| 1 I CELEBRATE myself, |
| And what I assume you shall assume, |
|
For every atom belonging to me, as good belongs
to you. |
| 2 I loafe and invite my Soul, |
|
I lean and loafe at my ease, observing a spear of
summer grass. |
|
3
Houses and rooms are full of perfumes—the shelves
are crowded with perfumes, |
|
I breathe the fragrance myself, and know it and
like it, |
|
The distillation would intoxicate me also, but I shall
not let it. |
|
4
The atmosphere is not a perfume—it has no taste of
the distillation, it is odorless, |
| It is for my mouth forever—I am in love with it, |
|
I will go to the bank by the wood, and become
undisguised and naked, |
| I am mad for it to be in contact with me. |
| 5 The smoke of my own breath, |
|
Echoes, ripples, buzzed whispers, love-root, silk-
thread, crotch and vine, |
|
My respiration and inspiration, the beating of my
heart, the passing of blood and air through my lungs, |
|
The sniff of green leaves and dry leaves, and of the
shore, and dark-colored sea-rocks, and of hay in the barn, |
|
The sound of the belched words of my voice, words
loosed to the eddies of the wind, |
|
A few light kisses, a few embraces, a reaching around
of arms, |
|
The play of shine and shade on the trees as the supple
boughs wag, |
|
The delight alone, or in the rush of the streets, or
along the fields and hill-sides, |
|
The feeling of health, the full-noon trill, the song of
me rising from bed and meeting the sun. |
|
6
Have you reckoned a thousand acres much? Have
you reckoned the earth much? |
| Have you practised so long to learn to read? |
|
Have you felt so proud to get at the meaning of
poems? |
|
7
Stop this day and night with me, and you shall pos-
sess the origin of all poems, |
|
You shall possess the good of the earth and sun—
there are millions of suns left, |
|
You shall no longer take things at second or third
hand, nor look through the eyes of the dead, nor feed on the spectres in books. |
|
You shall not look through my eyes either, nor take
things from me, |
|
You shall listen to all sides, and filter them from
yourself. |
|
8
I have heard what the talkers were talking, the talk
of the beginning and the end, |
| But I do not talk of the beginning or the end. |
|
9
There was never any more inception than there is
now, |
| Nor any more youth or age than there is now, |
|
And will never be any more perfection than there is
now, |
| Nor any more heaven or hell than there is now. |
| 10 Urge, and urge, and urge, |
| Always the procreant urge of the world. |
|
11
Out of the dimness opposite equals advance—always
substance and increase, always sex, |
|
Always a knit of identity—always distinction—
always a breed of life. |
|
12
To elaborate is no avail—learned and unlearned
feel that it is so. |
|
13
Sure as the most certain sure, plumb in the uprights,
well entretied, braced in the beams, |
| Stout as a horse, affectionate, haughty, electrical, |
| I and this mystery here we stand. |
|
14
Clear and sweet is my Soul, and clear and sweet is
all that is not my Soul. |
|
15
Lack one lacks both, and the unseen is proved by the
seen, |
|
Till that becomes unseen, and receives proof in its
turn. |
|
16
Showing the best, and dividing it from the worst, age
vexes age, |
|
Knowing the perfect fitness and equanimity of things,
while they discuss I am silent, and go bathe and admire myself. |
|
17
Welcome is every organ and attribute of me, and of
any man hearty and clean, |
|
Not an inch, nor a particle of an inch, is vile, and
none shall be less familiar than the rest. |
| 18 I am satisfied—I see, dance, laugh, sing; |
|
As the hugging and loving Bed-fellow sleeps at my
side through the night, and withdraws at the peep of the day, |
|
And leaves for me baskets covered with white towels,
swelling the house with their plenty, |
|
Shall I postpone my acceptation and realization, and
scream at my eyes, |
| That they turn from gazing after and down the road, |
| And forthwith cipher and show me to a cent, |
|
Exactly the contents of one, and exactly the contents
of two, and which is ahead? |
| 19 Trippers and askers surround me, |
|
People I meet—the effect upon me of my early life,
or the ward and city I live in, or the nation, |
|
The latest news, discoveries, inventions, societies,
authors old and new, |
|
My dinner, dress, associates, looks, work, compliments,
dues, |
|
The real or fancied indifference of some man or
woman I love, |
|
The sickness of one of my folks, or of myself, or
ill-doing, or loss or lack of money, or depressions or exaltations, |
|
These come to me days and nights, and go from me
again, |
| But they are not the Me myself. |
| 20 Apart from the pulling and hauling stands what I am, |
|
Stands amused, complacent, compassionating, idle,
unitary, |
|
Looks down, is erect, or bends an arm on an
impalpable certain rest, |
|
Looking with side-curved head, curious what will
come next, |
|
Both in and out of the game, and watching and
wondering at it. |
|
21
Backward I see in my own days where I sweated
through fog with linguists and contenders, |
|
I have no mockings or arguments—I witness and
wait. |
|
22
I believe in you, my Soul—the other I am must
not abase itself to you, |
| And you must not be abased to the other. |
|
23
Loafe with me on the grass—loose the stop from
your throat, |
|
Not words, not music or rhyme I want—not custom
or lecture, not even the best, |
| Only the lull I like, the hum of your valved voice. |
|
24
I mind how once we lay, such a transparent summer
morning, |
|
How you settled your head athwart my hips, and
gently turned over upon me, |
|
And parted the shirt from my bosom-bone, and
plunged your tongue to my bare-stript heart, |
|
And reached till you felt my beard, and reached till
you held my feet. |
|
25
Swiftly arose and spread around me the peace and
joy and knowledge that pass all the art and argument of the earth, |
|
And I know that the hand of God is the promise of
my own, |
|
And I know that the spirit of God is the brother of
my own, |
|
And that all the men ever born are also my brothers,
and the women my sisters and lovers, |
| And that a kelson of the creation is love, |
|
And limitless are leaves, stiff or drooping in the
fields, |
| And brown ants in the little wells beneath them, |
|
And mossy scabs of the worm-fence, and heaped
stones, elder, mullen, and pokeweed. |
|
26
A child said, What is the grass? fetching it to me
with full hands; |
|
How could I answer the child? I do not know what
it is, any more than he. |
|
27
I guess it must be the flag of my disposition, out of
hopeful green stuff woven. |
| 28 Or I guess it is the handkerchief of the Lord, |
| A scented gift and remembrancer, designedly dropped, |
|
Bearing the owner's name someway in the corners,
that we may see and remark, and say Whose? |
|
29
Or I guess the grass is itself a child, the produced
babe of the vegetation. |
| 30 Or I guess it is a uniform hieroglyphic, |
|
And it means, Sprouting alike in broad zones and
narrow zones, |
| Growing among black folks as among white, |
|
Kanuck, Tuckahoe, Congressman, Cuff, I give them
the same, I receive them the same. |
|
31
And now it seems to me the beautiful uncut hair of
graves. |
| 32 Tenderly will I use you, curling grass, |
|
It may be you transpire from the breasts of young
men, |
|
It may be if I had known them I would have loved
them, |
|
It may be you are from old people, and from women,
and from offspring taken soon out of their mothers' laps, |
| And here you are the mothers' laps. |
|
33
This grass is very dark to be from the white heads of
old mothers, |
| Darker than the colorless beards of old men, |
|
Dark to come from under the faint red roofs of
mouths. |
| 34 O I perceive after all so many uttering tongues! |
|
And I perceive they do not come from the roofs of
mouths for nothing. |
|
35
I wish I could translate the hints about the dead
young men and women, |
|
And the hints about old men and mothers, and the
offspring taken soon out of their laps. |
|
36
What do you think has become of the young and
old men? |
|
And what do you think has become of the women
and children? |
| 37 They are alive and well somewhere, |
| The smallest sprout shows there is really no death, |
|
And if ever there was, it led forward life, and does
not wait at the end to arrest it, |
| And ceased the moment life appeared. |
| 38 All goes onward and outward—nothing collapses, |
|
And to die is different from what any one supposed,
and luckier. |
| 39 Has any one supposed it lucky to be born? |
|
I hasten to inform him or her, it is just as lucky to
die, and I know it. |
|
40
I pass death with the dying, and birth with the new-
washed babe, and am not contained between my hat and boots, |
|
And peruse manifold objects, no two alike, and every
one good, |
|
The earth good, and the stars good, and their
adjuncts all good. |
| 41 I am not an earth, nor an adjunct of an earth, |
|
I am the mate and companion of people, all just as
immortal and fathomless as myself; |
| They do not know how immortal, but I know. |
|
42
Every kind for itself and its own—for me mine, male
and female, |
|
For me those that have been boys, and that love
women, |
|
For me the man that is proud, and feels how it stings
to be slighted, |
|
For me the sweetheart and the old maid—for me
mothers, and the mothers of mothers, |
|
For me lips that have smiled, eyes that have shed
tears, |
| For me children, and the begetters of children. |
| 43 Who need be afraid of the merge? |
|
Undrape! you are not guilty to me, nor stale, nor
discarded, |
|
I see through the broadcloth and gingham, whether
or no, |
|
And am around, tenacious, acquisitive, tireless, and
can never be shaken away. |
| 44 The little one sleeps in its cradle, |
|
I lift the gauze and look a long time, and silently
brush away flies with my hand. |
|
45
The youngster and the red-faced girl turn aside up
the bushy hill, |
| I peeringly view them from the top. |
|
46
The suicide sprawls on the bloody floor of the
bedroom; |
|
It is so—I witnessed the corpse—there the pistol
had fallen. |
|
47
The blab of the pave, the tires of carts, sluff of boot-
soles, talk of the promenaders, |
|
The heavy omnibus, the driver with his interrogating
thumb, the clank of the shod horses on the granite floor, |
|
The snow-sleighs, the clinking, shouted jokes, pelts of
snow-balls, |
|
The hurrahs for popular favorites, the fury of roused
mobs, |
|
The flap of the curtained litter, a sick man inside,
borne to the hospital, |
|
The meeting of enemies, the sudden oath, the blows
and fall, |
|
The excited crowd, the policeman with his star,
quickly working his passage to the centre of the crowd, |
|
The impassive stones that receive and return so many
echoes, |
|
The Souls moving along—(are they invisible, while
the least of the stones is visible?) |
|
What groans of over-fed or half-starved who fall sun-
struck, or in fits, |
|
What exclamations of women taken suddenly, who
hurry home and give birth to babes, |
|
What living and buried speech is always vibrating
here—what howls restrained by decorum, |
|
Arrests of criminals, slights, adulterous offers made,
acceptances, rejections with convex lips, |
|
I mind them or the show or resonance of them—I
come and I depart. |
|
48
The big doors of the country-barn stand open and
ready, |
|
The dried grass of the harvest-time loads the slow-
drawn wagon, |
|
The clear light plays on the brown gray and green
intertinged, |
| The armfuls are packed to the sagging mow. |
|
49
I am there—I help—I came stretched atop of the
load, |
| I felt its soft jolts—one leg reclined on the other; |
|
I jump from the cross-beams and seize the clover and
timothy, |
|
And roll head over heels, and tangle my hair full of
wisps. |
| 50 Alone, far in the wilds and mountains, I hunt, |
| Wandering, amazed at my own lightness and glee, |
|
In the late afternoon choosing a safe spot to pass the
night, |
| Kindling a fire and broiling the fresh-killed game, |
|
Soundly falling asleep on the gathered leaves, with
my dog and gun by my side. |
|
51
The Yankee clipper is under her three sky-sails—
she cuts the sparkle and scud, |
|
My eyes settle the land—I bend at her prow, or shout
joyously from the deck. |
|
52
The boatmen and clam-diggers arose early and
stopped for me, |
|
I tucked my trowser-ends in my boots, and went and
had a good time; |
|
You should have been with us that day round the
chowder-kettle. |
|
53
I saw the marriage of the trapper in the open air in
the far-west—the bride was a red girl, |
|
Her father and his friends sat near, cross-legged and
dumbly smoking—they had moccasons to their feet, and large thick blankets hanging from their shoulders; |
|
On a bank lounged the trapper—he was dressed
mostly in skins—his luxuriant beard and curls protected his neck, |
|
One hand rested on his rifle—the other hand held
firmly the wrist of the red girl, |
|
She had long eyelashes—her head was bare—her
coarse straight locks descended upon her volup- tuous limbs and reached to her feet. |
|
54
The runaway slave came to my house and stopped
outside, |
|
I heard his motions crackling the twigs of the wood-
pile, |
|
Through the swung half-door of the kitchen I saw
him limpsy and weak, |
|
And went where he sat on a log, and led him in and
assured him, |
|
And brought water, and filled a tub for his sweated
body and bruised feet, |
|
And gave him a room that entered from my own, and
gave him some coarse clean clothes, |
|
And remember perfectly well his revolving eyes and
his awkwardness, |
|
And remember putting plasters on the galls of his
neck and ankles; |
|
He staid with me a week before he was recuperated
and passed north, |
|
I had him sit next me at table—my fire-lock leaned
in the corner. |
| 55 Twenty-eight young men bathe by the shore, |
| Twenty-eight young men, and all so friendly; |
|
Twenty-eight years of womanly life, and all so
lonesome. |
| 56 She owns the fine house by the rise of the bank, |
|
She hides, handsome and richly drest, aft the blinds
of the window. |
| 57 Which of the young men does she like the best? |
| Ah, the homeliest of them is beautiful to her. |
| 58 Where are you off to, lady? for I see you, |
|
You splash in the water there, yet stay stock still in
your room. |
|
59
Dancing and laughing along the beach came the
twenty-ninth bather, |
|
The rest did not see her, but she saw them and loved
them. |
|
60
The beards of the young men glistened with wet, it
ran from their long hair, |
| Little streams passed all over their bodies. |
| 61 An unseen hand also passed over their bodies, |
|
It descended tremblingly from their temples and
ribs. |
|
62
The young men float on their backs—their white
bellies bulge to the sun—they do not ask who seizes fast to them, |
|
They do not know who puffs and declines with
pendant and bending arch, |
| They do not think whom they souse with spray. |
|
63
The butcher-boy puts off his killing-clothes, or sharp-
ens his knife at the stall in the market, |
|
I loiter, enjoying his repartee and his shuffle and
break-down. |
|
64
Blacksmiths with grimed and hairy chests environ the
anvil, |
|
Each has his main-sledge—they are all out—there
is a great heat in the fire. |
|
65
From the cinder-strewed threshold I follow their
movements, |
|
The lithe sheer of their waists plays even with their
massive arms, |
|
Overhand the hammers roll—overhand so slow—
overhand so sure, |
| They do not hasten—each man hits in his place. |
|
66
The negro holds firmly the reins of his four horses
—the blocks swags underneath on its tied-over chain, |
|
The negro that drives the huge dray of the stone-yard
—steady and tall he stands, poised on one leg on the string-piece, |
|
His blue shirt exposes his ample neck and breast, and
loosens over his hip-band, |
|
His glance is calm and commanding—he tosses the
slouch of his hat away from his forehead, |
|
The sun falls on his crispy hair and moustache—
falls on the black of his polished and perfect limbs. |
|
67
I behold the picturesque giant and love him—and
I do not stop there, |
| I go with the team also. |
|
68
In me the caresser of life wherever moving—back-
ward as well as forward slueing, |
| To niches aside and junior bending. |
|
69
Oxen that rattle the yoke or halt in the shade! what
is that you express in your eyes? |
|
It seems to me more than all the print I have read in
my life. |
|
70
My tread scares the wood-drake and wood-duck, on
my distant and day-long ramble, |
| They rise together—they slowly circle around. |
| 71 I believe in those winged purposes, |
|
And acknowledge red, yellow, white, playing within
me, |
|
And consider green and violet, and the tufted crown,
intentional, |
|
And do not call the tortoise unworthy because she is
not something else, |
|
And the mocking-bird in the swamp never studied the
gamut, yet trills pretty well to me, |
|
And the look of the bay mare shames silliness out
of me. |
|
72
The wild gander leads his flock through the cool
night, |
|
Ya-honk! he says, and sounds it down to me like an
invitation; |
|
The pert may suppose it meaningless, but I listen
close, |
|
I find its purpose and place up there toward the
wintry sky. |
|
73
The sharp-hoofed moose of the north, the cat on the
house-sill, the chickadee, the prairie-dog, |
|
The litter of the grunting sow as they tug at her
teats, |
|
The brood of the turkey-hen, and she with her half-
spread wings, |
| I see in them and myself the same old law. |
|
74
The press of my foot to the earth springs a hundred
affections, |
| They scorn the best I can do to relate them. |
| 75 I am enamoured of growing outdoors. |
|
Of men that live among cattle, or taste of the ocean
or woods, |
|
Of the builders and steerers of ships, and the wielders
of axes and mauls, and the drivers of horses, |
| I can eat and sleep with them week in and week out. |
| 76 What is commonest, cheapest, nearest, easiest, is Me, |
|
Me going in for my chances, spending for vast
returns, |
|
Adorning myself to bestow myself on the first that
will take me, |
| Not asking the sky to come down to my good will, |
| Scattering it freely forever. |
| 77 The pure contralto sings in the organ loft, |
|
The carpenter dresses his plank—the tongue of his
foreplane whistles its wild ascending lisp, |
|
The married and unmarried children ride home to
their Thanksgiving dinner, |
|
The pilot seizes the king-pin—he heaves down with
a strong arm, |
|
The mate stands braced in the whale-boat—lance
and harpoon are ready, |
|
The duck-shooter walks by silent and cautious
stretches, |
|
The deacons are ordained with crossed hands at the
altar, |
|
The spinning-girl retreats and advances to the hum
of the big wheel, |
|
The farmer stops by the bars, as he walks on a First
Day loafe, and looks at the oats and rye, |
|
The lunatic is carried at last to the asylum, a con-
firmed case, |
|
He will never sleep any more as he did in the cot in
his mother's bedroom; |
|
The jour printer with gray head and gaunt jaws
works at his case, |
|
He turns his quid of tobacco, while his eyes blurr
with the manuscript; |
|
The malformed limbs are tied to the anatomist's
table, |
| What is removed drops horribly in a pail; |
|
The quadroon girl is sold at the stand—the drunkard
nods by the bar-room stove, |
|
The machinist rolls up his sleeves—the policeman
travels his beat—the gate-keeper marks who pass, |
|
The young fellow drives the express-wagon—I love
him, though I do not know him, |
|
The half-breed straps on his light boots to compete
in the race, |
|
The western turkey-shooting draws old and young—
some lean on their rifles, some sit on logs, |
|
Out from the crowd steps the marksman, takes his
position, levels his piece; |
|
The groups of newly-come emigrants cover the wharf
or levee, |
|
As the woolly-pates hoe in the sugar-field, the over-
seer views them from his saddle, |
|
The bugle calls in the ball-room, the gentlemen run
for their partners, the dancers bow to each other, |
|
The youth lies awake in the cedar-roofed garret, and
harks to the musical rain, |
|
The Wolverine sets traps on the creek that helps fill
the Huron, |
|
The reformer ascends the platform, he spouts with
his mouth and nose, |
|
The company returns from its excursion, the darkey
brings up the rear and bears the well-riddled target, |
|
The squaw, wrapt in her yellow-hemmed cloth, is
offering moccasons and bead-bags for sale, |
|
The connoisseur peers along the exhibition-gallery
with half-shut eyes bent side-ways, |
|
As the deck-hands make fast the steamboat, the plank
is thrown for the shore-going passengers, |
|
The young sister holds out the skein, while the elder
sister winds it off in a ball, and stops now and then for the knots, |
|
The one-year wife is recovering and happy, having
a week ago borne her first child, |
|
The clean-haired Yankee girl works with her sewing-
machine, or in the factory or mill, |
|
The nine months' gone is in the parturition chamber,
her faintness and pains are advancing, |
|
The paving-man leans on his two-handed rammer
—the reporter's lead flies swiftly over the note- book—the sign-painter is lettering with red and gold, |
|
The canal-boy trots on the tow-path—the bookkeeper
counts at his desk—the shoemaker waxes his thread, |
|
The conductor beats time for the band, and all the
performers follow him, |
|
The child is baptized—the convert is making his first
professions, |
|
The regatta is spread on the bay—how the white
sails sparkle! |
|
The drover, watching his drove, sings out to them that
would stray, |
|
The pedler sweats with his pack on his back, the
purchaser higgling about the odd cent, |
|
The camera and plate are prepared, the lady must sit
for her daguerreotype, |
|
The bride unrumples her white dress, the minute-
hand of the clock moves slowly, |
|
The opium-eater reclines with rigid head and just-
opened lips, |
|
The prostitute draggles her shawl, her bonnet bobs on
her tipsy and pimpled neck, |
|
The crowd laugh at her blackguard oaths, the men
jeer and wink to each other, |
|
(Miserable!-I do not laugh at your oaths, nor jeer
you;) |
|
The President, holding a cabinet council, is sur-
rounded by the Great Secretaries, |
|
On the piazza walk five friendly matrons with twined
arms, |
|
The crew of the fish-smack pack repeated layers of
halibut in the hold, |
|
The Missourian crosses the plains, toting his wares
and his cattle, |
|
As the fare-collector goes through the train, he gives
notice by the jingling of loose change, |
|
The floor-men are laying the floor—the tinners are
tinning the roof—the masons are calling for mortar, |
|
In single file, each shouldering his hod, pass onward
the laborers, |
|
Seasons pursuing each other, the indescribable crowd
is gathered—it is the Fourth of Seventh Month —What salutes of cannon and small arms! |
|
Seasons pursuing each other, the plougher ploughs,
the mower mows, and the winter-grain falls in the ground, |
|
Off on the lakes the pike-fisher watches and waits by
the hole in the frozen surface, |
|
The stumps stand thick round the clearing, the
squatter strikes deep with his axe, |
|
Flatboatmen make fast, towards dusk, near the cotton-
wood or pekan-trees, |
|
Coon-seekers go through the regions of the Red river,
or through those drained by the Tennessee, or through those of the Arkansaw, |
|
Torches shine in the dark that hangs on the Chatta-
hooche or Altamahaw, |
|
Patriarchs sit at supper with sons and grandsons and
great-grandsons around them, |
|
In walls of adobie, in canvas tents, rest hunters and
trappers after their day's sport, |
| The city sleeps and the country sleeps, |
|
The living sleep for their time, the dead sleep for
their time, |
|
The old husband sleeps by his wife, and the young
husband sleeps by his wife; |
|
And these one and all tend inward to me, and I tend
outward to them, |
| And such as it is to be of these, more or less, I am. |
|
78
I am of old and young, of the foolish as much as the
wise, |
| Regardless of others, ever regardful of others, |
| Maternal as well as paternal, a child as well as a man, |
|
Stuffed with the stuff that is coarse, and stuffed with
the stuff that is fine, |
|
One of the great nation, the nation of many nations,
the smallest the same, and the largest the same, |
|
A southerner soon as a northerner, a planter non-
chalant and hospitable, |
|
A Yankee, bound my own way, ready for trade, my
joints the limberest joints on earth and the sternest joints on earth, |
|
A Kentuckian, walking the vale of the Elkhorn in
my deer-skin leggings, |
|
A boatman over lakes or bays, or along coasts—a
Hoosier, Badger, Buckeye, |
|
A Louisianian or Georgian—a Poke-easy from sand-
hills and pines, |
|
At home on Kanadian snow-shoes, or up in the bush,
or with fishermen off Newfoundland, |
|
At home in the fleet of ice-boats, sailing with the rest,
and tacking, |
|
At home on the hills of Vermont, or in the woods
of Maine, or the Texan ranch, |
|
Comrade of Californians—comrade of free north-
westerners, and loving their big proportions, |
|
Comrade of raftsmen and coalmen—comrade of all
who shake hands and welcome to drink and meat, |
|
A learner with the simplest, a teacher of the thought-
fullest, |
|
A novice beginning, yet experient of myriads of
seasons, |
| Of every hue, trade, rank, caste and religion, |
|
Not merely of the New World, but of Africa, Europe,
Asia—a wandering savage, |
|
A farmer, mechanic, artist, gentleman, sailor, lover,
quaker, |
|
A prisoner, fancy-man, rowdy, lawyer, physician,
priest. |
| 79 I resist anything better than my own diversity, |
| And breathe the air, and leave plenty after me, |
| And am not stuck up, and am in my place. |
| 80 The moth and the fish-eggs are in their place, |
|
The suns I see, and the suns I cannot see, are in their
place, |
|
The palpable is in its place, and the impalpable is in
its place. |
|
81
These are the thoughts of all men in all ages and
lands—they are not original with me, |
|
If they are not yours as much as mine, they are
nothing, or next to nothing, |
|
If they do not enclose everything, they are next to
nothing, |
|
If they are not the riddle and the untying of the
riddle, they are nothing, |
|
If they are not just as close as they are distant, they
are nothing. |
|
82
This is the grass that grows wherever the land is
and the water is, |
| This is the common air that bathes the globe. |
|
83
This is the breath for America, because it is my
breath, |
| This is for laws, songs, behavior, |
|
This is the tasteless water of Souls—this is the true
sustenance. |
|
84
This is for the illiterate, and for the judges of the
Supreme Court, and for the Federal capitol and the State capitols, |
|
And for the admirable communes of literats, com-
posers, singers, lecturers, engineers, and savans, |
|
And for the endless races of work-people, farmers,
and seamen. |
|
85
This is the trilling of thousands of clear cornets,
screaming of octave flutes, striking of triangles. |
|
86
I play not here marches for victors only—I play
great marches for conquered and slain persons. |
| 87 Have you heard that it was good to gain the day? |
|
I also say it is good to fall—battles are lost in the
same spirit in which they are won. |
| 88 I beat triumphal drums for the dead, |
|
I blow through my embouchures my loudest and
gayest music to them. |
| 89 Vivas to those who have failed! |
| And to those whose war-vessels sank in the sea! |
| And those themselves who sank in the sea! |
|
And to all generals that lost engagements! and all
overcome heroes! |
|
And the numberless unknown heroes, equal to the
greatest heroes known. |
|
90
This is the meal pleasantly set—this is the meat and
drink for natural hunger, |
|
It is for the wicked just the same as the righteous—I
make appointments with all, |
| I will not have a single person slighted or left away, |
| The kept-woman, sponger, thief, are hereby invited, |
|
The heavy-lipped slave is invited—the venerealee is
invited, |
|
There shall be no difference between them and the
rest. |
|
91
This is the press of a bashful hand—this is the float
and odor of hair, |
|
This is the touch of my lips to yours—this is the
murmur of yearning, |
|
This is the far-off depth and height reflecting my
own face, |
|
This is the thoughtful merge of myself, and the outlet
again. |
| 92 Do you guess I have some intricate purpose? |
|
Well, I have—for the Fourth Month showers have,
and the mica on the side of a rock has. |
| 93 Do you take it I would astonish? |
|
Does the daylight astonish? Does the early redstart,
twittering through the woods? |
| Do I astonish more than they? |
| 94 This hour I tell things in confidence, |
| I might not tell everybody, but I will tell you. |
| 95 Who goes there! hankering, gross, mystical, nude? |
| How is it I extract strength from the beef I eat? |
|
96
What is a man anyhow? What am I? What are
you? |
|
97
All I mark as my own, you shall offset it with your
own, |
| Else it were time lost listening to me. |
| 98 I do not snivel that snivel the world over, |
|
That months are vacuums, and the ground but
wallow and filth, |
|
That life is a suck and a sell, and nothing remains at
the end but threadbare crape, and tears. |
|
99
Whimpering and truckling fold with powders for
invalids—conformity goes to the fourth-removed, |
| I cock my hat as I please, indoors or out. |
|
100
Why should I pray? Why should I venerate and be
ceremonious? |
|
101
Having pried through the strata, analyzed to a hair,
counsell'd with doctors, and calculated close, |
| I find no sweeter fat than sticks to my own bones. |
|
102
In all people I see myself—none more, and not one a
barleycorn less, |
| And the good or bad I say of myself I say of them. |
| 103 And I know I am solid and sound, |
|
To me the converging objects of the universe per-
petually flow, |
|
All are written to me, and I must get what the
writing means. |
|
104
I know I am deathless,
I know this orbit of mine cannot be swept by a carpenter's compass, |
|
I know I shall not pass like a child's carlacue cut
with a burnt stick at night. |
| 105 I know I am august, |
|
I do not trouble my spirit to vindicate itself or be
understood, |
| I see that the elementary laws never apologize, |
|
I reckon I behave no prouder than the level I plant
my house by, after all. |
| 106 I exist as I am—that is enough, |
| If no other in the world be aware, I sit content, |
| And if each and all be aware, I sit content. |
|
107
One world is aware, and by far the largest to me, and
that is myself, |
|
And whether I come to my own to-day, or in ten
thousand or ten million years, |
|
I can cheerfully take it now, or with equal cheerful-
ness I can wait |
| 108 My foothold is tenoned and mortised in granite, |
| I laugh at what you call dissolution, |
| And I know the amplitude of time. |
| 109 I am the poet of the body, |
| And I am the poet of the Soul. |
|
110
The pleasures of heaven are with me, and the pains
of hell are with me, |
|
The first I graft and increase upon myself—the latter
I translate into a new tongue. |
| 111 I am the poet of the woman the same as the man, |
|
And I say it is as great to be a woman as to be a
man, |
|
And I say there is nothing greater than the mother
of men. |
| 112 I chant the chant of dilation or pride, |
| We have had ducking and deprecating about enough, |
| I show that size is only development. |
| 113 Have you outstript the rest? Are you the President? |
|
It is a trifle—they will more than arrive there every
one, and still pass on. |
|
114
I am He that walks with the tender and growing
Night, |
| I call to the earth and sea, half-held by the Night. |
|
115
Press close, bare-bosomed Night! Press close, mag-
netic, nourishing Night! |
| Night of south winds! Night of the large few stars! |
| Still, nodding night! Mad, naked, summer night. |
| 116 Smile, O voluptuous, cool-breathed Earth! |
| Earth of the slumbering and liquid trees! |
|
Earth of departed sunset! Earth of the mountains,
misty-topt! |
|
Earth of the vitreous pour of the full moon, just
tinged with blue! |
|
Earth of shine and dark, mottling the tide of the
river! |
|
Earth of the limpid gray of clouds, brighter and
clearer for my sake! |
|
Far-swooping elbowed Earth! Rich, apple-blossomed
Earth! |
| Smile, for YOUR LOVER comes! |
|
117
Prodigal, you have given me love! Therefore I to
you give love! |
| O unspeakable passionate love! |
| 118 Thruster holding me tight, and that I hold tight! |
|
We hurt each other as the bridegroom and the bride
hurt each other. |
|
119
You Sea! I resign myself to you also—I guess
what you mean, |
| I behold from the beach your crooked inviting fingers, |
| I believe you refuse to go back without feeling of me; |
|
We must have a turn together—I undress—hurry
me out of sight of the land, |
| Cushion me soft, rock me in billowy drowse, |
| Dash me with amorous wet—I can repay you. |
| 120 Sea of stretched ground-swells! |
| Sea breathing broad and convulsive breaths! |
|
Sea of the brine of life! Sea of unshovelled and
always-ready graves! |
|
Howler and scooper of storms! Capricious and dainty
Sea! |
|
I am integral with you—I too am of one phase, and
of all phases. |
|
121
Partaker of influx and efflux—extoller of hate and
conciliation, |
|
Extoller of amies, and those that sleep in each others'
arms. |
| 122 I am he attesting sympathy, |
|
Shall I make my list of things in the house, and skip
the house that supports them? |
|
123
I am the poet of common sense, and of the demon-
strable, and of immortality, |
|
And am not the poet of goodness only—I do not
decline to be the poet of wickedness also. |
|
124
Washes and razors for foofoos—for me freckles and
a bristling beard. |
| 125 What blurt is this about virtue and about vice? |
|
Evil propels me, and reform of evil propels me—I
stand indifferent, |
| My gait is no fault-finder's or rejecter's gait, |
| I moisten the roots of all that has grown. |
|
126
Did you fear some scrofula out of the unflagging
pregnancy? |
|
Did you guess the celestial laws are yet to be worked
over and rectified? |
|
127
I step up to say that what we do is right, and what
we affirm is right—and some is only the ore of right, |
|
Witnesses of us—one side a balance, and the antip-
odal side a balance, |
| Soft doctrine as steady help as stable doctrine, |
|
Thoughts and deeds of the present, our rouse and
early start. |
| 128 This minute that comes to me over the past decillions, |
| There is no better than it and now. |
|
129
What behaved well in the past, or behaves well
to-day, is not such a wonder, |
|
The wonder is, always and always, how can there be
a mean man or an infidel. |
| 130 Endless unfolding of words of ages! |
| And mine a word of the modern—a word en-masse. |
| 131 A word of the faith that never balks, |
|
One time as good as another time—here or hence-
forward, it is all the same to me. |
|
132
A word of reality—materialism first and last im-
buing. |
|
133
Hurrah for positive Science! long live exact demon-
stration! |
|
Fetch stonecrop, mixt with cedar and branches of
lilac, |
|
This is the lexicographer—this the chemist—this
made a grammar of the old cartouches, |
|
These mariners put the ship through dangerous un-
known seas, |
|
This is the geologist—this works with the scalpel—
and this is a mathematician. |
|
134
Gentlemen! I receive you, and attach and clasp
hands with you, |
|
The facts are useful and real—they are not my
dwelling—I enter by them to an area of the dwelling. |
|
135
I am less the reminder of property or qualities, and
more the reminder of life, |
|
And go on the square for my own sake and for others'
sakes, |
|
And make short account of neuters and geldings, and
favor men and women fully equipped, |
|
And beat the gong of revolt, and stop with fugitives,
and them that plot and conspire. |
|
136
Walt Whitman, an American, one of the roughs, a
kosmos, |
| Disorderly, fleshy, sensual, eating, drinking, breeding, |
|
No sentimentalist—no stander above men and wo-
men, or apart from them, |
| No more modest than immodest. |
| 137 Unscrew the locks from the doors! |
| Unscrew the doors themselves from their jambs! |
| 138 Whoever degrades another degrades me, |
| And whatever is done or said returns at last to me, |
| And whatever I do or say, I also return. |
|
139
Through me the afflatus surging and surging—
through me the current and index. |
|
140
I speak the pass-word primeval—I give the sign of
democracy, |
|
By God! I will accept nothing which all cannot have
their counterpart of on the same terms. |
| 141 Through me many long dumb voices, |
| Voices of the interminable generations of slaves, |
| Voices of prostitutes, and of deformed persons, |
|
Voices of the diseased and despairing, and of thieves
and dwarfs, |
| Voices of cycles of preparation and accretion, |
|
And of the threads that connect the stars—and of
wombs, and of the fatherstuff, |
| And of the rights of them the others are down upon, |
| Of the trivial, flat, foolish, despised, |
| Fog in the air, beetles rolling balls of dung. |
| 142 Through me forbidden voices, |
|
Voices of sexes and lusts—voices veiled, and I
remove the veil, |
| Voices indecent, by me clarified and transfigured. |
| 143 I do not press my finger across my mouth, |
|
I keep as delicate around the bowels as around the
head and heart, |
| Copulation is no more rank to me than death is. |
| 144 I believe in the flesh and the appetites, |
|
Seeing, hearing, feeling, are miracles, and each part
and tag of me is a miracle. |
|
145
Divine am I inside and out, and I make holy what-
ever I touch or am touched from, |
| The scent of these arm-pits, aroma finer than prayer, |
|
This head more than churches, bibles, and all the
creeds. |
|
146
If I worship any particular thing, it shall be some of
the spread of my own body. |
| 147 Translucent mould of me, it shall be you! |
| Shaded ledges and rests, it shall be you! |
| Firm masculine colter, it shall be you. |
| 148 Whatever goes to the tilth of me, it shall be you! |
|
You my rich blood! Your milky stream, pale strip-
pings of my life. |
|
149
Breast that presses against other breasts, it shall be
you! |
| My brain, it shall be your occult convolutions. |
|
150
Root of washed sweet-flag! Timorous pond-snipe!
Nest of guarded duplicate eggs! it shall be you! |
|
Mixed tussled hay of head, beard, brawn, it shall
be you! |
|
Trickling sap of maple! Fibre of manly wheat! it
shall be you! |
| 151 Sun so generous, it shall be you! |
|
Vapors lighting and shading my face, it shall be
you! |
| You sweaty brooks and dews, it shall be you! |
|
Winds whose soft-tickling genitals rub against me, it
shall be you! |
|
Broad, muscular fields! Branches of live oak! Lov-
ing lounger in my winding paths! it shall be you! |
|
Hands I have taken—face I have kissed—mortal I
have ever touched! it shall be you. |
|
152
I dote on myself—there is that lot of me, and all so
luscious, |
|
Each moment, and whatever happens, thrills me with
joy. |
| 153 O I am so wonderful! |
|
I cannot tell how my ankles bend, nor whence the
cause of my faintest wish, |
|
Nor the cause of the friendship I emit, nor the cause
of the friendship I take again. |
|
154
That I walk up my stoop, I pause to consider if it
really be, |
|
That I eat and drink is spectacle enough for the great
authors and schools, |
|
A morning-glory at my window satisfies me more than
the metaphysics of books. |
| 155 To behold the day-break! |
|
The little light fades the immense and diaphanous
shadows, |
| The air tastes good to my palate. |
|
156
Hefts of the moving world, at innocent gambols,
silently rising, freshly exuding, |
| Scooting obliquely high and low. |
|
157
Something I cannot see puts upward libidinous
prongs, |
| Seas of bright juice suffuse heaven. |
|
158
The earth by the sky staid with—the daily close of
their junction, |
|
The heaved challenge from the east that moment over
my head, |
|
The mocking taunt, See then whether you shall be
master! |
|
159
Dazzling and tremendous, how quick the sun-rise
would kill me, |
|
If I could not now and always send sun-rise out
of me. |
| 160 We also ascend, dazzling and tremendous as the sun, |
|
We found our own, O my Soul, in the calm and cool
of the day-break. |
| 161 My voice goes after what my eyes cannot reach, |
|
With the twirl of my tongue I encompass worlds, and
volumes of worlds. |
|
162
Speech is the twin of my vision—it is unequal to
measure itself; |
| It provokes me forever, |
|
It says sarcastically, Walt, you understand enough —
why don't you let it out then? |
|
163
Come now, I will not be tantalized—you conceive
too much of articulation. |
| 164 Do you not know how the buds beneath are folded? |
| Waiting in gloom, protected by frost, |
| The dirt receding before my prophetical screams, |
| I underlying causes, to balance them at last, |
|
My knowledge my live parts—it keeping tally with
the meaning of things, |
|
Happiness—which, whoever hears me, let him or her
set out in search of this day. |
|
165
My final merit I refuse you—I refuse putting from
me the best I am. |
| 166 Encompass worlds, but never try to encompass me, |
|
I crowd your sleekest talk by simply looking toward
you. |
| 167 Writing and talk do not prove me, |
|
I carry the plenum of proof, and everything else, in
my face, |
|
With the hush of my lips I confound the topmost
skeptic. |
| 168 I think I will do nothing for a long time but listen, |
|
To accrue what I hear into myself—to let sounds
contribute toward me. |
|
169
I hear bravuras of birds, bustle of growing wheat,
gossip of flames, clack of sticks cooking my meals. |
|
170
I hear the sound I love, the sound of the human
voice, |
|
I hear all sounds running together, combined, fused
or following, |
|
Sounds of the city and sounds out of the city—
sounds of the day and night, |
|
Talkative young ones to those that like them—the
recitative of fish-pedlers and fruit-pedlers—the loud laugh of work-people at their meals, |
|
The angry base of disjointed friendship—the faint
tones of the sick, |
|
The judge with hands tight to the desk, his shaky lips
pronouncing a death-sentence, |
|
The heave'e'yo of stevedores unlading ships by the
wharves—the refrain of the anchor-lifters, |
|
The ring of alarm-bells—the cry of fire—the whirr
of swift-streaking engines and hose-carts, with premonitory tinkles, and colored lights, |
|
The steam-whistle—the solid roll of the train of
approaching cars, |
|
The slow-march played at night at the head of the
association, marching two and two, |
|
(They go to guard some corpse—the flag-tops are
draped with black muslin.) |
| 171 I hear the violoncello, or man's heart's complaint; |
|
I hear the keyed cornet—it glides quickly in through
my ears, |
|
It shakes mad-sweet pangs through my belly and
breast. |
| 172 I hear the chorus—it is a grand-opera, |
| Ah, this indeed is music! This suits me. |
| 173 A tenor large and fresh as the creation fills me, |
|
The orbic flex of his mouth is pouring and filling
me full. |
|
174
I hear the trained soprano—she convulses me like
the climax of my love-grip, |
|
The orchestra wrenches such ardors from me, I did
not know I possessed them, |
| It throbs me to gulps of the farthest down horror, |
|
It sails me—I dab with bare feet—they are licked
by the indolent waves, |
| I am exposed, cut by bitter and poisoned hail, |
|
Steeped amid honeyed morphine, my windpipe throt-
tled in fakes of death, |
| At length let up again to feel the puzzle of puzzles, |
| And that we call BEING. |
| 175 To be in any form—what is that? |
|
(Round and round we go, all of us, and ever come
back thither,) |
|
If nothing lay more developed, the quahaug in its
callous shell were enough. |
| 176 Mine is no callous shell, |
|
I have instant conductors all over me, whether I pass
or stop, |
|
They seize every object, and lead it harmlessly
through me. |
|
177
I merely stir, press, feel with my fingers, and am
happy, |
|
To touch my person to some one else's is about as
much as I can stand. |
| 178 Is this then a touch? quivering me to a new identity, |
| Flames and ether making a rush for my veins, |
|
Treacherous tip of me reaching and crowding to
help them, |
|
My flesh and blood playing out lightning to strike
what is hardly different from myself, |
| On all sides prurient provokers stiffening my limbs, |
|
Straining the udder of my heart for its withheld
drip, |
| Behaving licentious toward me, taking no denial, |
| Depriving me of my best, as for a purpose, |
|
Unbuttoning my clothes, holding me by the bare
waist, |
|
Deluding my confusion with the calm of the sun-light
and pasture-fields, |
| Immodestly sliding the fellow-senses away, |
|
They bribed to swap off with touch, and go and graze
at the edges of me, |
|
No consideration, no regard for my draining strength
or my anger, |
|
Fetching the rest of the herd around to enjoy them
a while, |
|
Then all uniting to stand on a headland and worry
me. |
| 179 The sentries desert every other part of me, |
| They have left me helpless to a red marauder, |
|
They all come to the headland, to witness and assist
against me. |
| 180 I am given up by traitors, |
|
I talk wildly—I have lost my wits—I and nobody
else am the greatest traitor, |
|
I went myself first to the headland—my own hands
carried me there. |
|
181
You villain touch! what are you doing? My breath
is tight in its throat, |
| Unclench your floodgates! you are too much for me. |
|
182
Blind, loving, wrestling touch! sheathed, hooded,
sharp-toothed touch! |
| Did it make you ache so, leaving me? |
|
183
Parting, tracked by arriving—perpetual payment of
perpetual loan, |
|
Rich showering rain, and recompense richer after-
ward. |
|
184
Sprouts take and accumulate—stand by the curb
prolific and vital, |
|
Landscapes, projected, masculine, full-sized, and
golden. |
| 185 All truths wait in all things, |
| They neither hasten their own delivery, nor resist it, |
|
They do not need the obstetric forceps of the
surgeon, |
| The insignificant is as big to me as any, |
| What is less or more than a touch? |
| 186 Logic and sermons never convince, |
| The damp of the night drives deeper into my Soul. |
|
187
Only what proves itself to every man and woman
is so, |
| Only what nobody denies is so. |
| 188 A minute and a drop of me settle my brain, |
|
I believe the soggy clods shall become lovers and
lamps, |
|
And a compend of compends is the meat of a man or
woman, |
|
And a summit and flower there is the feeling they
have for each other, |
|
And they are to branch boundlessly out of that lesson
until it becomes omnific, |
| And until every one shall delight us, and we them. |
|
189
I believe a leaf of grass is no less than the journey-
work of the stars, |
|
And the pismire is equally perfect, and a grain of
sand, and the egg of the wren, |
| And the tree-toad is a chef-d'œuvre for the highest, |
|
And the running blackberry would adorn the parlors
of heaven, |
|
And the narrowest hinge in my hand puts to scorn all
machinery, |
|
And the cow crunching with depressed head surpasses
any statue, |
|
And a mouse is miracle enough to stagger sextillions
of infidels, |
|
And I could come every afternoon of my life to look
at the farmer's girl boiling her iron tea-kettle and baking short-cake. |
|
190
I find I incorporate gneiss, coal, long-threaded moss,
fruits, grains, esculent roots, |
| And am stuccoed with quadrupeds and birds all over, |
|
And have distanced what is behind me for good
reasons, |
| And call anything close again, when I desire it. |
| 191 In vain the speeding or shyness, |
|
In vain the plutonic rocks send their old heat against
my approach, |
|
In vain the mastodon retreats beneath its own pow-
dered bones, |
|
In vain objects stand leagues off, and assume manifold
shapes, |
|
In vain the ocean settling in hollows, and the great
monsters lying low, |
| In vain the buzzard houses herself with the sky, |
|
In vain the snake slides through the creepers and
logs, |
|
In vain the elk takes to the inner passes of the
woods, |
|
In vain the razor-billed auk sails far north to
Labrador, |
|
I follow quickly, I ascend to the nest in the fissure
of the cliff. |
|
192
I think I could turn and live with animals, they are
so placid and self-contained, |
|
I stand and look at them sometimes an hour at a
stretch. |
| 193 They do not sweat and whine about their condition, |
|
They do not lie awake in the dark and weep for their
sins, |
|
They do not make me sick discussing their duty to
God, |
|
No one is dissatisfied—not one is demented with the
mania of owning things, |
|
Not one kneels to another, nor to his kind that lived
thousands of years ago, |
|
Not one is respectable or industrious over the whole
earth. |
|
194
So they show their relations to me, and I accept
them, |
|
They bring me tokens of myself—they evince them
plainly in their possession. |
| 195 I do not know where they get those tokens, |
|
I may have passed that way untold times ago, and
negligently dropt them, |
| Myself moving forward then and now forever, |
|
Gathering and showing more always and with
velocity, |
|
Infinite and omnigenous, and the like of these among
them, |
|
Not too exclusive toward the reachers of my remem-
brancers, |
|
Picking out here one that I love, to go with on
brotherly terms. |
|
196
A gigantic beauty of a stallion, fresh and responsive
to my caresses, |
| Head high in the forehead, wide between the ears, |
| Limbs glossy and supple, tail dusting the ground, |
|
Eyes well apart, full of sparkling wickedness—ears
finely cut, flexibly moving. |
| 197 His nostrils dilate, as my heels embrace him, |
|
His well-built limbs tremble with pleasure, as we
speed around and return. |
| 198 I but use you a moment, then I resign you stallion, |
|
Why do I need your paces, when I myself out-gallop
them? |
| Even, as I stand or sit, passing faster than you. |
|
199
O swift wind! Space! my Soul! now I know it is
true, what I guessed at, |
| What I guessed when I loafed on the grass, |
| What I guessed while I lay alone in my bed, |
|
And again as I walked the beach under the paling
stars of the morning. |
|
200
My ties and ballasts leave me—I travel—I sail—
my elbows rest in the sea-gaps, |
| I skirt the sierras—my palms cover continents, |
| I am afoot with my vision. |
|
201
By the city's quadrangular houses—in log huts—
camping with lumbermen, |
|
Along the ruts of the turnpike—along the dry gulch
and rivulet bed, |
|
Weeding my onion-patch, or hoeing rows of carrots
and parsnips—crossing savannas—trailing in forests, |
|
Prospecting—gold-digging—girdling the trees of a
new purchase, |
|
Scorched ankle-deep by the hot sand—hauling my
boat down the shallow river, |
|
Where the panther walks to and fro on a limb over-
head—Where the buck turns furiously at the hunter, |
|
Where the rattlesnake suns his flabby length on a
rock—Where the otter is feeding on fish, |
|
Where the alligator in his tough pimples sleeps by the
bayou, |
|
Where the black bear is searching for roots or honey
—Where the beaver pats the mud with his paddle-tail, |
|
Over the growing sugar—over the cotton plant—
over the rice in its low moist field, |
|
Over the sharp-peaked farm house, with its scalloped
scum and slender shoots from the gutters, |
|
Over the western persimmon—over the long-leaved
corn—over the delicate blue-flowered flax, |
|
Over the white and brown buckwheat, a hummer
and buzzer there with the rest, |
|
Over the dusky green of the rye as it ripples and
shades in the breeze, |
|
Scaling mountains, pulling myself cautiously up,
holding on by low scragged limbs, |
|
Walking the path worn in the grass and beat through
the leaves of the brush, |
|
Where the quail is whistling betwixt the woods and
the wheat-lot, |
| Where the bat flies in the Seventh Month eve— |
|
Where the great gold-bug drops through the
dark, |
| Where the flails keep time on the barn floor, |
|
Where the brook puts out of the roots of the old tree
and flows to the meadow, |
|
Where cattle stand and shake away flies with the
tremulous shuddering of their hides, |
|
Where the cheese-cloth hangs in the kitchen—Where
andirons straddle the hearth-slab—Where cob- webs fall in festoons from the rafters, |
|
Where trip-hammers crash—Where the press is
whirling its cylinders, |
|
Wherever the human heart beats with terrible throes
out of its ribs, |
|
Where the pear-shaped balloon is floating aloft, float-
ing in it myself and looking composedly down, |
|
Where the life-car is drawn on the slip-noose—Where
the heat hatches pale-green eggs in the dented sand, |
|
Where the she-whale swims with her calf, and never
forsakes it, |
|
Where the steam-ship trails hind-ways its long pen-
nant of smoke, |
|
Where the fin of the shark cuts like a black chip out
of the water, |
|
Where the half-burned brig is riding on unknown
currents, |
|
Where shells grow to her slimy deck—Where the
dead are corrupting below, |
|
Where the striped and starred flag is borne at the
head of the regiments, |
|
Approaching Manhattan, up by the long-stretching
island, |
|
Under Niagara, the cataract falling like a veil over
my countenance, |
|
Upon a door-step—upon the horse-block of hard
wood outside, |
|
Upon the race-course, or enjoying picnics or jigs, or
a good game of base-ball, |
|
At he-festivals, with blackguard gibes, ironical license,
bull-dances, drinking, laughter, |
|
At the cider-mill, tasting the sweet of the brown
sqush, sucking the juice through a straw, |
|
At apple-peelings, wanting kisses for all the red fruit
I find, |
|
At musters, beach-parties, friendly bees, huskings,
house-raisings; |
|
Where the mocking-bird sounds his delicious gur-
gles, cackles, screams, weeps, |
|
Where the hay-rick stands in the barn-yard—Where
the dry-stalks are scattered—Where the brood cow waits in the hovel, |
|
Where the bull advances to do his masculine work—
Where the stud to the mare—Where the cock is treading the hen, |
|
Where heifers browse—Where geese nip their food
with short jerks, |
|
Where sun-down shadows lengthen over the limitless
and lonesome prairie, |
|
Where herds of buffalo make a crawling spread of
the square miles far and near, |
|
Where the humming-bird shimmers—Where the
neck of the long-lived swan is curving and winding, |
|
Where the laughing-gull scoots by the shore, where
she laughs her near-human laugh, |
|
Where bee-hives range on a gray bench in the garden,
half hid by the high weeds, |
|
Where band-necked partridges roost in a ring on the
ground with their heads out, |
|
Where burial coaches enter the arched gates of a
cemetery, |
|
Where winter wolves bark amid wastes of snow and
icicled trees, |
|
Where the yellow-crowned heron comes to the edge of
the marsh at night and feeds upon small crabs, |
|
Where the splash of swimmers and divers cools the
warm noon, |
|
Where the katy-did works her chromatic reed on the
walnut-tree over the well, |
|
Through patches of citrons and cucumbers with
silver-wired leaves, |
|
Through the salt-lick or orange glade, or under con-
ical firs, |
|
Through the gymnasium—through the curtained
saloon—through the office or public hall, |
|
Pleased with the native, and pleased with the foreign
—pleased with the new and old, |
|
Pleased with women, the homely as well as the
handsome, |
|
Pleased with the quakeress as she puts off her bonnet
and talks melodiously, |
|
Pleased with the tunes of the choir of the white-
washed church, |
|
Pleased with the earnest words of the sweating
Methodist preacher, or any preacher—Impressed seriously at the camp-meeting, |
|
Looking in at the shop-windows of Broadway the
whole forenoon—flatting the flesh of my nose on the thick plate-glass, |
|
Wandering the same afternoon with my face turned
up to the clouds, |
|
My right and left arms round the sides of two
friends, and I in the middle; |
|
Coming home with the silent and dark-cheeked
bush-boy—riding behind him at the drape of the day, |
|
Far from the settlements, studying the print of ani-
mals' feet, or the moccason print, |
|
By the cot in the hospital, reaching lemonade to a
feverish patient, |
|
By the coffined corpse when all is still, examining
with a candle, |
| Voyaging to every port, to dicker and adventure, |
|
Hurrying with the modern crowd, as eager and fickle
as any, |
|
Hot toward one I hate, ready in my madness to knife
him, |
|
Solitary at midnight in my back yard, my thoughts
gone from me a long while, |
|
Walking the old hills of Judea, with the beautiful
gentle God by my side, |
|
Speeding through space—speeding through heaven
and the stars, |
|
Speeding amid the seven satellites, and the broad
ring, and the diameter of eighty thousand miles, |
|
Speeding with tailed meteors—throwing fire-balls
like the rest, |
|
Carrying the crescent child that carries its own full
mother in its belly, |
| Storming, enjoying, planning, loving, cautioning, |
| Backing and filling, appearing and disappearing, |
| I tread day and night such roads. |
| 202 I visit the orchards of spheres, and look at the product, |
|
And look at quintillions ripened, and look at quin-
tillions green. |
| 203 I fly the flight of the fluid and swallowing soul, |
| My course runs below the soundings of plummets. |
| 204 I help myself to material and immaterial, |
| No guard can shut me off, nor law prevent me. |
| 205 I anchor my ship for a little while only, |
|
My messengers continually cruise away, or bring their
returns to me. |
|
206
I go hunting polar furs and the seal—Leaping
chasms with a pike-pointed staff—Clinging to topples of brittle and blue. |
| 207 I ascend to the foretruck, |
| I take my place late at night in the crow's-nest, |
| We sail the arctic sea—it is plenty light enough, |
|
Through the clear atmosphere I stretch around on
the wonderful beauty, |
|
The enormous masses of ice pass me, and I pass them
—the scenery is plain in all directions, |
|
The white-topped mountains show in the distance—
I fling out my fancies toward them, |
|
We are approaching some great battle-field in which
we are soon to be engaged, |
|
We pass the colossal out-posts of the encampment—
we pass with still feet and caution, |
|
Or we are entering by the suburbs some vast and
ruined city, |
|
The blocks and fallen architecture more than all the
living cities of the globe. |
|
208
I am a free companion—I bivouac by invading
watchfires. |
|
209
I turn the bridegroom out of bed, and stay with the
bride myself, |
| I tighten her all night to my thighs and lips. |
|
210
My voice is the wife's voice, the screech by the rail
of the stairs, |
| They fetch my man's body up, dripping and drowned. |
| 211 I understand the large hearts of heroes, |
| The courage of present times and all times, |
|
How the skipper saw the crowded and rudderless
wreck of the steam-ship, and Death chasing it up and down the storm, |
|
How he knuckled tight, and gave not back one inch,
and was faithful of days and faithful of nights, |
|
And chalked in large letters, on a board, Be of good
cheer, We will not desert you, |
|
How he followed with them, and tacked with them—
and would not give it up, |
| How he saved the drifting company at last, |
|
How the lank loose-gowned women looked when
boated from the side of their prepared graves, |
|
How the silent old-faced infants, and the lifted sick,
and the sharp-lipped unshaved men, |
|
All this I swallow—it tastes good—I like it well—
it becomes mine, |
| I am the man—I suffered—I was there. |
| 212 The disdain and calmness of martyrs, |
|
The mother, condemned for a witch, burnt with dry
wood, her children gazing on, |
|
The hounded slave that flags in the race, leans by the
the fence, blowing, covered with sweat, |
|
The twinges that sting like needles his legs and neck
—the murderous buck-shot and the bullets, |
| All these I feel or am. |
|
213
I am the hounded slave, I wince at the bite of the
dogs, |
|
Hell and despair are upon me, crack and again crack
the marksmen, |
|
I clutch the rails of the fence, my gore dribs, thinned
with the ooze of my skin, |
| I fall on the weeds and stones, |
| The riders spur their unwilling horses, haul close, |
|
Taunt my dizzy ears, and beat me violently over the
head with whip-stocks. |
| 214 Agonies are one of my changes of garments, |
|
I do not ask the wounded person how he feels—I
myself become the wounded person, |
|
My hurt turns livid upon me as I lean on a cane and
observe. |
| 215 I am the mashed fireman with breastbone broken, |
| Tumbling walls buried me in their debris, |
|
Heat and smoke I inspired—I heard the yelling
shouts of my comrades, |
| I heard the distant click of their picks and shovels, |
|
They have cleared the beams away—they tenderly
lift me forth. |
|
216
I lie in the night air in my red shirt—the pervading
hush is for my sake, |
| Painless after all I lie, exhausted but not so unhappy, |
|
White and beautiful are the faces around me—the
heads are bared of their fire-caps, |
|
The kneeling crowd fades with the light of the
torches. |
| 217 Distant and dead resuscitate, |
|
They show as the dial or move as the hands of me—
I am the clock myself. |
|
218
I am an old artillerist—I tell of my fort's bombard-
ment, |
| I am there again. |
| 219 Again the reveille of drummers, |
| Again the attacking cannon, mortars, howitzers, |
| Again the attacked send cannon responsive. |
| 220 I take part—I see and hear the whole, |
|
The cries, curses, roar—the plaudits for well-aimed
shots, |
| The ambulanza slowly passing, trailing its red drip, |
|
Workmen searching after damages, making indis-
pensable repairs, |
|
The fall of grenades through the rent roof—the
fan-shaped explosion, |
|
The whizz of limbs, heads, stone, wood, iron, high in
the air. |
|
221
Again gurgles the mouth of my dying general—he
furiously waves with his hand, |
|
He gasps through the clot, Mind not me — mind —
the entrenchments . |
| 222 I tell not the fall of Alamo, |
| Not one escaped to tell the fall of Alamo, |
| The hundred and fifty are dumb yet at Alamo. |
|
223
Hear now the tale of the murder in cold blood of four
hundred and twelve young men. |
|
224
Retreating, they had formed in a hollow square, with
their baggage for breastworks, |
|
Nine hundred lives out of the surrounding enemy's,
nine times their number, was the price they took in advance, |
|
Their colonel was wounded and their ammunition
gone, |
|
They treated for an honorable capitulation, received
writing and seal, gave up their arms, and marched back prisoners of war. |
| 225 They were the glory of the race of rangers, |
| Matchless with horse, rifle, song, supper, courtship, |
|
Large, turbulent, generous, brave, handsome, proud,
and affectionate, |
|
Bearded, sunburnt, dressed in the free costume of
hunters, |
| Not a single one over thirty years of age. |
|
226
The second First Day morning they were brought out
in squads and massacred—it was beautiful early summer, |
|
The work commenced about five o'clock, and was over
by eight. |
| 227 None obeyed the command to kneel, |
|
Some made a mad and helpless rush—some stood
stark and straight, |
|
A few fell at once, shot in the temple or heart—the
living and dead lay together, |
|
The maimed and mangled dug in the dirt—the new-
comers saw them there, |
| Some, half-killed, attempted to crawl away, |
|
These were despatched with bayonets, or battered with
the blunts of muskets, |
|
A youth not seventeen years old seized his assassin till
two more came to release him, |
|
The three were all torn, and covered with the boy's
blood. |
| 228 At eleven o'clock began the burning of the bodies: |
|
That is the tale of the murder of the four hundred
and twelve young men. |
|
229
Did you read in the sea-books of the old-fashioned
frigate-fight? |
|
Did you learn who won by the light of the moon and
stars? |
| 230 Our foe was no skulk in his ship, I tell you, |
|
His was the English pluck—and there is no tougher
or truer, and never was, and never will be; |
| Along the lowered eve he came, horribly raking us. |
|
231
We closed with him—the yards entangled—the
cannon touched, |
| My captain lashed fast with his own hands. |
|
232
We had received some eighteen-pound shots under
the water, |
|
On our lower-gun-deck two large pieces had burst at
the first fire, killing all around, and blowing up overhead. |
|
233
Ten o'clock at night, and the full moon shining, and
the leaks on the gain, and five feet of water reported, |
|
The master-at-arms loosing the prisoners confined in
the after-hold, to give them a chance for them- selves. |
|
234
The transit to and from the magazine was now
stopped by the sentinels, |
|
They saw so many strange faces, they did not know
whom to trust. |
| 235 Our frigate was afire, |
| The other asked if we demanded quarter? |
| If our colors were struck, and the fighting done? |
|
236
I laughed content when I heard the voice of my little
captain, |
|
We have not struck, he composedly cried, We have
just begun our part of the fighting . |
| 237 Only three guns were in use, |
|
One was directed by the captain himself against the
enemy's main-mast, |
|
Two, well served with grape and canister, silenced his
musketry and cleared his decks. |
|
238
The tops alone seconded the fire of this little battery,
especially the main-top, |
|
They all held out bravely during the whole of the
action. |
| 239 Not a moment's cease, |
|
The leaks gained fast on the pumps—the fire eat
toward the powder-magazine, |
|
One of the pumps was shot away—it was generally
thought we were sinking. |
| 240 Serene stood the little captain, |
|
He was not hurried—his voice was neither high
nor low, |
|
His eyes gave more light to us than our battle-
lanterns. |
|
241
Toward twelve at night, there in the beams of the
moon, they surrendered to us. |
| 242 Stretched and still lay the midnight, |
|
Two great hulls motionless on the breast of the
darkness, |
|
Our vessel riddled and slowly sinking—preparations
to pass to the one we had conquered, |
|
The captain on the quarter-deck coldly giving his
orders through a countenance white as a sheet, |
|
Near by, the corpse of the child that served in the
cabin, |
|
The dead face of an old salt with long white hair and
carefully curled whiskers, |
|
The flames, spite of all that could be done, flickering
aloft and below, |
|
The husky voices of the two or three officers yet fit
for duty, |
|
Formless stacks of bodies, and bodies by themselves
—dabs of flesh upon the masts and spars, |
|
Cut of cordage, dangle of rigging, slight shock of the
soothe of waves, |
|
Black and impassive guns, litter of powder-parcels,
strong scent, |
|
Delicate sniffs of sea-breeze, smells of sedgy grass and
fields by the shore, death-messages given in charge to survivors, |
|
The hiss of the surgeon's knife, the gnawing teeth of
his saw, |
|
Wheeze, cluck, swash of falling blood, short wild
scream, and long dull tapering groan, |
| These so—these irretrievable. |
| 243 O Christ! This is mastering me! |
|
Through the conquered doors they crowd. I am
possessed. |
|
244
What the rebel said, gayly adjusting his throat to the
rope-noose, |
|
What the savage at the stump, his eye-sockets empty,
his mouth spirting whoops and defiance, |
|
What stills the traveller come to the vault at Mount
Vernon, |
|
What sobers the Brooklyn boy as he looks down the
shores of the Wallabout and remembers the Prison Ships, |
|
What burnt the gums of the red-coat at Saratoga
when he surrendered his brigades, |
|
These become mine and me every one—and they are
but little, |
| I become as much more as I like. |
| 245 I become any presence or truth of humanity here, |
| See myself in prison shaped like another man, |
| And feel the dull unintermitted pain. |
|
246
For me the keepers of convicts shoulder their
carbines and keep watch, |
| It is I let out in the morning and barred at night. |
|
247
Not a mutineer walks hand-cuffed to the jail, but I
am hand-cuffed to him and walk by his side, |
|
I am less the jolly one there, and more the silent one,
with sweat on my twitching lips. |
|
248
Not a youngster is taken for larceny, but I go up too,
and am tried and sentenced. |
|
249
Not a cholera patient lies at the last gasp, but I also
lie at the last gasp, |
|
My face is ash-colored—my sinews gnarl—away
from me people retreat. |
|
250
Askers embody themselves in me, and I am embodied
in them, |
| I project my hat, sit shame-faced, and beg. |
| 251 Enough—I bring such to a close, |
|
Rise extatic through all, sweep with the true gravita-
tion, |
| The whirling and whirling elemental within me. |
| 252 Somehow I have been stunned. Stand back! |
|
Give me a little time beyond my cuffed head, slum-
bers, dreams, gaping, |
| I discover myself on the verge of a usual mistake. |
| 253 That I could forget the mockers and insults! |
|
That I could forget the trickling tears, and the blows
of the bludgeons and hammers! |
|
That I could look with a separate look on my own
crucifixion and bloody crowning. |
| 254 I remember now, |
| I resume the overstaid fraction, |
|
The grave of rock multiplies what has been confided
to it, or to any graves, |
| Corpses rise, gashes heal, fastenings roll from me. |
|
255
I troop forth replenished with supreme power, one of
an average unending procession, |
|
We walk the roads of the six North Eastern States,
and of Virginia, Wisconsin, Manhattan Island, Philadelphia, New Orleans, Texas, Charleston, Havana, Mexico, |
|
Inland and by the sea-coast and boundary lines, and
we pass all boundary lines. |
|
256
Our swift ordinances are on their way over the whole
earth, |
|
The blossoms we wear in our hats are the growth of
two thousand years. |
| 257 Élèves, I salute you! |
|
I see the approach of your numberless gangs—I see
you understand yourselves and me, |
|
And know that they who have eyes and can walk are
divine, and the blind and lame are equally divine, |
|
And that my steps drag behind yours, yet go before
them, |
|
And are aware how I am with you no more than I am
with everybody. |
| 258 The friendly and flowing savage, Who is he? |
|
Is he waiting for civilization, or past it and master-
ing it? |
|
259
Is he some south-westerner, raised out-doors? Is he
Kanadian? |
|
Is he from the Mississippi country? Iowa, Oregon,
California? the mountains? prairie-life, bush- life? or from the sea? |
|
260
Wherever he goes men and women accept and desire
him, |
|
They desire he should like them, touch them, speak
to them, stay with them. |
|
261
Behavior lawless as snow-flakes, words simple as
grass, uncombed head, laughter, and näveté, |
|
Slow-stepping feet, common features, common modes
and emanations, |
|
They descend in new forms from the tips of his
fingers, |
|
They are wafted with the odor of his body or breath
—they fly out of the glance of his eyes. |
|
262
Flaunt of the sunshine, I need not your bask,—lie
over! |
|
You light surfaces only—I force surfaces and depths
also. |
| Earth! you seem to look for something at my hands, |
| Say, old Top-knot! what do you want? |
|
263
Man or woman! I might tell how I like you, but
cannot, |
|
And might tell what it is in me, and what it is in
you, but cannot, |
|
And might tell that pining I have—that pulse of my
nights and days. |
| 264 Behold! I do not give lectures or a little charity, |
| What I give, I give out of myself. |
| 265 You there, impotent, loose in the knees, |
| Open your scarfed chops till I blow grit within you, |
| Spread your palms, and lift the flaps of your pockets; |
|
I am not to be denied—I compel—I have stores
plenty and to spare, |
| And anything I have I bestow. |
|
266
I do not ask who you are—that is not important to
me, |
|
You can do nothing, and be nothing, but what I will
infold you. |
|
267
To a drudge of the cotton-fields or cleaner of privies
I lean, |
| On his right cheek I put the family kiss, |
| And in my soul I swear, I never will deny him. |
|
268
On women fit for conception I start bigger and nim-
bler babes, |
|
This day I am jetting the stuff of far more arrogant
republics. |
|
269
To any one dying—thither I speed, and twist the
knob of the door, |
| Turn the bed-clothes toward the foot of the bed, |
| Let the physician and the priest go home. |
|
270
I seize the descending man, and raise him with resist-
less will. |
| 271 O despairer, here is my neck, |
|
By God! you shall not go down! Hang your whole
weight upon me. |
| 272 I dilate you with tremendous breath—I buoy you up, |
| Every room of the house do I fill with an armed force, |
| Lovers of me, bafflers of graves. |
| 273 Sleep! I and they keep guard all night, |
|
Not doubt—not decease shall dare to lay finger upon
you, |
|
I have embraced you, and henceforth possess you to
myself, |
|
And when you rise in the morning you will find what
I tell you is so. |
|
274
I am he bringing help for the sick as they pant on
their backs, |
|
And for strong upright men I bring yet more needed
help. |
| 275 I heard what was said of the universe, |
| Heard it and heard it of several thousand years; |
| It is middling well as far as it goes,—But is that all? |
| 276 Magnifying and applying come I, |
| Outbidding at the start the old cautious hucksters, |
|
The most they offer for mankind and eternity less
than a spirt of my own seminal wet, |
| Taking myself the exact dimensions of Jehovah, |
|
Lithographing Kronos, Zeus his son, and Hercules
his grandson, |
| Buying drafts of Osiris, Isis, Belus, Brahma, Buddha, |
|
In my portfolio placing Manito loose, Allah on a leaf,
the crucifix engraved, |
|
With Odin, and the hideous-faced Mexitli, and every
idol and image, |
|
Taking them all for what they are worth, and not a
cent more, |
|
Admitting they were alive and did the work of their
day, |
|
Admitting they bore mites, as for unfledged birds,
who have now to rise and fly and sing for them- selves, |
|
Accepting the rough deific sketches to fill out better
in myself—bestowing them freely on each man and woman I see, |
|
Discovering as much, or more, in a framer framing a
house, |
|
Putting higher claims for him there with his rolled-
up sleeves, driving the mallet and chisel, |
|
Not objecting to special revelations—considering a
curl of smoke or a hair on the back of my hand just as curious as any revelation, |
|
Those ahold of fire engines and hook-and-ladder ropes
no less to me than the Gods of the antique wars, |
|
Minding their voices peal through the crash of
destruction, |
|
Their brawny limbs passing safe over charred laths—
their white foreheads whole and unhurt out of the flames; |
|
By the mechanic's wife with her babe at her nipple
interceding for every person born, |
|
Three scythes at harvest whizzing in a row from
three lusty angels with shirts bagged out at their waists, |
|
The snag-toothed hostler with red hair redeeming sins
past and to come, |
|
Selling all he possesses, travelling on foot to fee
lawyers for his brother, and sit by him while he is tried for forgery; |
|
What was strewn in the amplest strewing the square
rod about me, and not filling the square rod then, |
| The bull and the bug never worshipped half enough, |
| Dung and dirt more admirable than was dreamed, |
|
The supernatural of no account—myself waiting my
time to be one of the Supremes, |
|
The day getting ready for me when I shall do as
much good as the best, and be as prodigious, |
|
Guessing when I am it will not tickle me much to
receive puffs out of pulpit or print; |
| By my life-lumps! becoming already a creator, |
|
Putting myself here and now to the ambushed womb
of the shadows. |
| 277 A call in the midst of the crowd, |
| My own voice, orotund, sweeping, final. |
| 278 Come my children, |
|
Come my boys and girls, my women, household,
and intimates, |
|
Now the performer launches his nerve—he has
passed his prelude on the reeds within. |
|
279
Easily written, loose-fingered chords! I feel the thrum
of their climax and close. |
| 280 My head slues round on my neck, |
| Music rolls, but not from the organ, |
|
Folks are around me, but they are no household of
mine. |
| 281 Ever the hard unsunk ground, |
|
Ever the eaters and drinkers—Ever the upward
and downward sun—Ever the air and the cease- less tides, |
|
Ever myself and my neighbors, refreshing, wicked,
real, |
|
Ever the old inexplicable query—Ever that thorned
thumb—that breath of itches and thirsts, |
|
Ever the vexer's hoot! hoot! till we find where the
sly one hides, and bring him forth; |
| Ever love—Ever the sobbing liquid of life, |
|
Ever the bandage under the chin—Ever the tressels
of death. |
| 282 Here and there, with dimes on the eyes walking, |
|
To feed the greed of the belly, the brains liberally
spooning, |
|
Tickets buying, taking, selling, but in to the feast
never once going, |
|
Many sweating, ploughing, thrashing, and then the
chaff for payment receiving, |
|
A few idly owning, and they the wheat continually
claiming. |
| 283 This is the city, and I am one of the citizens, |
|
Whatever interests the rest interests me—politics,
markets, newspapers, schools, |
|
Benevolent societies, improvements, banks, tariffs,
steamships, factories, stocks, stores, real estate, and personal estate. |
|
284
They who piddle and patter here in collars and tailed
coats—I am aware who they are—they are not worms or fleas. |
|
285
I acknowledge the duplicates of myself—the weakest
and shallowest is deathless with me, |
| What I do and say, the same waits for them, |
|
Every thought that flounders in me, the same floun-
ders in them. |
| 286 I know perfectly well my own egotism, |
|
I know my omnivorous words, and cannot say any
less, |
|
And would fetch you, whoever you are, flush with
myself. |
|
287
My words are words of a questioning, and to indicate
reality and motive power: |
|
This printed and bound book—but the printer, and
the printing-office boy? |
|
The well-taken photographs—but your wife or friend
close and solid in your arms? |
|
The fleet of ships of the line, and all the modern
improvements—but the craft and pluck of the admiral? |
|
The dishes and fare and furniture—but the host and
hostess, and the look out of their eyes? |
|
The sky up there—yet here, or next door, or across
the way? |
| The saints and sages in history—but you yourself? |
|
Sermons, creeds, theology—but the human brain,
and what is reason? and what is love? and what is life? |
| 288 I do not despise you, priests, |
|
My faith is the greatest of faiths, and the least of
faiths, |
|
Enclosing all worship ancient and modern, and all
between ancient and modern, |
|
Believing I shall come again upon the earth after
five thousand years, |
|
Waiting responses from oracles, honoring the Gods,
saluting the sun, |
|
Making a fetish of the first rock or stump, powwowing
with sticks in the circle of obis, |
|
Helping the lama or brahmin as he trims the lamps
of the idols, |
|
Dancing yet through the streets in a phallic pro-
cession—rapt and austere in the woods, a gymnosophist, |
|
Drinking mead from the skull-cup—to Shastas and
Vedas admirant—minding the Koran, |
|
Walking the teokallis, spotted with gore from the
stone and knife, beating the serpent-skin drum, |
|
Accepting the Gospels—accepting him that was
crucified, knowing assuredly that he is divine, |
|
To the mass kneeling, or the puritan's prayer rising,
or sitting patiently in a pew, |
|
Ranting and frothing in my insane crisis, or waiting
dead-like till my spirit arouses me, |
|
Looking forth on pavement and land, or outside of
pavement and land, |
| Belonging to the winders of the circuit of circuits. |
|
289
One of that centripetal and centrifugal gang, I turn
and talk like a man leaving charges before a journey. |
| 290 Down-hearted doubters, dull and excluded, |
|
Frivolous, sullen, moping, angry, affected, disheart-
ened, atheistical, |
|
I know every one of you—I know the unspoken
interrogatories, |
| By experience I know them. |
| 291 How the flukes splash! |
|
How they contort, rapid as lightning, with spasms,
and spouts of blood! |
|
292
Be at peace, bloody flukes of doubters and sullen
mopers, |
| I take my place among you as much as among any, |
|
The past is the push of you, me, all, precisely the
same, |
| Day and night are for you, me, all, |
|
And what is yet untried and afterward is for you,
me, all, precisely the same. |
| 293 I do not know what is untried and afterward, |
| But I know it is sure, alive, sufficient. |
|
294
Each who passes is considered—Each who stops is
considered—Not a single one can it fail. |
|
295
It cannot fail the young man who died and was
buried, |
|
Nor the young woman who died and was put by his
side, |
|
Nor the little child that peeped in at the door, and
then drew back, and was never seen again, |
|
Nor the old man who has lived without purpose, and
feels it with bitterness worse than gall, |
|
Nor him in the poor-house, tubercled by rum and
the bad disorder, |
|
Nor the numberless slaughtered and wrecked—nor
the brutish koboo called the ordure of humanity, |
|
Nor the sacs merely floating with open mouths for
food to slip in, |
|
Nor anything in the earth, or down in the oldest
graves of the earth, |
|
Nor anything in the myriads of spheres—nor one of
the myriads of myriads that inhabit them, |
| Nor the present—nor the least wisp that is known. |
| 296 It is time to explain myself—Let us stand up. |
| 297 What is known I strip away, |
|
I launch all men and women forward with me into
THE UNKNOWN. |
|
298
The clock indicates the moment—but what does
eternity indicate? |
|
299
We have thus far exhausted trillions of winters and
summers, |
| There are trillions ahead, and trillions ahead of them. |
| 300 Births have brought us richness and variety, |
| And other births will bring us richness and variety. |
| 301 I do not call one greater and one smaller, |
| That which fills its period and place is equal to any. |
|
302
Were mankind murderous or jealous upon you, my
brother, my sister? |
|
I am sorry for you—they are not murderous or jeal-
ous upon me, |
|
All has been gentle with me—I keep no account
with lamentation, |
| (What have I to do with lamentation?) |
|
303
I am an acme of things accomplished, and I an
encloser of things to be. |
| 304 My feet strike an apex of the apices of the stairs, |
|
On every step bunches of ages, and larger bunches
between the steps, |
| All below duly travelled, and still I mount and mount. |
| 305 Rise after rise bow the phantoms behind me, |
|
Afar down I see the huge first Nothing—I know I
was even there, |
|
I waited unseen and always, and slept through the
lethargic mist, |
|
And took my time, and took no hurt from the fetid
carbon. |
| 306 Long I was hugged close—long and long. |
| 307 Immense have been the preparations for me, |
| Faithful and friendly the arms that have helped me. |
|
308
Cycles ferried my cradle, rowing and rowing like
cheerful boatmen, |
| For room to me stars kept aside in their own rings, |
|
They sent influences to look after what was to
hold me. |
|
309
Before I was born out of my mother, generations
guided me, |
|
My embryo has never been torpid—nothing could
overlay it. |
| 310 For it the nebula cohered to an orb, |
| The long slow strata piled to rest it on, |
| Vast vegetables gave it sustenance, |
|
Monstrous sauroids transported it in their mouths,
and deposited it with care. |
|
311
All forces have been steadily employed to complete
and delight me, |
| Now I stand on this spot with my Soul. |
| 312 O span of youth! Ever-pushed elasticity! |
| O manhood, balanced, florid, and full. |
| 313 My lovers suffocate me! |
| Crowding my lips, thick in the pores of my skin, |
|
Jostling me through streets and public halls—
coming naked to me at night, |
|
Crying by day Ahoy! from the rocks of the river
—swinging and chirping over my head, |
|
Calling my name from flower-beds, vines, tangled
under-brush, |
|
Or while I swim in the bath, or drink from the pump
at the corner—or the curtain is down at the opera, or I glimpse at a woman's face in the railroad car, |
| Lighting on every moment of my life, |
| Bussing my body with soft balsamic busses, |
|
Noiselessly passing handfuls out of their hearts, and
giving them to be mine. |
|
314
Old age superbly rising! O welcome, ineffable grace
of dying days! |
|
315
Every condition promulges not only itself—it pro-
mulges what grows after and out of itself, |
| And the dark hush promulges as much as any. |
|
316
I open my scuttle at night and see the far-sprinkled
systems, |
|
And all I see, multiplied as high as I can cipher, edge
but the rim of the farther systems. |
|
317
Wider and wider they spread, expanding, always
expanding, |
| Outward, outward, and forever outward. |
|
318
My sun has his sun, and round him obediently
wheels, |
| He joins with his partners a group of superior circuit, |
|
And greater sets follow, making specks of the greatest
inside them. |
| 319 There is no stoppage, and never can be stoppage, |
|
If I, you, the worlds, all beneath or upon their sur-
faces, and all the palpable life, were this moment reduced back to a pallid float, it would not avail in the long run, |
|
We should surely bring up again where we now
stand, |
|
And as surely go as much farther—and then farther
and farther. |
|
320
A few quadrillions of eras, a few octillions of cubic
leagues, do not hazard the span, or make it impatient, |
| They are but parts—anything is but a part. |
|
321
See ever so far, there is limitless space outside
of that, |
|
Count ever so much, there is limitless time around
that. |
| 322 My rendezvous is appointed, |
|
The Lord will be there, and wait till I come on per-
fect terms. |
|
323
I know I have the best of time and space, and was
never measured, and never will be measured. |
| 324 I tramp a perpetual journey, |
|
My signs are a rain-proof coat, good shoes, and a staff
cut from the woods, |
| No friend of mine takes his ease in my chair, |
| I have no chair, no church, no philosophy, |
| I lead no man to a dinner-table, library, or exchange, |
|
But each man and each woman of you I lead upon
a knoll, |
| My left hand hooking you round the waist, |
|
My right hand pointing to landscapes of continents,
and a plain public road. |
|
325
Not I—not any one else, can travel that road for
you, |
| You must travel it for yourself. |
| 326 It is not far—it is within reach, |
|
Perhaps you have been on it since you were born,
and did not know, |
| Perhaps it is every where on water and on land. |
|
327
Shoulder your duds, and I will mine, and let us
hasten forth, |
|
Wonderful cities and free nations we shall fetch as
we go. |
|
328
If you tire, give me both burdens, and rest the chuff
of your hand on my hip, |
|
And in due time you shall repay the same service
to me, |
| For after we start we never lie by again. |
|
329
This day before dawn I ascended a hill, and looked
at the crowded heaven, |
|
And I said to my Spirit, When we become the
enfolders of those orbs, and the pleasure and knowledge of everything in them, shall we be filled and satisfied then? |
|
And my Spirit said No, we level that lift, to pass and
continue beyond. |
| 330 You are also asking me questions, and I hear you, |
|
I answer that I cannot answer—you must find out
for yourself. |
| 331 Sit a while, wayfarer, |
| Here are biscuits to eat, and here is milk to drink, |
|
But as soon as you sleep, and renew yourself in
sweet clothes, I will certainly kiss you with my good-bye kiss, and open the gate for your egress hence. |
| 332 Long enough have you dreamed contemptible dreams, |
| Now I wash the gum from your eyes, |
|
You must habit yourself to the dazzle of the light,
and of every moment of your life. |
|
333
Long have you timidly waded, holding a plank by
the shore, |
| Now I will you to be a bold swimmer, |
|
To jump off in the midst of the sea, rise again, nod
to me, shout, and laughingly dash with your hair. |
| 334 I am the teacher of athletes, |
|
He that by me spreads a wider breast than my own,
proves the width of my own, |
|
He most honors my style who learns under it to
destroy the teacher. |
|
335
The boy I love, the same becomes a man, not through
derived power, but in his own right, |
|
Wicked, rather than virtuous out of conformity or
fear, |
| Fond of his sweetheart, relishing well his steak, |
|
Unrequited love, or a slight, cutting him worse than
a wound cuts, |
|
First rate to ride, to fight, to hit the bull's-eye, to
sail a skiff, to sing a song, or play on the banjo, |
|
Preferring scars, and faces pitted with small-pox, over
all latherers, and those that keep out of the sun. |
|
336
I teach straying from me—yet who can stray from
me? |
|
I follow you, whoever you are, from the present
hour, |
|
My words itch at your ears till you understand
them. |
|
337
I do not say these things for a dollar, or to fill up
the time while I wait for a boat, |
|
It is you talking just as much as myself—I act as
the tongue of you, |
| Tied in your mouth, in mine it begins to be loosened. |
|
338
I swear I will never again mention love or death
inside a house, |
|
And I swear I will never translate myself at all, only
to him or her who privately stays with me in the open air. |
|
339
If you would understand me, go to the heights or
water-shore, |
|
The nearest gnat is an explanation, and a drop or
motion of waves a key, |
| The maul, the oar, the hand-saw, second my words. |
| 340 No shuttered room or school can commune with me, |
| But roughs and little children better than they. |
|
341
The young mechanic is closest to me—he knows me
pretty well, |
|
The woodman, that takes his axe and jug with him,
shall take me with him all day, |
|
The farm-boy, ploughing in the field, feels good at the
sound of my voice, |
|
In vessels that sail, my words sail—I go with fisher-
men and seamen, and love them. |
|
342
My face rubs to the hunter's face, when he lies down
alone in his blanket, |
|
The driver, thinking of me, does not mind the jolt
of his wagon, |
| The young mother and old mother comprehend me, |
|
The girl and the wife rest the needle a moment, and
forget where they are, |
| They and all would resume what I have told them. |
|
343
I have said that the Soul is not more than the
body, |
|
And I have said that the body is not more than
the Soul, |
|
And nothing, not God, is greater to one than one's
self is. |
|
And whoever walks a furlong without sympathy,
walks to his own funeral, dressed in his shroud, |
|
And I or you, pocketless of a dime, may purchase
the pick of the earth, |
|
And to glance with an eye, or show a bean in its
pod, confounds the learning of all times, |
|
And there is no trade or employment but the young
man following it may become a hero, |
|
And there is no object so soft but it makes a hub
for the wheeled universe, |
|
And any man or woman shall stand cool and
supercilious before a million universes. |
| 344 And I call to mankind, Be not curious about God, |
|
For I, who am curious about each, am not curious
about God, |
|
No array of terms can say how much I am at peace
about God, and about death. |
|
345
I hear and behold God in every object, yet under-
stand God not in the least, |
|
Nor do I understand who there can be more won-
derful than myself. |
| 346 Why should I wish to see God better than this day? |
|
I see something of God each hour of the twenty-four,
and each moment then, |
|
In the faces of men and women I see God, and in
my own face in the glass, |
|
I find letters from God dropped in the street—and
every one is signed by God's name, |
|
And I leave them where they are, for I know that
others will punctually come forever and ever. |
|
347
And as to you Death, and you bitter hug of mortality,
it is idle to try to alarm me. |
| 348 To his work without flinching the accoucheur comes, |
| I see the elder-hand, pressing, receiving, supporting, |
|
I recline by the sills of the exquisite flexible doors,
and mark the outlet, and mark the relief and escape. |
|
349
And as to you corpse, I think you are good manure,
but that does not offend me, |
| I smell the white roses sweet-scented and growing, |
|
I reach to the leafy lips—I reach to the polished
breasts of melons. |
|
350
And as to you life, I reckon you are the leavings of
many deaths, |
|
No doubt I have died myself ten thousand times
before. |
| 351 I hear you whispering there, O stars of heaven, |
|
O suns! O grass of graves! O perpetual transfers and
promotions! |
| If you do not say anything, how can I say anything? |
| 352 Of the turbid pool that lies in the autumn forest, |
|
Of the moon that descends the steeps of the soughing
twilight, |
|
Toss, sparkles of day and dusk! toss on the black
stems that decay in the muck! |
| Toss to the moaning gibberish of the dry limbs. |
| 353 I ascend from the moon, I ascend from the night, |
|
I perceive of the ghastly glimmer the sunbeams re-
flected, |
|
And debouch to the steady and central from the
offspring great or small. |
|
354
There is that in me—I do not know what it is—but
I know it is in me. |
|
355
Wrenched and sweaty—calm and cool then my body
becomes, |
| I sleep—I sleep long. |
|
356
I do not know it—it is without name—it is a word
unsaid, |
| It is not in any dictionary, utterance, symbol. |
| 357 Something it swings on more than the earth I swing on, |
|
To it the creation is the friend whose embracing
awakes me. |
|
358
Perhaps I might tell more. Outlines! I plead for my
brothers and sisters. |
| 359 Do you see, O my brothers and sisters? |
|
It is not chaos or death—it is form, union, plan—it
is eternal life—it is HAPPINESS. |
|
360
The past and present wilt—I have filled them, emp-
tied them, |
| And proceed to fill my next fold of the future. |
|
361
Listener up there! Here you! What have you to
confide to me? |
| Look in my face, while I snuff the sidle of evening, |
|
Talk honestly—no one else hears you, and I stay
only a minute longer. |
| 362 Do I contradict myself? |
| Very well, then, I contradict myself, |
| I am large—I contain multitudes. |
|
363
I concentrate toward them that are nigh—I wait on
the door-slab. |
|
364
Who has done his day's work? Who will soonest be
through with his supper? |
| Who wishes to walk with me? |
|
365
Will you speak before I am gone? Will you prove
already too late? |
|
366
The spotted hawk swoops by and accuses me—he
complains of my gab and my loitering. |
| 367 I too am not a bit tamed—I too am untranslatable, |
| I sound my barbaric yawp over the roofs of the world. |
| 368 The last scud of day holds back for me, |
|
It flings my likeness, after the rest, and true as any,
on the shadowed wilds, |
| It coaxes me to the vapor and the dusk. |
|
369
I depart as air—I shake my white locks at the
run-away sun, |
| I effuse my flesh in eddies, and drift it in lacy jags. |
|
370
I bequeathe myself to the dirt, to grow from the
grass I love, |
|
If you want me again, look for me under your boot-
soles. |
| 371 You will hardly know who I am, or what I mean, |
| But I shall be good health to you nevertheless, |
| And filter and fibre your blood. |
| 372 Failing to fetch me at first, keep encouraged, |
| Missing me one place, search another, |
| I stop somewhere waiting for you. |