| COME up from the fields father, here's a letter from our Pete, |
|
And come to the front door mother, here's a letter from thy dear
son. |
| Lo, 'tis autumn, |
| Lo, where the trees, deeper green, yellower and redder, |
|
Cool and sweeten Ohio's villages with leaves fluttering in the
moderate wind, |
|
Where apples ripe in the orchards hang and grapes on the trellis'd
vines, |
| (Smell you the smell of the grapes on the vines? |
| Smell you the buckwheat where the bees were lately buzzing?) |
|
Above all, lo, the sky so calm, so transparent after the rain, and
with wondrous clouds, |
|
Below too, all calm, all vital and beautiful, and the farm prospers
well. |
| Down in the fields all prospers well, |
| But now from the fields come father, come at the daughter's call, |
| And come to the entry mother, to the front door come right away. |
|
Fast as she can she hurries, something ominous, her steps
trembling, |
| She does not tarry to smooth her hair nor adjust her cap. |
| Open the envelope quickly, |
| O this is not our son's writing, yet his name is sign'd, |
| O a strange hand writes for our dear son, O stricken mother's soul! |
|
All swims before her eyes, flashes with black, she catches the main
words only, |
|
Sentences broken, gunshot wound in the breast, cavalry skirmish,
taken to hospital, |
| At present low, but will soon be better. |
| Ah now the single figure to me, |
| Amid all teeming and wealthy Ohio with all its cities and farms, |
| Sickly white in the face and dull in the head, very faint, |
| By the jamb of a door leans. |
|
Grieve not so, dear mother, (the just-grown daughter speaks
through her sobs, |
| The little sisters huddle around speechless and dismay'd,) |
| See, dearest mother, the letter says Pete will soon be better. |
|
Alas poor boy, he will never be better, (nor may-be needs to be
better, that brave and simple soul,) |
| While they stand at home at the door he is dead already, |
| The only son is dead. |
| But the mother needs to be better, |
| She with thin form presently drest in black, |
|
By day her meals untouch'd, then at night fitfully sleeping, often
waking, |
| In the midnight waking, weeping, longing with one deep longing, |
|
O that she might withdraw unnoticed, silent from life escape and
withdraw, |
| To follow, to seek, to be with her dear dead son. |