men necessarily fail the orthodox standards, or exceed them, rather—"but then again we may point out, there is another orthodoxy—an orthodoxy deeper, more generous than the current orthodoxy—a sort of Hegelian orthodoxy—in which true big men put their hooks—to which they tie: the orthodoxy of Jesus, the orthodoxy of Mohammed, of Confucius, of Socrates—Socrates probably the greatest of them all—Socrates made much of it. Of course, the orthodoxy we see about us—the ministers, professors, churches, class-leaders, all that—and the creeds—of course they are all gammon— all—must disappear. I am not sure after all but the most needed man is Ingersoll—that Ingersoll is in advance of us all." He doubted "if a first-rate man—a real first-rater"—ever accepted "the limited in preference to the broader readings of faith."

     Gave me Bucke's letter of the 10th, in which much account was made of the prevalence of La Grippe at London. W. spoke of the disorder—inquiringly—and noted that he seemed not to have been in the least touched by it.

 
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Tuesday, January 14, 1890

     7.15 P.M. W. in his room, but not reading, though the light was full on. Not out today—it was too cold.

     I have been reading Roden Noel's Whitman. I said of it, for one thing, this evening: "However friendly and admiring, he still takes scarce measure of Leaves of Grass." W. thereupon: "Well—our utmost anyhow would be to say: it is very friendly. I have always felt that the book was amateurish—the work of a young man. That copy I have I suppose Noel sent"—but there was no name in it. I resented also the notes of Noel—stating Buchanan and Whitman in too-close terms. W. laughed at my warmth: "Do you know much about Buchanan?" Adding, when I asked him about B.'s "genius." "I don't know. Buchanan has a great idea of making money—has written plays, novels. He lost a wife of whom he was very fond: it was a great change for him. She left him a niece—a fine young girl, Harriet Gay, who afterwards went on the stage. It is for her Browning writes plays—makes a part for her—to fit her. She has been here a couple of times—has grown up a handsome, bright girl. Although decidedly girlish, crude, youthful, now—she is of the Byron kind: I should not be surprised any morning to wake up and find her famous. Yes—I have seen Buchanan, too—twice, if I remember right—he has been here. He is a typical John Bull—short, thick, ruddy, assertive, brusque—thick-necked. He came once—I think I have told you—we sat down-stairs—in the sitting-room—the room underneath this. It was a cold day—I found it difficult to get comfortable even with a fire—was hustling up the fire. Buchanan came in a carriage—jumped out and came indoors. After he had been in some time—a half hour at least, he said something about the carriage and some one he had left in it—and when I inquired who he told me Harriet Gay, the wife's niece. I asked, 'What,

 
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and you have left her there and in the cold all this time? Go out this instant and bring her in: she must be frozen to death.' And he did so—I not keeping her in the parlor but sending her back in the kitchen, where it was warmer and where Mrs. Davis gave her a cup of tea to thaw her out." He told this story with great vehemence and then said, "But of course Buchanan is more than that—has a comradeship side to him," though "these human derelictions a man don't altogether get over."

     I was on my way to the Contemporary Club meeting, Brinton to speak on Bruno. W. wondered if we "could get up a discussion about Bruno"—for "an opponent of Bruno seems hard to conceive—especially in America."—Adding then emphatically: "There is but one side, and that is Bruno. Bruno is the genesis of the modern—Bruno is democracy—is science (that greatest democracy, science!)—the other side has not a peg to hang its hat on. Surely Tom Davidson—no one—will come there to hatchel Bruno; in this age, our land, it seems impossible—utterly so. After what you said to me last night of Brinton and Bruno, I can see that Bruno is our man—is America— that we cannot escape the logic he in his own person is. If you see Brinton, give him my love—tell him he has my prayers—though I suppose he cares nothing for prayers, mine or another's."

     In a letter from Kennedy today he says: "Tell Walt that I am going to send $5.00 to pay for that beautiful edition of L. of G. he sent me." W. exclaimed when I read this to him—"Money? I won't have the money! If you write to him tell him I don't want his money—tell him the book was sent as a sort of New Year's present—something for him to have, not to buy." And then he asked, "What does he mean by jealousy?" And again—"The foxy Scotchman? That manuscript encounters a bad fate."

     Kennedy's letter:

 
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Belmont Mass

Jan'y 12 '90.


Dear Traubel:—

     Thank you for yr very kind and fraternal letter. It is good to feel that the mean jealousy one hits against so much is absent from the hearts of a few tried & warm-hearted friends.

     I enjoy very much at the Transcript office talks & chins with the good dreamy cigar-scented & smoke-encircled fellows—Hurd, Chamberlain (who, by the way, has just left for the Youths Companion office, but will continue the Listener chat), Hazewell, Clement, Edwards et al.

     Who is Chubb?

     My brain gets exhausted by working under pressure so much so good bye.

     Tell Walt that I am going to send $5.00 to pay for that beautiful ed. of L. of G. he sent me. The foxy Scotchman doesn't return my W. W. ms. yet. I can't make him out. Just talked with a young stock-fancy-farmer-neighbor-colt-tamer. He treasures L. of Grass, & has read the Ox-Tamer.—Miss [?] Bates still alive! reported dead!


Kennedy.


 
Wednesday, January 15, 1890

     Did not see W.—was at Germantown, with Clifford, Mrs. Baldwin and Anne, editing the Johnson Ms. about Parker.

 
Thursday, January 16, 1890

     5.45 P.M. W. was just arranging to light up the room, preliminarily closing blinds, etc. I did not offer to assist—rarely do, for I know he would rather do this for himself. The weather all through the late afternoon had grown colder, a high wind prevailing. W. said: "We tried to go out today, but found it too cold, had soon to retreat."

     I had secured from Brinton the other night the manuscript of his address on Bruno, which now I gave to W.—who

 
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questioned me about its purport and about the ground on which McConnell had opposed it. "I know I shall look through it—read it all—with the greatest satisfaction. You don't know if it is to be printed anywhere? I should like to have a copy for Symonds, who takes a special interest in that direction—none more so, probably no one in all Europe."

     Afterwards he reported: "I had an English admirer here today—a young man, a member of Wilson Barrett's company, now in Philadelphia. Yes, somehow the actor-boys—and girls, too, for that—have a soft side for me, as I certainly have for them.""I have received," he offered again, "a letter from the man we sent the book to—what is his name? O yes! Edelheim! He appears to be strangely grateful—which shows that our remembrance was a happy inspiration."

     As to Bucke's question about the Symonds letter: "The truth is, I have not sent it yet—it is on the table there now. It has been suggested to me—self-suggested—that I print it—in some way put it in type; and for that reason I have for the present put it aside there—retained it. Doctor will see it, or a copy of it, in due time."

     I told him I had met Boyle at the Club—B. talking of W.'s project of the vault, saying he would possibly like to enlist Wilson Eyre, as being both an architect and a lover of Walt Whitman. W. said to me: "I don't think I ought to start out with saying I don't want this and that and the other. But I have a very clear notion that I do not want anything elaborate, anything artistic, elegant, delicate, refined: [should] look on the contrary, for something of a natural, native, rugged character, suggesting strength and first sources rather than anything sculptural or architectural. I should like to say this to both Eyre if he is enlisted, and Boyle. For Emerson they found nothing but a simple stone—all they would get him to consent to was that. I should not second him—imitate—only his example is suggestive—beautiful. I like Boyle—my first impression was a very good one. I can sense he will

 
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finally hit upon something I want." W.'s limit of price was "about a thousand dollars." Boyle has been to the Cemetery and admired W.'s choice greatly.

     W. had a letter from Dana Estes, Boston—asking W. for his presence or some word for use at the memorial meeting for Browning, Jan. 28. He gave me the letter. Had he sent his word? "No—I did not send anything: Browning was not a man who had taken any hold on me—did not seem to me our man. I do not feel as if I had anything at all to say."

     Said Melville Phillips had been over to see him today. "He came on a special mission—is editor or something on Munyon's Illustrated World—wished to know if I could not be counted on to give them a little something every month—a contribution. O yes! I consented. I have been wondering if George Childs did not back up the paper. Of course I don't know he does. Some two or three years ago or more a Munyon himself was over to see me and I wrote him one little piece." He said he had been "rather impressed with Phillips, who is young, looks the clerical college man to the end. I had a notion before he came that he was quite another person—a notion I had met him years ago somewhere—2 or 3 years—I think in the Press office itself—and not liked him and snubbed him. But the instant I saw him today I knew he was not the man. I had a way in the old times—as I have not now—of saying something very snubbing to a fellow I thought impudent—and it was to this I treated the man there in the Press—probably some temporary upstart." He remembered Phillips' review of November Boughs but not the fine notice of Cabot's Emerson.

     I told him I had advised Boyle—"Make the vault elemental—keep it strictly to elements: it more fits W.'s character and tastes than anything else"—and W. now said: "That was a good thing to say—just what I should have said or wished said—and we must keep them to it."

     Hearing the nature of some of the arguments against Brinton

 
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the other evening, W. said: "Yes—there is something in urging Christianity as against that scientific tendency, but"—and he added—"It is an argument, and I don't know but a good one, in its degree."
 
Friday, January 17, 1890

     7.15 P.M. Found W. reading "The Deerslayer"—in which he admitted he "found" his "old interest." Thought Cooper one of our "native fine souls—flavored of the soil." I had the Magazine of Art containing Swinburne's new poem—"Loch Torridon." W. asked, "What is that?" in his boy-curiosity—and when I told him and proposed to leave it—"I am not a Swinburne devotee—yet I read him—he has his points." And as to the appearance of the poem—"This print strikes me with envy—I never see anything so good but I am persuaded out of my skin."

     Asked me about my father's portrait, whose now complete state I described to him. "I liked it greatly as it was: now—if he has succeeded in taking from it the suggestion of dark eyes, I don't know but it may be considered, as far as art will permit, perfect—yes, perfect. Have you seen it? And you are satisfied with it? That goes a long way towards satisfying me: for you ought to know—and I know you never go off into useless enthusiasms." Given the opinion I avowed, with what he knew of it—"it ought to be one of the very best pictures extant. There is a damnable tendency in artists to over-refine—as a rule a copy is worse than an original, a second copy than a copy and so on: you can stake yourself for this. But in the case of your father, this picture, then, comes as an exception."

     Said he had written to Kennedy. "Only a postal. It came into my mind I had not written to him for a fortnight, so today I sent off a short message, but a very important thing I forgot entirely—the only thing in fact that really needed being said.

 
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I mean about the book, the pay—the gift-book, New Year's. Do you expect to write within a few days? If you do, tell him for me what we have been talking about—tell him on no account to send the money." Said Gilchrist had come over last evening. "I was about to go to bed—he was here a short time. As luck will have it, or circumstance, he always comes about that time—late—too late. I suppose he works up to the last glints of light—then is not satisfied till he has gone out—breathed the fresh air—stretched body, soul—all!"

     Sometimes in jest we use Symonds' expression—"Whitman's Bible." I said this evening I had an impulse to write to Symonds myself—I did not know to what effect, but something—W. advising me: "Yes, do so: every such impulse is to be obeyed: I should like you to write and I have no doubt he would like to hear from you—that you could tell him things no one else could—things he would like to hear."

     W. had read Brinton's lecture. "It is very fine: I have not for a long time read anything that so possessed me. I sat down last night after you had gone and read it through—every word of it—which, for me, in these days, is remarkable—is a tribute (rather, a respect) in itself. I wish you would thank Brinton for me—tell him he could not have had a more rapt auditor and that I weighed every word—with this advantage: that I was here, read it at my leisure, could pause, go back, reread, chew on it—weigh passages which an actual listener had to pass at an equal pace: and some of the extracts from Bruno demand such attention. I hope Brinton will have it published—I should like at least one copy of it—one for Symonds—and perhaps others. It has a splendid, simple, high, force—momentum. Brinton evidently starts out to be judicial— is—his whole paper is Greek—poised. There is one thing about it I particularly delighted in—a theory of which Taine makes the most of any man I know. The part enacted by environment, surroundings, circumstances,—the man's age, land—all that went before, generations—is today. I know this

 
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is not new—only, I do not know of its having been elsewhere put into such a prominent place. It was so with Hegel's principles—they had been hinted of, spoken of, by others—but nobody had so brought them to the fore—insisted they belonged there."
 
Saturday, January 18, 1890

     6 P.M. W. out today, but again only in a brief sort of way. Speaks repeatedly of his sensitiveness even to slight experiences of cold. Said he had written Bucke telling him of B.'s error in regard to the Symonds letter. Thought he would have to come up and see my father's picture.

     Left with him Harper's Weekly. In it a picture of the new World office, N. Y.—a great, marvellous structure—striking us both with wonder. W. said: "They'd better hurry up and get it under way. Things are not at all certain in this world. If we don't get them done at the first flush, there's a doubt in all the future,"—and pointing to a stove-pipe-hatted, comfortable looking, coated man in the foreground—and laughing lightly—"That's New York! New York to the bone!"—and to a fruit-stand—"and that, too!"—and then variously—"and all else, too!"—and if I would leave the paper he would "enjoy looking it over at more leisure."

     Gave me back the Magazine of Art. Had he read Swinburne's poem? "I must own I have not: I read some lines of it, but it did not get any grip on me. So I did not attempt it all through. But the magazine itself interested me—the pictures: indicating what the boys are doing, right and left." And then quite vigorously: "There are Holy Families again—and some every month in the Century"—adding, when I said there was a Tadema picture in the Bazaar which I wished to show him—that it was a Roman subject—"I am almost against it from the start—yet should see what it amounts to. To some things in art—Holy Families, Roman chariot races, lords,

 
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ladies, all that—I stand a witness against. We ought attest our opposition to them, unalterably—not opposition to their past, which was legitimate enough, but to their importance for the present. Of course they have had their place—their world—but that time is gone—all gone. The saddest part about it is, that they still have a following, a constituency. Not that the Century publishes them so much, but that it is very certain they would not publish them if there was not a demand—the preciousness [?] therefore in the demand." And he did "not know if nature anywhere in Europe had its real votaries—even in France or Germany—or (though I would not dare say it if Herbert were here) in England—where art is in a very dubious quantity anyhow."

     "What is dry-point?" he asked, and we discussed dry-point somewhat. Some doughnuts there on a plate. Would have it I should take some home. "If you are going direct home I want to send one to your mother, one to Tillie, one to Aggie and one to the father—to the father particularly this time."

 
Sunday, January 19, 1890

     Did not see W. W. today. Fine and clear—still strangely mild, weather much softened even upon [?] yesterday. Astonishing (if anything in nature is that) tenderness of season. W. out during the day, though for no length of time. Was up to see my father and the picture, with which now he expressed himself perfectly satisfied, the visual objection no more to be urged.

 
Monday, January 20, 1890

     7.55 P.M. W. reading the paper. As the day had been a rainy one, he had not been out. But spoke of his outing yesterday and visit at my father's. "The picture seems a great triumph," he said, "now that the eyes are set right, it takes almost a

 
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perfect color to me. Your father certainly shows remarkable power in such work. One of the fine points of the picture is, that though he uses no color whatever, I can see color everywhere—a most subtle illusion—rather, actuality." And as to the copy for Mrs. Fels, to be really in color and to represent W. in his own chair, not the upholstered one,—"I confess I look forward to it with considerable trepidation. It would be a miracle if he did as well a second time as this first." And then he laughing warned me: "Tell him when you go home to let the picture be absolutely as it is—touch it in no way further." And then swinging his chair about and looking among things on the floor—"That reminds me, there is a book here I want to send to your father—you can take it along now—a book with Gray's poems—or containing Gray's poems—one of them on 'The Bard,' of which I spoke to your father." Finally, after much search, found it. It is a book I have had about me for a long time—read it off and on—particularly in war-times, when I had little baggage—3 or 4 books in all, probably in a handbag. Here was Milton—the best of Milton, I think—of the two Paradises. And there was Collins and even Young, who is well worth looking into, in a way—in spite of George Eliot's singeing"—and here with a laugh he turned to a note he had written in the fore part of the book:

     "I used to read this Vol: to pass away long 'waits' &c. at Washington, at the Army Hospitals, or waiting for the boats bringing loads of wounded, &c.—dipped it into [means 'into it'] those years 1862, '3, '4 & '5 there & since in Camden N J 1874 to 1888—
"have had it with me over thirty years—scribbled this in Mickle Street Sept: 20 '88 Camden New Jersey
"have dwelt a good deal on Gray—read George Eliot's roasting of Dr. Young as poet and person (in one of her essays)"—

     The last in the little book he had for me [for H. T.'s father]. On the title page he had written

 
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     Walt Whitman
Dec 1863

     in blue pencil, and at a later date underscored it with a pencil of another color—purple. At the life of Milton therein he marginally wrote: "(who is the author of the biography?)" He had pencilled dates of birth and death at each one of the biographies, and pinned in at one place (dating it 1888) an extract —"The Poet Gray's Unhappy Life"—from Arthur Benson, Macmillan's. The volume was one of Grigg and Elliot's, Philadelphia 1841, and contained Milton, Young, Gray, Beattie and Collins. We discussed some of the minor poets—Herrick, Motherwell, Lovelace—of late years revived. "This book has been a companion of the first order: there were times when I could not be found without it."

     Still consumed to know if the "good news" about Stedman has been confirmed. Said his mail had been "pretty thin," but "there was a letter from Logan Smith which was cheery, anyhow." And added—"Alys Smith was over yesterday. She was en route for Millville—has a bosom friend, a girl, there." Returned me Harper's Weekly. I left the Bazaar there—he wishing to look at the Tadema picture.

 
Tuesday, January 21, 1890

     7.10 P.M. Sat in his room, with a package of the Curtz slips containing "Old Age's Ship & Crafty Death's"—making minor corrections. Said he had been out, but, as before, "it was too cold for persisting: we made but a few minutes of it."

     Returned me the Bazaar, remarking of it: "My wonder more and more is, over the pictures—how much of this comes into the world's way for 10 cents—not indifferent good work, but absolute good work. It seems to me another thing in the march, the trend, of our democracy—of opportunity, freedom, gift, to the average—the average man." Gave me a copy of Stead's Review of Reviews. "It is a new thing—this

 
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just came today—I am not impressed with it. There was a letter came along with it from Stead asking for a contribution—but I do not know, I do not know!" Then—"Take it along. I have seen all I want to see of it—when you bring it back I'll send it up to Doctor." Called my attention to some new doughnuts on the table. "They're a new batch Mary made up this forenoon—the best ever was." And he gave me two—"One for Tillie—one for Aggie—we must not forget the girls!"

     Again expressed his curiosity—who was "The Lounger" in The Critic? "I asked Melville Phillips when he was here the other day, but he did not appear to know, saying that he thought it was Jennie Gilder—but thinking is one thing and knowing another—though he says he will be going to New York shortly and will make it a point to find out." Hicks was over to see him today. W. called him "My young English socialist friend" and thought—"There is a mystery about him—he does not appear to be cockney, yet"—and abruptly switched off—"He is a socialist I know. It is a great point, how America is more and more the goal for these fellows—the young, socialist, anarchist"—I suggesting—"and curious, too, as the goal and end of the Pope as well." W. then: "Yes, that is grand—very grand—and on the principle that even the Pope has a right to exist, this is naturally a good way for him to look at it."

     He touched upon [J. Vila] Blake's book. "I have been looking at it the past few days: it is very strongly—directly—moral. More so even than Emerson—it is [?], extreme [?]. I mean to go on, at least a little more, with it." Touched upon Bacon's compactures. "How he must have filed away at every line, every word—laid, long and long over every sentence."

     Talking of Brinton's lecture before the Ethical Society on Sunday, which he would have me explain—W. said: "I suppose he will have all these things out eventually in a volume?"

 
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I said—"I don't suppose you would care to read B.'s book 'The Origin of the Religious Sentiment'?" He hesitated a minute— (I knew he would say no) then—"I hardly think I do—I do not dare get into abstract arguments these late days."
 
Wednesday, January 22, 1890

     Did not see W.—went to Germantown—not home to tea. W. did not get out today—weather too severe.

 
Thursday, January 23, 1890

     5.35 P.M. Went down to W.'s with Harrison Morris, who was to speak this evening (and now has spoken) before the Young Peoples' Section of the Ethical Society on Browning.

     W. instantly asked us about the weather, "Isn't it getting colder and colder?"—Twilight—a cheerful fire burning in the stove, the door of which was partly open. Said he had not been out "of course—though I was out—let me see—on yesterday? No—I guess not—but certainly the day before." As to his good health—"Well—here I am—I can still answer to my name." I returned him the Review of Reviews. Morris made some comment on W.'s interest in the magazine—W. assenting—"I like to read reviews and resumes of books, even if I find nothing in them—to find there is nothing is something!"

     Morris engaged him talking of Tennyson's new book. Had brought W. English papers from Gilchrist. Did W. think Tennyson could keep up or add to his former work? "I doubt whether the old fellow can: with my taste, appetite, gusto, I do not come away entirely satisfied. I doubt if Tennyson can add anything to the already-delivered message. The main thing is, is he able to keep it up—keep it up indefinitely." And yet—"I hardly anticipate anything more—that 'Crossing the Bar' was very pretty, pensive, pessimistic. It has a virtue,

 
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a characteristicality, its own—a decided character of its own." And he called it again "a pessimistic poem," adding to Morris' question—"Yes, I think it markedly so." But should he call Tennyson a pessimist? To this he was averse. "I should not call him that—not apply the word—but pessimism is an element, a strong element. I think he's the poet (though he's in a sense manly, strong, sane,)—that on the whole he stands for that which signifies ennui, decadence." And yet this was no merely Tennysonian flavor—"rather, it inheres to the age—the time. I think almost all of the fellows—literary fellows (poets, writers)—except Emerson—are led off, astray, into the field of despair—led off by a tendency of the moment. Emerson is exceptional—I think Emerson inevitably begets a healthy don't-care-a-damn-ness—the feeling of a man who goes out in the snow, buffets weather, storms—don't care a damn! Longfellow—even Bryant—are a part of the same tendency—there are few if any of the moderns who are not. If I have any council to give you young fellows, it would be, don't start out in that vein—don't dissipate life, waste it, in such a venture—the venture of morbidity, despair, sickly sweetness!" And again—later on when Morris led back to the question—asking if Tennyson was "artificial""I should not apply that word—I should not myself start out with a crying-in-the-wilderness impulse. Only, there is no doubt a great many even of the young men are set that way—the poets so-called—set the way of darkness, introspection, disquietude." And the women—what of them? "Perhaps they are, perhaps they are—I should rather say of them, let them go on: but for the men—the poets—oh! I would have them be careful. There is an ominous tendency against us—in fact, we all have a side that way—the vessel is filled nearly to the top: in fact, literature, the literary profession, rather begets it. It's like a taste for certain kinds of relishes—you soon get it, grow into it, are of it. But in America—we in America—with all the future before us—our outlook, what we are, expect—we
 
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should be the last to deliver to that tendency."
And when Morris asked him direct as to Tennyson's pessimism, W. responded: "Yes, I think there is some of it—much of it—in Tennyson." Then of Whittier's "Burning Driftwood" said almost contemptuously: "Whittier has a tendency to pad out: there are portions of the poem of the utmost beauty—wonderfully fine—but Whittier makes a great mistake—seems to think a poem is good in proportion to its length. About one-quarter of 'Burning Driftwood' is very fine—nearly three-quarters padded. If I were the absolute master of the proof, I should have hacked out one-half at least—probably two-thirds." And again: "The wonder about Whittier is, that he still holds out at the great age of 82—that he can work at all. Whittier is very abstemious—has always been: like Carlyle, who was always unwell—but lived beyond all the rest." At this a touch at Quakerism—W. saying: "The Quaker nativity seems to tell, somehow—the absence of too great artificiality—a certain sort of almost impossibility to make-believe. I think the Quaker—the typical Quaker—is a certain sort of materialist—they like the world, and all that: but a certain spirituality remains—a purity, aspiration. After all that is said and done—a Quaker can hardly be without some of this—whatever the form of belief: and his materiality is itself his own—like bathing, keeping clean and all that. To see Quakerism—its practical, living side—you must see it on Long Island, as I did, those first years." Spoke of "the center of Long Island—Jericho"—the two opposed meeting houses in one enclave—an impossibility in Pennsylvania—where "they not only split off but quarrel like the devil—won't have anything to do with each other"—and so on—finally: "I don't know if any sect has such a democratic feeling—one fence elsewhere rarely includes two bands of worshippers!"

     At first we sat in the dark. By and bye, noting I drew near the fire to wind my watch, he turned his chair about—got up and fixed the window. "I'll strike a light"—and refusing Morris'

 
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offer of help—"I act just the same when my friends are here as when they are not—I always reason that they like it best so."

     As we rose to go, he protested somewhat, but on learning that Morris had a Browning essay to read at the meeting in town tonight, he said: "Then I won't urge you to stay, of course"—adding however—"But you, Harrison—you would drink a toddy if I mixed it for you?" Morris assented and W. thereupon swinging about in his chair to the center table said: "I take pride in my toddies: I am vain enough to think no one knows how to make them better." Before he started however, he suddenly snatched a red rose up from the table and held it out. "See what a fellow I have here—that's from the Odenheimer girl: ain't it grand?"—then setting to work, mixing M. a strong dose which was with us the joke of the rest of the evening. As to himself partaking: "No—I shall not drink—I have been eating a very full supper. This is some of Tom Harned's whiskey—he brought it." When Morris called the dose strong, W., ironical and smiling, said: "Perhaps it would taste better if I put a little whiskey in it!" But M. did flinch in the ordeal. W. also gave us doughnuts, explaining to Morris that they were Mrs. Davis' make, but remarking when he learned we were on our way to take tea in Philadelphia: "Then I won't urge you to take more—to fill up on them."

 
Friday, January 24, 1890

     7.20 P.M. W. in his own room, reading. Despite severity of weather, W. went out in his chair today—making a trip (downtown) of about 25 minutes and coming back quite blue from the cold. He thinks, however, he is "greatly [braced]" by the fresh air so gained.

     Asked me about Morris' lecture last evening. I gave him "Demeter," brought in to me by Morris today. At first he did not see M.'s inscription to him, "with veneration and love,"

 
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saying "Oh! so this is the book! I shall take good care of it, give it back to him before long"—but when he did, exclaimed—"How kind! I have ardently wished to see the old man's last, and here it is! It will be of great interest to me"—looking through it—"Oh! how they've 'drawn it out,' as the printers say! made the most of it—leaded it, double-leaded, yes, triple-leaded!" And examined it closely, commenting on headlines as he went along—admiring the printing—noting it was foreign (Macmillan publishing).

     He is still reading "The Deerslayer"—now about half through. Referring to the recent Old English imitations done by some of our young poets: "What the devil are the boys up to now?"

 
Saturday, January 25, 1890

     8 P.M. Jake Lychenheim along with me when I went to W's. Found W. in his room, the Boston Transcript on his knees, and in his hands "The Deerslayer," now all but some 50 pages read. He cordially greeted us—not looking as well as mostly of late days. Had not been out. Spoke of "the long, dull hours" and asked that I bring him Cooper's "Red Rover"—"which will help me to while away the time." Jake's furnace at Swedeland chilled, entailing a loss of 10 or 15 thousand dollars. W. curiously inquired of it.

     I asked about "Demeter," and he answered: "It is gone already—Tom was in today and took it along—took it at my request. It is well worth looking into. But the greatest wonder is not the book itself but the fact that the old man, now above 80, pen in hand, paper, with his own arm, accomplished it, effected it."

     He had been reading today the debate over Presbyterian revision. The "lugging-in of Bob"—[Ingersoll] had "tickled" him, as he said. "But the points that took my time, mainly, were in debates on infant damnation, heathen damnation: it

 
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is a great fight for strong men—a great fight!"—his laugh ironical. "I suppose the time has not come for the caricaturists to get hold of this—at least, the time for them to dare to—for I suppose no paper in America would venture to make much—if anything—even allow—caricature in that direction, much as it is needed—much as it seems in nature called for." I showed him the Tribute parody, written by W. J. Peterson. He read a stanza—laughed—and said: "That is a step in one's famosity, to be parodied: so they say."

     Morris had given me a rather amusing account of the memorial meeting held by the Browning Society in Philadelphia. W., to whom I detailed somewhat, said: "They are to have quite a big pow-wow in Boston, before long—the 28th—: let me see, this is the 26th: 27th, 28th: yes, Tuesday is the day. Tonight is Burns night in New York, I believe—and at this very moment I guess General Sherman is 'preparing to pucker,' or is puckering—and there's lots of hot Scotch flowing (to me the abomination of abominations). But these fellows, here at these dinners—what do they know about Burns? The average critic bases all he knows, says, thinks, of Burns, on two or three or four poems—on 'The Cotter's Saturday Night,' 'Tam O'Shanter,' 'The Twa Dogs,' 'The Twa Brigs'—some of which will answer the tests, standards, they bring to measure them. The real Burns was the Burns of out-of-doors, frolicking, drinking, farming, ploughing the fields—of women—of poverty—of struggle: the Burns we see in the letters, for instance—those incomparable, heart-given letters—and of all this these fellows make little account, if they even know. The fact is, as William O'Connor would say, that Burns has become established—it is safe to enthuse over him, to endorse him—and the world does it. And besides, it is a Scotch enthusiasm—a patriotism. Somehow—naturally, somehow—all Scotchmen are subject to the Burns enthusiasm. Even Dave McKay, I should claim, would resent an

 
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impeachment of Burns—Dave, the coolest of mortals, who don't seem to have any fire at all in him—and our friend Hunter, too, who came the nearest in this to warmth of anything I know—having the greatest penchant for Burns." And this warm espousal, he further declared, "is much more marked toward Burns than toward Scott." And explanatorily after awhile he said: "The fact is, there is a tremendous element of pathos in Burns' life—in these drinkings, strugglings, laborings I have talked about—and it is these that take hold of the human critter. The mass of men—all of us, I suppose, are impressed by the tragic, the serious, the pathetic—it appeals to us—takes our sympathy by storm—we do not attempt to resist: all is well so given—we at least feel it well, do not reason it out—better not! We can almost be said to flourish in the tendency in us—reading Burns by the light of his idiocracies, idiosyncracies—all men so. Death, murder, pain, assassination—how much they put into history! Think of Abraham Lincoln, profoundly constituted throughout as he was—of deep political, moral, spiritual subtlety, reachings—open to varied influences—everywhere a big man, type, in himself—and simple—simple as a child in his power—of world-capaciousness—one of the greatest, sweetest souls everyway—think of him—think how much even Lincoln owes to his taking off, assassination! Immensely much, without a doubt." I instanced Amy Robsart in "Kenilworth"—and W. then: "Yes, that, too—Amy owes her persistence to that fact—to the fact that a trap was laid for her, and she fell into it—and so through all history—there's no end to illustration, instance, along the same line." This mention of Scott aroused his Scott-enthusiasm again, and he spoke variously, urging me to "read Scott, read Scott—you can get none better"—and saying again: "Yes, Kenilworth is one of the best—and have you read 'Quentin Durward'? Get it—get it in some 25 cent edition—paper—soft." And he added further: "There's
 
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'The Pirate' too"
—and laughing heartily—"get that, too—it is not one of Scott's best, but is one you cannot afford to miss—tasting the whole feast, that will be 25-cents more! There is a great satisfaction getting a cheap book—a soft book you can mush in your hands, so"—indicating—"a book you are not afraid to injure. 'The Pirate' is hardly a sea book—hardly to be rated with Cooper—Cooper's 'Pilot.' There are several shiftings-about at sea—but the story as a whole is a land story. But you will like it—it is the sort of thing I think belongs to you—to your tastes."

     W. quite facetious over the Rembrandt in the Bazaar this week—"The Wife of Christian Paul Van Bereskeyn"—saying, as to her neckgear: "It looks like a Dutch cheese: is most hideous—a Dutch cheese with a hole for the head to poke through"—and yet—"Our modern dress is about as bad—male and female: almost past idiocy."

 
Sunday, January 26, 1890

     10 A.M. W. just finished breakfast. Stopped in to leave "The Red Rover" with him. He spoke of "the good illustrations" of his "first-rate remembrance" of Long Tom Coffin. Gave me for reading, Carpenter's red-covered volume—"Civilization—its cause and cure." "No," he said to my question, "I have not read it all—it is solid reading"—his tone implying "too solid."

     I had my much-marked pocket copy of Leaves of Grass with me. He took it and looked it over curiously. "This appears to be a good copy—one of the best—for printing: most of them are damnably poor—so poor a fellow is ashamed to think of them." As to the poor binding of Carpenter's book: "I understand that certain of the English books are bound with reference to being bound again." I am betting this is one of them.

     "The day looks heavy," he remarked, and he was dubious about getting out. But he sounded better than last night.

 
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Monday, January 27, 1890

     7.40 P.M. W. in his room on the 2nd. floor, reading "The Water Witch." Though he had been out for a brief stretch, Mrs. Davis told me W. had not been "nearly so well" today. Advising me to take my summer trip to Canada and Dr. Bucke—W. said: "Yes, go—you will be most welcome: Doctor will put it so, the favor will be on your side, not on his: that is his way—no one knows it better than I do."

     Again: "Frank Williams was over today—came about 3. Frank seems to come as a duty—thinks he ought to come."—I put in—"But is glad to come, too"—W. thereupon: "Yes, I hope it is a pleasure, too—think it is a pleasure to him: but there's the sense, the call, the appeal, of duty, as well. I can't get away from that impression." And further: "Frank is one of the fellows left who is invitiated [?]—he is under certain of the worldly influences—gives them their due—yet is under his own influence, too—his own organic influence." And to what I said in warm tones of Frank's modesty—"I believe I can endorse every word you say in that line." The plan, suggested in the fall, to have a reception for W. in Philadelphia has fallen through evidently. W. said to me—"Better so, too. Better fallen through than happening."

     Another of his expressions about Bruno: "How can there be two sides to the question? Bruno is the modern, science, democracy, America. Are there two sides to the modern, science, democracy, America?" Speaking of Tennyson—his "almost parloriness of style at times" and "always elegance,"—W. added: "From what Herbert tells me, Tennyson as a man is quite different from this—elemental, aboriginal—a man who will go into the mud-ditch, gutter, blood, for illustrations—a rough, rugged, sane, healthy, nature—very Socratian at the last—unmistakably gifted in unspoiled power."

     At my entrance W. asked, "What news do you bring?" I said: "I come to get the news—from you fellows who make

 
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it." But he responded after his laugh: "There is little news made here, in this room—in this cane chair: silence, mainly, or nothing." Commenting on a picture of Zola in the Transatlantic: "It is a strong head: he certainly has done enough to be a man of intellect—as he is, without a doubt." Again: "Did I tell you I had a note from Melville Phillips? It came Saturday or yesterday—only a few words—in effect these: Don't forget the little poem or poems you promised me. So today I set to work—pieced a poem—'Osceola'—the Indian chief across there"—pointing to the old lithograph tacked on the wall opposite—"he was in our early history, you know—taken prisoner—died in prison from confinement."

     Said he had received 6 dollars from Blake (J. Vila, Chicago) for complete W. W.—"which I have sent off—which he ought to get tomorrow—or next day at farthest." Again: "Frank Williams said there was something in yesterday's Times about us—about so much"—measuring 4 or 5 inches—"and I judge from his description that it is all spurious—an invention. It seems that among other things I am said to have been surprised at Boker's death—putting it as though it had been a set-back to me—when the fact is, although I had always had the kindliest thought of Boker, he was never a great element in my life." And, after something further anent newspaper lying: "They handle us freely—did Grant, Lincoln: do so now: and safely, too, for they are all gone—and General Taylor, and Scott: having known them all, I know how they were harried—their memories harried—by lies."

 
Tuesday, January 28, 1890

     7.15 P.M. W. writing on my entrance. Did not appear well, nor was he. Had been out, however, in spite of the severe weather. Invited me almost on start to take a doughnut. "Mary does it well—I know no better hand—and these last are her best!" Commented on the announcement that

 
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Tennyson had consented to sign an edition of 100 copies of his poems. "I suppose they will have a tremendous market-value—be produced in unexampled elegance."

     Gave me a copy of the Open Court—a marked article therein by Cope, but W. had not read it: "I find little to interest me." Gave me also his Contemporary Club tickets. Expected "Old Age's Ship and Crafty Death's" in the next Century. "I can give you a slip of it now—I have them here—but perhaps I had better wait a day or two. I am quite punctilious on that point as a usual thing. I get the slips printed as a measure of protection. I have been so annoyed at different times, having commas left out when they should be in, and inserted when I did not command it, that I thought a printed copy the only final safety. The devil gets into printers, and then all's hell!" This led to mention of proof-readers. "Very few people know—very few readers of books—literary people—what we owe to proof-readers—the indefatigable proof-reader. I knew one, Henry Clark, a man not of extraordinary appearance—plain—but a man who seemed the deeper, more expansive, the more a fellow looked. He was a Boston man—the reader of the final proofs of the Boston edition of Leaves of Grass." And then: "I have long intended making some note of this—to make an article of it—not speculative, disquisitional, but in the main reminiscence. And in such a work, what it is to have a bright boy—copyholder! I think I must not forget to include the boy in my story."

     "I had a note—a curious note today—a postal—all the way from Nice. It was written by John Swinton. He writes to tell me he had seen my Brazilian poem in a Parisian paper—says he likes it—congratulates me that I am strong enough, with ability still to write so." But how the poem had got to France—"and we had never a glimpse of it here"—W. "could not account for it.""I am mystified. I supposed maybe McClure had altogether decided against using it. Evidently it

 
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has appeared somewhere, and escaped our vigilance." But try his best, he could not find the postal to show me—it having "undoubtedly slipped on the floor in the mess somehow."

     Project of dinner in Philadelphia revived. I was in to see Lincoln Eyre about it and have spoken to Harrison Morris. Date, April 14th.—at the Art Club. May assent if Morris and others of his standing go in, but shall not if the boys now talking it over are left to manage it. Talked to this effect to W., who said: "That is right: that is the right view: learn what you can: I leave it in your hands: when we know what they want of us we can make our answer." Met Brinton in Philadelphia today, who sent his greetings to W., who was much pleased, as is always the case. Brinton very eulogistic of W. Said on general matters when I told him W.'s attitude towards science and the orthodox church: "In that he agrees with the main body of modern scientific workers, who feel that the orthodox church is an obstacle in the way of progress."

     I asked W. if he had ever heard Theodore Parker? "Yes—I think I have—I am sure I have—but the impression is mainly gone. My impression of Father Taylor is very vivid because I heard him repeatedly. One's memory rusts a great deal—things coming up in the reminiscence way are confused, often utterly unless as matters of authentic record." Later, as I left, he said: "I ought to tell you I got 5 dollars today from Kennedy for that book: he sent it in spite of our protests. And only the other day I expressly told him not to. Well—well."

 
Wednesday, January 29, 1890

     7.15 P.M. W. reading Cooper. Spoke at once of the Brazilian poem. "Here's Swinton's card—turned up today," he said. But he could no better now than yesterday clear up the uncertainty of its issue abroad. "Why was it?—how?" W. asked. And I questioned: "Why was it not printed in this country?" W. then: "I don't know. There is a line in it which reads

 
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'More shining than the Cross, more than the Crown'
and that may have deterred the orthodox journalists."
But would it deter his friends? "No—they would not fear it as my friends but as journalists. You've no idea how the fellows stickle at such things—the timidity has no limit. The line is apparently innocent, yet I made it the expression of a deep-rooted idea—an idea I much affect—I should not wonder but the idea of the poem—Swinton calls it 'noble.'" W. spoke with regret of Swinton's complaint of "nervous prostration"—describing: "He's of a temperament intensely inclined towards nervosity. Mrs. Scovel once told me of an old play she had heard of or seen—a play in which much hangs upon the saying of one of the characters— beware of being the creature of one idea. I'm afraid John has been a man of one idea—and here is the effect of it." He said further,—"I sent the poem to the Post, which prints it." And he hunted me up slips—gave me two—one of them with changed headline (from "A Christmas Greeting from a Northern Star-Group to a Southern"—to another dropping the word Christmas, as it was declined in the meantime, though written in 1889)—and another the 4th line changed from
"Ours, ours the present throe, the democratic aim" etc. to dropping "present throe, the"—.

     Referred to Castelar: "Our folks here seem afraid to say anything about the new republic—a disposition just the opposite of that of the European fellows—especially in France—which is one of hearty welcome. We seem in a state of fearing expectancy." And as to a report that Ingersoll had said something to the same effect,—"I should be thoroughly inclined to Amen Bob!" And again: "Castelar, a man there in the peninsula, writing of democracy, does it with reference to a thousand things we can have slight or no idea of here."

     Received proof of "Osceola" today from Phillips and was amused to find the printer had alternated the lines, indenting every second one. Of course he instantly wrote to set it right.

 
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     "On the artistic side," W. said, "and the side of simple nature—there are lines on which Goldsmith is far more marked than Burns." And yet "Burns on the whole was the bigger man."

 
Thursday, January 30, 1890

     5.20 P.M. W. in his room—had just concluded dinner. Warren came in while I sat there and took the tray off. W. had asked several times about it, so today I secured the Times of Sunday, now giving it to him, and he remarking: "I have not read a word of that—yet I would be willing to make a wager, there's not a word of it authentic." To the statement that he had said the death of Boker "rattled" him—: "That sounds just like me, don't it? Rather, it sounds more like Reddy!" And when I looked mystified by the reference, he laughingly particularized: "Did I never tell you about Reddy—the fellow who invented me on the cremation issue? He was called Reddy—had red hair—and a scamp he was, too! He is dead now. The way that came about was this: he had the impudence to write me—it was several days [later]—and explain that he had a chance to make 3 or 5 dollars by collecting opinions on cremation—had collected some but had not time to come over to see me. And there I was, in the most conspicuous place of the three-quarter column. It was a fair sample of what we call American journalist cheek. And this—the one in the Times—is probably another. I should not wonder at all but Jim Scovel wrote it, anyhow!"

     He spoke with great warmth, and more fully than yesterday, of Castelar's speech. "I have read it through now—every word. It is thoroughly frank, thoroughly characteristic. There are not a few things in which we need to learn much of the Spaniards, Italians, French—and this is one of them. Castelar's speech is impassionate egotism—yet an egotism of a high and noble nature, which we presume eminently fits and

 
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becomes him. It is a confession—the song, utterance, of personality—in substance this: that Don Pedro is not the man he is credited with being—is not the broad King of the reports: is Emperor: that in the old times, 20 years or more [ago] in Castelar's need in Spain, the Emperor insulted him—and so on, suggesting in every way the happy right Castelar has to his feeling. None of our men would dare allow themselves such a personal statement—they are in every way afraid to let themselves out—all of them—litterateurs—all. Except only Emerson, whose every word somehow seemed an eternal fitness in itself—needed no explication. But Emerson stood alone." And further: "What has Arnold contributed for us? Of course I speak of him a good deal with reference to what he said of America—of us—of Emerson. What did he know of us? What value had his divining rod? Sweetness and light? Damn sweetness and light! We have already too much of it! I like the north-west winds—the fearless tides: to brace these—to take these naturally, heroically—as in themselves matters of course! It would seem as if our civilization was doing all it could to get away from all that signified of inherent nativities—of what at best belongs to us all!" He knew that John Burroughs had some notion that "Arnold was the man for England"—but—"It's a great pity John did not use that logic in his consideration of Victor Hugo—he has been a bitter antagonist of Hugo without and within. The world is surfeited of the Arnoldisms. All the fellows are bent on being correct, elegant. I hate the man"—this with a laugh which took all the edge off of "hate"—"who comes to me and speaks to me of his perfect English. Perfect English and perfect sense don't always go together!"

     He remarked again: "This, now, is Thursday. I suppose I have received more than a dozen letters this week—nearer 2 dozen—and out of these a full three-quarters are applications for autographs—some of them very insinuating. I wonder if the disease don't sometimes take a stronger turn than at others?"

 
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Friday, January 31, 1890

     Did not see W.—was detained too long at the Bank. But received a letter from Bucke broaching the hospital matter again, aroused thereto by a sentence in one of W.'s recent letters.


PRIVATE [London, Ont.,] 29 Jan [18]90


My dear Horace

     You know that for a long time I have thought (and I believe you have thought the same) that Walt Whitman should have more comfortable surroundings and to this end I have from time to time urged him to live in some good hospital where he would be regularly seen by good Drs and waited on and provided for suitably. I could never get from W. any consent to this scheme and for a long time I have ceased to urge it—have not mentioned it for months—I was surprised therefore when I got the other day a letter (written 22d. inst.) containing the following passage: "If I had a good hospital well conducted—some good nurse—to retreat to for good I sometimes think it would be best for me—I shall probably get worse & may linger along yet some time—of course I know that death has struck me and it is only a matter of time—but may be quite a time yet." Upon receipt of this letter I wrote to W. saying how glad I was that he had taken that notion and how much better off in many ways he would be in a good hospital. At the same time I wrote to Osler of Johns Hopkins asking him whether W. could be received there as a pay patient—what the rate would be &c. I have just received Osler's answer this afternoon saying that there wd. be no difficulty about W.'s reception and that the pay for every thing would be about $25. a week. This letter of Osler's I have sent to W. Osler is to write me again more in detail at once—this letter also no doubt I shall send to W. I should be sorry to have W. out of daily reach of you & Harned but in all other respects the difference between his present life and life at Johs Hopkins would be like the difference between a laborer's life and that of Vanderbilt—the difference would be far more than that because at Johns Hopkins he would get (besides all other good provisions & attendance) the constant, daily, services of the best physicians in America—in the world. perhaps,

 
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and this would be of immense importance to him in his present state—I have little doubt that at Johns Hopkins his life would be made greatly more bearable—even comfortable. You see of course why I write to you—I want you (as I know you can) to forget yourself—your own feelings—and help me to move W. to this step. Should it be once settled that W. will go I propose to at once visit Johns Hopkins, see just what accommodation he would have—arrange all details and come on to Camden to take W. on to Baltimore—and I should hope that you and perhaps others would go too. About the payment of $25. a week or even more—surely there could be no difficulty (?) W. would perhaps like to pay some part of the rate himself (?) or if not surely you could run the subsidy up to this amount—I would willingly make my $3. a month $5. others would no doubt do the same or new names could be got? the payment of twice the amount ought not to be any difficulty. Should I go to B. to look into the sort of provision they would make for W. at J. H. perhaps you or Harned would meet me there and look into the matter along with me so that you would be quite satisfied with the step before it was made (?)

     Have a talk with Walt on this subject (get him to open it if possible) and tell me how he feels about it and very fully what you and Harned think of it.

     Willy Gurd has been here all January but has been sick ("La Grippe") all the time. At one time (3 weeks ago) I feared he would die. He is now slowly recovering—the gas meter is made—we may establish a Co. to manufacture here under the Canadian patents to prove the thing practically—we have done nothing yet as Gurd got sick almost immediatley after his arrival here and is so still—I have good faith in both the gas and water meter


Your friend


R M Bucke


 
Saturday, February 1, 1890

     7.50 P.M. W. reading the Century—and after cordially extending his own and grasping my hand—spoke freely of the magazine. "It is in some ways an interesting number. There's

 
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a fine picture of Forrest—one of the best I know—I suppose it would be called a success. On the other hand the Emerson picture—much spoken of—is a failure—at least, that would be my opinion. It is full figure—and the figure not bad—the body. I saw him many, many times, at all stages of life from very young years—when he was not famous at all—really only debuting—and I judge the body, as we have it here, not unfortunate. But the face—oh! the face is badly amiss. I don't know but it has that same quality we would not admit of in the London News picture of me—a sort of foxiness—sourness—sick-at-the stomachness—at no time belonging to Emerson. But the article, giving the boy's recollections (Woodbury's) of Emerson, has a quality which will attract you, as it attracts me. What is there about Emerson which we would not read?"

     I had not yet seen the Century. Had his poem appeared? "Yes—it has its place. And I don't know but I have a slip here to give you"—hunting in a package held between two pieces of pasteboard—handing me the slip finally. "I think that is the last." And further: "You must take it anyhow, even though it appears the last. There are so many of these 'last copies' of this thing or that turning up here every day that I often wish they really had been the last."

     Asked me after news: "We have no news here—we are retired from all that."—And again—"What about the city—Philadelphia: is it busy, varied, gay, businessy? Warren was over today, and came back describing the streets—everybody in a hurry—the cars—noises—cries—children." Again, of domestic matters: "Harry Fritzinger opened his grocery store today—or perhaps you knew of it?" And W. laughing with great heartiness: "It seems the great demand today was for clothes-line—numbers of people coming in and asking for clothes-line! What a mystery the human mind has come to be—the critter—or always was!" How about the Times interview?

 
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"It was a surprising patchwork—Jim Scovel's without a doubt: it sounds like Jim—it don't sound in the least like me." Scovel has admitted its authorship and spuriousness to Harned—said even that there was much more that the Times people had cut out.

     W. questioned: "Who will be the laureate after Tennyson is gone? Has William Morris the right quality?"—but there was Morris' radicalism—"I suppose that is enough bar: he could hardly be stomached." He regretted Tennyson's absence from Browning's funeral. "He should have been there—should have gone—if he had to be carried: I do not like his absence."

     The debate in Congress (House of R.) over Reed's ruling to count all members present towards a quorum, even if they did not vote—had arrested W.'s attention. "My first impression was that the Republican position was right—but since I have seen various signs of arbitrariness which I do not like—which raised doubts. All these fellows are petty—are today's men—work for as in today. I remember Gurowski, how, in giving us points on Russian affairs, would indicate certain special men and say—these men are working not only for today but with reference to the next thousand years. The wise Count—after he was done his swearing! But our fellows never show so big an eye—they see only today—sometimes only the small part of today—as these fellows now. I used to think Colfax was a great 'muff'—until one day in Washington a little affair came along which set him up in our estimation. The question was over some member clapped in jail for contempt of Congress. Colfax had letters belonging to this man in his possession—and a member of the Committee in charge asked him a question: would you not deliver up—open—these letters? And he negatived the question. What! not even at command? And at this the old man fired up—I never knew how—never supposed there burned that much in him—fired up and exclaimed—though not quite so profanely—'No—

 
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no—I'd see us all in hell first!' To some of us—O'Connor—me—Colfax was that night famous. It gave me much hope of a latent substance even in the old cods from whom so little usually is to be expected. But all in all Colfax was a little man—was ascendent by something else than native power."

     I did not tell W. I had heard from Bucke, but asked him if he had—and this led him to speak of Bucke's hospital proposition. "He made a good deal of that some months ago, then dropped it. Now the fault seems to be mine—to have come from some little reference in a letter I recently wrote him and of which Doctor makes the most. I am not inclined to change from my old position. Doctor makes too much of one side of the prospect—there are a hundred other influences of which he can know nothing at all—perhaps no one can know but me. It is the attitude of the neck-tie man, to whom all civilization, prosperity, advance, what-not, hangs upon the ups and downs of the neck-tie trade—high power or low—big orders or little. And yet the world includes just about a million other worlds about as big as his own." I urged: "But he sees certain material benefits in such a change for you and thinks they would compensate, and more, for all you lose." But W. shook his head: "The hospital move does not impress me—I see things Doctor cannot see. I do not tumble to the idea at all!" And again—"Don't worry that I will go off without letting you know!"

     One of his expressions: "We all make our plans for living out-of-doors—but never live there (I am as bad as the rest!)" Spoke of days in Washington "when some of the fellows would come down from New York, Boston—Otis was one of them—and bring copies of the big dailies—one for me—one for O'Connor—perhaps for others. They were great treats!"

     The fact that I heard Brinton lecture on the peoples of Africa Friday caused W. to urge me to ask B., to what extent if any, the Moors were related to the negro. "I have always had

 
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a suspicion they were not related, but my suspicion never rose to a certainty."

     When I started up, W. asked: "Where are you going when you leave here?" And learning to Harned's, he pulled open the table drawer and gave me his whiskey-bottle to get filled. "Harned has the best viand under the sun," he said. Then he made up a couple of doughnuts into a package, "one for Mrs. Harned—one for Tom"—which he insisted I should take, as I did.

 
Sunday, February 2, 1890

     9.45 A.M. W. just finishing breakfast. Looked fresh and well. I gave him his bottle of whiskey, secured from Harned last evening. It was not the bottle he had sent, but a better one, which he remarked, adding comically—"and I guess it holds just as much, too—which is important!" Asked then: "How are they all at Harned's? And the baby? Oh! the dear baby!" At this point, looking out of the window, I saw a bright, beautiful baby playing inside the window opposite—remarking it. W. thereupon: "Yes—and we are great friends, too,"—at this starting to look for something in the confusion of the table. My inquiries developed that he was looking for a cork to stop a little bottle on the table. "I was going to send you over to lift the window and give the baby a little bit of cologne, but somehow the cork is gone—utterly gone—at least for the present, and I'll have to postpone my good intentions—or their enactment!" And still he looked and looked, finally, however, giving up the search. "The scoundrelly cork is here somewhere—but not here to my asking. I think I inherit from my father a disinclination to throw anything away—I keep every odd and end that falls to me."

     The little snow that had fallen in the night was now fast melting—the day of the dreariest character. W.'s description

 
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of the snow: "It don't seem to have a manly character—it seemed rather to sneak in—now to sneak out again!" I picked up from under his rocker a striking portrait of Johnston. "It came yesterday," he said, "and surprisingly good it is!" And after fruitlessly looking for something else—"There came along in the same mail, from the men up in New York who have invented the Walt Whitman cigar, a label—but it, too, is lost, just now, here in the general mess. There is a portrait—and all comes with a letter. I intended you should have it."

     He suggested to me: "Go to see the Alexander picture at the Academy—see what you can make of it—I want to hear. And tell Aggie to go, too—tell her to look at it—take what measure she can of it. The papers are making some to-do about it, but then I put no value whatever in the newspaper criticisms—the snap judgments of editors.""But," I said, "here is Harned, he has met Boyle, who says it is of high merit." At this W. added: "Well—I should not so airily reject that—that has considerable pith, coming from such a man. But anyhow, you go see it yourself—tell me what are your own feelings." And he reminded me again—"Have Aggie go—with you if she can— but go." On the score of Boyle's severe criticism of Gilchrist's Whitman, W. protested—"That is putting it extremely, I guess, but"—and he said no more—the "but" standing for a certain mild participation, as I knew, in Boyle's repulsion.

     A thought he frequently has on his lips, he repeated this morning: "The children should be taught to draw—among the first things. How were Brinton's charts Friday night? So much comes easily to a man if he has some knowledge of drawing; especially to the speaker. See what power you say Morse wields by being able to make his statements, justify himself, armed with a piece of chalk!"

     I found on the floor, under the wood-pile (which I accidentally disturbed) a broken picture (unmounted) of W. W. It was

 
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cut in half—a picture rarely used—a hand supporting the head—a Bryantesque look throughout—less the vigor, more the polish, than in nature. W. said as he gave it to me: "I did intend to destroy it, but if you must you must! I put no value upon it."

     Clipping from a local paper (unidentified), dated Feb. 2, 1890 re the 60th—Annual Exhibition—Penna. Academy of the Fine Arts

     WALT WHITMAN'S PORTRAIT AND THE REST
Mr.J. W. Alexander's portrait of Walt Whitman, which was fortunately painted before his recent illness, easily leads the portraiture of the Exhibition in one direction just as Miss Cecilia Baux's beautiful pastel [of Miss Burnham] does in another. Mr. Alexander has chosen to minimize the vigorous physical personality of his subject, and he has left the robust poet sitting on something very like a bicycle saddle. The head is, besides, a bit vague in the treatment of hair. But the work, as a whole, is noble, effective, and elevated. It has about it a dignity and poetic feeling to rejoice over, and gives with great fidelity a high and tender side of a great man and a noble figure in letters and life.

 
Monday, February 3, 1890

     7.35 P.M. W. said on my entrance: "Someone has been sending me a copy of The Scottish-American in which there is an account of the Burns celebrations. I find that the drift now is towards musical celebrations—no longer banquets, speeches, hot-Scotch. It is a sign of the times."

     W. had been frequently making lunches and sending them to the sick girl next door. As to the Philadelphia dinner: "Do what you think best. No doubt in some way—if it is quiet, unpretentious—I will connive at it some way. I accept the spirit in which such things come; could not, consistently myself, disregard them." But—"as I have said, simplicity, simplicity—informality—no brass bands!" Said he was "thoroughly sensitive, responsive, to the enjoyabilities of such a

 
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compliment." Added: "You know, I love the good things—am awake to personality, contact, sympathy, emotionality, at all times, anywhere."

     I read Woodbury's Emerson sketch in the Century today, and now said to W.—"The reference made to you there was somewhat mystifying." He then: "So I thought." Woodbury reports Emerson as saying: "'Leaves of Grass,' by Walt Whitman, is a book you must certainly read. It is wonderful. I had great hopes of Whitman until he became Bohemian. He contrasts with Poe, who had an uncommon facility for rhyme"—&c. W. continued: "That sounds Edwardish, as if Edward Emerson had a hand in it. Some of the fellows had—still have—the idea of me, that I'm a big, blustering, swearing creature—going about with a red shirt on—sleeves rolled up—quid of tobacco in my cheek—saying 'lubber' and 'damn' and achieving a general toughiness. This article is collated—put together from various occasions. I can see Emerson in parts of it—but it lacks sap—is no doubt a good deal, even if unconsciously, made up. For no matter what a man hears, if it is not in him to do so, he will not report faithfully—like an artist who cannot paint out of his good intentions alone, but must have a bottom to him somewhere." As to the portrait of Emerson in the same magazine: "It finds its way into you anyhow." I told him of tbe humorous insistence of Shillaber that Emerson's was an idiotic smile. "No matter for the smile: a man is made not by his smile but by the measure of his personality."

     Said the appearance of his little piece in yesterday's Press was "the first notion" he had that "it was bought by a syndicate""This tells us who File is." We had an intensely interesting talk over what W. himself denominated his "whether-or-no-ness"—whether he felt "self-justified" in his later work—the work of recent years. Morris came in the bank today in high pleasure over the Century poem, which he called "of the highest." W. said: "I am glad to hear that from

 
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Morris—from a fellow trained in the art-side of life. There are times when the verdict of a craftsman counts for something." And then: "I set this off as a distinct thing, for instance, from Bucke's comment. I feel that Bucke is apt to take it for granted that everything is all right. There are times when we prefer the questioner. I for my part have never been deeply convicted on the point of the late poems—never absolutely certain of myself—of results. To be sure I am convinced all has forged forward from a poetic background—out of appropriate, deepest poetic seeing, emotionality—uttered in a setting of genuine sympathy: but whether here at last comes morbidity, introspection—forbidden, forbidding appearances—in that is the rub." W. said further: "I have put the bucket deep in me—brought water from the deepest deeps—questioned—and though inclined to be convicted, am not." But I argued—why necessarily weakening because changing field? Death, pain, age, are only disease when the observer makes them so. W. thereupon: "So it seems to me: and I think it is in such a conviction I shall abide. I never forget Mrs. Gilchrist's solicitude—and she was one of the cutest women ever born, and signal among my friends—; her solicitude in fear—dread—that I would go off into pensivity. She would say, What has Walt Whitman to do with sunsets: I cannot conceive of him having anything to do with disease, old age, pain, invalidism, sunsets, sitting in an old cane chair—or housed in any way—or the like. That was Mrs. Gilchrist."
 
Tuesday, February 4, 1890

     7.30 P.M. W. reading—gathered close to the light. In his room as usual. Had been out today. But Warren was of the idea "It did him more harm than good." Still, W. insisted on going. Day altogether damp. Rained hard in the forenoon. Reads The Long Islander (regularly sent him) weekly. Thought he was not so well today. When I said: "I shall tell the fellows

 
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at the Club you are in first-rate condition." He said: "I don't have any objection to your telling them so, but I'm not." And—"I am not having a great time these days—not at all."

     I questioned him again on the hospital matter, but he said—"I have heard nothing from Bucke since that letter." Then: "I had a letter from Ed Wilkins today. He reminded me that I had promised him a dinner book, so I sent him one. I suppose I must have made him such a promise.""Ed," he said again, "sticks to his tasks there, I should guess."

     Called my attention to a paragraph from Labouchère, quoted in this morning's Press, discounting the poet fraternity. Amused W., who said: "There are the choice people of our time—there are many of them—who always fidget for something pungent, sharp, cute, telling, witty: are not satisfied with plain, native foods, but crave for spice, viand, whatnot. Labouchère answers to such a call." Adding again: "Our Agnes Repplier shines by such a light: I guess nobody could safely question but she is very bright; but she is the dog up the alley, waiting to pounce out and seize the first good leg that comes along. Yes, she is smart—has the smartness of vitriol, of salt." As to the Goethean critics W.: "There are persons of the small pietistic turn—of extreme notions in that order—who do pause at Goethe's peccadilloes, amours,—get no further,—know nothing of the ensemble—of the man as a whole."

     Though he had had proofs, had not yet seen the Illustrated World piece. Said again: "I met with a very happy phrase from Stedman today: what he calls, 'the stained-glass' school of poetry. It seemed a very happy thought: and there was another expression as fine—let me see—no, I cannot hit upon it now. The 'stained-glass' applies more or less to Dante Rossetti—'The Blessed Damozel' and such."

     To my further declaration that I distrusted Woodbury's use of the word Bohemian in the Emerson report, on the ground

 
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that Emerson was surer than that in his characterization, W. said: "You are right: Emerson was wonderfully apt—wonderfully discerning—seemed to read a man through and through—through and back again!"
 
Wednesday, February 5, 1890

     7.30 P.M. W. has improved over condition of yesterday. Less depressed. "Out today? Oh, yes! We took quite a long jaunt." And again: "I had a letter from Bucke to cheer me: it was a jolly one. He does not refer to the hospital matter again." One of his curious statements: "The fellows who wrote up Socrates—Plato, whoever—had many axes to grind—so they ground them and put Socrates' name on the result." The Emerson writer in The Century "dialogued—reported—Emerson efficiently, after a sense." But was the dialogue dull? He thought so, "therein certainly losing position when contrasted with the reports of the Socratean conversations."

     He spoke of the Nicolay-Hay Lincoln. I called it "a lost opportunity"—the death of Lincoln opening up much which they had not availed themselves of. W. then: "You think so? They stole a part of that from me—not in this number but in the last—in the account of the assassination—not successive passages—here and there I could get glimpses—not of me alone but of others." I spoke of W.'s own vividness and pulse—and then of Brinton's speech the other night—"So simple, they thought nothing was in it: yet it was crowded with matter." W. then: "That is good—that is noble—that is the whole story—so simple they thought there was nothing in it! That is the whole story—the inevitability of the result, out of the simplest means." Questioning me of Lumholz—I promised sometime in my leisure to give him an account of curious bits of information imparted. When he sees me now with a copy

 
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of L. of G., he jokingly asks—"Whitman's Bible eh? God help you!"

     This is one of the ways he illustrates narrow reasoning: "Like the man who gets sick and blames all his trouble on boiled oysters: he had been just on the point of sickness—anything would have turned the scale—the whole body was eligible to disturbance: then he takes the oysters and the deed is done! A thousand other things would have caused the same trouble—the oysters only brought matters to a head—yet the oysters alone are rebuked.""It is a good sample of average reasoning, where men don't look for the cause of the cause of things."

     He spoke of "how one's egotism carries him a great way towards endurance. It is so with me—I have stuck and stuck—through a something within me which my enemies would think hopeless conceit." And so, of "the rounded Leaves of Grass" as turning up in the recent poems about old age as in previous poems of the then contemporaneous—"You are quite right there—I am fully convinced on that point—my egotism, if nothing more, holds me fast there."

     Referred to Stedman's "stained glass" epithet again and then proceeded to talk of stained glass itself. "I was in such a stained glass establishment some years ago in New York. What wonderful work they do! I looked at things long and long and long. Going at the old rate, what must they not be able to do now." We had some talk about the proposed dinner. I explained that it was the opinion of Morris and Frank Williams that W. should not embrace the tender—that the young men were more concerned to advertise their journal (Society) than for anything else &c. W. said: "I put myself in your hands. You say Morris and Frank are quite agreed? Then let me give the declination courteous!" And even of the proposed celebration of his birthday, which we have long had in mind,—"Don't force anything: if anything suggests itself—

 
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arises spontaneously—proceed—not otherwise. Don't get into anything extreme: as I told you, no brass bands!"
 
Thursday, February 6, 1890

     7.35 P.M. Went down to W.'s with Hugo Hund. W. was very cordial with him—questioned about his name till it was spelled for him. "I am always curious to know the make of names—to know the meaning of names, if there is a meaning. That was one of my pleasures in George Kennan's articles in the Century: when he struck a bad [hard?] Russian name, he would indicate how it was spelled. That seemed especially made for my benefit!—which is to put it pretentiously: for there's in fact no one thing on which an old fellow prides himself especially but is found the possession, gratification, so some other, many others."

     W. said again as to the dinner: "The journal—paper—there: Society, is it?—had better look out how it takes me up, thinking to boost themselves by doing so. Is there not a gun that reacts? Don't our best guns sometimes fire back as well (or worse) than front—more fatally. It might prove so to these fellows. I had some visitors today—Rees Welsh and one other, coming with him. And, by the way, they brought me some whiskey—which they mostly drank up themselves, till they were quite conversational. Welsh especially was affected by it—and told me about Morrow, the Methodist minister in Philadelphia—who took it into his head several years ago to espouse me—sent a letter to the papers—was prominently known in some such way at the time. It appears—so Welsh put it—that Morrow had an engagement to lecture a few days after—down here at Pleasantville: they had heard of his boldness—greeted him with quite a storm—a great noise—would not have him lecture: unless he said he was sorry for what he had done, would not hear a word from him. It was a new story

 
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to me and I was curious to know if he had retracted, for in that was the significance of the story—but Welsh did not tell me—and I did not ask.""These fellows—any of you—may get into just such a mess—if you aren't cautious!"

     He took a photograph—marked 'J. Johnston—England"—which I picked up from the chair and questioned about. "That is the picture of one of a group there in England—a cluster—not a considerable number—but enough, many would say, considering their object!—which is the study, expounding of Walt Whitman!" And yet, he said: "We must make the best of the good words of our friends—even the few friends, if so be it our friends are few—as they have been all along, true enough! And the opposition, which is plenty piled on plenty—that"—throwing his hand gesturingly, and laughing sweetly—"That we will brush aside, not notice, as of no avail to deter us, despair us, hold us back, give us reserves."

     Discussing the question what was truth, what was lie, W. said, at different points: "The question would appear to be relative—the fact, rather. I remember my Washington experience: here were lives just wavering in the balance—life on that side, death on that"—giving his raised hand a swaying motion—"and the physicians would say, this man you ask about, he is just on the verge, may go over, may retreat. Oh! to those I would lie like the devil: the object of objects, to bring them about." And—"Yet there are some moralists who will contend, a lie is a lie, under whatever conditions (as no doubt it is)—a lie is never justified. But in certain critical cases, as in those I knew in the hospitals—in the case you tell from Helen Taylor"—I had just recited the pursued-man illustration: would you term the unjust pursuer wrong?—"a man's emotional nature would settle the case without elaborate preparation, self-debate: he would say the word, do the deed." Of course this was "debatable ground"—and "much is to be said on the other side." Yet we were to note "the great story-tellers—the writers—say Walter Scott, whose genius

 
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for taking us on the borderline of questions was great, superb, beyond precedent—are not eager to use situations of obvious results, decisions, but those that can excite divergence of judgment."

     Had Melville Phillips been in today? "No—but I had a note from the proprietor, Munyon—telling me the first picture experiment had been a failure and saying he would be over—send over—to take another. And tonight the men came—three of them: and here, with their flash-light (which nearly blinded me) they made their new trial. I sitting here just as you see me now. The fellows were wonderfully takable—I fell to them at once. Can you explain why it is I find such an attraction about transportation men, actors, men like these?—especially the actors, in which I flatter myself—tickle my egotism—by assuming I have quite a clientage?"

     Referred to "The Canadian preacher who set out to make me define—was bound to make me define my attitude towards Ingersoll—to condemn him, show our disagreements—which I would not do. The fellow finally made me mad. I said to him substantially: 'I think it a great thing to have a man who will tell the truth, irrespective of where it leads him—of what it leads him to deny or affirm: to me the recompense of everything or anything that had to be lost in the process.'"

 
Friday, February 7, 1890

     7.50 P.M. Weather was inclement today, W. consequently confined in-doors. Reading the Boston Transcript. Gave me a letter from Bucke in which was some message to me. "I laid it out for you yesterday, but it slipped my mind when you were here." McKay's Shakespeare at his feet. He had been reading today "The Merchant of Venice."

     Spoke again of his declination of the dinner, and added: "I can see more and more why I should not get involved with such arrangements." Repeated that he "looked favorably" on

 
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our birthday project, but would "say nothing till you tell me what you want of me."

     Treating of disease W. said: "The stomach seems to be the seat of all—all headaches—everything (to put it a little extravagantly) hangs upon good digestion. Indeed, I doubt if a good doctor, hearing whatever of a patient, ever prescribes except for the stomach, however he may not appear to." Harned has been ill—probably "La Grippe"—W. concerned, speaking of having missed him.

 
Saturday, February 8, 1890

     7.25 P.M. W. in his room as usual, reading the paper. Did not look comfortable and said he did not feel so. Day badly inclement. No outing.

     Complained somewhat: "I haven't heard from Phillips—Melville Phillips. I hope he will send me proofs. It is provoking to be left without proofs." And as to any "contract" with M. P. (I heard a contract reported in Philadelphia among the literary fellows)—"I am not conscious of a contract—indeed, should like to know what for—what it could be for—"&c. The photograph he had not heard of. "The result is dubious. Once in many, many trials something turns up unexpectedly good—but in the great mass of trials the outcome is a damned farrago—a libel of libels—past all one's patience.""They have the metal, the light, the ro