| 1 ELEMENTAL drifts! |
|
O I wish I could impress others as you and the waves
have just been impressing me. |
| 2 As I ebbed with an ebb of the ocean of life, |
| As I wended the shores I know, |
|
As I walked where the sea-ripples wash you, Pau-
manok, |
| Where they rustle up, hoarse and sibilant, |
|
Where the fierce old mother endlessly cries for her
castaways, |
|
I, musing, late in the autumn day, gazing off south-
ward, |
|
Alone, held by the eternal self of me that threatens
to get the better of me, and stifle me, |
|
Was seized by the spirit that trails in the lines
underfoot, |
|
In the rim, the sediment, that stands for all the water
and all the land of the globe. |
|
3
Fascinated, my eyes, reverting from the south,
dropped, to follow those slender winrows, |
|
Chaff, straw, splinters of wood, weeds, and the sea-
gluten, |
|
Scum, scales from shining rocks, leaves of salt-
lettuce, left by the tide; |
|
Miles walking, the sound of breaking waves the other
side of me, |
|
Paumanok, there and then, as I thought the old
thought of likenesses, |
| These you presented to me, you fish-shaped island, |
| As I wended the shores I know, |
|
As I walked with that eternal self of me, seeking
types. |
| 4 As I wend the shores I know not, |
|
As I listen to the dirge, the voices of men and women
wrecked, |
|
As I inhale the impalpable breezes that set in
upon me, |
|
As the ocean so mysterious rolls toward me closer
and closer, |
|
At once I find, the least thing that belongs to me, or
that I see or touch, I know not; |
|
I, too, but signify, at the utmost, a little washed-up
drift, |
| A few sands and dead leaves to gather, |
|
Gather, and merge myself as part of the sands and
drift. |
| 5 O baffled, balked, |
| Bent to the very earth, here preceding what follows, |
|
Oppressed with myself that I have dared to open my
mouth, |
|
Aware now, that, amid all the blab whose echoes
recoil upon me, I have not once had the least idea who or what I am, |
|
But that before all my insolent poems the real ME
still stands untouched, untold, altogether un- reached, |
|
Withdrawn far, mocking me with mock-congrat-
ulatory signs and bows, |
|
With peals of distant ironical laughter at every word
I have written or shall write, |
|
Striking me with insults till I fall helpless upon the
sand. |
|
6
O I perceive I have not understood anything—not a
single object—and that no man ever can. |
|
7
I perceive Nature here, in sight of the sea, is taking
advantage of me, to dart upon me, and sting me, |
| Because I was assuming so much, |
|
And because I have dared to open my mouth to sing
at all. |
| 8 You oceans both! You tangible land! Nature! |
|
Be not too rough with me—I submit—I close with
you, |
| These little shreds shall, indeed, stand for all. |
| 9 You friable shore, with trails of debris! |
| You fish-shaped island! I take what is underfoot; |
| What is yours is mine, my father. |
| 10 I too Paumanok, |
|
I too have bubbled up, floated the measureless float,
and been washed on your shores; |
| I too am but a trail of drift and debris, |
|
I too leave little wrecks upon you, you fish-shaped
island. |
| 11 I throw myself upon your breast, my father, |
| I cling to you so that you cannot unloose me, |
| I hold you so firm, till you answer me something. |
| 12 Kiss me, my father, |
| Touch me with your lips, as I touch those I love, |
|
Breathe to me, while I hold you close, the secret of
the wondrous murmuring I envy, |
|
For I fear I shall become crazed, if I cannot emulate
it, and utter myself as well as it. |
| 13 Sea-raff! Crook-tongued waves! |
|
O, I will yet sing, some day, what you have said
to me. |
| 14 Ebb, ocean of life, (the flow will return,) |
| Cease not your moaning, you fierce old mother, |
|
Endlessly cry for your castaways—but fear not,
deny not me, |
|
Rustle not up so hoarse and angry against my feet, as
I touch you, or gather from you. |
| 15 I mean tenderly by you, |
|
I gather for myself, and for this phantom, looking
down where we lead, and following me and mine. |
| 16 Me and mine! |
| We, loose winrows, little corpses, |
| Froth, snowy white, and bubbles, |
| (See! from my dead lips the ooze exuding at last! |
| See—the prismatic colors, glistening and rolling!) |
| Tufts of straw, sands, fragments, |
|
Buoyed hither from many moods, one contradicting
another, |
|
From the storm, the long calm, the darkness, the
swell, |
|
Musing, pondering, a breath, a briny tear, a dab of
liquid or soil, |
|
Up just as much out of fathomless workings fer-
mented and thrown, |
|
A limp blossom or two, torn, just as much over waves
floating, drifted at random, |
| Just as much for us that sobbing dirge of Nature, |
|
Just as much, whence we come, that blare of the
cloud-trumpets; |
|
We, capricious, brought hither, we know not whence,
spread out before You, up there, walking or sitting, |
| Whoever you are—we too lie in drifts at your feet. |
| 1 GREAT are the myths—I too delight in them, |
|
Great are Adam and Eve—I too look back and
accept them, |
|
Great the risen and fallen nations, and their poets,
women, sages, inventors, rulers, warriors, and priests. |
|
2
Great is Liberty! great is Equality! I am their fol-
lower, |
|
Helmsmen of nations, choose your craft! where you
sail, I sail, |
|
Yours is the muscle of life or death—yours is the
perfect science—in you I have absolute faith. |
| 3 Great is To-day, and beautiful, |
|
It is good to live in this age—there never was any
better. |
|
4
Great are the plunges, throes, triumphs, downfalls of
Democracy, |
| Great the reformers, with their lapses and screams, |
|
Great the daring and venture of sailors, on new ex-
plorations. |
| 5 Great are Yourself and Myself, |
|
We are just as good and bad as the oldest and young-
est or any, |
| What the best and worst did, we could do, |
| What they felt, do not we feel it in ourselves? |
| What they wished, do we not wish the same? |
|
6
Great is Youth—equally great is Old Age—great
are the Day and Night, |
|
Great is Wealth—great is Poverty—great is Ex-
pression—great is Silence. |
|
7
Youth, large, lusty, loving—Youth, full of grace,
force, fascination, |
|
Do you know that Old Age may come after you, with
equal grace, force, fascination? |
|
8
Day, full-blown and splendid—Day of the immense
sun, action, ambition, laughter, |
|
The Night follows close, with millions of suns, and
sleep, and restoring darkness. |
| 9 Wealth with the flush hand, fine clothes, hospitality, |
|
But then the Soul's wealth, which is candor, knowl-
edge, pride, enfolding love; |
|
(Who goes for men and women showing Poverty
richer than wealth?) |
|
10
Expression of speech! in what is written or said, for-
get not that Silence is also expressive, |
|
That anguish as hot as the hottest, and contempt as
cold as the coldest, may be without words, |
|
That the true adoration is likewise without words,
and without kneeling. |
|
11
Great is the greatest Nation—the nation of clusters
of equal nations. |
| 12 Great is the Earth, and the way it became what it is; |
|
Do you imagine it is stopped at this? the increase
abandoned? |
|
Understand then that it goes as far onward from
this, as this is from the times when it lay in covering waters and gases, before man had ap- peared. |
| 13 Great is the quality of Truth in man, |
|
The quality of truth in man supports itself through
all changes, |
|
It is inevitably in the man—he and it are in love,
and never leave each other. |
|
14
The truth in man is no dictum, it is vital as eye-
sight, |
|
If there be any Soul, there is truth—if there be man
or woman, there is truth—if there be physical or moral, there is truth, |
|
If there be equilibrium or volition, there is truth—
if there be things at all upon the earth, there is truth. |
|
15
O truth of the earth! O truth of things! I am de-
termined to press my way toward you, |
|
Sound your voice! I scale mountains, or dive in the
sea after you. |
|
16
Great is Language—it is the mightiest of the sci-
ences, |
|
It is the fulness, color, form, diversity of the earth,
and of men and women, and of all qualities and processes, |
|
It is greater than wealth—it is greater than build-
ings, ships, religions, paintings, music. |
|
17
Great is the English speech—what speech is so
great as the English? |
|
Great is the English brood—what brood has so vast
a destiny as the English? |
|
It is the mother of the brood that must rule the earth
with the new rule, |
|
The new rule shall rule as the Soul rules, and as the
love, justice, equality in the Soul, rule. |
|
18
Great is Law—great are the old few landmarks of
the law, |
|
They are the same in all times, and shall not be
disturbed. |
|
19
Great are commerce, newspapers, books, free-trade,
railroads, steamers, international mails, tele- graphs, exchanges. |
| 20 Great is Justice! |
|
Justice is not settled by legislators and laws—it is in
the Soul, |
|
It cannot be varied by statues, any more than love,
pride, the attraction of gravity, can, |
|
It is immutable—it does not depend on majorities—
majorities or what not come at last before the same passionless and exact tribunal. |
|
21
For justice are the grand natural lawyers and perfect
judges—it is in their Souls, |
|
It is well assorted—they have not studied for noth-
ing—the great includes the less, |
|
They rule on the highest grounds—they oversee all
eras, states, administrations. |
|
22
The perfect judge fears nothing—he could go front
to front before God, |
|
Before the perfect judge all shall stand back—life
and death shall stand back—heaven and hell shall stand back. |
| 23 Great is Goodness! |
|
I do not know what it is, any more than I know what
health is—but I know it is great. |
|
24
Great is Wickedness—I find I often admire it, just as
much as I admire goodness, |
| Do you call that a paradox? It certainly is a paradox. |
|
25
The eternal equilibrium of things is great, and the
eternal overthrow of things is great, |
| And there is another paradox. |
| 26 Great is Life, real and mystical, wherever and whoever, |
|
Great is Death—sure as Life holds all parts together,
Death holds all parts together, |
| Death has just as much purport as Life has, |
|
Do you enjoy what Life confers? you shall enjoy what
Death confers, |
|
I do not understand the realities of Death, but I know
they are great, |
|
I do not understand the least reality of Life—how then
can I understand the realities of Death? |
|
1
A YOUNG man came to me with a message from his
brother, |
|
How should the young man know the whether and
when of his brother? |
| Tell him to send me the signs. |
|
2
And I stood before the young man face to face, and
took his right hand in my left hand, and his left hand in my right hand, |
|
And I answered for his brother, and for men, and I
answered for THE POET, and sent these signs. |
|
3
Him all wait for—him all yield up to—his word is
decisive and final, |
|
Him they accept, in him lave, in him perceive them-
selves, as amid light, |
| Him they immerse, and he immerses them. |
|
4
Beautiful women, the haughtiest nations, laws, the
landscape, people, animals, |
|
The profound earth and its attributes, and the unquiet
ocean, |
|
All enjoyments and properties, and money, and what-
ever money will buy, |
|
The best farms—others toiling and planting, and he
unavoidably reaps, |
|
The noblest and costliest cities—others grading and
building, and he domiciles there, |
|
Nothing for any one, but what is for him—near and
far are for him, |
|
The ships in the offing—the perpetual shows and
marches on land, are for him, if they are for any body. |
| 5 He puts things in their attitudes, |
|
He puts to-day out of himself, with plasticity and
love, |
|
He places his own city, times, reminiscences, parents,
brothers and sisters, associations, employment, politics, so that the rest never shame them after- ward, nor assume to command them. |
| 6 He is the answerer, |
|
What can be answered he answers—and what cannot
be answered, he shows how it cannot be answered. |
| 7 A man is a summons and challenge; |
|
(It is vain to skulk—Do you hear that mocking and
laughter? Do you hear the ironical echoes?) |
|
8
Books, friendships, philosophers, priests, action, pleas-
ure, pride, beat up and down, seeking to give satisfaction, |
|
He indicates the satisfaction, and indicates them that
beat up and down also. |
|
9
Whichever the sex, whatever the season or place, he
may go freshly and gently and safely, by day or by night, |
|
He has the pass-key of hearts—to him the response
of the prying of hands on the knobs. |
|
10
His welcome is universal—the flow of beauty is not
more welcome or universal than he is, |
|
The person he favors by day or sleeps with at night is
blessed. |
|
11
Every existence has its idiom—everything has an
idiom and tongue, |
|
He resolves all tongues into his own, and bestows it
upon men, and any man translates, and any man translates himself also, |
|
One part does not counteract another part—he is the
joiner—he sees how they join. |
|
12
He says indifferently and alike, How are you, friend?
to the President at his levee, |
|
And he says, Good-day, my brother! to Cudge that
hoes in the sugar-field, |
|
And both understand him, and know that his speech
is right. |
| 13 He walks with perfect ease in the capitol, |
|
He walks among the Congress, and one representative
says to another, Here is our equal, appearing and new . |
| 14 Then the mechanics take him for a mechanic, |
|
And the soldiers suppose him to be a captain, and the
sailors that he has followed the sea, |
|
And the authors take him for an author, and the
artists for an artist, |
|
And the laborers perceive he could labor with them
and love them, |
|
No matter what the work is, that he is the one to fol-
low it, or has followed it, |
|
No matter what the nation, that he might find his
brothers and sisters there. |
| 15 The English believe he comes of their English stock, |
|
A Jew to the Jew he seems—a Russ to the Russ—
usual and near, removed from none. |
|
16
Whoever he looks at in the traveller's coffee-house
claims him, |
|
The Italian or Frenchman is sure, and the German is
sure, and the Spaniard is sure, and the island Cuban is sure; |
|
The engineer, the deck-hand on the great lakes, or on
the Mississippi, or St. Lawrence, or Sacramento, or Hudson, or Paumanok Sound, claims him. |
|
17
The gentleman of perfect blood acknowledges his per-
fect blood, |
|
The insulter, the prostitute, the angry person, the
beggar, see themselves in the ways of him—he strangely transmutes them, |
|
They are not vile any more—they hardly know them-
selves, they are so grown. |
|
18
Do you think it would be good to be the writer of
melodious verses? |
|
Well, it would be good to be the writer of melodious
verses; |
|
But what are verses beyond the flowing character you
could have? or beyond beautiful manners and behavior? |
|
Or beyond one manly or affectionate deed of an ap-
prentice-boy? or old woman? or man that has been in prison, or is likely to be in prison? |
| 1 SOMETHING startles me where I thought I was safest, |
| I withdraw from the still woods I loved, |
| I will not go now on the pastures to walk, |
|
I will not strip the clothes from my body to meet my
lover the sea, |
|
I will not touch my flesh to the earth, as to other
flesh, to renew me. |
| 2 O Earth! |
| O how can the ground of you not sicken? |
| How can you be alive, you growths of spring? |
|
How can you furnish health, you blood of herbs, roots,
orchards, grain? |
|
Are they not continually putting distempered corpses
in you? |
|
Is not every continent worked over and over with sour
dead? |
|
3
Where have you disposed of those carcasses of the
drunkards and gluttons of so many generations? |
| Where have you drawn off all the foul liquid and meat? |
|
I do not see any of it upon you to-day—or perhaps
I am deceived, |
|
I will run a furrow with my plough—I will press
my spade through the sod, and turn it up un- derneath, |
| I am sure I shall expose some of the foul meat. |
| 4 Behold! |
| This is the compost of billions of premature corpses, |
|
Perhaps every mite has once formed part of a sick
person—Yet behold! |
| The grass covers the prairies, |
|
The bean bursts noiselessly through the mould in the
garden, |
| The delicate spear of the onion pierces upward, |
| The apple-buds cluster together on the apple-branches, |
|
The resurrection of the wheat appears with pale visage
out of its graves, |
|
The tinge awakes over the willow-tree and the mul-
berry-tree, |
|
The he-birds carol mornings and evenings, while the
she-birds sit on their nests, |
| The young of poultry break through the hatched eggs, |
|
The new-born of animals appear—the calf is dropt
from the cow, the colt from the mare, |
|
Out of its little hill faithfully rise the potato's dark
green leaves, |
| Out of its hill rises the yellow maize-stalk; |
|
The summer growth is innocent and disdainful above
all those strata of sour dead. |
| 5 What chemistry! |
| That the winds are really not infectious, |
|
That this is no cheat, this transparent green-wash of
the sea, which is so amorous after me, |
|
That it is safe to allow it to lick my naked body all
over with its tongues, |
|
That it will not endanger me with the fevers that
have deposited themselves in it, |
| That all is clean, forever and forever, |
| That the cool drink from the well tastes so good, |
| That blackberries are so flavorous and juicy, |
|
That the fruits of the apple-orchard, and of the
orange-orchard—that melons, grapes, peaches, plums, will none of them poison me, |
|
That when I recline on the grass I do not catch any
disease, |
|
Though probably every spear of grass rises out of
what was once a catching disease. |
|
6
Now I am terrified at the Earth! it is that calm and
patient, |
| It grows such sweet things out of such corruptions, |
|
It turns harmless and stainless on its axis, with such
endless successions of diseased corpses, |
| It distils such exquisite winds out of suc |