| 1 I CELEBRATE myself; |
| And what I assume you shall assume; |
|
For every atom belonging to me, as good belongs to
you. |
| 2 I loafe and invite my Soul; |
|
I lean and loafe at my ease, observing a spear of sum-
mer grass. |
|
3
Houses and rooms are full of perfumes—the shelves
are crowded with perfumes; |
| I breathe the fragrance myself, and know it and like it; |
|
The distillation would intoxicate me also, but I shall
not let it. |
| 4 The atmosphere is not a perfume—it has no taste of |
| the distillation—it is odorless; |
| It is for my mouth forever—I am in love with it; |
|
I will go to the bank by the wood, and become undis-
guised and naked; |
| I am mad for it to be in contact with me. |
| 5 The smoke of my own breath; |
|
Echoes, ripples, buzz'd whispers, love-root, silk-thread,
crotch and vine; |
|
My respiration and inspiration, the beating of my heart,
the passing of blood and air through my lungs; |
|
The sniff of green leaves and dry leaves, and of the
shore, and dark-color'd sea-rocks, and of hay in the barn; |
|
The sound of the belch'd words of my voice, words
loos'd to the eddies of the wind; |
|
A few light kisses, a few embraces, a reaching around
of arms; |
|
The play of shine and shade on the trees as the supple
boughs wag; |
|
The delight alone, or in the rush of the streets, or along
the fields and hill-sides; |
|
The feeling of health, the full noon-trill, the song of me
rising from bed and meeting the sun. |
|
6
Have you reckon'd a thousand acres much? have you
reckon'd the earth much? |
| Have you practis'd so long to learn to read? |
|
Have you felt so proud to get at the meaning of
poems? |
|
7
Stop this day and night with me, and you shall pos-
sess the origin of all poems; |
|
You shall possess the good of the earth and sun—(there
are millions of suns left;) |
|
You shall no longer take things at second or third
hand, nor look through the eyes of the dead, nor feed on the spectres in books; |
|
You shall not look through my eyes either, nor take
things from me: |
|
You shall listen to all sides, and filter them from your-
self. |
|
8
I have heard what the talkers were talking, the talk
of the beginning and the end; |
| But I do not talk of the beginning or the end. |
|
9
There was never any more inception than there is
now, |
| Nor any more youth or age than there is now; |
|
And will never be any more perfection than there is
now, |
| Nor any more heaven or hell than there is now. |
| 10 Urge, and urge, and urge; |
| Always the procreant urge of the world. |
|
11
Out of the dimness opposite equals advance—always
substance and increase, always sex; |
|
Always a knit of identity—always distinction—always a
breed of life. |
|
12
To elaborate is no avail—learn'd and unlearn'd feel
that it is so. |
|
13
Sure as the most certain sure, plumb in the uprights,
well entretied, braced in the beams, |
| Stout as a horse, affectionate, haughty, electrical, |
| I and this mystery, here we stand. |
|
14
Clear and sweet is my Soul, and clear and sweet is all
that is not my Soul. |
|
15
Lack one lacks both, and the unseen is proved by
the seen, |
|
Till that becomes unseen, and receives proof in its
turn. |
|
16
Showing the best, and dividing it from the worst
age vexes age; |
|
Knowing the perfect fitness and equanimity of things,
while they discuss I am silent, and go bathe and admire myself. |
|
17
Welcome is every organ and attribute of me, and of
any man hearty and clean; |
|
Not an inch, nor a particle of an inch, is vile, and none
shall be less familiar than the rest. |
| 18 I am satisfied—I see, dance, laugh, sing; |
|
As the hugging and loving Bed-fellow sleeps at my side
through the night, and withdraws at the peep of the day, with stealthy tread, |
|
Leaving me baskets cover'd with white towels, swelling
the house with their plenty, |
|
Shall I postpone my acceptation and realization, and
scream at my eyes, |
| That they turn from gazing after and down the road, |
| And forthwith cipher and show me a cent, |
|
Exactly the contents of one, and exactly the contents of
two, and which is ahead? |
| 19 Trippers and askers surround me; |
|
People I meet—the effect upon me of my early life, or
the ward and city I live in, or the nation, |
|
The latest dates, discoveries, inventions, societies,
authors old and new, |
| My dinner, dress, associates, looks, compliments, dues, |
|
The real or fancied indifference of some man or woman
I love, |
|
The sickness of one of my folks, or of myself, or ill-
doing, or loss or lack of money, or depressions or exaltations; |
|
Battles, the horrors of fratricidal war, the fever of
doubtful news, the fitful events; |
|
These come to me days and nights, and go from me
again, |
| But they are not the Me myself. |
|
20
Apart from the pulling and hauling stands what I
am; |
|
Stands amused, complacent, compassionating, idle, uni-
tary; |
|
Looks down, is erect, or bends an arm on an impalpable
certain rest, |
|
Looking with side-curved head, curious what will come
next; |
|
Both in and out of the game, and watching and won-
dering at it. |
|
21
Backward I see in my own days where I sweated
through fog with linguists and contenders; |
| I have no mockings or arguments—I witness and wait. |
|
22
I believe in you, my Soul—the other I am must not
abase itself to you; |
| And you must not be abased to the other. |
|
23
Loafe with me on the grass—loose the stop from
your throat; |
|
Not words, not music or rhyme I want—not custom or
lecture, not even the best; |
| Only the lull I like, the hum of your valved voice. |
|
24
I mind how once we lay, such a transparent summer
morning; |
|
How you settled your head athwart my hips, and gently
turn'd over upon me, |
|
And parted my shirt from my bosom-bone, and plunged
your tongue to my bare-stript heart, |
|
And reach'd till you felt my beard, and reach'd till you
held my feet. |
|
25
Swiftly arose and spread around me the peace and
knowledge that pass all the argument of the earth; |
|
And I know that the hand of God is the promise of my
own, |
|
And I know that the spirit of God is the brother of my
own; |
|
And that all the men ever born are also my brothers,
and the women my sisters and lovers; |
| And that a kelson of the creation is love; |
| And limitless are leaves, stiff or drooping in the fields; |
| And brown ants in the little wells beneath them; |
|
And mossy scabs of the worm fence, and heap'd stones,
elder, mullen, and poke-weed. |
|
26
A child said, What is the grass? fetching it to me with
full hands; |
|
How could I answer the child? I do not know what it
is, any more than he. |
|
27
I guess it must be the flag of my disposition, out of
hopeful green stuff woven. |
| 28 Or I guess it is the handkerchief of the Lord, |
| A scented gift and remembrancer, designedly dropt, |
|
Bearing the owner's name someway in the corners, that
we may see and remark, and say, Whose? |
|
29
Or I guess the grass is itself a child, the produced
babe of the vegetation. |
| 30 Or I guess it is a uniform hieroglyphic; |
|
And it means, Sprouting alike in broad zones and nar-
row zones, |
| Growing among black folks as among white; |
|
Kanuck, Tuckahoe, Congressman, Cuff, I give them the
same, I receive them the same. |
|
31
And now it seems to me the beautiful uncut hair of
graves. |
| 32 Tenderly will I use you, curling grass; |
|
It may be you transpire from the breasts of young
men; |
|
It may be if I had known them I would have loved
them; |
|
It may be you are from old people and from women,
and from offspring taken soon out of their mothers' laps; |
| And here you are the mothers' laps; |
|
33
This grass is very dark to be from the white heads of
old mothers; |
| Darker than the colourless beards of old men; |
| Dark to come from under the faint red roofs of mouths. |
| 34 O I perceive after all so many uttering tongues! |
|
And I perceive they do not come from the roofs of
mouths for nothing. |
|
35
I wish I could translate the hints about the dead
young men and women, |
|
And the hints about old men and mothers, and the
offspring taken soon out of their laps. |
|
36
What do you think has become of the young and
old men? |
|
And what do you think has become of the women and
children? |
| 37 They are alive and well somewhere; |
| The smallest sprout shows there is really no death; |
|
And if ever there was, it led forward life, and does not
wait at the end to arrest it, |
| And ceas'd the moment life appear'd. |
| 38 All goes onward and outward—nothing collapses; |
|
And to die is different from what any one supposed,
and luckier. |
| 39 Has any one supposed it lucky to be born? |
|
I hasten to inform him or her, it is just as lucky to die,
and I know it. |
|
40
I pass death with the dying, and birth with the new-
wash'd babe, and am not contain'd between my hat and boots; |
|
And peruse manifold objects, no two alike, and every
one good; |
|
The earth good, and the stars good, and their adjuncts
all good. |
| 41 I am not on earth, nor an adjunct of an earth; |
|
I am the mate and companion of people, all just as
immortal and fathomless as myself; |
| (They do not know how immortal, but I know.) |
|
42
Every kind for itself and its own—for me mine, male
and female; |
|
For me those that have been boys, and that love
women; |
|
For me the man that is proud, and feels how it stings
to be slighted; |
|
For me the sweet-heart and the old maid—for me
mothers, and the mothers of mothers; |
| For me lips that have smiled, eyes that have shed tears; |
| For me children, and the begetters of children. |
|
43
Undrape! you are not guilty to me, nor stale, nor
discarded; |
|
I see through the broadcloth and gingham, whether
or no; |
|
And am around, tenacious, acquisitive, tireless, and
cannot be shaken away. |
| 44 The little one sleeps in its cradle; |
|
I lift the gauze, and look a long time, and silently
brush away flies with my hand. |
|
45
The youngster and the red-faced girl turn aside up
the bushy hill; |
| I peeringly view them from the top. |
|
46
The suicide sprawls on the bloody floor of the bed-
room; |
|
I witness the corpse with its dabbled hair—I note
where the pistol has fallen. |
|
47
The blab of the pave, the tires of carts, sluff of boot-
soles, talk of the promenaders; |
|
The heavy omnibus, the driver with his interrogating
thumb, the clank of the shod horses on the granite floor; |
|
The snow-sleighs, the clinking, shouted jokes, pelts of
snow-balls; |
|
The hurrahs for popular favorites, the fury of rous'd
mobs; |
|
The flap of the curtain'd litter, a sick man inside, borne
to the hospital; |
|
The meeting of enemies, the sudden oath, the blows
and fall; |
|
The excited crowd, the policeman with his star, quickly
working his passage to the centre of the crowd; |
|
The impassive stones that receive and return so many
echoes; |
|
What groans of over-fed or half-starv'd who fall sun-
struck, or in fits; |
|
What exclamations of women taken suddenly, who
hurry home and give birth to babes; |
|
What living and buried speech is always vibrating
here—what howls restrain'd by decorum; |
|
Arrests of criminals, slights, adulterous offers made,
acceptances, rejections with convex lips; |
|
I mind them or the show or resonance of them—I
come, and I depart. |
|
48
The big doors of the country barn stand open and
ready; |
|
The dried grass of the harvest-time loads the slow-
drawn wagon; |
|
The clear light plays on the brown gray and green
intertinged; |
| The armfuls are pack'd to the sagging mow. |
|
49
I am there—I help—I came stretch'd atop of the
load; |
| I felt its soft jolts—one leg reclined on the other; |
|
I jump from the cross-beams, and seize the clover and
timothy, |
|
And roll head over heels, and tangle my hair full of
wisps. |
| 50 Alone, far in the wilds and mountains, I hunt, |
View Page 38 Wandering, amazed at my own lightness and glee; |
|
In the late afternoon choosing a safe spot to pass the
night, |
| Kindling a fire and broiling the fresh-kill'd game; |
|
Falling asleep on the gather'd leaves, with my dog and
gun by my side. |
|
51
The Yankee clipper is under her sky-sails—she cuts
the sparkle and scud; |
|
My eyes settle the land—I bend at her prow, or shout
joyously from the deck. |
|
52
The boatmen and clam-diggers arose early and stopt
for me; |
|
I tuck'd my trowser-ends in my boots, and went and
had a good time: |
|
(You should have been with us that day round the
chowder-kettle.) |
|
53
I saw the marriage of the trapper in the open air in
the far west—the bride was a red girl; |
|
Her father and his friends sat near, cross-legged and
dumbly smoking—they had moccasins to their feet, and large thick blankets hanging from their shoulders; |
|
On a bank lounged the trapper—he was drest mostly in
skins—his luxuriant beard and curls protected his neck—he held his bride by the hand; |
|
She had long eyelashes—her head was bare—her coarse
straight locks descended upon her voluptuous limbs and reach'd to her feet. |
|
54
The runaway slave came to my house and stopt out-
side; |
|
I heard his motions crackling the twigs of the wood-
pile; |
|
Through the swung half-door of the kitchen I saw him
limpsy and weak, |
|
And went where he sat on a log, and led him in and
assured him, |
|
And brought water, and fill'd a tub for his sweated
body and bruis'd feet, |
|
And gave him a room that enter'd from my own, and
gave him some coarse clean clothes, |
|
And remember perfectly well his revolving eyes and his
awkwardness, |
|
And remember putting plasters on the galls of his neck
and ankles; |
|
He staid with me a week before he was recuperated and
pass'd north; |
|
(I had him sit next me at table—my fire-lock lean'd in
the corner.) |
| 55 Twenty-eight young men bathe by the shore; |
| Twenty-eight young men, and all so friendly: |
|
Twenty-eight years of womanly life, and all so lone-
some. |
| 56 She owns the fine house by the rise of the bank; |
|
She hides, handsome and richly drest, aft the blinds of
the window. |
| 57 Which of the young men does she like the best? |
| Ah, the homeliest of them is beautiful to her. |
| 58 Where are you off to, lady? for I see you; |
|
You splash in the water there, yet stay stock still in
your room. |
|
59
Dancing and laughing along the beach came the
twenty-ninth bather; |
|
The rest did not see her, but she saw them and loved
them. |
|
60
The beards of the young men glisten'd with wet, it
ran from their long hair: |
| Little streams pass'd all over their bodies. |
| 61 An unseen hand also pass'd over their bodies; |
| It descended tremblingly from their temples and ribs. |
|
62
The young men float on their backs—their white bel-
lies bulge to the sun—they do not ask who seizes fast to them; |
|
They do not know who puffs and declines with pendant
and bending arch; |
| They do not think whom they souse with spray. |
|
63
The butcher-boy puts off his killing clothes, or
sharpens his knife at the stall in the market; |
|
I loiter, enjoying his repartee, and his shuffle and
break-down. |
|
64
Blacksmiths with grimed and hairy chests environ
the anvil; |
|
Each has his main-sledge—they are all out—(there is
a great heat in the fire.) |
|
65
From the cinder-strew'd threshold I follow their
movements; |
|
The lithe sheer of their waists plays even with their
massive arms; |
|
Over-hand the hammers swing—over-hand so slow—
over-hand so sure: |
| They do not hasten—each man hits in his place. |
|
66
The negro holds firmly the reins of his four horses
—the block swags underneath on its tied-over chain; |
|
The negro that drives the dray of the stone-yard—
steady and tall he stands, pois'd on one leg on the string-piece; |
|
His blue shirt exposes his ample neck and breast, and
loosens over his hip-band; |
|
His glance is calm and commanding—he tosses the
slouch of his hat away from his forehead; |
|
The sun falls on his crispy hair and moustache—falls
on the black of his polish'd and perfect limbs. |
|
67
I behold the picturesque giant, and love him—and I
do not stop there; |
| I go with the team also. |
|
68
In me the caresser of life wherever moving—back-
ward as well as forward slueing; |
| To niches aside and junior bending. |
|
69
Oxen that rattle the yoke and chain, or halt in the
leafy shade! what is that you express in your eyes? |
|
It seems to me more than all the print I have read in
my life. |
|
70
My tread scares the wood-drake and wood-duck, on
my distant and day-long ramble; |
| They rise together—they slowly circle around. |
| 71 I believe in those wing'd purposes, |
| And acknowledge red, yellow, white, playing within me, |
|
And consider green and violet, and the tufted crown,
intentional; |
|
And do not call the tortoise unworthy because she is
not something else; |
|
And the jay in the woods never studied the gamut, yet
trills pretty well to me; |
|
And the look of the bay mare shames silliness out of
me. |
|
72
The wild gander leads his flock through the cool
night; |
|
Ya-honk! he says, and sounds it down to me like an
invitation; |
|
(The pert may suppose it meaningless, but I listen
close; |
|
I find its purpose and place up there toward the wintry
sky.) |
|
73
The sharp-hoof'd moose of the north, the cat on the
house-sill, the chickadee, the prairie-dog, |
| The litter of the grunting sow as they tug at her teats, |
|
The brood of the turkey-hen, and she with her half-
spread wings; |
| I see in them and myself the same old law. |
|
74
The press of my foot to the earth springs a hundred
affections; |
| They scorn the best I can do to relate them. |
| 75 I am enamour'd of growing out-doors, |
|
Of men that live among cattle, or taste of the ocean or
woods, |
|
Of the builders and steerers of ships, and the wielders
of axes and mauls, and the drivers of horses; |
| I can eat and sleep with them week in and week out. |
| 76 What is commonest, cheapest, nearest, easiest, is Me; |
| Me going in for my chances, spending for vast returns; |
|
Adorning myself to bestow myself on the first that will
take me; |
| Not asking the sky to come down to my good will; |
| Scattering it freely forever. |
| 77 The pure contralto sings in the organ loft; |
|
The carpenter dresses his plank—the tongue of his
foreplane whistles its wild ascending lisp; |
|
The married and unmarried children ride home to their
Thanksgiving dinner; |
|
The pilot seizes the king-pin—he heaves down with a
strong arm; |
|
The mate stands braced in the whale-boat—lance and
harpoon are ready; |
| The duck-shooter walks by silent and cautious stretches; |
|
The deacons are ordain'd with cross'd hands at the
altar; |
|
The spinning-girl retreats and advances to the hum of
the big wheel; |
|
The farmer stops by the bars, as he walks on a First-
day loafe, and looks at the oats and rye; |
|
The lunatic is carried at last to the asylum, a confirm'd
case, |
|
(He will never sleep any more as he did in the cot in
his mother's bedroom;) |
|
The jour printer with gray head and gaunt jaws works
at his case, |
|
He turns his quid of tobacco, while his eyes blurr with
the manuscript; |
| The malform'd limbs are tied to the surgeon's table, |
| What is removed drops horribly in a pail; |
|
The quadroon girl is sold at the auction-stand—the
drunkard nods by the bar-room stove; |
|
The machinist rolls up his sleeves—the policeman trav-
els his beat—the gate-keeper marks who pass; |
|
The young fellow drives the express-wagon—(I love
him, though I do not know him;) |
|
The half-breed straps on his light boots to compete in
the race; |
|
The western turkey-shooting draws old and young—
some lean on their rifles, some sit on logs, |
|
Out from the crowd steps the marksman, takes his
position, levels his piece; |
|
The groups of newly-come immigrants cover the wharf
or levee; |
|
As the woolly-pates hoe in the sugar-field, the overseer
views them from his saddle; |
|
The bugle calls in the ball-room, the gentlemen run
for their partners, the dancers bow to each other; |
|
The youth lies awake in the cedar-roof'd garret, and
harks to the musical rain; |
|
The Wolverine sets traps on the creek that helps fill the
Huron; |
|
The squaw, wrapt in her yellow-hemm'd cloth, is offer-
ing moccasins and bead-bags for sale; |
|
The connoisseur peers along the exhibition-gallery with
half-shut eyes bent sideways; |
|
As the deck-hands make fast the steamboat, the plank
is thrown for the shore-going passengers; |
|
The young sister holds out the skein, while the elder
sister winds it off in a ball, and stops now and then for the knots; |
|
The one-year wife is recovering and happy, having a
week ago borne her first child; |
|
The clean-hair'd Yankee girl works with her sewing-
machine, or in the factory or mill; |
|
The nine months' gone is in the parturition chamber,
her faintness and pains are advancing; |
|
The paving-man leans on his two-handed rammer—the
reporter's lead flies swiftly over the note-book— the sign-painter is lettering with red and gold; |
|
The canal-boy trots on the tow-path—the book-keeper
counts at his desk—the shoemaker waxes his thread; |
|
The conductor beats time for the band, and all the per-
formers follow him; |
|
The child is baptized—the convert is making his first
professions; |
|
The regatta is spread on the bay—the race is begun—
how the white sails sparkle! |
|
The drover, watching his drove, sings out to them that
would stray; |
|
The pedler sweats with his pack on his back, (the pur-
chaser higgling about the odd cent;) |
|
The camera and plate are prepared, the lady must sit
for her daguerreotype; |
|
The bride unrumples her white dress, the minute-hand
of the clock moves slowly; |
|
The opium-eater reclines with rigid head and just-
open'd lips; |
|
The prostitute draggles her shawl, her bonnet bobs on
her tipsy and pimpled neck; |
|
The crowd laugh at her blackguard oaths, the men jeer
and wink to each other; |
|
(Miserable! I do not laugh at your oaths, nor jeer
you;) |
|
The President, holding a cabinet council, is surrounded
by the Great Secretaries; |
|
On the piazza walk three matrons stately and friendly
with twined arms; |
|
The crew of the fish-smack pack repeated layers of hal-
ibut in the hold; |
|
The Missourian crosses the plains, toting his wares and
his cattle; |
|
As the fare-collector goes through the train, he gives
notice by the jingling of loose change; |
|
The floor-men are laying the floor—the tinners are
tinning the roof—the masons are calling for mortar; |
|
In single file, each shouldering his hod, pass onward
the laborers; |
|
Seasons pursuing each other, the indescribable crowd is
gather'd—it is the Fourth of Seventh-month— (What salutes of cannon and small arms!) |
|
Seasons pursuing each other, the plougher ploughs, the
mower mows, and the winter-grain falls in the ground; |
|
Off on the lakes the pike-fisher watches and waits by
the hole in the frozen surface; |
|
The stumps stand thick round the clearing, the squatter
strikes deep with his axe; |
|
Flatboatmen make fast, towards dusk, near the cotton-
wood or pekan-trees; |
|
Coon-seekers go through the regions of the Red river,
or through those drain'd by the Tennessee, or through those of the Arkansaw; |
|
Torches shine in the dark that hangs on the Chatta-
hooche or Altamahaw; |
|
Patriarchs sit at supper with sons and grandsons and
great-grandsons around them; |
|
In walls of adobie, in canvas tents, rest hunters and
trappers after their day's sport; |
| The city sleeps, and the country sleeps; |
|
The living sleep for their time, the dead sleep for their
time; |
|
The old husband sleeps by his wife, and the young hus-
band sleeps by his wife; |
|
And these one and all tend inward to me, and I tend
outward to them; |
| And such as it is to be of these, more or less, I am. |
|
78
I am of old and young, of the foolish as much as the
wise; |
| Regardless of others, ever regardful of others, |
| Maternal as well as paternal, a child as well as a man, |
|
Stuff'd with the stuff that is coarse, and stuff'd with the
stuff that is fine; |
|
One of the Great Nation, the nation of many nations,
the smallest the same, and the largest the same; |
|
A southerner soon as a northerner—a planter non-
chalant and hospitable, down by the Oconee I live; |
|
A Yankee, bound my own way, ready for trade, my
joints the limberest joints on earth, and the stern- est joints on earth; |
|
A Kentuckian, walking the vale of the Elkhorn, in my
deer-skin leggings—a Louisianian or Georgian; |
|
A boatman over lakes or bays, or along coasts—a
Hoosier, Badger, Buckeye; |
|
At home on Kanadian snow-shoes, or up in the bush, or
with fishermen off Newfoundland; |
|
At home in the fleet of ice-boats, sailing with the rest
and tacking; |
|
At home on the hills of Vermont; or in the woods of
Maine, or the Texan ranch; |
|
Comrade of Californians—comrade of free north-west-
erners, (loving their big proportions;) |
|
Comrade of raftsmen and coalmen—comrade of all who
shake hands and welcome to drink and meat; |
|
A learner with the simplest, a teacher of the thought-
fullest; |
|
A novice beginning, yet experient of myriads of sea-
sons; |
|
Of every hue and caste am I, of every rank and reli-
gion; |
| A farmer, mechanic, artist, gentleman, sailor, quaker; |
| A prisoner, fancy-man, rowdy, lawyer, physician, priest. |
| 79 I resist anything better than my own diversity; |
View Page 47 I breathe the air, but leave plenty after me, |
| And am not stuck up, and am in my place. |
| 80 (The moth and the fish-eggs are in their place; |
|
The suns I see, and the suns I cannot see, are in their
place; |
|
The, palpable is in its place, and the impalpable is in its
place.) |
|
81
These are the thoughts of all men in all ages and
lands—they are not original with me; |
|
If they are not yours as much as mine, they are nothing,
or next to nothing; |
|
If they are not the riddle, and the untying of the riddle,
they are nothing; |
|
If they are not just as close as they are distant, they are
nothing. |
|
82
This is the grass that grows wherever the land is, and
the water is; |
| This is the common air that bathes the globe. |
|
83
With music strong I come—with my cornets and my
drums, |
|
I play not marches for accepted victors only—I play
great marches for conquered and slain persons. |
| 84 Have you heard that it was good to gain the day? |
|
I also say it is good to fall—battles are lost in the same
spirit in which they are won. |
| 85 I beat and pound for the dead; |
|
I blow through my embouchures my loudest and gayest
for them. |
| 86 Vivas to those who have fail'd! |
| And to those whose war-vessels sank in the sea! |
| And to those themselves who sank in the sea! |
|
And to all generals that lost engagements! and all over-
come heroes! |
|
And the numberless unknown heroes, equal to the
greatest heroes known. |
|
87
This is the meal equally set—this is the meat for
natural hunger; |
|
It is for the wicked just the same as the righteous—I
make appointments with all; |
| I will not have a single person slighted or left away; |
| The kept-woman, sponger, thief, are hereby invited; |
|
The heavy-lipp'd slave is invited—the venerealee is in-
vited: |
| There shall be no difference between them and the rest. |
|
88
This is the press of a bashful hand—this is the float
and odor of hair; |
|
This is the touch of my lips to yours—this is the mur-
mur of yearning: |
|
This is the far-off depth and height reflecting my own
face; |
|
This is the thoughtful merge of myself, and the outlet
again. |
| 89 Do you guess I have some intricate purpose? |
|
Well, I have—for the Fourth-month showers have, and
the mica on the side of a rock has. |
| 90 Do you take it I would astonish? |
|
Does the daylight astonish? Does the early redstart,
twittering through the woods? |
| Do I astonish more than they? |
| 91 This hour I tell things in confidence; |
| I might not tell everybody, but I will tell you. |
| 92 Who goes there? hankering, gross, mystical, nude; |
| How is it I extract strength from the beef I eat? |
| 93 What is a man, anyhow? What am I? What are you? |
| 94 All I mark as my own, you shall offset it with your own; |
| Else it were time lost listening to me. |
| 95 I do not snivel that snivel the world over, |
|
That months are vacuums, and the ground but wallow
and filth; |
|
That life is a suck and a sell, and nothing remains at
the end but threadbare crape, and tears. |
|
96
Whimpering and truckling fold with powders for
invalids—conformity goes to the fourth-remov'd; |
| I wear my hat as I please, indoors or out. |
|
97
Why should I pray? Why should I venerate and be
ceremonious? |
|
98
Having pried through the strata, analyzed to a hair,
counsell'd with doctors, and calculated close, |
| I find no sweeter fat than sticks to my own bones. |
|
99
In all people I see myself—none more, and not one a
barley-corn less; |
| And the good or bad I say of myself, I say of them. |
| 100 And I know I am solid and sound; |
|
To me the converging objects of the universe perpetu-
ally flow; |
|
All are written to me, and I must get what the writing
means. |
| 101 I know I am deathless; |
|
I know this orbit of mine cannot be swept by the car-
penter's compass; |
|
I know I shall not pass like a child's carlacue cut with
a burnt stick at night. |
| 102 I know I am august; |
|
I do not trouble my spirit to vindicate itself or be
understood; |
| I see that the elementary laws never apologize; |
|
(I reckon I behave no prouder than the level I plant
my house by, after all.) |
| 103 I exist as I am—that is enough; |
| If no other in the world be aware, I sit content; |
| And if each and all be aware, I sit content; |
|
104
One world is aware, and by far the largest to me,
and that is myself; |
|
And whether I come to my own to-day, or in ten
thousand or ten million years, |
|
I can cheerfully take it now, or with equal cheerfulness
I can wait. |
| 105 My foothold is tenon'd and mortis'd in granite; |
| I laugh at what you call dissolution; |
| And I know the amplitude of time. |
| 106 I am the poet of the Body; |
| And I am the poet of the Soul. |
|
107
The pleasures of heaven are with me, and the pains
of hell are with me; |
|
The first I graft and increase upon myself—the latter I
translate into a new tongue. |
| 108 I am the poet of the woman the same as the man; |
| And I say it is as great to be a woman as to be a man; |
|
And I say there is nothing greater than the mother of
men. |
| 100 I chant the chant of dilation or pride; |
| We have had ducking and deprecating about enough; |
| I show that size is only development. |
|
110
Have you outstript the rest? Are you the Presi-
dent? |
|
It is a trifle—they will more than arrive there, every
one, and still pass on. |
|
111
I am he that walks with the tender and growing
night; |
| I call to the earth and sea, half-held by the night. |
|
112
Press close, bare-bosom'd night! Press close, mag-
netic, nourishing night! |
| Night of south winds! night of the large few stars! |
| Still, nodding night! mad, naked, summer night. |
| 113 Smile, O voluptuous, cool-breath'd earth! |
| Earth of the slumbering and liquid trees; |
|
Earth of departed sunset! earth of the mountains,
misty-topt! |
|
Earth of the vitreous pour of the full moon, just tinged
with blue! |
| Earth of shine and dark, mottling the tide of the river! |
|
Earth of the limpid gray of clouds, brighter and clearer
for my sake! |
|
Far-swooping elbow'd earth! rich, apple-blossom'd
earth! |
| Smile, for your lover comes! |
|
114
Prodigal, you have given me love! Therefore I to
you give love! |
| O unspeakable, passionate love! |
|
115
You sea! I resign myself to you also—I guess what
you mean; |
| I behold from the beach your crooked inviting fingers; |
| I believe you refuse to go back without feeling of me; |
|
We must have a turn together—I undress—hurry me
out of sight of the land; |
| Cushion me soft, rock me in billowy drowse; |
| Dash me with amorous wet—I can repay you. |
| 116 Sea of stretch'd ground-swells! |
View Page 52 Sea breathing broad and convulsive breaths! |
|
Sea of the brine of life! sea of unshovell'd yet always-
ready graves! |
|
Howler and scooper of storms! capricious and dainty
sea! |
|
I am integral with you—I too am of one phase, and of
all phases. |
|
117
Partaker of influx and efflux I—extoller of hate and
conciliation; |
|
Extoller of amies, and those that sleep in each others'
arms. |
| 118 I am he attesting sympathy; |
|
(Shall I make my list of things in the house, and skip
the house that supports them?) |
|
119
I am not the poet of goodness only—I do not decline
to be the poet of wickedness also. |
|
120
Washes and razors for foofoos—for me freckles and a
bristling beard. |
| 121 What blurt is this about virtue and about vice? |
|
Evil propels me, and reform of evil propels me—I stand
indifferent; |
| My gait is no fault-finder's or rejecter's gait; |
| I moisten the roots of all that has grown. |
|
122
Did you fear some scrofula out of the unflagging
pregnancy? |
|
Did you guess the celestial laws are yet to be work'd
over and rectified? |
|
123
I find one side a balance, and the antipodal side a
balance; |
| Soft doctrine as steady help as stable doctrine; |
|
Thoughts and deeds of the present, our rouse and early
start. |
|
124
This minute that comes to me over the past decil-
lions, |
| There is no better than it and now. |
|
125
What behaved well in the past, or behaves well to-
day, is not such a wonder; |
|
The wonder is, always and always, how there can be a
mean man or an infidel. |
| 126 Endless unfolding of words of ages! |
| And mine a word of the modern—the word En-Masse. |
| 127 A word of the faith that never balks; |
|
Here or henceforward, it is all the same to me—I
accept Time, absolutely. |
|
128
It alone is without flaw—it rounds and completes
all; |
|
That mystic, baffling wonder I love, alone completes
all. |
| 120 I accept reality, and dare not question it; |
| Materialism first and last imbuing. |
|
130
Hurrah for positive science! long live exact demon-
stration! |
|
Fetch stonecrop, mixt with cedar and branches of
lilac; |
|
This is the lexicographer—this the chemist—this made
a grammar of the old cartouches; |
|
These mariners put the ship through dangerous un-
known seas; |
|
This is the geologist—this works with the scalpel—and
this is a mathematician. |
| 131 Gentlemen! to you the first honors always: |
|
Your facts are useful and real—and yet they are not
my dwelling; |
| (I but enter by them to an area of my dwelling.) |
132
View Page 54 Less the reminders of properties told, my words; |
|
And more the reminders, they, of life untold, and of
freedom and extrication, |
|
And make short account of neuters and geldings, and
favor men and women fully equipt, |
|
And beat the gong of revolt, and stop with fugitives,
and them that plot and conspire. |
|
133
Walt Whitman am I, a Kosmos, of mighty Manhat-
tan the son, |
|
Turbulent, fleshy and sensual, eating, drinking and
breeding; |
|
No sentimentalist—no stander above men and women,
or apart from them; |
| No more modest than immodest. |
| 134 Unscrew the locks from the doors! |
| Unscrew the doors themselves from their jambs! |
| 135 Whoever degrades another degrades me; |
| And whatever is done or said returns at last to me. |
|
136
Through me the afflatus surging and surging—
through me the current and index. |
|
137
I speak the pass-word primeval—I give the sign of
democracy; |
|
By God! I will accept nothing which all cannot have
their counterpart of on the same terms. |
| 138 Through me many long dumb voices; |
| Voices of the interminable generations of slaves; |
| Voices of prostitutes, and of deform'd persons; |
|
Voices of the diseas'd and despairing, and of thieves
and dwarfs; |
| Voices of cycles of preparation and accretion, |
|
And of the threads that connect the stars—and of
wombs and of the father-stuff, |
| And of the rights of them the others are down upon; |
View Page 55 Of the trivial, flat, foolish, despised, |
| Fog in the air, beetles rolling balls of dung. |
| 139 Through me forbidden voices; |
|
Voices of sexes and lusts—voices veil'd, and I remove
the veil; |
| Voices indecent, by me clarified and transfigur'd. |
| 140 I do not press my fingers across my mouth; |
|
I keep as delicate around the bowels as around the
head and heart; |
| Copulation is no more rank to me than death is. |
| 141 I believe in the flesh and the appetites; |
|
Seeing, hearing, feeling, are miracles, and each part
and tag of me is a miracle. |
|
142
Divine am I inside and out, and I make holy what-
ever I touch or am touch'd from; |
| The scent of these arm-pits, aroma finer than prayer; |
|
This head more than churches, bibles, and all the
creeds. |
|
143
If I worship one thing more than another, it shall
be the spread of my own body, or any part of it. |
| 144 Translucent mould of me, it shall be you! |
| Shaded ledges and rests, it shall be you! |
| Firm masculine colter, it shall be you. |
| 145 Whatever goes to the tilth of me, it shall be you! |
|
You my rich blood! Your milky stream, pale strippings
of my life. |
|
146
Breast that presses against other breasts, it shall be
you! |
| My brain, it shall be your occult convolutions. |
|
147
Root of wash'd sweet flag! timorous pond-snipe!
nest of guarded duplicate eggs! it shall be you! |
|
Mix'd tussled hay of head, beard, brawn, it shall be
you! |
|
Trickling sap of maple! fibre of manly wheat! it shall
be you! |
| 148 Sun so generous, it shall be you! |
| Vapors lighting and shading my face, it shall be you! |
| You sweaty brooks and dews, it shall be you! |
|
Winds whose soft-tickling genitals rub against me, it
shall be you! |
|
Broad, muscular fields! branches of live oak! loving
lounger in my winding paths! it shall be you! |
|
Hands I have taken—face I have kiss'd—mortal I have
ever touch'd! it shall be you. |
|
149
I dote on myself—there is that lot of me, and all so
luscious; |
|
Each moment, and whatever happens, thrills me with
joy. |
| 150 O I am wonderful! |
|
I cannot tell how my ankles bend, nor whence the
cause of my faintest wish; |
|
Nor the cause of the friendship I emit, nor the cause
of the friendship I take again. |
|
151
That I walk up my stoop! I pause to consider if it
really be; |
|
A morning-glory at my window satisfies me more than
the metaphysics of books. |
| 152 To behold the day-break! |
|
The little light fades the immense and diaphanous
shadows; |
| The air tastes good to my palate. |
|
153
Hefts of the moving world, at innocent gambols,
silently rising, freshly exuding, |
| Scooting obliquely high and low. |
|
154
Something I cannot see puts upward libidinous
prongs; |
| Seas of bright juice suffuse heaven. |
|
155
The earth by the sky staid with—the daily close of
their junction; |
|
The heav'd challenge from the east that moment over
my head; |
|
The mocking taunt, See then whether you shall be
master! |
|
156
Dazzling and tremendous, how quick the sun-rise
would kill me, |
|
If I could not now and always send sun-rise out of
me. |
|
157
We also ascend, dazzling and tremendous as the
sun; |
|
We found our own, O my Soul, in the calm and cool
of the daybreak. |
| 158 My voice goes after what my eyes cannot reach; |
|
With the twirl of my tongue I encompass worlds, and
volumes of worlds. |
|
159
Speech is the twin of my vision—it is unequal to
measure itself; |
| It provokes me forever; |
|
It says sarcastically, Walt, you contain enough—why
don't you let it out, then? |
|
160
Come now, I will not be tantalized—you conceive
too much of articulation. |
|
161
Do you not know, O speech, how the buds beneath
you are folded? |
| Waiting in gloom, protected by frost; |
| The dirt receding before my prophetical screams; |
| I underlying causes, to balance them at last; |
|
My knowledge my live parts—it keeping tally with the
meaning of things, |
|
HAPPINESS—which, whoever hears me, let him or her set
out in search of this day. |
|
162
My final merit I refuse you—I refuse putting from
me what I really am; |
| Encompass worlds, but never try to encompass me; |
|
I crowd your sleekest and best by simply looking to-
ward you. |
| 163 Writing and talk do not prove me; |
|
I carry the plenum of proof, and everything else, in my
face; |
|
With the hush of my lips I wholly confound the skep-
tic. |
| 164 I think I will do nothing now but listen, |
|
To accrue what I hear into myself—to let sounds con-
tribute toward me. |
|
165
I hear bravuras of birds, bustle of growing wheat,
gossip of flames, clack of sticks cooking my meals; |
|
I hear the sound I love, the sound of the human
voice; |
|
I hear all sounds running together, combined, fused or
following; |
|
Sounds of the city, and sounds out of the city—sounds
of the day and night; |
|
Talkative young ones to those that like them—the loud
laugh of work-people at their meals; |
|
The angry base of disjointed friendship—the faint tones
of the sick; |
|
The judge with hands tight to the desk, his pallid lips
pronouncing a death-sentence; |
|
The heave'e'yo of stevedores unlading ships by the
wharves—the refrain of the anchor-lifters; |
|
The ring of alarm-bells—the cry of fire—the whirr of
swift-streaking engines and hose-carts, with pre- monitory tinkles, and color'd lights; |
|
The steam-whistle—the solid roll of the train of ap-
proaching cars; |
|
The slow-march play'd at the head of the association,
marching two and two; |
|
(They go to guard some corpse—the flag tops are
draped with black muslin.) |
|
166
I hear the violoncello, ('tis the young man's heart's
complaint;) |
|
I hear the key'd cornet—it glides quickly in through
my ears; |
|
It shakes mad-sweet pangs through my belly and
breast. |
| 167 I hear the chorus—it is a grand opera; |
| Ah, this indeed is music! This suits me. |
| 168 A tenor large and fresh as the creation fills me; |
|
The orbic flex of his mouth is pouring and filling me
full. |
|
169
I hear the train'd soprano—(what work, with hers,
is this?) |
| The orchestra whirls me wider than Uranus flies; |
|
It wrenches such ardors from me, I did not know I
possess'd them; |
|
It sails me—I dab with bare feet—they are lick'd by
the indolent waves; |
|
I am exposed, cut by bitter and angry hail—I lose my
breath, |
|
Steep'd amid honey'd morphine, my windpipe throt-
tled in fakes of death; |
| At length let up again to feel the puzzle of puzzles, |
| And that we call BEING. |
| 170 To be, in any form—what is that? |
|
(Round and round we go, all of us, and ever come back
thither;) |
|
If nothing lay more develop'd, the quahaug in its cal-
lous shell were enough. |
| 171 Mine is no callous shell; |
|
I have instant conductors all over me, whether I pass
or stop; |
|
They seize every object and lead it harmlessly through
me. |
|
172
I merely stir, press, feel with my fingers, and am
happy; |
|
To touch my person to some one else's is about as much
as I can stand. |
|
173
Is this then a touch? quivering me to a new iden-
tity, |
| Flames and ether making a rush for my veins, |
|
Treacherous tip of me reaching and crowding to help
them, |
|
My flesh and blood playing out lightning to strike what
is hardly different from myself; |
| On all sides prurient provokers stiffening my limbs, |
| Straining the udder of my heart for its withheld drip, |
| Behaving licentious toward me, taking no denial, |
| Depriving me of my best, as for a purpose, |
| Unbuttoning my clothes, holding me by the bare waist, |
|
Deluding my confusion with the calm of the sunlight
and pasture-fields, |
| Immodestly sliding the fellow-senses away, |
|
They bribed to swap off with touch, and go and graze
at the edges of me; |
|
No consideration, no regard for my draining strength
or my anger; |
|
Fetching the rest of the herd around to enjoy them a
while, |
|
Then all uniting to stand on a headland and worry
me. |
| 174 The sentries desert every other part of me; |
| They have left me helpless to a red marauder; |
|
They all come to the headland, to witness and assist
against me. |
| 175 I am given up by traitors; |
|
I talk wildly—I have lost my wits—I and nobody else
am the greatest traitor; |
|
I went myself first to the headland—my own hands car-
ried me there. |
|
176
You villain touch! what are you doing? My breath
is tight in its throat; |
| Unclench your floodgates! you are too much for me. |
|
177
Blind, loving, wrestling touch! sheath'd, hooded,
sharp tooth'd touch! |
| Did it make you ache so, leaving me? |
|
178
Parting, track'd by arriving—perpetual payment of
perpetual loan; |
|
Rich, showering rain, and recompense richer after-
ward. |
|
179
Sprouts take and accumulate—stand by the curb
prolific and vital: |
| Landscapes, projected, masculine, full-sized and golden. |
| 180 All truths wait in all things; |
| They neither hasten their own delivery, nor resist it; |
| They do not need the obstetric forceps of the surgeon; |
| The insignificant is as big to me as any; |
| (What is less or more than a touch?) |
181
View Page 62 Logic and sermons never convince; |
| The damp of the night drives deeper into my soul. |
|
182
Only what proves itself to every man and woman is
so; |
| Only what nobody denies is so. |
| 183 A minute and a drop of me settle my brain; |
|
I believe the soggy clods shall become lovers and
lamps, |
|
And a compend of compends is the meat of a man or
woman, |
|
And a summit and flower there is the feeling they have
for each other, |
|
And they are to branch boundlessly out of that lesson
until it becomes omnific, |
| And until every one shall delight us, and we them. |
|
184
I believe a leaf of grass is no less than the journey-
work of the stars, |
|
And the pismire is equally perfect, and a grain of sand,
and the egg of the wren, |
| And the tree-toad is a chef-d'uvre for the highest, |
|
And the running blackberry would adorn the parlors of
heaven, |
|
And the narrowest hinge in my hand puts to scorn all
machinery, |
|
And the cow crunching with depress'd head surpasses
any statue, |
|
And a mouse is miracle enough to stagger sextillions of
infidels, |
|
And I could come every afternoon of my life to look at
the farmer's girl boiling her iron tea-kettle and baking short-cake. |
|
185
I find I incorporate gneiss, coal, long-threaded moss,
fruits, grains, esculent roots, |
| And am stucco'd with quadrupeds and birds all over, |
|
And have distanced what is behind me for good rea-
sons, |
| And call anything close again, when I desire it. |
| 186 In vain the speeding or shyness; |
|
In vain the plutonic rocks send their old heat against
my approach; |
|
In vain the mastodon retreats beneath its own powder'd
bones; |
|
In vain objects stand leagues off, and assume manifold
shapes; |
|
In vain the ocean settling in hollows, and the great
monsters lying low; |
| In vain the buzzard houses herself with the sky; |
| In vain the snake slides through the creepers and logs; |
| In vain the elk takes to the inner passes of the woods; |
| In vain the razor-bill'd auk sails far north to Labrador; |
|
I follow quickly, I ascend to the nest in the fissure of
the cliff. |
|
187
I think I could turn and live with animals, they are
so placid and self-contain'd; |
| I stand and look at them long and long. |
| 188 They do not sweat and whine about their condition; |
|
They do not lie awake in the dark and weep for their
sins; |
| They do not make me sick discussing their duty to God; |
|
Not one is dissatisfied—not one is demented with the
mania of owning things; |
|
Not one kneels to another, nor to his kind that lived
thousands of years ago; |
|
Not one is respectable or industrious over the whole
earth. |
|
189
So they show their relations to me, and I accept
them; |
|
They bring me tokens of myself—they evince them
plainly in their possession. |
190
View Page 64 I wonder where they get those tokens: |
|
Did I pass that way huge times ago, and negligently
drop them? |
| Myself moving forward then and now and forever, |
| Gathering and showing more always and with velocity, |
|
Infinite and omnigenous, and the like of these among
them; |
|
Not too exclusive toward the reachers of my remem-
brancers; |
|
Picking out here one that I love, and now go with him
on brotherly terms. |
|
191
A gigantic beauty of a stallion, fresh and responsive
to my caresses, |
| Head high in the forehead, wide between the ears, |
| Limbs glossy and supple, tail dusting the ground, |
|
Eyes full of sparkling wickedness—ears finely cut, flex-
ibly moving. |
| 192 His nostrils dilate, as my heels embrace him; |
|
His well-built limbs tremble with pleasure, as we race
around and return. |
| 193 I but use you a moment, then I resign you, stallion; |
|
Why do I need your paces, when I myself out-gallop
them? |
| Even, as I stand or sit, passing faster than you. |
|
194
O swift wind! O space and time! now I see it is
true, what I guessed at; |
| What I guess'd when I loaf'd on the grass; |
| What I guess'd while I lay alone in my bed, |
|
And again as I walk'd the beach under the paling stars
of the morning. |
|
195
My ties and ballasts leave me—I travel—I sail—my
elbows rest in the sea-gaps; |
| I skirt the sierras—my palms cover continents; |
| I am afoot with my vision. |
|
196
By the city's quadrangular houses—in log huts—
camping with lumbermen; |
|
Along the ruts of the turnpike—along the dry gulch
and rivulet bed; |
|
Weeding my onion-patch, or hoeing rows of carrots and
parsnips—crossing savannas—trailing in forests; |
|
Prospecting—gold-digging—girdling the trees of a new
purchase; |
|
Scorch'd ankle-deep by the hot sand—hauling my boat
down the shallow river; |
|
Where the panther walks to and fro on a limb overhead
—where the buck turns furiously at the hunter; |
|
Where the rattlesnake suns his flabby length on a rock
—where the otter is feeding on fish; |
|
Where the alligator in his tough pimples sleeps by the
bayou; |
|
Where the black bear is searching for roots or honey—
where the beaver pats the mud with his paddle- shaped tail; |
|
Over the growing sugar—over the yellow-flower'd cotton
plant—over the rice in its low moist field; |
|
Over the shar-peak'd farm house, with its scallop'd
scum and slender shoots from the gutters; |
|
Over the western persimmon—over the long-leav'd corn
—over the delicate blue-flower flax; |
|
Over the white and brown buckwheat, a hummer and
buzzer there with the rest; |
|
Over the dusky green of the rye as it ripples and shades
in the breeze; |
|
Scaling mountains, pulling myself cautiously up, hold-
ing on by low scragged limbs; |
|
Walking the path worn in the grass, and beat through
the leaves of the brush; |
|
Where the quail is whistling betwixt the woods and the
wheat-lot; |
|
Where the bat flies in the Seventh-month eve—where
the great gold-bug drops through the dark; |
| Where flails keep time on the barn-floor; |
|
Where the brook puts out of the roots of the old tree
and flows to the meadow; |
|
Where cattle stand and shake away flies with the tremu-
lous shuddering of their hides; |
|
Where the cheese-cloth hangs in the kitchen—where
andirons straddle the hearth-slab—where cob- webs fall in festoons from the rafters; |
|
Where trip-hammers crash—where the press is whirling
its cylinders; |
|
Wherever the human heart beats with terrible throes
under its ribs; |
|
Where the pear-shaped balloon is floating aloft, (float-
ing in it myself, and looking composedly down;) |
|
Where the life-car is drawn on the slip-noose—where
the heat hatches pale-green eggs in the dented sand; |
|
Where the she-whale swims with her calf, and never
forsakes it; |
|
Where the steam-ship trails hind-ways its long pennant
of smoke; |
|
Where the fin of the shark cuts like a black chip out of
the water; |
|
Where the half-burn'd brig is riding on unknown cur-
rents, |
|
Where shells grow to her slimy deck—where the dead
are corrupting below; |
|
Where the dense-starr'd flag is borne at the head of
the regiments; |
|
Approaching Manhattan, up by the long-stretching
island; |
|
Under Niagara, the cataract falling like a veil over my
countenance; |
|
Upon a door-step—upon the horse-block of hard wood
outside; |
|
Upon the race-course, or enjoying picnics or jigs, or a
good game of base-ball; |
|
At he-festivals, with blackguard jibes, ironical license,
bull-dances, drinking, laughter; |
|
At the cider-mill, tasting the sweets of the brown
mash, sucking the juice through a straw; |
|
At apple-peelings, wanting kisses for all the red fruit I
find; |
|
At musters, beach-parties, friendly bees, huskings,
house-raisings: |
|
Where the mocking-bird sounds his delicious gurgles,
cackles, screams, weeps; |
|
Where the hay-rick stands in the barn-yard—where the
dry-stalks are scattered—where the brood-cow waits in the hovel; |
|
Where the bull advances to do his masculine work—
where the stud to the mare—where the cock is treading the hen; |
|
Where the heifers browse—where geese nip their food
with short jerks; |
|
Where sun-down shadows lengthen over the limitless
and lonesome prairie; |
|
Where herds of buffalo make a crawling spread of the
square miles far and near; |
|
Where the humming-bird shimmers—where the neck of
the long-lived swan is curving and winding; |
|
Where the laughing-gull scoots by the shore, where
she laughs her near-human laugh; |
|
Where bee-hives range on a gray bench in the garden,
half hid by the high weeds; |
|
Where band-neck'd partridges roost in a ring on the
ground with their heads out; |
|
Where burial coaches enter the arch'd gates of a
cemetery; |
|
Where winter wolves bark amidst wastes of snow and
icicled trees; |
|
Where the yellow-crowned heron comes to the edge of
the marsh at night and feeds upon small crabs; |
|
Where the splash of swimmers and divers cools the
warm noon; |
|
Where the katy-did works her chromatic reed on the
walnut-tree over the well: |
|
Through patches of citrons and cucumbers with silver-
wired leaves; |
|
Through the salt-lick or orange glade, or under conical
firs; |
|
Through the gymnasium—through the curtain'd saloon
—through the office or public hall; |
|
Pleas'd with the native, and pleas'd with the foreign—
pleas'd with the new and old; |
|
Pleas'd with women, the homely as well as the hand-
some; |
|
Pleas'd with the quakeress as she puts off her bonnet
and talks melodiously; |
|
Pleas'd with the tune of the choir of the white-wash'd
church; |
|
Pleas'd with the earnest words of the sweating Metho-
dist preacher, or any preacher—impress'd seri- ously at the camp-meeting: |
|
Looking in at the shop-windows of Broadway the
whole forenoon—flatting the flesh of my nose on the thick plate-glass; |
|
Wandering the same afternoon with my face turn'd up
to the clouds, |
|
My right and left arms round the sides of two friends,
and I in the middle: |
|
Coming home with the silent and dark-cheek'd bush-
boy—(behind me he rides at the drape of the day:) |
|
Far from the settlements, studying the print of animals'
feet, or the moccasin print; |
|
By the cot in the hospital, reaching lemonade to a
feverish patient; |
|
Nigh the coffin'd corpse when all is still, examining with
a candle: |
| Voyaging to every port, to dicker and adventure; |
|
Hurrying with the modern crowd, as eager and fickle
as any; |
|
Hot toward one I hate, ready in my madness to knife
him; |
|
Solitary at midnight in my back yard, my thoughts gone
from me a long while; |
|
Walking the old hills of Judea, with the beautiful gentle
God by my side; |
|
Speeding through space—speeding through heaven and
the stars; |
|
Speeding amid the seven satellites, and the broad ring,
and the diameter of eighty thousand miles; |
|
Speeding with tail'd meteors—throwing fire balls like
the rest; |
|
Carrying the crescent child that carries its own full
mother in its belly; |
| Storming, enjoying, planning, loving, cautioning, |
| Backing and filling, appearing and disappearing; |
| I tread day and night such roads. |
|
197
I visit the orchard of spheres, and look at the
product; |
|
And look at quintillions ripened, and look at quintillions
green. |
| 198 I fly the flight of the fluid and swallowing soul; |
| My course runs below the soundings of plummets. |
| 199 I help myself to material and immaterial; |
| No guard can shut me off, nor law prevent me. |
| 200 I anchor my ship for a little while only; |
|
My messengers continually cruise away, or bring their
returns to me. |
|
201
I go hunting polar furs and the seal—leaping chasms
with a pike-pointed staff—clinging to topples of brittle and blue. |
| 202 I ascend to the foretruck; |
| I take my place late at night in the crow's-nest; |
| We sail the arctic sea—it is plenty light enough; |
|
Through the clear atmosphere I stretch around on the
wonderful beauty; |
|
The enormous masses of ice pass me, and I pass them—
the scenery is plain in all directions; |
|
The white-topt mountains show in the distance—I fling
out my fancies towards them; |
|
(We are approaching some great battle-field in which
we are soon to be engaged; |
|
We pass the colossal outposts of the encampment—we
pass with still feet and caution; |
|
Or we are entering by the suburbs some vast and ruin'd
city; |
|
The blocks and fallen architecture more than all the
living cities of the globe.) |
|
203
I am a free companion—I bivouac by invading
watchfires. |
|
204
I turn the bridegroom out of bed, and stay with the
bride myself; |
| I tighten her all night to my thighs and lips. |
|
205
My voice is the wife's voice, the screech by the rail
of the stairs; |
| They fetch my man's body up, dripping and drown'd. |
| 206 I understand the large hearts of heroes, |
| The courage of present times and all times; |
|
How the skipper saw the crowded and rudderless wreck
of the steam-ship, and Death chasing it up and down the storm; |
|
How he knuckled tight, and gave not back one inch,
and was faithful of days and faithful of nights, |
|
And chalk'd in large letters, on a board, Be of good
cheer, we will not desert you : |
|
How he follow'd with them, and tack'd with them—and
would not give it up; |
| How he saved the drifting company at last: |
|
How the lank loose-gown'd women look'd when boated
from the side of their prepared graves; |
|
How the silent old-faced infants, and the lifted sick, and
the sharp-lipp'd unshaved men: |
|
All this I swallow—it tastes good—I like it well—it
becomes mine; |
| I am the man—I suffer'd—I was there. |
| 207 The disdain and calmness of olden martyrs; |
|
The mother, condemn'd for a witch, burnt with dry
wood, her children gazing on; |
|
The hounded slave that flags in the race, leans by the
fence, blowing, cover'd with sweat; |
|
The twinges that sting like needles his legs and neck—
the murderous buckshot and the bullets; |
| All these I feel, or am. |
|
208
I am the hounded slave, I wince at the bite of the
dogs, |
|
Hell and despair are upon me, crack and again crack
the marksmen; |
|
I clutch the rails of the fence, my gore dribs, thinn'd
with the ooze of my skin; |
| I fall on the weeds and stones; |
| The riders spur their unwilling horses, haul close, |
|
Taunt my dizzy ears, and beat me violently over the
head with whip-stocks. |
| 209 Agonies are one of my changes of garments; |
|
I do not ask the wounded person how he feels—I my-
self become the wounded person; |
|
My hurts turn livid upon me as I lean on a cane and
observe. |
| 210 I am the mash'd fireman with breast-bone broken; |
| Tumbling walls buried me in their debris; |
|
Heat and smoke I inspired—I heard the yelling shouts
of my comrades; |
| I heard the distant click of their picks and shovels; |
|
They have clear'd the beams away—they tenderly lift
me forth. |
|
211
I lie in the night air in my red shirt—the pervading
hush is for my sake; |
| Painless after all I lie, exhausted but not so unhappy; |
|
White and beautiful are the faces around me—the
heads are bared of their fire-caps; |
|
The kneeling crowd fades with the light of the
torches. |
| 212 Distant and dead resuscitate; |
|
They show as the dial or move as the hands of me—
I am the clock myself. |
|
213
I am an old artillerist—I tell of my fort's bombard-
ment; |
| I am there again. |
| 214 Again the long roll of the drummers; |
| Again the attacking cannon, mortars; |
| Again, to my listening ears, the cannon responsive. |
| 215 I take part—I see and hear the whole; |
|
The cries, curses, roar—the plaudits for well-aimed
shots; |
| The ambulanza slowly passing, trailing its red drip; |
|
Workmen searching after damages, making indispen-
sable repairs; |
|
The fall of grenades through the rent roof—the fan-
shaped explosion; |
|
The whizz of limbs, heads, stone, wood, iron, high in
the air. |
|
216
Again gurgles the mouth of my dying general—he
furiously waves with his hand; |
|
He gasps through the clot, Mind not me—mind—the
entrenchments . |
| 217 Now I tell what I knew in Texas in my early youth; |
| (I tell not the fall of Alamo, |
| Not one escaped to tell the fall of Alamo, |
| The hundred and fifty are dumb yet at Alamo;) |
|
'Tis the tale of the murder in cold blood of four hun-
dred and twelve young men. |
|
218
Retreating, they had form'd in a hollow square, with
their baggage for breastworks; |
|
Nine hundred lives out of the surrounding enemy's,
nine times their number, was the price they took in advance; |
|
Their colonel was wounded and their ammunition
gone; |
|
They treated for an honorable capitulation, receiv'd
writing and seal, gave up their arms, and march'd back prisoners of war. |
| 219 They were the glory of the race of rangers; |
| Matchless with horse, rifle, song, supper, courtship, |
|
Large, turbulent, generous, handsome, proud, and affec-
tionate, |
|
Bearded, sunburnt, drest in the free costume of hun-
ters, |
| Not a single one over thirty years of age. |
|
220
The second First-day morning they were brought
out in squads, and massacred—it was beautiful early summer; |
|
The work commenced about five o'clock, and was over
by eight. |
| 221 None obey'd the command to kneel; |
|
Some made a mad and helpless rush—some stood stark
and straight; |
|
A few fell at once, shot in the temple or heart—the liv-
ing and dead lay together; |
|
The maim'd and mangled dug in the dirt—the new-
comers saw them there; |
| Some, half-kill'd, attempted to crawl away; |
|
These were despatch'd with bayonets, or batter'd with
the blunts of muskets; |
|
A youth not seventeen years old seiz'd his assassin till
two more came to release him; |
|
The three were all torn, and cover'd with the boy's
blood. |
| 222 At eleven o'clock began the burning of the bodies: |
|
That is the tale of the murder of the four hundred and
twelve young men. |
| 223 Would you hear of an old-fashion'd sea-fight? |
|
Would you learn who won by the light of the moon and
stars? |
|
List to the story as my grandmother's father, the sailor,
told it to me. |
| 224 Our foe was no skulk in his ship, I tell you, (said he;) |
|
His was the surly English pluck—and there is no
tougher or truer, and never was, and never will be; |
| Along the lower'd eve he came, horribly raking us. |
|
225
We closed with him—the yards entangled—the can-
non touch'd; |
| My captain lash'd fast with his own hands. |
|
226
We had receiv'd some eighteen pound shots under
the water; |
|
On our lower-gun-deck two large pieces had burst at
the first fire, killing all around, and blowing up overhead. |
| 227 Fighting at sun-down, fighting at dark; |
|
Ten o'clock at night, the full moon well up, our leaks
on the gain, and five feet of water reported; |
|
The master-at-arms loosing the prisoners confined in
the after-hold, to give them a chance for them- selves. |
|
228
The transit to and from the magazine is now stopt
by the sentinels, |
|
They see so many strange faces, they do not know whom
to trust. |
| 229 Our frigate takes fire; |
| The other asks if we demand quarter? |
| If our colors are struck, and the fighting is done? |
|
230
Now I laugh content, for I hear the voice of my little
captain, |
|
We have not struck, he composedly cries, we have just
begun our part of the fighting . |
| 231 Only three guns are in use; |
|
One is directed by the captain himself against the ene-
my's main-mast; |
|
Two, well served with grape and canister, silence his
musketry and clear his decks. |
|
232
The tops alone second the fire of this little battery,
especially the main-top; |
| They hold out bravely during the whole of the action. |
| 233 Not a moment's cease; |
|
The leaks again fast on the pumps—the fire eats toward
the powder-magazine. |
|
234
One of the pumps has been shot away—it is gene-
rally thought we are sinking. |
| 235 Serene stands the little captain; |
| He is not hurried—his voice is neither high nor low; |
|
His eyes give more light to us than our battle-lan-
terns. |
|
236
Toward twelve at night, there in the beams of the
moon, they surrender to us. |
| 237 Stretch'd and still lies the midnight; |
|
Two great hulls motionless on the breast of the dark-
ness; |
|
Our vessel riddled and slowly sinking—preparations to
pass to the one we have conquer'd; |
|
The captain on the quarter-deck coldly giving his orders
through a countenance white as a sheet; |
|
Near by, the corpse of the child that serv'd in the
cabin; |
|
The dead face of an old salt with long white hair and
carefully curl'd whiskers; |
|
The flames, spite of all that can be done, flickering
aloft and below; |
|
The husky voices of the two or three officers yet fit for
duty; |
|
Formless stacks of bodies, and bodies by themselves—
dabs of flesh upon the masts and spars, |
|
Cut of cordage, dangle of rigging, slight shock of the
soothe of waves, |
|
Black and impassive guns, litter of powder-parcels,
strong scent, |
|
Delicate sniffs of sea-breeze, smells of sedgy grass and
fields by the shore, death-messages given in charge to survivors, |
|
The hiss of the surgeon's knife, the gnawing teeth of
his saw, |
|
Wheeze, cluck, swash of falling blood, short wild
scream, and long, dull, tapering groan; |
| These so—these irretrievable. |
| 238 O Christ! This is mastering me! |
| In at the conquer'd doors they crowd. I am possess'd. |
| 239 I embody all presences outlaw'd or suffering; |
| See myself in prison shaped like another man, |
| And feel the dull unintermitted pain. |
|
240
For me the keepers of convicts shoulder their car-
bines and keep watch; |
| It is I let out in the morning, and barr'd at night. |
|
241
Not a mutineer walks handcuff'd to jail, but I am
handcuff'd to him and walk by his side; |
|
(I am less the jolly one there, and more the silent one,
with sweat on my twitching lips.) |
|
242
Not a youngster is taken for larceny, but I go up
too, and am tried and sentenced. |
|
243
Not a cholera patient lies at the last gasp, but I also
lie at the last gasp; |
|
My face is ash-color'd—my sinews gnarl—away from me
people retreat. |
|
244
Askers embody themselves in me, and I am embo-
died in them; |
| I project my hat, sit shame-faced, and beg. |
| 245 Enough! enough! enough! |
| Somehow I have been stunn'd, Stand back! |
|
Give me a little time beyond my cuff'd head, slumbers,
dreams, gaping; |
| I discover myself on the verge of a usual mistake. |
| 246 That I could forget the mockers and insults! |
|
That I could forget the trickling tears, and the blows
of the bludgeons and hammers! |
|
That I could look with a separate look on my own cru-
cifixion and bloody crowning. |
| 247 I remember now; |
| I resume the overstaid fraction; |
|
The grave of rock multiplies what has been confided to
it, or to any graves; |
| Corpses rise, gashes heal, fastenings roll from me. |
|
248
I troop forth replenish'd with supreme power, one
of an average unending procession; |
|
Inland and sea-coast we go, and we pass all boundary
lines; |
|
Our swift ordinances on their way over the whole
earth; |
|
The blossoms we wear in our hats the growth of thou-
sands of years. |
| 249 Eleves, I salute you! come forward! |
| Continue your annotations, continue your questionings. |
| 250 The friendly and flowing savage, Who is he? |
|
Is he waiting for civilization, or past it, and master-
ing it? |
|
251
Is he some south-westerner, raised out-doors? Is he
Kanadian? |
|
Is he from the Mississippi country? Iowa, Oregon,
California? the mountains? prairie-life, bush- life? or from the sea? |
|
252
Wherever he goes, men and women accept and de-
sire him; |
|
They desire he should like them, touch them, speak to
them, stay with them. |
|
253
Behavior lawless as snow-flakes, words simple as
grass, uncomb'd head, laughter, and naivete, |
|
Slow-stepping feet, common features, common modes
emanations; |
| They descend in new forms from the tips of his fingers; |
|
They are wafted with the odor of his body or breath—
they fly out of the glance of his eyes. |
|
254
Flaunt of the sunshine, I need not your bask,—lie
over! |
|
You light surfaces only—I force surfaces and depths
also. |
| 255 Earth! you seem to look for something at my hands; |
| Say, old Top-knot! what do you want? |
|
256
Man or woman! I might tell how I like you, but
cannot; |
|
And might tell what it is in me, and what it is in you,
but cannot; |
|
And might tell that pining I have—that pulse of my
nights and days. |
| 257 Behold! I do not give lectures, or a little charity; |
| When I give, I give myself. |
| 258 You there, impotent, loose in the knees! |
| Open your scarf'd chops till I blow grit within you; |
| Spread your palms, and lift the flaps of your pockets; |
|
I am not to be denied—I compel—I have stores? plenty
and to spare; |
| And anything I have I bestow. |
|
259
I do not ask who you are—that is not so important
to me; |
|
You can do nothing, and be nothing, but what I will
infold you. |
| 260 To cotton-field drudge or cleaner of privies I lean; |
| On his right cheek I put the family kiss, |
| And in my soul I swear, I never will deny him. |
|
261
On women fit for conception I start bigger and
nimbler babes; |
|
(This day I am jetting the stuff of far more arrogant
republics.) |
|
262
To any one dying—thither I speed, and twist the
knob of the door; |
| Turn the bed-clothes toward the foot of the bed; |
| Let the physician and the priest go home. |
|
263
I seize the descending man, and raise him with re-
sistless will. |
| 264 O despairer, here is my neck; |
|
By God! you shall not go down! Hang your whole
weight upon me. |
|
265
I dilate you with tremendous breath—I buoy you
up; |
| Every room of the house do I fill with an arm'd force, |
| Lovers of me, bafflers of graves. |
| 266 Sleep! I and they keep guard all night; |
|
Not doubt—not decease shall dare to lay finger upon
you; |
|
I have embraced you, and henceforth possess you to
myself; |
|
And when you rise in the mornng you will find what I
tell you is so. |
|
267
I am he bringing help for the sick as they pant on
their backs; |
|
And for strong upright men I bring yet more needed
help. |
| 268 I heard what was said of the universe; |
| Heard it and heard it of several thousand years: |
| It is middling well as far as it goes,—But is that all? |
| 269 Magnifying and applying come I, |
| Outbidding at the start the old cautious hucksters, |
| Taking myself the exact dimensions of Jehovah, |
|
Lithographing Kronos, Zeus his son, and Hercules his
grandson; |
| Buying drafts of Osiris, Isis, Belus, Brahma, Buddha, |
|
In my portfolio placing Manito loose, Allah on a leaf,
the crucifix engraved, |
|
With Odin, and the hideous-faced Mexitli, and every
idol and image; |
|
Taking them all for what they are worth, and not a cent
more; |
|
Admitting they were alive and did the work of their
days; |
|
(They bore mites, as for unfledg'd birds, who have now
to rise and fly and sing for themselves;) |
|
Accepting the rough deific sketches to fill out better in
myself—bestowing them freely on each man and woman I see; |
|
Discovering as much, or more, in a framer framing a
house; |
|
Putting higher claims for him there with his roll'd-up
sleeves, driving the mallet and chisel; |
|
Not objecting to special revelations—considering a curl
of smoke, or a hair on the back of my hand, just as curious as any revelation; |
|
Lads ahold of fire-engines and hook-and-ladder ropes
no less to me than the Gods of the antique wars; |
|
Minding their voices peal through the crash of destruc-
tion, |
|
Their brawny limbs passing safe over charr'd laths—
their white foreheads whole and unhurt out of the flames: |
|
By the mechanic's wife with her babe at her nipple in-
terceding for every person born; |
|
Three scythes at harvest whizzing in a row from three
lusty angels with shirts bagg'd out at their waists; |
|
The snag-tooth'd hostler with red hair redeeming sins
past and to come, |
|
Selling all he possesses, traveling on foot to fee lawyers
for his brother, and sit by him while he is tried for forgery; |
|
What was strewn in the amplest strewing the square
rod about me, and not filling the square rod then; |
| The bull and the bug never worship'd half enough; |
| Dung and dirt more admirable than was dream'd; |
|
The supernatural of no account—myself waiting my
time to be one of the Supremes; |
|
The day getting ready for me when I shall do as much
good as the best, and be as prodigious: |
| By my life-lumps! becoming already a creator; |
|
Putting myself here and now to the ambush'd womb of
the shadows. |
| 270 A call in the midst of the crowd; |
| My own voice, orotund, sweeping, and final. |
| 271 Come my children; |
|
Come my boys and girls, my women, household, and
intimates; |
|
Now the performer launches his nerve—he has pass'd
his prelude on the reeds within. |
|
272
Easily written, loose-finger'd chords! I feel the thrum
of your climax and close. |